-
1
-
-
33748469486
-
Dynamic melodic expectancy
-
PhD dissertation. The Ohio State University
-
Aarden, B. (2003) Dynamic melodic expectancy. PhD dissertation. The Ohio State University.
-
(2003)
-
-
Aarden, B.1
-
2
-
-
84921691722
-
The use of improvisation assessment profiles (IAPs) and RepGrid in microanalysis of clinical music improvisation
-
T. Wosch and T. Wigram (eds), London: Jessica Kingsley
-
Abrams, B. (2007) The use of improvisation assessment profiles (IAPs) and RepGrid in microanalysis of clinical music improvisation. In: T. Wosch and T. Wigram (eds) Microanalysis in Music Therapy: Methods, Techniques and Applications for Clinicians, Researchers, Educators and Students. London: Jessica Kingsley, pp. 92-103.
-
(2007)
Microanalysis in Music Therapy: Methods, Techniques and Applications for Clinicians, Researchers, Educators and Students
, pp. 92-103
-
-
Abrams, B.1
-
3
-
-
33749475048
-
Melodic contour typology
-
Adams, C. (1976) Melodic contour typology. Ethnomusicology, 20(2), 179-215.
-
(1976)
Ethnomusicology
, vol.20
, Issue.2
, pp. 179-215
-
-
Adams, C.1
-
4
-
-
0004100437
-
-
2nd edn. Cambridge, MA:Harvard University Press
-
Apel, W. (1969) (ed.) The Harvard Dictionary of Music, 2nd edn. Cambridge, MA:Harvard University Press.
-
(1969)
The Harvard Dictionary of Music
-
-
Apel, W.1
-
5
-
-
84922962929
-
From the mouths of babes... and moms - an analysis of motherchild interaction: focus on mothers questions
-
Aspeli-Castro, M. (2002) From the mouths of babes... and moms - an analysis of motherchild interaction: focus on mothers questions. Humanities Diliman, 3(1), 1-38.
-
(2002)
Humanities Diliman
, vol.3
, Issue.1
, pp. 1-38
-
-
Aspeli-Castro, M.1
-
6
-
-
0141642016
-
It takes two to mimic: behavioral consequences of self-construals
-
Baaren, R., Maddux, W., Chartrand, T., de Bouter, C, and van Knippenberg, A. (2003) It takes two to mimic: behavioral consequences of self-construals. Journal of Personality and Social Psychology, 84(5), 1093-102.
-
(2003)
Journal of Personality and Social Psychology
, vol.84
, Issue.5
, pp. 1093-1102
-
-
Baaren, R.1
Maddux, W.2
Chartrand, T.3
de Bouter, C.4
van Knippenberg, A.5
-
7
-
-
53949087152
-
Who cares if you listen?
-
Babbitt, M. (1958) Who cares if you listen?. High Fidelity, 8(2), 38-40.
-
(1958)
High Fidelity
, vol.8
, Issue.2
, pp. 38-40
-
-
Babbitt, M.1
-
8
-
-
0002120254
-
A cross-cultural investigation of the perception of emotion in music: psychophysical and cultural cues
-
Balkwill, L.-L. and Thompson, W. (1999) A cross-cultural investigation of the perception of emotion in music: psychophysical and cultural cues. Music Perception, 17(1), 43-64.
-
(1999)
Music Perception
, vol.17
, Issue.1
, pp. 43-64
-
-
Balkwill, L.-L.1
Thompson, W.2
-
10
-
-
0037521587
-
The pitch set as a level of description for studying musical pitch perception
-
M. Clynes (ed.), New York: Plenum Press
-
Balzano, G. (1982) The pitch set as a level of description for studying musical pitch perception. In: M. Clynes (ed.) Music, Mind, and Brain: the Neuropsychology of Music. New York: Plenum Press, pp. 321-51.
-
(1982)
Music, Mind, and Brain: the Neuropsychology of Music
, pp. 321-351
-
-
Balzano, G.1
-
13
-
-
84923058439
-
The problem of new music
-
B. Suchoff (ed.), London: Faber and Faber
-
Bartók, B. (1920/1976) The problem of new music. In: B. Suchoff (ed.) Béla Bartók Essays. London: Faber and Faber, pp. 455-9.
-
(1920)
Béla Bartók Essays
, pp. 455-459
-
-
Bartók, B.1
-
14
-
-
0034043290
-
The neurocognitive profile of Williams syndrome: a complex pattern of strengths and weaknesses
-
Bellugi, U., Lichtenberger, L., Jones, W., Lai, Z., and St George, M. (2000) The neurocognitive profile of Williams syndrome: a complex pattern of strengths and weaknesses. Journal of Cognitive Neuroscience, 12(1), 7-29.
-
(2000)
Journal of Cognitive Neuroscience
, vol.12
, Issue.1
, pp. 7-29
-
-
Bellugi, U.1
Lichtenberger, L.2
Jones, W.3
Lai, Z.4
St George, M.5
-
18
-
-
33749601525
-
-
2nd edn. Englewood Cliffs, NJ: Prentice-Hall
-
Berry, W. (1986) Form in Music, 2nd edn. Englewood Cliffs, NJ: Prentice-Hall.
-
(1986)
Form in Music
-
-
Berry, W.1
-
19
-
-
0001277340
-
A cognitive theory of emotion and aesthetics in music
-
Bever, T. (1988) A cognitive theory of emotion and aesthetics in music. Psychomusicology, 7(2), 165-75.
-
(1988)
Psychomusicology
, vol.7
, Issue.2
, pp. 165-175
-
-
Bever, T.1
-
20
-
-
84968265167
-
Music cognition and perceptual facilitation: a connectionist framework
-
Bharucha, J. (1987) Music cognition and perceptual facilitation: a connectionist framework. Music Perception, 5(1), 1-30.
-
(1987)
Music Perception
, vol.5
, Issue.1
, pp. 1-30
-
-
Bharucha, J.1
-
21
-
-
0038948835
-
Tonality and expectation
-
R. Aiello and J. Sloboda (eds), New York: Oxford University Press
-
Bharucha, J. (1994) Tonality and expectation. In: R. Aiello and J. Sloboda (eds) Musical Perceptions. New York: Oxford University Press, pp. 213-39.
-
(1994)
Musical Perceptions
, pp. 213-239
-
-
Bharucha, J.1
-
22
-
-
0002233743
-
Neural nets, temporal composites, and tonality
-
D. Deutsch (ed.), 2nd edn. New York: Academic Press
-
Bharucha, J. (1999) Neural nets, temporal composites, and tonality. In: D. Deutsch (ed.) The Psychology of Music, 2nd edn. New York: Academic Press, pp. 413-40.
-
(1999)
The Psychology of Music
, pp. 413-440
-
-
Bharucha, J.1
-
23
-
-
0023353309
-
Priming of chords: spreading activation or overlapping frequency spectra?
-
Bharucha, J. and Stoeckig, K. (1987) Priming of chords: spreading activation or overlapping frequency spectra? Perception and Psychophysics, 41(6), 519-24.
-
(1987)
Perception and Psychophysics
, vol.41
, Issue.6
, pp. 519-524
-
-
Bharucha, J.1
Stoeckig, K.2
-
24
-
-
0031241549
-
Global context effects on musical expectancy
-
Bigand, E. and Pineau, M. (1997) Global context effects on musical expectancy. Perception and Psychophysics, 59(7), 1098-107.
-
(1997)
Perception and Psychophysics
, vol.59
, Issue.7
, pp. 1098-1107
-
-
Bigand, E.1
Pineau, M.2
-
25
-
-
0004237412
-
-
2nd edn. London: Routledge
-
Boden, M. (2004) The Creative Mind, 2nd edn. London: Routledge.
-
(2004)
The Creative Mind
-
-
Boden, M.1
-
27
-
-
33645028790
-
-
(trans. S. Bradshaw and R.R. Bennett). London: Faber and Faber
-
Boulez, P. (1963/1971) Boulez on Music Today (trans. S. Bradshaw and R.R. Bennett). London: Faber and Faber.
-
(1963)
Boulez on Music Today
-
-
Boulez, P.1
-
29
-
-
84968210818
-
Musical and temporal influences on key discovery
-
Brown, H., Butler, D., and Jones, M. (1994) Musical and temporal influences on key discovery. Music Perception, 11(4), 371-407.
-
(1994)
Music Perception
, vol.11
, Issue.4
, pp. 371-407
-
-
Brown, H.1
Butler, D.2
Jones, M.3
-
30
-
-
84968148898
-
The perception of contemporary pitch structures
-
Bruner, C. (1984) The perception of contemporary pitch structures. Music Perception, 2(1), 25-39.
-
(1984)
Music Perception
, vol.2
, Issue.1
, pp. 25-39
-
-
Bruner, C.1
-
32
-
-
84922966017
-
Practicalities and basic principles of music therapy
-
L. Bunt and S. Hoskyns (eds), Hove, East Sussex:Brunner-Routledge
-
Bunt, L. and Hoskyns, S. (2002) Practicalities and basic principles of music therapy. In: L. Bunt and S. Hoskyns (eds) The Handbook of Music Therapy. Hove, East Sussex:Brunner-Routledge, pp. 27-52.
-
(2002)
The Handbook of Music Therapy
, pp. 27-52
-
-
Bunt, L.1
Hoskyns, S.2
-
33
-
-
33745594576
-
Speaking the others language: imitation as a gateway to relationship
-
Caldwell, P. (2006) Speaking the others language: imitation as a gateway to relationship. Infant and Child Development, 15(3), 275-82.
-
(2006)
Infant and Child Development
, vol.15
, Issue.3
, pp. 275-282
-
-
Caldwell, P.1
-
34
-
-
0039633350
-
A preliminary study of perceptual expectancy in melodic configurations
-
Carlsen, J., Divenyi, P., and Taylor, J. (1970) A preliminary study of perceptual expectancy in melodic configurations. Council for Research in Music Education Bulletin, 22(1), 4-12.
-
(1970)
Council for Research in Music Education Bulletin
, vol.22
, Issue.1
, pp. 4-12
-
-
Carlsen, J.1
Divenyi, P.2
Taylor, J.3
-
35
-
-
34047196837
-
Learning Clair de Lune: Retrieval practice and expert memorization
-
Chaffin, R. (2007) Learning Clair de Lune: Retrieval practice and expert memorization. Music Perception, 24(4), 377-93.
-
(2007)
Music Perception
, vol.24
, Issue.4
, pp. 377-393
-
-
Chaffin, R.1
-
36
-
-
0001222065
-
Pulling teeth and torture: musical memory and problem solving
-
Chaffin, R. and Imreh, G. (1997) Pulling teeth and torture: musical memory and problem solving. Thinking and Reasoning, 3(4), 315-36.
-
(1997)
Thinking and Reasoning
, vol.3
, Issue.4
, pp. 315-336
-
-
Chaffin, R.1
Imreh, G.2
-
37
-
-
0001665059
-
Case study of a musical "monosavant": a cognitive-psychological focus
-
L. Obler and D. Fein (eds), New York: Guilford Press
-
Charness, N., Clifton, X., and MacDonald, L. (1988) Case study of a musical "monosavant": a cognitive-psychological focus. In: L. Obler and D. Fein (eds) The Exceptional Brain: Neuropsychology of Talent and Special Abilities. New York: Guilford Press, pp. 277-93.
-
(1988)
The Exceptional Brain: Neuropsychology of Talent and Special Abilities
, pp. 277-293
-
-
Charness, N.1
Clifton, X.2
MacDonald, L.3
-
38
-
-
84878540780
-
-
Cambridge, MA: Harvard University Press
-
Chávez, C. (1961) Musical Thought. Cambridge, MA: Harvard University Press.
-
(1961)
Musical Thought
-
-
Chávez, C.1
-
39
-
-
84921637157
-
Musical behaviours and development of children and young people with complex needs: three longitudinal case studies
-
Unpublished PhD thesis. Institute of Education, University of London
-
Cheng, E. (2010) Musical behaviours and development of children and young people with complex needs: three longitudinal case studies. Unpublished PhD thesis. Institute of Education, University of London.
-
(2010)
-
-
Cheng, E.1
-
40
-
-
84921674031
-
Researching and developing music provision in special schools in England for children and young people with complex needs
-
Cheng, E., Ockelford, A., and Welch, G. (2009) Researching and developing music provision in special schools in England for children and young people with complex needs. Australian Journal of Music Education. 2009(2), 27-48.
-
(2009)
Australian Journal of Music Education
, vol.2009
, Issue.2
, pp. 27-48
-
-
Cheng, E.1
Ockelford, A.2
Welch, G.3
-
43
-
-
84970393138
-
Effects of mental practice, physical practice, and knowledge of results on piano performance
-
Coffman, D. (1990) Effects of mental practice, physical practice, and knowledge of results on piano performance. Journal of Research in Music Education, 38(3), 187-96.
-
(1990)
Journal of Research in Music Education
, vol.38
, Issue.3
, pp. 187-196
-
-
Coffman, D.1
-
44
-
-
0026299956
-
Tonality and perception: musical scales primed by excerpts from The Well-Tempered Clavier of J. S. Bach
-
Cohen, A. (1991) Tonality and perception: musical scales primed by excerpts from The Well-Tempered Clavier of J. S. Bach. Psychological Research, 53(4), 305-14.
-
(1991)
Psychological Research
, vol.53
, Issue.4
, pp. 305-314
-
-
Cohen, A.1
-
45
-
-
85056005347
-
Information theory and music
-
Cohen, J. (1962) Information theory and music. Behavioral Science, 7(2), 137-63.
-
(1962)
Behavioral Science
, vol.7
, Issue.2
, pp. 137-163
-
-
Cohen, J.1
-
46
-
-
33749867240
-
On derivation: syntax and rhetoric
-
Cone, E. (1987) On derivation: syntax and rhetoric. Music Analysis, 6(3), 237-55.
-
(1987)
Music Analysis
, vol.6
, Issue.3
, pp. 237-255
-
-
Cone, E.1
-
47
-
-
59649105958
-
Mental skills training
-
A. Williamon (ed.), Oxford: Oxford University Press
-
Connolly, C. and Williamon, A. (2004) Mental skills training. In: A. Williamon (ed.) Musical Excellence. Oxford: Oxford University Press, pp. 221-45.
-
(2004)
Musical Excellence
, pp. 221-245
-
-
Connolly, C.1
Williamon, A.2
-
48
-
-
33744898849
-
Theorizing musical meaning
-
Cook, N. (2001) Theorizing musical meaning. Music Theory Spectrum, 23(2), 170-95.
-
(2001)
Music Theory Spectrum
, vol.23
, Issue.2
, pp. 170-195
-
-
Cook, N.1
-
49
-
-
0039086742
-
Information as a measure of structure in music
-
Coons, E. and Kraehenbuehl, D. (1958) Information as a measure of structure in music. Journal of Music Theory, 2(2), 127-61.
-
(1958)
Journal of Music Theory
, vol.2
, Issue.2
, pp. 127-161
-
-
Coons, E.1
Kraehenbuehl, D.2
-
50
-
-
0002650458
-
String-matching techniques for musical similarity and melodic recognition
-
W. Hewlett and E. Selfridge-Field (eds), Cambridge, MA: MIT Press
-
Crawford, T., Iliopoulos, C., and Raman, R. (1998) String-matching techniques for musical similarity and melodic recognition. In: W. Hewlett and E. Selfridge-Field (eds) Melodic Similarity: Concepts, Procedures and Applications. Cambridge, MA: MIT Press, pp. 73-100.
-
(1998)
Melodic Similarity: Concepts, Procedures and Applications
, pp. 73-100
-
-
Crawford, T.1
Iliopoulos, C.2
Raman, R.3
-
51
-
-
33847732049
-
Review of The Analysis and Cognition of Melodic Complexity by Eugene Narmour
-
Cross, I. (1995) Review of The Analysis and Cognition of Melodic Complexity by Eugene Narmour. Music Perception, 12(4), 486-509.
-
(1995)
Music Perception
, vol.12
, Issue.4
, pp. 486-509
-
-
Cross, I.1
-
52
-
-
39749155215
-
Music analysis and music perception
-
Cross, I. (1998) Music analysis and music perception. Music Analysis, 17(1), 3-20.
-
(1998)
Music Analysis
, vol.17
, Issue.1
, pp. 3-20
-
-
Cross, I.1
-
53
-
-
33845894008
-
Music and meaning, ambiguity and evolution
-
D. Miell, R. MacDonald, and D. Hargreaves (eds), Oxford: Oxford University Press
-
Cross, I. (2005) Music and meaning, ambiguity and evolution. In: D. Miell, R. MacDonald, and D. Hargreaves (eds), Musical Communication. Oxford: Oxford University Press, pp. 27-43.
-
(2005)
Musical Communication
, pp. 27-43
-
-
Cross, I.1
-
54
-
-
0039832719
-
Perception of the major/minor distinction: III. Hedonic, musical, and affective discriminations
-
Crowder, R. (1985) Perception of the major/minor distinction: III. Hedonic, musical, and affective discriminations. Bulletin of the Psychonomic Society, 23(4), 314-16.
-
(1985)
Bulletin of the Psychonomic Society
, vol.23
, Issue.4
, pp. 314-316
-
-
Crowder, R.1
-
55
-
-
0011354437
-
Serial learning
-
E. Tulving and F. Craik (eds), New York: Oxford University Press
-
Crowder, R. and Greene, R. (2000) Serial learning. In: E. Tulving and F. Craik (eds) The Oxford Handbook of Memory. New York: Oxford University Press, pp. 125-36.
-
(2000)
The Oxford Handbook of Memory
, pp. 125-136
-
-
Crowder, R.1
Greene, R.2
-
56
-
-
0029298643
-
Expectancies generated by melodic intervals:perceptual judgements of melodic continuity
-
Cuddy, L. and Lunney, C. (1995) Expectancies generated by melodic intervals:perceptual judgements of melodic continuity. Perception and Psychophysics, 57(4), 451-62.
-
(1995)
Perception and Psychophysics
, vol.57
, Issue.4
, pp. 451-462
-
-
Cuddy, L.1
Lunney, C.2
-
57
-
-
35448984979
-
Early support developmental journal for children with visual impairment: the case for a new developmental framework for early intervention
-
Dale, N. and Salt, A. (2007) Early support developmental journal for children with visual impairment: the case for a new developmental framework for early intervention. Child:Care, Health and Development, 33(6), 684-90.
-
(2007)
Child:Care, Health and Development
, vol.33
, Issue.6
, pp. 684-690
-
-
Dale, N.1
Salt, A.2
-
58
-
-
0001773107
-
On emotion, mood, and related affective constructs
-
P. Ekman and R. Davidson (eds), New York: Oxford University Press
-
Davidson, R. (1994) On emotion, mood, and related affective constructs. In: P. Ekman and R. Davidson (eds) The Nature of Emotion: Fundamental Questions. New York: Oxford University Press, pp. 51-5.
-
(1994)
The Nature of Emotion: Fundamental Questions
, pp. 51-55
-
-
Davidson, R.1
-
59
-
-
0009192146
-
-
Stanford, CA: Stanford University Press
-
Davies, J. (1978) The Psychology of Music. Stanford, CA: Stanford University Press.
-
(1978)
The Psychology of Music
-
-
Davies, J.1
-
60
-
-
84968082089
-
Grouping conditions in listening to music: an approach to Lerdahl and Jackendoff's grouping preference rules
-
Deliège, I. (1987) Grouping conditions in listening to music: an approach to Lerdahl and Jackendoff's grouping preference rules. Music Perception, 4(4), 325-60.
-
(1987)
Music Perception
, vol.4
, Issue.4
, pp. 325-360
-
-
Deliège, I.1
-
61
-
-
26144452231
-
Cue abstraction as a component of categorisation processes in music listening
-
Deliège, I. (1996) Cue abstraction as a component of categorisation processes in music listening. Psychology of Music, 24(2), 131-56.
-
(1996)
Psychology of Music
, vol.24
, Issue.2
, pp. 131-156
-
-
Deliège, I.1
-
62
-
-
33748470898
-
Introduction: similarity perception↔ categorization ↔ cue abstraction
-
Deliège, I. (2001a) Introduction: similarity perception↔ categorization ↔ cue abstraction. Music Perception, 18(3), 233-43.
-
(2001)
Music Perception
, vol.18
, Issue.3
, pp. 233-243
-
-
Deliège, I.1
-
63
-
-
0011664762
-
Prototype effects in music listening: an empirical approach to the notion of imprint
-
Deliège, I. (2001b) Prototype effects in music listening: an empirical approach to the notion of imprint. Music Perception, 18(3), 371-407.
-
(2001)
Music Perception
, vol.18
, Issue.3
, pp. 371-407
-
-
Deliège, I.1
-
65
-
-
0345774630
-
Cue abstraction in the representation of musical form
-
I. Deliège and J. Sloboda (eds), Hove: Psychology Press Ltd
-
Deliège, I. and Mélen, M. (1997) Cue abstraction in the representation of musical form. In: I. Deliège and J. Sloboda (eds) Perception and Cognition of Music. Hove: Psychology Press Ltd, pp. 387-412.
-
(1997)
Perception and Cognition of Music
, pp. 387-412
-
-
Deliège, I.1
Mélen, M.2
-
66
-
-
0040559159
-
Musical schemata in real-time listening to a piece of music
-
Deliège, I., Mélen, M., Stammers, D., and Cross, I. (1997) Musical schemata in real-time listening to a piece of music. Music Perception, 14(2), 117-60.
-
(1997)
Music Perception
, vol.14
, Issue.2
, pp. 117-160
-
-
Deliège, I.1
Mélen, M.2
Stammers, D.3
Cross, I.4
-
67
-
-
0019088337
-
The processing of structured and unstructured tonal sequences
-
Deutsch, D. (1980) The processing of structured and unstructured tonal sequences. Perception and Psychophysics, 28(5), 381-9.
-
(1980)
Perception and Psychophysics
, vol.28
, Issue.5
, pp. 381-389
-
-
Deutsch, D.1
-
68
-
-
0002458474
-
Grouping mechanisms in music
-
D. Deutsch (ed.), 2nd edn. New York: Academic Press
-
Deutsch, D. (1999) Grouping mechanisms in music. In: D. Deutsch (ed.) The Psychology of Music, 2nd edn. New York: Academic Press, pp. 299-348.
-
(1999)
The Psychology of Music
, pp. 299-348
-
-
Deutsch, D.1
-
69
-
-
0025443254
-
The role of knowledge-based expectations in music perception: evidence from musical restoration
-
DeWitt, L. and Samuel, A. (1990) The role of knowledge-based expectations in music perception: evidence from musical restoration. Journal of Experimental Psychology:General, 119(2), 123-44.
-
(1990)
Journal of Experimental Psychology:General
, vol.119
, Issue.2
, pp. 123-144
-
-
DeWitt, L.1
Samuel, A.2
-
70
-
-
84922992640
-
Exploring absolute pitch in children and young people with congenital visual impairment
-
Unpublished MSc thesis. Goldsmiths College, University of London
-
Dimatati, M. (2009) Exploring absolute pitch in children and young people with congenital visual impairment. Unpublished MSc thesis. Goldsmiths College, University of London.
-
(2009)
-
-
Dimatati, M.1
-
71
-
-
84923019907
-
Absolute pitch in children with congenital visual impairment: a preliminary study
-
Poster at ICMPC 11, Washington School of Music, Seattle, USA
-
Dimatati, M., Ockelford, A., Heaton, P., Pring, L., and Downing, J. (2010) Absolute pitch in children with congenital visual impairment: a preliminary study. Poster at ICMPC 11, Washington School of Music, Seattle, USA.
-
(2010)
-
-
Dimatati, M.1
Ockelford, A.2
Heaton, P.3
Pring, L.4
Downing, J.5
-
72
-
-
58149404765
-
Scale and contour: two components of a theory of memory for melodies
-
Dowling, J. (1978) Scale and contour: two components of a theory of memory for melodies. Psychological Review, 85(4), 341-54.
-
(1978)
Psychological Review
, vol.85
, Issue.4
, pp. 341-354
-
-
Dowling, J.1
-
73
-
-
0001846503
-
Melodic information processing and its development
-
D. Deutsch (ed.), New York: Academic Press
-
Dowling, J. (1982) Melodic information processing and its development. In: D. Deutsch (ed.) The Psychology of Music. New York: Academic Press, pp. 413-29.
-
(1982)
The Psychology of Music
, pp. 413-429
-
-
Dowling, J.1
-
74
-
-
0015009061
-
Contour, interval, and pitch recognition in memory for melodies
-
Dowling, J. and Fujitani, D. (1971) Contour, interval, and pitch recognition in memory for melodies. Journal of the Acoustical Society of America, 49(2), 524-31.
-
(1971)
Journal of the Acoustical Society of America
, vol.49
, Issue.2
, pp. 524-531
-
-
Dowling, J.1
Fujitani, D.2
-
76
-
-
4243840385
-
Composer, theorist, composer/theorist
-
N. Cook and M. Everist (eds), Oxford: Oxford University Press
-
Dubiel, J. (1999) Composer, theorist, composer/theorist. In: N. Cook and M. Everist (eds) Rethinking Music. Oxford: Oxford University Press, pp. 262-83.
-
(1999)
Rethinking Music
, pp. 262-283
-
-
Dubiel, J.1
-
77
-
-
60949536143
-
Fortenotes
-
Dunsby, J. (1998) Fortenotes. Music Analysis, 17, 171-81.
-
(1998)
Music Analysis
, vol.17
, pp. 171-181
-
-
Dunsby, J.1
-
78
-
-
0042165760
-
-
(trans. A. Mendel and N. Broder). London: Cassell and Co
-
Einstein, A. (1946) Mozart: His Character, His Work (trans. A. Mendel and N. Broder). London: Cassell and Co.
-
(1946)
Mozart: His Character, His Work
-
-
Einstein, A.1
-
81
-
-
0035490101
-
Dynamic predictions: oscillations and synchrony in top-down processing
-
Engel, A., Fries, P., and Singer, W. (2001) Dynamic predictions: oscillations and synchrony in top-down processing. Nature Reviews Neuroscience, 2(10), 704-16.
-
(2001)
Nature Reviews Neuroscience
, vol.2
, Issue.10
, pp. 704-716
-
-
Engel, A.1
Fries, P.2
Singer, W.3
-
82
-
-
0006038679
-
Infants' auditory sensitivity towards acoustic parameters of speech and music
-
I. Deliège and J. Sloboda (eds), Oxford: Oxford University Press
-
Fassbender, C. (1996) Infants' auditory sensitivity towards acoustic parameters of speech and music. In: I. Deliège and J. Sloboda (eds) Musical Beginnings. Oxford: Oxford University Press, pp. 56-87.
-
(1996)
Musical Beginnings
, pp. 56-87
-
-
Fassbender, C.1
-
85
-
-
0015718086
-
On the echolalia of the blind and of the autistic child
-
Fay, W. (1973) On the echolalia of the blind and of the autistic child. Journal of Speech and Hearing Disorders, 38(4), 478-89.
-
(1973)
Journal of Speech and Hearing Disorders
, vol.38
, Issue.4
, pp. 478-489
-
-
Fay, W.1
-
86
-
-
80053643034
-
Functional specificity for high-level linguistic processing in the human brain
-
Fedorenko, E., Behr, M., and Kanwisher, N. (2011) Functional specificity for high-level linguistic processing in the human brain. Proceedings of the National Academy of Sciences of the United States of America, 108(39), 16428-33.
-
(2011)
Proceedings of the National Academy of Sciences of the United States of America
, vol.108
, Issue.39
, pp. 16428-16433
-
-
Fedorenko, E.1
Behr, M.2
Kanwisher, N.3
-
87
-
-
0035560396
-
Retinopathy of prematurity: clinical aspects
-
Fielder, A. and Reynolds, J. (2001) Retinopathy of prematurity: clinical aspects. Seminars in Neonatology, 6(6), 461-75.
-
(2001)
Seminars in Neonatology
, vol.6
, Issue.6
, pp. 461-475
-
-
Fielder, A.1
Reynolds, J.2
-
88
-
-
0037231009
-
Auditory feedback and memory for music performance:sound evidence for an encoding effect
-
Finney, S. and Palmer, C. (2003) Auditory feedback and memory for music performance:sound evidence for an encoding effect. Memory and Cognition, 31(1), 51-64.
-
(2003)
Memory and Cognition
, vol.31
, Issue.1
, pp. 51-64
-
-
Finney, S.1
Palmer, C.2
-
91
-
-
61449111239
-
The Magical Kaleidoscope: Schoenberg's first atonal masterwork, Op. 11, No. 1
-
Forte, A. (1981) The Magical Kaleidoscope: Schoenberg's first atonal masterwork, Op. 11, No. 1. Journal of the Arnold Schoenberg Institute, 5, 127-68.
-
(1981)
Journal of the Arnold Schoenberg Institute
, vol.5
, pp. 127-168
-
-
Forte, A.1
-
92
-
-
60949494093
-
Pitch-class set analysis today
-
Forte, A. (1985) Pitch-class set analysis today. Music Analysis, 4(1), 29-58.
-
(1985)
Music Analysis
, vol.4
, Issue.1
, pp. 29-58
-
-
Forte, A.1
-
93
-
-
0003364435
-
Time and rhythm perception
-
E. Carterette and M Friedman (eds), New York: Academic Press
-
Fraisse, P. (1978) Time and rhythm perception. In: E. Carterette and M Friedman (eds) Handbook of Perception VIII, Perceptual Coding. New York: Academic Press, pp. 203-54.
-
(1978)
Handbook of Perception VIII, Perceptual Coding
, pp. 203-254
-
-
Fraisse, P.1
-
94
-
-
0011651342
-
-
(trans. J. Dowling). Hillsdale, NJ:Lawrence Erlbaum Associates
-
Francès, R. (1958/1988) The Perception of Music (trans. J. Dowling). Hillsdale, NJ:Lawrence Erlbaum Associates.
-
(1958)
The Perception of Music
-
-
Francès, R.1
-
97
-
-
1642325338
-
The influence of musical structure on emotional expression
-
P. Juslin and J. Sloboda (eds), Oxford: Oxford University Press
-
Gabrielsson, A. and Lindström, E. (2001) The influence of musical structure on emotional expression. In: P. Juslin and J. Sloboda (eds) Music and Emotion: Theory and Research. Oxford: Oxford University Press, pp. 223-48.
-
(2001)
Music and Emotion: Theory and Research
, pp. 223-248
-
-
Gabrielsson, A.1
Lindström, E.2
-
98
-
-
0033959237
-
Philosophical conceptions of the self: implications for cognitive science
-
Gallagher, S. (2000) Philosophical conceptions of the self: implications for cognitive science. Trends in Cognitive Sciences, 4(1), 14-21.
-
(2000)
Trends in Cognitive Sciences
, vol.4
, Issue.1
, pp. 14-21
-
-
Gallagher, S.1
-
99
-
-
84959948834
-
What in the world do we hear? An ecological approach to auditory event perception
-
Gaver, (1993) What in the world do we hear? An ecological approach to auditory event perception. Ecological Psychology, 5(1), 1-29.
-
(1993)
Ecological Psychology
, vol.5
, Issue.1
, pp. 1-29
-
-
Gaver1
-
100
-
-
33745746916
-
The effects of pitch and pitch-class content on the aural perception of dissimilarity in complementary hexachords
-
Gibson, D. (1993) The effects of pitch and pitch-class content on the aural perception of dissimilarity in complementary hexachords. Psychomusicology, 12(1), 58-72.
-
(1993)
Psychomusicology
, vol.12
, Issue.1
, pp. 58-72
-
-
Gibson, D.1
-
101
-
-
9244260352
-
Classical singers memorizing a new song: an observational study
-
Ginsborg, J. (2002) Classical singers memorizing a new song: an observational study. Psychology of Music, 30(1), 56-99.
-
(2002)
Psychology of Music
, vol.30
, Issue.1
, pp. 56-99
-
-
Ginsborg, J.1
-
102
-
-
84923038201
-
Performance cues in singing: evidence from practice and recall
-
I. Deliège and J. Davidson (eds), Oxford: Oxford University Press
-
Ginsborg, J. and Chaffin, R. (2011) Performance cues in singing: evidence from practice and recall. In: I. Deliège and J. Davidson (eds) Music and the Mind: Essays in Honour of John Sloboda. Oxford: Oxford University Press, pp. 339-60.
-
(2011)
Music and the Mind: Essays in Honour of John Sloboda
, pp. 339-360
-
-
Ginsborg, J.1
Chaffin, R.2
-
104
-
-
84968130236
-
Apparent motion in music?
-
Gjerdingen, R. (1994) Apparent motion in music? Music Perception, 11(4), 335-70.
-
(1994)
Music Perception
, vol.11
, Issue.4
, pp. 335-370
-
-
Gjerdingen, R.1
-
105
-
-
4243388972
-
An experimental music theory?
-
N. Cook and M. Everist (eds), Oxford: Oxford University Press
-
Gjerdingen, R. (1999) An experimental music theory? In: N. Cook and M. Everist (eds) Rethinking Music. Oxford: Oxford University Press, pp. 161-70.
-
(1999)
Rethinking Music
, pp. 161-170
-
-
Gjerdingen, R.1
-
106
-
-
34247339376
-
Birdsong memory: a neural dissociation between song recognition and production
-
Gobes, S. and Bolhuis J. (2007) Birdsong memory: a neural dissociation between song recognition and production. Current Biology, 17(9), 789-93.
-
(2007)
Current Biology
, vol.17
, Issue.9
, pp. 789-793
-
-
Gobes, S.1
Bolhuis, J.2
-
107
-
-
0022790710
-
Recency and suffix effects in serial recall of musical stimuli
-
Greene, R. and Samuel, A. (1986) Recency and suffix effects in serial recall of musical stimuli. Journal of Experimental Psychology: Learning, Memory, and Cognition, 12(4), 517-24.
-
(1986)
Journal of Experimental Psychology: Learning, Memory, and Cognition
, vol.12
, Issue.4
, pp. 517-524
-
-
Greene, R.1
Samuel, A.2
-
108
-
-
0000839868
-
Factors determining the characterization of musical phrases
-
Gundlach, R. (1935) Factors determining the characterization of musical phrases. American Journal of Psychology, 47(4), 624-44.
-
(1935)
American Journal of Psychology
, vol.47
, Issue.4
, pp. 624-644
-
-
Gundlach, R.1
-
109
-
-
0033152601
-
Autism: cognitive deficit or cognitive style?
-
Happé, F. (1999) Autism: cognitive deficit or cognitive style? Trends in Cognitive Sciences, 3(6), 216-22.
-
(1999)
Trends in Cognitive Sciences
, vol.3
, Issue.6
, pp. 216-222
-
-
Happé, F.1
-
111
-
-
33745587278
-
Using imitation with congenitally deafblind adults: establishing meaningful communication partnerships
-
Hart, P. (2006) Using imitation with congenitally deafblind adults: establishing meaningful communication partnerships. Infant and Child Development, 15(3), 263-74.
-
(2006)
Infant and Child Development
, vol.15
, Issue.3
, pp. 263-274
-
-
Hart, P.1
-
112
-
-
0042133159
-
Pitch memory, labeling and disembedding in autism
-
Heaton, P. (2003) Pitch memory, labeling and disembedding in autism. Journal of Child Psychology and Psychiatry, 44(4), 543-51.
-
(2003)
Journal of Child Psychology and Psychiatry
, vol.44
, Issue.4
, pp. 543-551
-
-
Heaton, P.1
-
114
-
-
0000585627
-
Autism and pitch processing: a precursor for savant musical ability?
-
Heaton, P., Hermelin, B., and Pring, L. (1998) Autism and pitch processing: a precursor for savant musical ability? Music Perception, 15(3), 291-305.
-
(1998)
Music Perception
, vol.15
, Issue.3
, pp. 291-305
-
-
Heaton, P.1
Hermelin, B.2
Pring, L.3
-
115
-
-
40449127875
-
Autism and pitch-processing splinter skills: a group and subgroup analysis
-
Heaton, P., Williams, K., Cummins, O., and Happé, F. (2008) Autism and pitch-processing splinter skills: a group and subgroup analysis. Autism, 12(2), 203-19.
-
(2008)
Autism
, vol.12
, Issue.2
, pp. 203-219
-
-
Heaton, P.1
Williams, K.2
Cummins, O.3
Happé, F.4
-
116
-
-
1842375037
-
Recognition of music in long-term memory: are melodic and temporal patterns equal partners?
-
Hébert, S. and Peretz, I. (1997) Recognition of music in long-term memory: are melodic and temporal patterns equal partners? Memory and Cognition, 25(4), 518-33.
-
(1997)
Memory and Cognition
, vol.25
, Issue.4
, pp. 518-533
-
-
Hébert, S.1
Peretz, I.2
-
117
-
-
33745604240
-
Imitative interaction increases social interest and elicited imitation in non-verbal children with autism
-
Heimann, M., Laberg, K., and Nordøen, B. (2006) Imitative interaction increases social interest and elicited imitation in non-verbal children with autism. Infant and Child Development, 15(3), 297-309.
-
(2006)
Infant and Child Development
, vol.15
, Issue.3
, pp. 297-309
-
-
Heimann, M.1
Laberg, K.2
Nordøen, B.3
-
118
-
-
0001175419
-
Experimental studies of the elements of expression in music
-
Hevner, K. (1936) Experimental studies of the elements of expression in music. American Journal of Psychology, 48(2), 246-68.
-
(1936)
American Journal of Psychology
, vol.48
, Issue.2
, pp. 246-268
-
-
Hevner, K.1
-
119
-
-
84923040095
-
Mapping a beautiful voice: the continuous response measurement apparatus
-
Himonides, E. (2011) Mapping a beautiful voice: the continuous response measurement apparatus. Journal of Music, Technology and Education, 4(1), 5-25.
-
(2011)
Journal of Music, Technology and Education
, vol.4
, Issue.1
, pp. 5-25
-
-
Himonides, E.1
-
120
-
-
0039878827
-
Redefining pitch proximity: tessitura and mobility as constraints on melodic intervals
-
von Hippel, P. (2000) Redefining pitch proximity: tessitura and mobility as constraints on melodic intervals. Music Perception, 17(3), 315-27.
-
(2000)
Music Perception
, vol.17
, Issue.3
, pp. 315-327
-
-
von Hippel, P.1
-
122
-
-
33646748926
-
Why do skips precede reversals? The effect of tessitura on melodic structure
-
von Hippel, P. and Huron, D. (2000) Why do skips precede reversals? The effect of tessitura on melodic structure. Music Perception, 18(1), 59-85.
-
(2000)
Music Perception
, vol.18
, Issue.1
, pp. 59-85
-
-
von Hippel, P.1
Huron, D.2
-
123
-
-
54549094915
-
Attention and expectation in human predictive learning: the role of uncertainty
-
Hogarth, L., Dickinson, A., Austin, A., Brown, C., and Duka, T. (2008) Attention and expectation in human predictive learning: the role of uncertainty. Quarterly Journal of Experimental Psychology, 61(11), 1658-68.
-
(2008)
Quarterly Journal of Experimental Psychology
, vol.61
, Issue.11
, pp. 1658-1668
-
-
Hogarth, L.1
Dickinson, A.2
Austin, A.3
Brown, C.4
Duka, T.5
-
124
-
-
49849094844
-
On the growing role of observation, formalization and experimental method in musicology
-
Honing, H. (2006) On the growing role of observation, formalization and experimental method in musicology. Empirical Musicology Review, 1(1), 2-6.
-
(2006)
Empirical Musicology Review
, vol.1
, Issue.1
, pp. 2-6
-
-
Honing, H.1
-
125
-
-
0035705658
-
Music skills and the expressive interpretation of music in children with Williams-Beuren syndrome: pitch, rhythm, melodic imagery, phrasing, and musical affect
-
Hopyan, T., Dennis, M., Weksberg, R., and Cytrynbaum, C. (2001) Music skills and the expressive interpretation of music in children with Williams-Beuren syndrome: pitch, rhythm, melodic imagery, phrasing, and musical affect. Child Neuropsychology, 7(1), 42-53.
-
(2001)
Child Neuropsychology
, vol.7
, Issue.1
, pp. 42-53
-
-
Hopyan, T.1
Dennis, M.2
Weksberg, R.3
Cytrynbaum, C.4
-
127
-
-
84968258454
-
Voice denumerability in polyphonic music of homogeneous timbres
-
Huron, D. (1989) Voice denumerability in polyphonic music of homogeneous timbres. Music Perception, 6(4), 361-82.
-
(1989)
Music Perception
, vol.6
, Issue.4
, pp. 361-382
-
-
Huron, D.1
-
128
-
-
84876553650
-
Review of Cognitive Foundations of Musical Pitch by C. Krumhansl
-
Huron, D. (1992) Review of Cognitive Foundations of Musical Pitch by C. Krumhansl. Psychology of Music, 20(2), 180-5.
-
(1992)
Psychology of Music
, vol.20
, Issue.2
, pp. 180-185
-
-
Huron, D.1
-
129
-
-
10244276380
-
The melodic arch in Western folksongs
-
Huron, D. (1996) The melodic arch in Western folksongs. Computing in Musicology, 10(1), 3-23.
-
(1996)
Computing in Musicology
, vol.10
, Issue.1
, pp. 3-23
-
-
Huron, D.1
-
130
-
-
0041065977
-
Tone and voice: a derivation of the rules of voice-leading from perceptual principles
-
Huron, D. (2001a) Tone and voice: a derivation of the rules of voice-leading from perceptual principles. Music Perception, 19(1), 1-64.
-
(2001)
Music Perception
, vol.19
, Issue.1
, pp. 1-64
-
-
Huron, D.1
-
131
-
-
33745730990
-
What is a musical feature? Forte's analysis of Brahms's op. 51, no. 1, revisited
-
Huron, D. (2001b) What is a musical feature? Forte's analysis of Brahms's op. 51, no. 1, revisited. Music Theory Online, 7(4).
-
(2001)
Music Theory Online
, vol.7
, Issue.4
-
-
Huron, D.1
-
133
-
-
0039349284
-
The avoidance of inner-voice entries: perceptual evidence and musical practice
-
Huron, D. and Fantini, D. (1989) The avoidance of inner-voice entries: perceptual evidence and musical practice. Music Perception, 7(1), 43-7.
-
(1989)
Music Perception
, vol.7
, Issue.1
, pp. 43-47
-
-
Huron, D.1
Fantini, D.2
-
135
-
-
33745745857
-
Similarity of interval-class content between pitch-class sets: the IcVSIM relation
-
Isaacson, E. (1990) Similarity of interval-class content between pitch-class sets: the IcVSIM relation. Journal of Music Theory, 34(1), 1-27.
-
(1990)
Journal of Music Theory
, vol.34
, Issue.1
, pp. 1-27
-
-
Isaacson, E.1
-
136
-
-
84968301849
-
Musical parsing and musical affect
-
Jackendoff, R. (1991) Musical parsing and musical affect. Music Perception 9(2), 199-230.
-
(1991)
Music Perception
, vol.9
, Issue.2
, pp. 199-230
-
-
Jackendoff, R.1
-
138
-
-
2442712171
-
Relationship of interval frequency count to ratings of melodic intervals
-
Jeffries, T. (1974) Relationship of interval frequency count to ratings of melodic intervals. Journal of Experimental Psychology, 102(5), 903-5.
-
(1974)
Journal of Experimental Psychology
, vol.102
, Issue.5
, pp. 903-905
-
-
Jeffries, T.1
-
140
-
-
84959944843
-
Basic emotions, rationality, and folk theory
-
Johnson-Laird, P. and Oatley, K. (1992) Basic emotions, rationality, and folk theory. Cognition and Emotion, 6(1), 201-23.
-
(1992)
Cognition and Emotion
, vol.6
, Issue.1
, pp. 201-223
-
-
Johnson-Laird, P.1
Oatley, K.2
-
141
-
-
0013674293
-
Music as a stimulus for psychological motion: Part I. Some determinants of expectancies
-
Jones, M. (1981) Music as a stimulus for psychological motion: Part I. Some determinants of expectancies. Psychomusicology, 1(1), 34-51.
-
(1981)
Psychomusicology
, vol.1
, Issue.1
, pp. 34-51
-
-
Jones, M.1
-
142
-
-
0002559362
-
Music as a stimulus for psychological motion: Part II. An expectancy model
-
Jones, M. (1982) Music as a stimulus for psychological motion: Part II. An expectancy model. Psychomusicology, 2(1), 1-13.
-
(1982)
Psychomusicology
, vol.2
, Issue.1
, pp. 1-13
-
-
Jones, M.1
-
143
-
-
26144461805
-
Attending to musical events
-
M. Jones and S. Holleran (eds), Washington, DC: American Psychological Association
-
Jones, M. (1992) Attending to musical events. In: M. Jones and S. Holleran (eds) Cognitive Bases of Musical Communication. Washington, DC: American Psychological Association, pp. 91-110.
-
(1992)
Cognitive Bases of Musical Communication
, pp. 91-110
-
-
Jones, M.1
-
144
-
-
39749100649
-
Strategies for individual practice
-
A. Williamon (ed.), Oxford: Oxford University Press
-
Jørgensen H. (2004) Strategies for individual practice. In: A. Williamon (ed.) Musical Excellence. Oxford: Oxford University Press, pp. 85-104.
-
(2004)
Musical Excellence
, pp. 85-104
-
-
Jørgensen, H.1
-
145
-
-
84990321313
-
Perceived emotional expression in synthesized performances of a short melody: capturing the listener's judgement policy
-
Juslin, P. (1997) Perceived emotional expression in synthesized performances of a short melody: capturing the listener's judgement policy. Musicæ Scientiæ, 1(1), 225-56.
-
(1997)
Musicæ Scientiæ
, vol.1
, Issue.1
, pp. 225-256
-
-
Juslin, P.1
-
146
-
-
0242506128
-
Toward a computational model of expression in music performance: the GERM model
-
Special Issue:Current Trends in the Study of Music and Emotion
-
Juslin, P., Friberg, A., and Bresin, R. (2001/2002) Toward a computational model of expression in music performance: the GERM model. Musicæ Scientiæ (Special Issue:Current Trends in the Study of Music and Emotion), 63-122.
-
(2001)
Musicæ Scientiæ
, pp. 63-122
-
-
Juslin, P.1
Friberg, A.2
Bresin, R.3
-
148
-
-
0018749082
-
The imitation of pitch in infants
-
Kessen, W., Levine, J., and Wendrich, K. (1979) The imitation of pitch in infants. Infant Behavior and Development, 2, 93-9.
-
(1979)
Infant Behavior and Development
, vol.2
, pp. 93-99
-
-
Kessen, W.1
Levine, J.2
Wendrich, K.3
-
149
-
-
0036420111
-
Bach speaks: a cortical "language-network" serves the processing of music
-
Koelsch, S., Gunter, T., Yves von Cramon, D., Zysset, S., Lohmann, G., and Friederici, A. (2002) Bach speaks: a cortical "language-network" serves the processing of music. NeuroImage, 17(2), 956-66.
-
(2002)
NeuroImage
, vol.17
, Issue.2
, pp. 956-966
-
-
Koelsch, S.1
Gunter, T.2
Yves von Cramon, D.3
Zysset, S.4
Lohmann, G.5
Friederici, A.6
-
150
-
-
0038742814
-
Electric brain responses reveal gender differences in music processing
-
Koelsch, S., Maess, B., Grossmann, T., and Friederici, A. (2003) Electric brain responses reveal gender differences in music processing. NeuroReport, 14(5), 709-13.
-
(2003)
NeuroReport
, vol.14
, Issue.5
, pp. 709-713
-
-
Koelsch, S.1
Maess, B.2
Grossmann, T.3
Friederici, A.4
-
153
-
-
79958750096
-
An exploratory study of musical emotions and psychophysiology
-
Krumhansl, C. (1997) An exploratory study of musical emotions and psychophysiology. Canadian Journal of Experimental Psychology, 51(4), 336-52.
-
(1997)
Canadian Journal of Experimental Psychology
, vol.51
, Issue.4
, pp. 336-352
-
-
Krumhansl, C.1
-
154
-
-
0020161395
-
Tracing the dynamic changes in perceived tonal organization in a spatial representation of musical keys
-
Krumhansl, C. and Kessler, E. (1982) Tracing the dynamic changes in perceived tonal organization in a spatial representation of musical keys. Psychological Review, 89(4), 334-68.
-
(1982)
Psychological Review
, vol.89
, Issue.4
, pp. 334-368
-
-
Krumhansl, C.1
Kessler, E.2
-
156
-
-
84961720791
-
The perception of tone hierarchies and mirror forms in twelve-tone music
-
Krumhansl, C., Sandell, G., and Sergeant, D. (1987) The perception of tone hierarchies and mirror forms in twelve-tone music. Music Perception, 5(1), 31-78.
-
(1987)
Music Perception
, vol.5
, Issue.1
, pp. 31-78
-
-
Krumhansl, C.1
Sandell, G.2
Sergeant, D.3
-
157
-
-
0001348979
-
Melodic expectation in Finnish spiritual folk hymns: convergence of statistical, behavioural, and computational approaches
-
Krumhansl, C., Louhivuori, J., Toiviainen, P., Järvinen, T., and Eerola, T. (1999) Melodic expectation in Finnish spiritual folk hymns: convergence of statistical, behavioural, and computational approaches, Music Perception, 17(2), 151-95.
-
(1999)
Music Perception
, vol.17
, Issue.2
, pp. 151-195
-
-
Krumhansl, C.1
Louhivuori, J.2
Toiviainen, P.3
Järvinen, T.4
Eerola, T.5
-
158
-
-
0020415873
-
The bimodal perception of speech in infancy
-
Kuhl, P. and Meltzoff, A. (1982) The bimodal perception of speech in infancy. Science, 218(4577), 1138-41.
-
(1982)
Science
, vol.218
, Issue.4577
, pp. 1138-1141
-
-
Kuhl, P.1
Meltzoff, A.2
-
159
-
-
35148843019
-
Top-down predictions in the cognitive brain
-
Kveraga, K., Ghuman, A. and Bar, M. (2007) Top-down predictions in the cognitive brain. Brain and Cognition, 65(2), 145-68.
-
(2007)
Brain and Cognition
, vol.65
, Issue.2
, pp. 145-168
-
-
Kveraga, K.1
Ghuman, A.2
Bar, M.3
-
161
-
-
59649114586
-
On listening to atonal variants of two piano sonatas by Beethoven
-
Lalitte, P. Bigand, E., Kantor-Martynuska, J., and Delbé, C. (2009) On listening to atonal variants of two piano sonatas by Beethoven. Music Perception, 26(3), 223-34.
-
(2009)
Music Perception
, vol.26
, Issue.3
, pp. 223-234
-
-
Lalitte, P.1
Bigand, E.2
Kantor-Martynuska, J.3
Delbé, C.4
-
162
-
-
2942685228
-
Detection and discrimination of dodecaphonic series
-
Lannoy, C. de (1972) Detection and discrimination of dodecaphonic series. Interface, 1, 13-27.
-
(1972)
Interface
, vol.1
, pp. 13-27
-
-
de Lannoy, C.1
-
163
-
-
0012555772
-
Dynamic programming for the analysis of serial behaviors
-
Large, E. (1993) Dynamic programming for the analysis of serial behaviors. Behavior Research Methods, Instruments, and Computers, 25(2), 238-41.
-
(1993)
Behavior Research Methods, Instruments, and Computers
, vol.25
, Issue.2
, pp. 238-241
-
-
Large, E.1
-
164
-
-
47649120457
-
Sweet silent thought:alliteration and resonance in poetry comprehension
-
Lea, R., Rapp, D., Elfenbein, A., Mitchel, A., and Romine, R. (2008) Sweet silent thought:alliteration and resonance in poetry comprehension. Psychological Science, 19(7), 709-16.
-
(2008)
Psychological Science
, vol.19
, Issue.7
, pp. 709-716
-
-
Lea, R.1
Rapp, D.2
Elfenbein, A.3
Mitchel, A.4
Romine, R.5
-
165
-
-
78649831840
-
Sing that tune: infants' perception of melody and lyrics and the facilitation of phonetic recognition in songs
-
Lebedeva, G. and Kuhl, P. (2010) Sing that tune: infants' perception of melody and lyrics and the facilitation of phonetic recognition in songs. Infant Behaviour and Development, 33(4), 19-30.
-
(2010)
Infant Behaviour and Development
, vol.33
, Issue.4
, pp. 19-30
-
-
Lebedeva, G.1
Kuhl, P.2
-
166
-
-
51249193206
-
Über Retinitis Pigmentosa und angeborene Amaurose
-
Leber, T. (1869) Über Retinitis Pigmentosa und angeborene Amaurose. Archiv für Ophthalmologie, 15(3), 1-25.
-
(1869)
Archiv für Ophthalmologie
, vol.15
, Issue.3
, pp. 1-25
-
-
Leber, T.1
-
167
-
-
0006904658
-
Human fetal auditory perception
-
J.-P. Lecanuet, W. Fifer, N. Krasnegor, and W. Smotherman (eds), Hove: Psychology Press
-
Lecanuet, J.-P., Granier-Deferre, C., and Busnel, M.-C. (1995) Human fetal auditory perception. In: J.-P. Lecanuet, W. Fifer, N. Krasnegor, and W. Smotherman (eds) Fetal Development: a Psychobiological Perspective. Hove: Psychology Press, pp. 239-62.
-
(1995)
Fetal Development: a Psychobiological Perspective
, pp. 239-262
-
-
Lecanuet, J.-P.1
Granier-Deferre, C.2
Busnel, M.-C.3
-
168
-
-
0025043496
-
Infants use multimodal information to imitate speech sounds
-
Legerstee, M. (1990) Infants use multimodal information to imitate speech sounds. Infant Behavior and Development, 13(3), 343-54.
-
(1990)
Infant Behavior and Development
, vol.13
, Issue.3
, pp. 343-354
-
-
Legerstee, M.1
-
170
-
-
84919774094
-
-
New York: Oxford University Press
-
Lerdahl, F. (2001) Tonal Pitch Space. New York: Oxford University Press.
-
(2001)
Tonal Pitch Space
-
-
Lerdahl, F.1
-
172
-
-
0028523436
-
Absolute memory for musical pitch: evidence from the production of learned memories
-
Levitin, D. (1994) Absolute memory for musical pitch: evidence from the production of learned memories. Perception and Psychophysics, 56(4), 414-23.
-
(1994)
Perception and Psychophysics
, vol.56
, Issue.4
, pp. 414-423
-
-
Levitin, D.1
-
173
-
-
0347626207
-
Musical structure is processed in the "language" areas of the brain: a possible role for Brodmann Area 47 in temporal coherence
-
Levitin, D. and Menon, V. (2003) Musical structure is processed in the "language" areas of the brain: a possible role for Brodmann Area 47 in temporal coherence. NeuroImage, 20(4), 2142-52.
-
(2003)
NeuroImage
, vol.20
, Issue.4
, pp. 2142-2152
-
-
Levitin, D.1
Menon, V.2
-
174
-
-
11844259986
-
Characterising the musical phenotype in individuals with Williams syndrome
-
Levitin, D., Cole, K., Chiles, M., Lai, Z., Lincoln, A., and Bellugi, U. (2004) Characterising the musical phenotype in individuals with Williams syndrome. Child Neuropsychology, 10(4), 223-47.
-
(2004)
Child Neuropsychology
, vol.10
, Issue.4
, pp. 223-247
-
-
Levitin, D.1
Cole, K.2
Chiles, M.3
Lai, Z.4
Lincoln, A.5
Bellugi, U.6
-
176
-
-
61249284038
-
Pierre Boulez: decision and automatism in Structure Ia
-
English edn
-
Ligeti, G. (1958/1960) Pierre Boulez: decision and automatism in Structure Ia. Die Reihe (English edn), 4, 36-62.
-
(1958)
Die Reihe
, vol.4
, pp. 36-62
-
-
Ligeti, G.1
-
178
-
-
79956463215
-
Musical expression and musical meaning in context
-
C. Woods, G. Luck, R. Brochard, F. Seddon, and J. Sloboda (eds), CD-ROM
-
London, J. (2000) Musical expression and musical meaning in context. In: C. Woods, G. Luck, R. Brochard, F. Seddon, and J. Sloboda (eds) Proceedings of the Sixth International Conference on Music Perception and Cognition, Keele University (CD-ROM).
-
(2000)
Proceedings of the Sixth International Conference on Music Perception and Cognition, Keele University
-
-
London, J.1
-
179
-
-
0025181372
-
Sensorimotor and action development in autistic children from infancy to early childhood
-
Lösche, I. (1990) Sensorimotor and action development in autistic children from infancy to early childhood. Journal of Child Psychology and Psychiatry, 31(5), 749-61.
-
(1990)
Journal of Child Psychology and Psychiatry
, vol.31
, Issue.5
, pp. 749-761
-
-
Lösche, I.1
-
182
-
-
0024263216
-
The functions of immediate echolalia in autistic children
-
McEvoy, R., Loveland, K., and Landry, S. (1988) The functions of immediate echolalia in autistic children. Journal of Autism and Developmental Disorders, 18(4), 657-68.
-
(1988)
Journal of Autism and Developmental Disorders
, vol.18
, Issue.4
, pp. 657-668
-
-
McEvoy, R.1
Loveland, K.2
Landry, S.3
-
184
-
-
0035035626
-
Musical syntax is processed in Broca's Area: an MEG study
-
Maess, B., Koelsch, S., Gunter, T. and Friederici, A. (2001) Musical syntax is processed in Broca's Area: an MEG study. Nature Neuroscience, 4(5), 540-5.
-
(2001)
Nature Neuroscience
, vol.4
, Issue.5
, pp. 540-545
-
-
Maess, B.1
Koelsch, S.2
Gunter, T.3
Friederici, A.4
-
185
-
-
34347242808
-
Music as a diagnostic tool in low awareness states: considering limbic responses
-
Magee, W. (2007) Music as a diagnostic tool in low awareness states: considering limbic responses. Brain Injury, 21(6), 593-9.
-
(2007)
Brain Injury
, vol.21
, Issue.6
, pp. 593-599
-
-
Magee, W.1
-
186
-
-
84990365097
-
Review article: Repetition in Music: Theoretical and Metatheoretical Perspectives
-
Mailman, J. (2007) Review article: Repetition in Music: Theoretical and Metatheoretical Perspectives. Psychology of Music, 35(2), 363-75.
-
(2007)
Psychology of Music
, vol.35
, Issue.2
, pp. 363-375
-
-
Mailman, J.1
-
187
-
-
0005050738
-
Mothers and infants and communicative musicality
-
Special Issue: Rhythm, Musical Narrative and Origins of Human Communication
-
Malloch, S. (1999/2000) Mothers and infants and communicative musicality. Musicæ Scientiæ (Special Issue: Rhythm, Musical Narrative and Origins of Human Communication), 29-57.
-
(1999)
Musicæ Scientiæ
, pp. 29-57
-
-
Malloch, S.1
-
189
-
-
77950960594
-
The referent of early children's songs
-
Mang, E. (2005) The referent of early children's songs. Music Education Research, 7(1), 3-20.
-
(2005)
Music Education Research
, vol.7
, Issue.1
, pp. 3-20
-
-
Mang, E.1
-
190
-
-
33845249414
-
Melodic expectation: a discussion and model
-
PhD dissertation. Columbia University
-
Margulis, E. (2003) Melodic expectation: a discussion and model. PhD dissertation. Columbia University.
-
(2003)
-
-
Margulis, E.1
-
191
-
-
33646729315
-
A model of melodic expectation
-
Margulis, E. (2005a) A model of melodic expectation. Music Perception, 22(4), 663-713.
-
(2005)
Music Perception
, vol.22
, Issue.4
, pp. 663-713
-
-
Margulis, E.1
-
192
-
-
84875104710
-
Review-essay on Kevin Korsyn, Decentering Music
-
Margulis, E. (2005b) Review-essay on Kevin Korsyn, Decentering Music. Psychology of Music, 33(3), 331-7.
-
(2005)
Psychology of Music
, vol.33
, Issue.3
, pp. 331-337
-
-
Margulis, E.1
-
193
-
-
51249140966
-
Surprise and listening ahead: analytic engagements with musical tendencies
-
Margulis, E. (2007) Surprise and listening ahead: analytic engagements with musical tendencies. Music Theory Spectrum, 29(2), 197-217.
-
(2007)
Music Theory Spectrum
, vol.29
, Issue.2
, pp. 197-217
-
-
Margulis, E.1
-
194
-
-
84873692677
-
Development of simultaneous pitch encoding: infants show a high voice superiority effect
-
advance access
-
Marie, C. and Trainor, L. (2012) Development of simultaneous pitch encoding: infants show a high voice superiority effect. Cerebral Cortex (advance access, doi:10.1093/cercor/bhs050).
-
(2012)
Cerebral Cortex
-
-
Marie, C.1
Trainor, L.2
-
195
-
-
84921665266
-
The relationship between music therapy and music education in special school settings; the practitioners' views
-
Unpublished PhD thesis. University of Roehampton
-
Markou, K. (2010) The relationship between music therapy and music education in special school settings; the practitioners' views. Unpublished PhD thesis. University of Roehampton.
-
(2010)
-
-
Markou, K.1
-
196
-
-
12044258070
-
Culture and the self: implications for cognition, emotion, and motivation
-
Markus, H. and Kitayama, S. (1991) Culture and the self: implications for cognition, emotion, and motivation. Psychological Review, 98(2), 224-53.
-
(1991)
Psychological Review
, vol.98
, Issue.2
, pp. 224-253
-
-
Markus, H.1
Kitayama, S.2
-
197
-
-
0037631636
-
Serial position effects in semantic memory: reconstructing the order of verses of hymns
-
Maylor, E. (2002) Serial position effects in semantic memory: reconstructing the order of verses of hymns. Psychonomic Bulletin and Review, 9(4), 816-20.
-
(2002)
Psychonomic Bulletin and Review
, vol.9
, Issue.4
, pp. 816-820
-
-
Maylor, E.1
-
198
-
-
84922966013
-
Musical savants: a new study in the capacity to disaggregate pitches presented simultaneously
-
Available at: )(
-
Mazzeschi, A., Ockelford, A., Welch, G., Bordin, A., Taddei, S., and Sirgatti, S. (2011) Musical savants: a new study in the capacity to disaggregate pitches presented simultaneously. Proceedings of The Neurosciences and Music IV: Learning and Memory, Edinburgh. Available at: )(
-
(2011)
Proceedings of The Neurosciences and Music IV: Learning and Memory, Edinburgh
-
-
Mazzeschi, A.1
Ockelford, A.2
Welch, G.3
Bordin, A.4
Taddei, S.5
Sirgatti, S.6
-
199
-
-
33646439859
-
Clinical aspects of septo-optic dysplasia
-
Mehta, A. and Dattani, M. (2004) Clinical aspects of septo-optic dysplasia. Eye Contact, 38, 5-7.
-
(2004)
Eye Contact
, vol.38
, pp. 5-7
-
-
Mehta, A.1
Dattani, M.2
-
200
-
-
0017769362
-
Imitation of facial and manual gestures by human neonates
-
Meltzoff, A. and Moore, M. (1977) Imitation of facial and manual gestures by human neonates. Science, 198(4312), 75-8.
-
(1977)
Science
, vol.198
, Issue.4312
, pp. 75-78
-
-
Meltzoff, A.1
Moore, M.2
-
204
-
-
0009896443
-
-
Chicago: University of Chicago Press
-
Meyer, L. (1973) Explaining Music. Chicago: University of Chicago Press.
-
(1973)
Explaining Music
-
-
Meyer, L.1
-
206
-
-
17644425937
-
Music and emotion: distinctions and uncertainties
-
P. Juslin and J. Sloboda (eds), Oxford: Oxford University Press
-
Meyer, L. (2001) Music and emotion: distinctions and uncertainties. In: P. Juslin and J. Sloboda (eds) Music and Emotion: Theory and Research. Oxford: Oxford University Press, pp. 341-60.
-
(2001)
Music and Emotion: Theory and Research
, pp. 341-360
-
-
Meyer, L.1
-
208
-
-
39749093168
-
The magical number seven, plus or minus two: some limits on our capacity for processing information
-
Miller, G. (1956) The magical number seven, plus or minus two: some limits on our capacity for processing information. The Psychological Review, 63(2), 81-97.
-
(1956)
The Psychological Review
, vol.63
, Issue.2
, pp. 81-97
-
-
Miller, G.1
-
212
-
-
0002602294
-
Visual handicap
-
D. Bishop and K. Mogford (eds), Hove: Psychology Press
-
Mills, A. (1993) Visual handicap. In: D. Bishop and K. Mogford (eds) Language Development in Exceptional Circumstances. Hove: Psychology Press, pp. 150-64.
-
(1993)
Language Development in Exceptional Circumstances
, pp. 150-164
-
-
Mills, A.1
-
213
-
-
0042800582
-
A case of secondary mental deficiency with musical talent
-
Minogue, B. (1923) A case of secondary mental deficiency with musical talent. Journal of Applied Psychology, 7(3), 349-52.
-
(1923)
Journal of Applied Psychology
, vol.7
, Issue.3
, pp. 349-352
-
-
Minogue, B.1
-
214
-
-
78650535658
-
Effects of structure and serial position on memory errors in musical performance
-
Mishra, J. (2010) Effects of structure and serial position on memory errors in musical performance. Psychology of Music, 38(4), 447-61.
-
(2010)
Psychology of Music
, vol.38
, Issue.4
, pp. 447-461
-
-
Mishra, J.1
-
216
-
-
0009956118
-
Fait musical et sémiologue de la musique
-
Molino, J. (1975) Fait musical et sémiologue de la musique. Musique en Jeu, 17, 37-62.
-
(1975)
Musique en Jeu
, vol.17
, pp. 37-62
-
-
Molino, J.1
-
217
-
-
77149167629
-
Willful modulation of brain activity in disorders of consciousness
-
Monti, M., Vanhaudenhuyse, A., Coleman, M., Boly, M., Pickard, J., Tshibanda, L., Owen, A., and Laureys, S. (2010) Willful modulation of brain activity in disorders of consciousness. New England Journal of Medicine, 362(7), 579-89.
-
(2010)
New England Journal of Medicine
, vol.362
, Issue.7
, pp. 579-589
-
-
Monti, M.1
Vanhaudenhuyse, A.2
Coleman, M.3
Boly, M.4
Pickard, J.5
Tshibanda, L.6
Owen, A.7
Laureys, S.8
-
219
-
-
33745755022
-
A similarity index for pitch-class sets
-
Morris, R. (1979-1980) A similarity index for pitch-class sets. Perspectives of New Music, 18, 445-60.
-
(1979)
Perspectives of New Music
, vol.18
, pp. 445-460
-
-
Morris, R.1
-
220
-
-
61049401323
-
Equivalence and similarity in pitch and their interaction with pcset theory
-
Morris, R. (1995) Equivalence and similarity in pitch and their interaction with pcset theory. Journal of Music Theory, 39(2), 207-43.
-
(1995)
Journal of Music Theory
, vol.39
, Issue.2
, pp. 207-243
-
-
Morris, R.1
-
221
-
-
0025472360
-
Children's memory for new songs: integration or independent storage of words and tunes?
-
Morrongiello, B. and Roes, C. (1990) Children's memory for new songs: integration or independent storage of words and tunes? Journal of Experimental Child Psychology, 50(1), 25-38.
-
(1990)
Journal of Experimental Child Psychology
, vol.50
, Issue.1
, pp. 25-38
-
-
Morrongiello, B.1
Roes, C.2
-
222
-
-
33845671694
-
Cognitive adequacy in the measurement of melodic similarity: algorithmic vs. human judgments
-
Müllensiefen, D. and Frieler, K. (2004) Cognitive adequacy in the measurement of melodic similarity: algorithmic vs. human judgments. Computing in Musicology, 13, 147-76.
-
(2004)
Computing in Musicology
, vol.13
, pp. 147-176
-
-
Müllensiefen, D.1
Frieler, K.2
-
223
-
-
84922993954
-
Sloboda and Parker's recall paradigm for melodic memory: a new, computational perspective
-
I. Deliege and J. Davidson (eds), Oxford: Oxford University Press
-
Müllensiefen, D. and Wiggins, G. (2011) Sloboda and Parker's recall paradigm for melodic memory: a new, computational perspective. In: I. Deliege and J. Davidson (eds) Festschrift for John Sloboda. Oxford: Oxford University Press, pp. 161-86.
-
(2011)
Festschrift for John Sloboda
, pp. 161-186
-
-
Müllensiefen, D.1
Wiggins, G.2
-
224
-
-
33745590114
-
From imitation to conversation: the first dialogues with human neonates
-
Nagy, E. (2006) From imitation to conversation: the first dialogues with human neonates. Infant and Child Development, 15(3), 223-32.
-
(2006)
Infant and Child Development
, vol.15
, Issue.3
, pp. 223-232
-
-
Nagy, E.1
-
228
-
-
0642338313
-
Analyzing form and measuring perceptual content in Mozart's Sonata K.282: a new theory of parametric analogues
-
Narmour, E. (1996) Analyzing form and measuring perceptual content in Mozart's Sonata K.282: a new theory of parametric analogues. Music Perception, 13(3), 265-318.
-
(1996)
Music Perception
, vol.13
, Issue.3
, pp. 265-318
-
-
Narmour, E.1
-
229
-
-
2442617540
-
Music expectation by cognitive rule-mapping
-
Narmour, E. (2000) Music expectation by cognitive rule-mapping. Music Perception, 17(3), 329-98.
-
(2000)
Music Perception
, vol.17
, Issue.3
, pp. 329-398
-
-
Narmour, E.1
-
231
-
-
61249691008
-
A comparison of analyses from the semiological point of view (the theme of Mozart's Symphony in G minor, K. 550)
-
Nattiez, J.-J. (1998) A comparison of analyses from the semiological point of view (the theme of Mozart's Symphony in G minor, K. 550). Contemporary Music Review, 17(1), 1-38.
-
(1998)
Contemporary Music Review
, vol.17
, Issue.1
, pp. 1-38
-
-
Nattiez, J.-J.1
-
233
-
-
84965693928
-
Emotional experience of music as a function of musical structure
-
Nielzén, S. and Cesarec, Z. (1982) Emotional experience of music as a function of musical structure. Psychology of Music, 10(2), 7-17.
-
(1982)
Psychology of Music
, vol.10
, Issue.2
, pp. 7-17
-
-
Nielzén, S.1
Cesarec, Z.2
-
235
-
-
0039576772
-
The role of repetition in perceived musical structures
-
P. Howell, R. West, and I. Cross (eds), London: Academic Press
-
Ockelford, A. (1991) The role of repetition in perceived musical structures. In: P. Howell, R. West, and I. Cross (eds) Representing Musical Structure. London: Academic Press, pp. 129-60.
-
(1991)
Representing Musical Structure
, pp. 129-160
-
-
Ockelford, A.1
-
236
-
-
61049214569
-
A theory concerning the cognition of order in music
-
Unpublished PhD thesis. The University of London
-
Ockelford, A. (1993) A theory concerning the cognition of order in music. Unpublished PhD thesis. The University of London.
-
(1993)
-
-
Ockelford, A.1
-
239
-
-
33646461127
-
Music in the education of children with severe or profound learning difficulties: issues in current UK provision, a new conceptual framework, and proposals for research
-
Ockelford, A. (2000) Music in the education of children with severe or profound learning difficulties: issues in current UK provision, a new conceptual framework, and proposals for research. Psychology of Music, 28(2), 197-217.
-
(2000)
Psychology of Music
, vol.28
, Issue.2
, pp. 197-217
-
-
Ockelford, A.1
-
240
-
-
84990394511
-
The magical number two, plus or minus one: some limits on our capacity for processing musical information
-
Ockelford, A. (2002) The magical number two, plus or minus one: some limits on our capacity for processing musical information. Musicæ Scientiæ, 6(2), 177-215.
-
(2002)
Musicæ Scientiæ
, vol.6
, Issue.2
, pp. 177-215
-
-
Ockelford, A.1
-
241
-
-
39749111332
-
On similarity, derivation, and the cognition of musical structure
-
Ockelford, A. (2004) On similarity, derivation, and the cognition of musical structure. Psychology of Music, 32(1), 23-74.
-
(2004)
Psychology of Music
, vol.32
, Issue.1
, pp. 23-74
-
-
Ockelford, A.1
-
243
-
-
39749121492
-
Relating musical structure and content to aesthetic response: a model and analysis of Beethoven's Piano Sonata Op. 110
-
Ockelford, A. (2005b) Relating musical structure and content to aesthetic response: a model and analysis of Beethoven's Piano Sonata Op. 110. Journal of the Royal Musical Association, 130(1), 74-118.
-
(2005)
Journal of the Royal Musical Association
, vol.130
, Issue.1
, pp. 74-118
-
-
Ockelford, A.1
-
244
-
-
39749191972
-
Implication and expectation in music: a zygonic model
-
Ockelford, A. (2006a) Implication and expectation in music: a zygonic model. Psychology of Music, 34(1), 81-142.
-
(2006)
Psychology of Music
, vol.34
, Issue.1
, pp. 81-142
-
-
Ockelford, A.1
-
245
-
-
79954045730
-
Using a music-theoretical approach to interrogate musical development and social interaction
-
N. Lerner and J. Straus (eds), NewYork: Routledge
-
Ockelford, A. (2006b) Using a music-theoretical approach to interrogate musical development and social interaction. In: N. Lerner and J. Straus (eds) Sounding Off:Theorizing Disability in Music. NewYork: Routledge, pp. 137-55.
-
(2006)
Sounding Off:Theorizing Disability in Music
, pp. 137-155
-
-
Ockelford, A.1
-
247
-
-
39749181659
-
A music module in working memory? Evidence from the performance of a prodigious musical savant
-
Special Edition, Performance Matters
-
Ockelford, A. (2007b) A music module in working memory? Evidence from the performance of a prodigious musical savant. Musicæ Scientiæ (Special Edition, Performance Matters), 5-36.
-
(2007)
Musicæ Scientiæ
, pp. 5-36
-
-
Ockelford, A.1
-
248
-
-
61049510341
-
Exploring musical interaction between a teacher and pupil, and her evolving musicality, using a music-theoretical approach
-
Ockelford, A. (2007c) Exploring musical interaction between a teacher and pupil, and her evolving musicality, using a music-theoretical approach. Research Studies in Music Education, 28(1), 3-23.
-
(2007)
Research Studies in Music Education
, vol.28
, Issue.1
, pp. 3-23
-
-
Ockelford, A.1
-
249
-
-
85081413857
-
Review article: D. Huron's Sweet Anticipation: Music and the Psychology of Expectation
-
Ockelford, A. (2008a) Review article: D. Huron's Sweet Anticipation: Music and the Psychology of Expectation. Psychology of Music, 36(3), 367-82.
-
(2008)
Psychology of Music
, vol.36
, Issue.3
, pp. 367-382
-
-
Ockelford, A.1
-
251
-
-
84924183382
-
Beyond music psychology
-
S. Hallam, I. Cross, and M. Thaut (eds), Oxford: Oxford University Press
-
Ockelford, A. (2008c) Beyond music psychology. In: S. Hallam, I. Cross, and M. Thaut (eds) Oxford Handbook of Music Psychology. Oxford: Oxford University Press, pp. 539-51.
-
(2008)
Oxford Handbook of Music Psychology
, pp. 539-551
-
-
Ockelford, A.1
-
252
-
-
84920972077
-
Zygonic theory: introduction, scope, prospects
-
Ockelford, A. (2009a) Zygonic theory: introduction, scope, prospects. Zeitschrift der Gesellschaft fürMusiktheorie, 6(1), 91-172.
-
(2009)
Zeitschrift der Gesellschaft fürMusiktheorie
, vol.6
, Issue.1
, pp. 91-172
-
-
Ockelford, A.1
-
253
-
-
84991221975
-
Similarity relations between groups of notes: music-theoretical and music-psychological perspectives
-
Discussion Forum
-
Ockelford, A. (2009b) Similarity relations between groups of notes: music-theoretical and music-psychological perspectives. Musicæ Scientiæ (Discussion Forum) 4B, 47-93.
-
(2009)
Musicæ Scientiæ
, vol.4 B
, pp. 47-93
-
-
Ockelford, A.1
-
255
-
-
84922966565
-
Understanding autism
-
Ockelford, A. (2010b) Understanding autism. Libretto, 2010(3), 11.
-
(2010)
Libretto
, vol.2010
, Issue.3
, pp. 11
-
-
Ockelford, A.1
-
256
-
-
84889014339
-
Another exceptional musical memory: evidence from a savant of how atonal music is processed in cognition
-
I. Deliege and J. Davidson (eds), Oxford: Oxford University Press
-
Ockelford, A. (2011) Another exceptional musical memory: evidence from a savant of how atonal music is processed in cognition. In: I. Deliege and J. Davidson (eds) Festschrift for John Sloboda. Oxford: Oxford University Press, pp. 237-88.
-
(2011)
Festschrift for John Sloboda
, pp. 237-288
-
-
Ockelford, A.1
-
257
-
-
84923064925
-
Imagination feeds memory: exploring evidence from a musical savant using zygonic theory
-
D. Hargreaves, D. Miell, and R. MacDonald (eds), Oxford: Oxford University Press
-
Ockelford, A. (2012a) Imagination feeds memory: exploring evidence from a musical savant using zygonic theory. In: D. Hargreaves, D. Miell, and R. MacDonald (eds), Musical Imaginations: Multidisciplinary Perspectives on Creativity, Performance and Perception. Oxford: Oxford University Press, pp. 31-61.
-
(2012)
Musical Imaginations: Multidisciplinary Perspectives on Creativity, Performance and Perception
, pp. 31-61
-
-
Ockelford, A.1
-
258
-
-
84921654195
-
Songs without words: exploring how music can serve as a proxy language in social interaction with autistic children
-
R. MacDonald, A. Kreutz, and L. Mitchell (eds), Oxford: Oxford University Press
-
Ockelford, A. (2012b) Songs without words: exploring how music can serve as a proxy language in social interaction with autistic children. In: R. MacDonald, A. Kreutz, and L. Mitchell (eds) Music, Health and Well-being. Oxford: Oxford University Press, pp. 289-323.
-
(2012)
Music, Health and Well-being
, pp. 289-323
-
-
Ockelford, A.1
-
260
-
-
84923046752
-
What makes music "music"? Theoretical explanations using zygonic theory
-
J.-L. Leroy, (ed.), Paris, France: Edition des Archives Contemporaines
-
Ockelford, A. (2012d) What makes music "music"? Theoretical explanations using zygonic theory. In: J.-L. Leroy, (ed.) Actualités des Universaux en Musique/Topics in Universals in Music. Paris, France: Edition des Archives Contemporaines.
-
(2012)
Actualités des Universaux en Musique/Topics in Universals in Music
-
-
Ockelford, A.1
-
262
-
-
33646441462
-
Learning and creativity in a prodigious musical savant
-
Ockelford, A. and Pring, L. (2005) Learning and creativity in a prodigious musical savant. International Congress Series, 1282, 903-7.
-
(2005)
International Congress Series
, vol.1282
, pp. 903-907
-
-
Ockelford, A.1
Pring, L.2
-
263
-
-
84876581629
-
Musical expectancy in atonal contexts: musicians perception of antistructure
-
press, Available from OnlineFirst
-
Ockelford, A. and Sergeant, D. (in press) Musical expectancy in atonal contexts: musicians perception of antistructure, Psychology of Music. Available from OnlineFirst: doi:10.1177/0305735612442582.
-
Psychology of Music
-
-
Ockelford, A.1
Sergeant, D.2
-
264
-
-
84922966012
-
What can musical engagement in children with cognitive impairment tell us about their sense of self?
-
S. ONeill (ed.), Waterloo, ON:Canadian Music Educators' Association/L'Association Canadienne des Musiciens
-
Ockelford, A. and Welch, G. (2012) What can musical engagement in children with cognitive impairment tell us about their sense of self? In: S. ONeill (ed.) Personhood and Music Learning: Multidisciplinary Perspectives and Narrative Voices. Waterloo, ON:Canadian Music Educators' Association/L'Association Canadienne des Musiciens.
-
(2012)
Personhood and Music Learning: Multidisciplinary Perspectives and Narrative Voices
-
-
Ockelford, A.1
Welch, G.2
-
265
-
-
33749666148
-
Music education for pupils with severe or profound and multiple difficulties
-
Ockelford, A., Welch, G., and Zimmermann, S. (2002) Music education for pupils with severe or profound and multiple difficulties. British Journal of Special Education, 29(4), 178-82.
-
(2002)
British Journal of Special Education
, vol.29
, Issue.4
, pp. 178-182
-
-
Ockelford, A.1
Welch, G.2
Zimmermann, S.3
-
266
-
-
33646464242
-
"Sounds of intent":mapping, assessing and promoting the musical development of children with profound and multiple learning difficulties
-
Ockelford, A., Welch, G., Zimmermann, S., and Himonides, E. (2005) "Sounds of intent":mapping, assessing and promoting the musical development of children with profound and multiple learning difficulties. International Congress Series, 1282, 898-902.
-
(2005)
International Congress Series
, vol.1282
, pp. 898-902
-
-
Ockelford, A.1
Welch, G.2
Zimmermann, S.3
Himonides, E.4
-
267
-
-
61049215532
-
-
London: Institute of Education
-
Ockelford, A., Pring, L., Welch, G., and Treffert, D. (2006) Focus on Music: Exploring the Musical Interests and Abilities of Blind and Partially-Sighted Children with Septo-Optic Dysplasia. London: Institute of Education.
-
(2006)
Focus on Music: Exploring the Musical Interests and Abilities of Blind and Partially-Sighted Children with Septo-Optic Dysplasia
-
-
Ockelford, A.1
Pring, L.2
Welch, G.3
Treffert, D.4
-
268
-
-
84923055272
-
Sounds of intent
-
Ockelford, A., Welch, G., Vogiatzoglou, A., Himonides, E., and Zimmermann, S. (2010) Sounds of intent. SEN Magazine, 45, 36-8.
-
(2010)
SEN Magazine
, vol.45
, pp. 36-38
-
-
Ockelford, A.1
Welch, G.2
Vogiatzoglou, A.3
Himonides, E.4
Zimmermann, S.5
-
269
-
-
79956289565
-
Sounds of Intent, Phase 2: approaches to the quantification of musicdevelopmental data pertaining to children with complex needs
-
Ockelford, A., Welch, G., Jewell-Gore, L., Cheng, E., Vogiatzoglou, A., and Himonides, E. (2011) Sounds of Intent, Phase 2: approaches to the quantification of musicdevelopmental data pertaining to children with complex needs. European Journal of Special Needs Education, 26(2), 177-99.
-
(2011)
European Journal of Special Needs Education
, vol.26
, Issue.2
, pp. 177-199
-
-
Ockelford, A.1
Welch, G.2
Jewell-Gore, L.3
Cheng, E.4
Vogiatzoglou, A.5
Himonides, E.6
-
270
-
-
84923030402
-
-
press, London: Institute of Education
-
Ockelford, A., Gott, S., Risdon, J., and Zimmermann, S. (in press) Focus on Music 3:Exploring the Musical Interests and Abilities of Blind and Partially-Sighted Children with Leber Congenital Amaurosis. London: Institute of Education.
-
Focus on Music 3:Exploring the Musical Interests and Abilities of Blind and Partially-Sighted Children with Leber Congenital Amaurosis
-
-
Ockelford, A.1
Gott, S.2
Risdon, J.3
Zimmermann, S.4
-
272
-
-
0002955716
-
Expectancies
-
E. Higgins and A. Kruglanski (eds), New York: Guilford Press
-
Olson, J., Roese, N., and Zanna, M. (1996) Expectancies. In: E. Higgins and A. Kruglanski (eds) Social Psychology: Handbook of Basic Principles. New York: Guilford Press, pp. 211-38.
-
(1996)
Social Psychology: Handbook of Basic Principles
, pp. 211-238
-
-
Olson, J.1
Roese, N.2
Zanna, M.3
-
273
-
-
33745626746
-
Spontaneous imitation in the social interactions of young people with developmental delay and their adult carers
-
O'Neill, M. and Zeedyk, M. (2006) Spontaneous imitation in the social interactions of young people with developmental delay and their adult carers. Infant and Child Development, 15(3), 283-95.
-
(2006)
Infant and Child Development
, vol.15
, Issue.3
, pp. 283-295
-
-
O'Neill, M.1
Zeedyk, M.2
-
274
-
-
84922966011
-
-
Psychological Monographs, Princeton, New Jersey: Psychological Review Company
-
Ortmann, O. (1926) On the Melodic Relativity of Tones. Psychological Monographs, 35(1). Princeton, New Jersey: Psychological Review Company.
-
(1926)
On the Melodic Relativity of Tones
, vol.35
, Issue.1
-
-
Ortmann, O.1
-
275
-
-
84863320083
-
Great expectations: specific lexical anticipation influences spoken language processing
-
Otten, M., Nieuwland, M., and van Berkum, J. (2007) Great expectations: specific lexical anticipation influences spoken language processing. BMC Neuroscience, 8(89), 1-9.
-
(2007)
BMC Neuroscience
, vol.8
, Issue.89
, pp. 1-9
-
-
Otten, M.1
Nieuwland, M.2
van Berkum, J.3
-
276
-
-
0036370845
-
Rethinking individualism and collectivism: evaluation of theoretical assumptions and meta-analyses
-
Oyserman, D., Coon, H., and Kemmelmeier, M. (2002) Rethinking individualism and collectivism: evaluation of theoretical assumptions and meta-analyses. Psychological Bulletin, 128(1), 3-73.
-
(2002)
Psychological Bulletin
, vol.128
, Issue.1
, pp. 3-73
-
-
Oyserman, D.1
Coon, H.2
Kemmelmeier, M.3
-
277
-
-
0028503656
-
Harmonic, melodic, and frequency height influences in the perception of multivoiced music
-
Palmer, C. and Holleran, S. (1994) Harmonic, melodic, and frequency height influences in the perception of multivoiced music. Perception and Psychophysics, 56(3), 301-12.
-
(1994)
Perception and Psychophysics
, vol.56
, Issue.3
, pp. 301-312
-
-
Palmer, C.1
Holleran, S.2
-
278
-
-
0027563803
-
Units of knowledge in music performance
-
Palmer, C. and van de Sande, C. (1993) Units of knowledge in music performance. Journal of Experimental Psychology: Learning, Memory and Cognition, 19(2), 457-70.
-
(1993)
Journal of Experimental Psychology: Learning, Memory and Cognition
, vol.19
, Issue.2
, pp. 457-470
-
-
Palmer, C.1
van de Sande, C.2
-
279
-
-
84968137305
-
The emotional sources of "chills" induced by music
-
Panskepp, J. (1995) The emotional sources of "chills" induced by music. Music Perception, 13(2), 171-208.
-
(1995)
Music Perception
, vol.13
, Issue.2
, pp. 171-208
-
-
Panskepp, J.1
-
280
-
-
0003109918
-
Intuitive parenting: a hidden source of musical stimulation in infancy
-
I. Deliège and J. Sloboda (eds), Oxford: Oxford University Press
-
Papoušek, M. (1996) Intuitive parenting: a hidden source of musical stimulation in infancy. In: I. Deliège and J. Sloboda (eds) Musical Beginnings. Oxford: Oxford University Press, pp. 88-112.
-
(1996)
Musical Beginnings
, pp. 88-112
-
-
Papoušek, M.1
-
283
-
-
84921669547
-
The music interaction rating scale (schizophrenia) (MIR(S)) microanalysis of co-improvisation in music therapy with adults suffering from chronic schizophrenia
-
T. Wosch and T. Wigram (eds), London: Jessica Kingsley
-
Pavlicevic, M. (2007) The music interaction rating scale (schizophrenia) (MIR(S)) microanalysis of co-improvisation in music therapy with adults suffering from chronic schizophrenia. In: T. Wosch and T. Wigram (eds) Microanalysis in Music Therapy:Methods, Techniques and Applications for Clinicians, Researchers, Educators and Students. London: Jessica Kingsley, pp. 174-85.
-
(2007)
Microanalysis in Music Therapy:Methods, Techniques and Applications for Clinicians, Researchers, Educators and Students
, pp. 174-185
-
-
Pavlicevic, M.1
-
284
-
-
34748826092
-
-
(Bird Families of the World). New York: Oxford University Press
-
Payne, R. and Sorensen, M. (2005) The Cuckoos: Cuculidae (Bird Families of the World). New York: Oxford University Press.
-
(2005)
The Cuckoos: Cuculidae
-
-
Payne, R.1
Sorensen, M.2
-
285
-
-
0038392766
-
Modularity of music processing
-
Peretz, I. and Coltheart, M. (2003) Modularity of music processing. Nature Neuroscience, 6(7), 688-91.
-
(2003)
Nature Neuroscience
, vol.6
, Issue.7
, pp. 688-691
-
-
Peretz, I.1
Coltheart, M.2
-
286
-
-
0042591456
-
What is specific to music processing? Insights from congenital amusia
-
Peretz, I. and Hyde, K. (2003) What is specific to music processing? Insights from congenital amusia. Trends in Cognitive Sciences, 7(8), 362-7.
-
(2003)
Trends in Cognitive Sciences
, vol.7
, Issue.8
, pp. 362-367
-
-
Peretz, I.1
Hyde, K.2
-
287
-
-
0032147330
-
Music and emotion: perceptual determinants, immediacy, and isolation after brain damage
-
Peretz, I., Gagnon, L., and Bouchard, B. (1998) Music and emotion: perceptual determinants, immediacy, and isolation after brain damage. Cognition, 68(2), 111-41.
-
(1998)
Cognition
, vol.68
, Issue.2
, pp. 111-141
-
-
Peretz, I.1
Gagnon, L.2
Bouchard, B.3
-
288
-
-
32244436260
-
Early auditory experience generates longlasting memories that may subserve vocal learning in songbirds
-
Phan, M., Pytte, C., and Vicario, D. (2006) Early auditory experience generates longlasting memories that may subserve vocal learning in songbirds. Proceedings of the National Academy of Sciences of the United States of America, 103(4), 1088-93.
-
(2006)
Proceedings of the National Academy of Sciences of the United States of America
, vol.103
, Issue.4
, pp. 1088-1093
-
-
Phan, M.1
Pytte, C.2
Vicario, D.3
-
290
-
-
0343039382
-
Information theory and melody
-
Pinkerton, R. (1956) Information theory and melody. Scientific American, 194(2), 77-86.
-
(1956)
Scientific American
, vol.194
, Issue.2
, pp. 77-86
-
-
Pinkerton, R.1
-
291
-
-
65849228012
-
-
(rev. M. deVoto). London: Victor Gollancz
-
Piston, W. (1941/1978) Harmony (rev. M. deVoto). London: Victor Gollancz.
-
(1941)
Harmony
-
-
Piston, W.1
-
293
-
-
84933881808
-
The information of elementary auditory displays
-
Pollack, I. (1952) The information of elementary auditory displays. Journal of the Acoustical Society of America, 24(6), 745-9.
-
(1952)
Journal of the Acoustical Society of America
, vol.24
, Issue.6
, pp. 745-749
-
-
Pollack, I.1
-
294
-
-
0040919446
-
Exploring the elementary harmonic forces in the tonal system
-
Povel, D.-J. (1996) Exploring the elementary harmonic forces in the tonal system. Psychological Research, 58(4), 274-83.
-
(1996)
Psychological Research
, vol.58
, Issue.4
, pp. 274-283
-
-
Povel, D.-J.1
-
295
-
-
84922966010
-
Music and Williams syndrome: a single-case study exploring emerging savant musical ability
-
Unpublished MSc thesis. University of Roehampton
-
Powell, A. (2011) Music and Williams syndrome: a single-case study exploring emerging savant musical ability. Unpublished MSc thesis. University of Roehampton.
-
(2011)
-
-
Powell, A.1
-
296
-
-
84992923844
-
Children with septo-optic dysplasia - musical interests, abilities and provision: the results of a parental survey
-
Pring, L. and Ockelford, A. (2005) Children with septo-optic dysplasia - musical interests, abilities and provision: the results of a parental survey. British Journal of Visual Impairment, 23(2), 58-66.
-
(2005)
British Journal of Visual Impairment
, vol.23
, Issue.2
, pp. 58-66
-
-
Pring, L.1
Ockelford, A.2
-
298
-
-
0004731328
-
Categorical perception in absolute pitch
-
Rakowski, A. (1993) Categorical perception in absolute pitch. Archives of Acoustics Quarterly, 18(4), 515-23.
-
(1993)
Archives of Acoustics Quarterly
, vol.18
, Issue.4
, pp. 515-523
-
-
Rakowski, A.1
-
299
-
-
85047674838
-
A reason to rhyme: phonological and semantic influences on lexical access
-
Rapp, D. and Samuel, A. (2002) A reason to rhyme: phonological and semantic influences on lexical access. Journal of Experimental Psychology: Learning, Memory and Cognition, 28(3), 564-71.
-
(2002)
Journal of Experimental Psychology: Learning, Memory and Cognition
, vol.28
, Issue.3
, pp. 564-571
-
-
Rapp, D.1
Samuel, A.2
-
300
-
-
0000560244
-
Synchronization in performed ensemble music
-
Rasch, R. (1979) Synchronization in performed ensemble music. Acustica, 43(2), 121-31.
-
(1979)
Acustica
, vol.43
, Issue.2
, pp. 121-131
-
-
Rasch, R.1
-
302
-
-
0001493556
-
The art of inaccuracy: why pianists' errors are difficult to hear
-
Repp, B. (1996) The art of inaccuracy: why pianists' errors are difficult to hear. Music Perception, 14(2), 161-84.
-
(1996)
Music Perception
, vol.14
, Issue.2
, pp. 161-184
-
-
Repp, B.1
-
303
-
-
0001429776
-
The aesthetic quality of a quantitatively average music performance: two preliminary experiments
-
Repp, B. (1997) The aesthetic quality of a quantitatively average music performance: two preliminary experiments. Music Perception, 14(4), 419-44.
-
(1997)
Music Perception
, vol.14
, Issue.4
, pp. 419-444
-
-
Repp, B.1
-
308
-
-
0032833973
-
The binding problem
-
Roskies, A.L. (1999) The binding problem. Neuron, 24(1), 7-9.
-
(1999)
Neuron
, vol.24
, Issue.1
, pp. 7-9
-
-
Roskies, A.L.1
-
309
-
-
84968181376
-
The perceptual roles of melodic process, contour and form
-
Rosner, B. and Meyer, L. (1986) The perceptual roles of melodic process, contour and form. Music Perception, 4(1), 1-40.
-
(1986)
Music Perception
, vol.4
, Issue.1
, pp. 1-40
-
-
Rosner, B.1
Meyer, L.2
-
310
-
-
84965737226
-
The effectiveness of mental practice in improving the performance of college trombonists
-
Ross, S. (1985) The effectiveness of mental practice in improving the performance of college trombonists. Journal of Research in Music Education, 33(4), 221-30.
-
(1985)
Journal of Research in Music Education
, vol.33
, Issue.4
, pp. 221-230
-
-
Ross, S.1
-
311
-
-
84887345699
-
Music in nature
-
Rothenberg, D. (2001) Music in nature. Alternatives Journal, 27(2), 30-1.
-
(2001)
Alternatives Journal
, vol.27
, Issue.2
, pp. 30-31
-
-
Rothenberg, D.1
-
314
-
-
3042898669
-
Studies in the psychology of memorizing piano music: IV, the effect of incentive
-
Rubin-Rabson, G. (1941) Studies in the psychology of memorizing piano music: IV, the effect of incentive. Journal of Educational Psychology, 32, 45-54.
-
(1941)
Journal of Educational Psychology
, vol.32
, pp. 45-54
-
-
Rubin-Rabson, G.1
-
315
-
-
4444367859
-
Methods of analysis in musicology (trans. M. Everist)
-
Ruwet, N. (1966/1987) Methods of analysis in musicology (trans. M. Everist). Music Analysis, 6(1), 3-36.
-
(1966)
Music Analysis
, vol.6
, Issue.1
, pp. 3-36
-
-
Ruwet, N.1
-
318
-
-
0029683190
-
Expectancy in melody: tests of the implication-realization model
-
Schellenberg, E. (1996) Expectancy in melody: tests of the implication-realization model, Cognition, 58(1), 75-125.
-
(1996)
Cognition
, vol.58
, Issue.1
, pp. 75-125
-
-
Schellenberg, E.1
-
319
-
-
0008354398
-
Simplifying the implication-realization model of melodic expectancy
-
Schellenberg, E. (1997) Simplifying the implication-realization model of melodic expectancy. Music Perception, 14(3), 295-318.
-
(1997)
Music Perception
, vol.14
, Issue.3
, pp. 295-318
-
-
Schellenberg, E.1
-
321
-
-
0642338314
-
-
(with an introduction by Felix Salzer). New York: Dover Publications
-
Schenker, H. (1932) Five Graphic Music Analyses (with an introduction by Felix Salzer). New York: Dover Publications.
-
(1932)
Five Graphic Music Analyses
-
-
Schenker, H.1
-
322
-
-
0004074494
-
-
(rev., 1956; ed. O. Jonas, trans. E. Oster). New York: Longman
-
Schenker, H. (1935/1979) Free Composition (rev., 1956; ed. O. Jonas, trans. E. Oster). New York: Longman.
-
(1935)
Free Composition
-
-
Schenker, H.1
-
323
-
-
0002138882
-
Emotion expression in speech and music
-
J. Sundberg, L. Nord, and R. Carlson (eds), London: Macmillan
-
Scherer, K. (1991) Emotion expression in speech and music. In: J. Sundberg, L. Nord, and R. Carlson (eds) Music, Language, Speech and Brain. London: Macmillan, pp. 146-56.
-
(1991)
Music, Language, Speech and Brain
, pp. 146-156
-
-
Scherer, K.1
-
324
-
-
0001309343
-
Cue utilization in emotion attribution from auditory stimuli
-
Scherer, K. and Oshinsky, J. (1977) Cue utilization in emotion attribution from auditory stimuli. Motivation and Emotion, 1(4), 336-46.
-
(1977)
Motivation and Emotion
, vol.1
, Issue.4
, pp. 336-346
-
-
Scherer, K.1
Oshinsky, J.2
-
325
-
-
0038410367
-
Emotional effects of music: production rules
-
P. Juslin and J. Sloboda (eds), Oxford: Oxford University Press
-
Scherer, K. and Zentner, K. (2001) Emotional effects of music: production rules. In: P. Juslin and J. Sloboda (eds) Music and Emotion: Theory and Research. Oxford: Oxford University Press, pp. 361-92.
-
(2001)
Music and Emotion: Theory and Research
, pp. 361-392
-
-
Scherer, K.1
Zentner, K.2
-
326
-
-
23044523714
-
Emotion inferences from vocal expression correlate across languages and cultures
-
Scherer, K., Banse, R., and Wallbott, H. (2001) Emotion inferences from vocal expression correlate across languages and cultures. Journal of Cross-Cultural Psychology, 32(1), 76-92.
-
(2001)
Journal of Cross-Cultural Psychology
, vol.32
, Issue.1
, pp. 76-92
-
-
Scherer, K.1
Banse, R.2
Wallbott, H.3
-
327
-
-
84968081876
-
Expectation in music: investigation of melodic and harmonic processes
-
Schmuckler, M. (1989) Expectation in music: investigation of melodic and harmonic processes, Music Perception, 7(2), 109-50.
-
(1989)
Music Perception
, vol.7
, Issue.2
, pp. 109-150
-
-
Schmuckler, M.1
-
328
-
-
0028503319
-
Harmonic and rhythmic influences on musical expectancy
-
Schmuckler, M. and Boltz, M. (1994) Harmonic and rhythmic influences on musical expectancy. Attention, Perception, and Psychophysics, 56(3), 313-25.
-
(1994)
Attention, Perception, and Psychophysics
, vol.56
, Issue.3
, pp. 313-325
-
-
Schmuckler, M.1
Boltz, M.2
-
331
-
-
0013402146
-
Composition with twelve tones (1)
-
L. Stein (ed.), London: Faber and Faber
-
Schoenberg, A. (1941/1975) Composition with twelve tones (1). In: L. Stein (ed.) Style and Idea: Selected Writings of Arnold Schoenberg. London: Faber and Faber, pp. 214-44.
-
(1941)
Style and Idea: Selected Writings of Arnold Schoenberg
, pp. 214-244
-
-
Schoenberg, A.1
-
332
-
-
65849216751
-
New music, outmoded music, style and idea
-
L. Stein (ed.), London: Faber and Faber
-
Schoenberg, A. (1946/1975) New music, outmoded music, style and idea. In: L. Stein (ed.) Style and Idea: Selected Writings of Arnold Schoenberg. London: Faber and Faber, pp. 113-24.
-
(1946)
Style and Idea: Selected Writings of Arnold Schoenberg
, pp. 113-124
-
-
Schoenberg, A.1
-
333
-
-
84876542620
-
Letter to Hans Rosbaud
-
L. Stein (ed.), Berkeley and Los Angeles: University of California Press
-
Schoenberg, A. (1947/1987) Letter to Hans Rosbaud. In: L. Stein (ed.) Arnold Schoenberg Letters. Berkeley and Los Angeles: University of California Press, pp. 243-4.
-
(1947)
Arnold Schoenberg Letters
, pp. 243-244
-
-
Schoenberg, A.1
-
334
-
-
0013402146
-
Composition with twelve tones (2)
-
L. Stein (ed.), London: Faber and Faber
-
Schoenberg, A. (1948/1975) Composition with twelve tones (2). In: L. Stein (ed.) Style and Idea: Selected Writings of Arnold Schoenberg. London: Faber and Faber, pp. 245-9.
-
(1948)
Style and Idea: Selected Writings of Arnold Schoenberg
, pp. 245-249
-
-
Schoenberg, A.1
-
339
-
-
61249696384
-
Music and duration
-
S. Langer (ed.) (1958) Reflections on Art. London: Oxford University Press, pp. 152-60
-
Sélincourt, B. de (1920/1956) Music and duration. Music and Letters, 1(4), 286-93. [In S. Langer (ed.) (1958) Reflections on Art. London: Oxford University Press, pp. 152-60.]
-
(1920)
Music and Letters
, vol.1
, Issue.4
, pp. 286-293
-
-
Sélincourt, B.D.1
-
340
-
-
0041113123
-
Cognition in music
-
Serafine, M. (1983) Cognition in music. Cognition, 14(2), 119-83.
-
(1983)
Cognition
, vol.14
, Issue.2
, pp. 119-183
-
-
Serafine, M.1
-
341
-
-
0021408127
-
Integration of melody and text in memory for songs
-
Serafine, M., Crowder, R., and Repp, B. (1984) Integration of melody and text in memory for songs. Cognition, 16(3), 285-303.
-
(1984)
Cognition
, vol.16
, Issue.3
, pp. 285-303
-
-
Serafine, M.1
Crowder, R.2
Repp, B.3
-
343
-
-
67349093240
-
Gender differences in long-term average spectra of childrens singing voices
-
Sergeant, D. and Welch, G. (2009) Gender differences in long-term average spectra of childrens singing voices. Journal of Voice, 23(2), 319-36.
-
(2009)
Journal of Voice
, vol.23
, Issue.2
, pp. 319-336
-
-
Sergeant, D.1
Welch, G.2
-
345
-
-
84953652991
-
Circularity in judgments of relative pitch
-
Shepard, R. (1964) Circularity in judgments of relative pitch. Journal of the Acoustical Society of America, 36(12), 2346-54.
-
(1964)
Journal of the Acoustical Society of America
, vol.36
, Issue.12
, pp. 2346-2354
-
-
Shepard, R.1
-
346
-
-
84889011827
-
Children's collaborative creativity
-
Unpublished PhD thesis. University of Roehampton
-
Shibazaki, K. (2010) Children's collaborative creativity. Unpublished PhD thesis. University of Roehampton.
-
(2010)
-
-
Shibazaki, K.1
-
347
-
-
84923019903
-
Extending zygonic theory to analyse patterns of musical influence in children's group composition
-
under review
-
Shibazaki, K., Ockelford, A., and Marshall, N. (2012) Extending zygonic theory to analyse patterns of musical influence in children's group composition. Research Studies in Music Education (under review).
-
(2012)
Research Studies in Music Education
-
-
Shibazaki, K.1
Ockelford, A.2
Marshall, N.3
-
348
-
-
84970235336
-
Melodic structure and note transition probabilities: a content analysis of 15,618 classical themes
-
Simonton, D. (1984) Melodic structure and note transition probabilities: a content analysis of 15,618 classical themes. Psychology of Music, 12(1), 3-16.
-
(1984)
Psychology of Music
, vol.12
, Issue.1
, pp. 3-16
-
-
Simonton, D.1
-
349
-
-
84968091443
-
Drawing inferences from symphonic programmes: listener attributes versus listener attributions
-
Simonton, D. (1995) Drawing inferences from symphonic programmes: listener attributes versus listener attributions. Music Perception, 12(3), 307-22.
-
(1995)
Music Perception
, vol.12
, Issue.3
, pp. 307-322
-
-
Simonton, D.1
-
350
-
-
84922966009
-
Immediate recall of melodies
-
J. Sloboda (ed.), Oxford: Oxford University Press
-
Sloboda, J. (1985/2004) Immediate recall of melodies. In: J. Sloboda (ed.) Exploring the Musical Mind: Cognition, Emotion, Ability, Function. Oxford: Oxford University Press, pp. 71-96.
-
(1985)
Exploring the Musical Mind: Cognition, Emotion, Ability, Function
, pp. 71-96
-
-
Sloboda, J.1
-
351
-
-
84970156704
-
Music structure and emotional response: some empirical findings
-
Sloboda, J. (1991) Music structure and emotional response: some empirical findings. Psychology of Music, 19(2), 110-20.
-
(1991)
Psychology of Music
, vol.19
, Issue.2
, pp. 110-120
-
-
Sloboda, J.1
-
352
-
-
84968137253
-
An exceptional musical memory
-
Sloboda, J., Hermelin, H., and O'Connor, N. (1985) An exceptional musical memory. Music Perception, 3(2), 15-170.
-
(1985)
Music Perception
, vol.3
, Issue.2
, pp. 15-170
-
-
Sloboda, J.1
Hermelin, H.2
O'Connor, N.3
-
353
-
-
84970406882
-
The pleasingness of melodic sequences: contrasting effects of repetition and rule familiarity
-
Smith, K. and Cuddy, L. (1986) The pleasingness of melodic sequences: contrasting effects of repetition and rule familiarity. Psychology of Music, 14(1), 17-32.
-
(1986)
Psychology of Music
, vol.14
, Issue.1
, pp. 17-32
-
-
Smith, K.1
Cuddy, L.2
-
355
-
-
84909975331
-
Psychodynamic music therapy - considerations in training
-
A. Cattanach (ed.), London: Jessica Kingsley
-
Sobey, K. and Woodcock, J. (1999) Psychodynamic music therapy - considerations in training. In: A. Cattanach (ed.) Process in the Arts Therapies. London: Jessica Kingsley, pp. 132-54.
-
(1999)
Process in the Arts Therapies
, pp. 132-154
-
-
Sobey, K.1
Woodcock, J.2
-
359
-
-
33748743901
-
The role of harmonic expectancy violations in musical emotions: evidence from subjective, physiological, and neural responses
-
Steinbeis, N., Koelsch, S., and Sloboda, J. (2006) The role of harmonic expectancy violations in musical emotions: evidence from subjective, physiological, and neural responses, Journal of Cognitive Neuroscience, 18(8), 1380-93.
-
(2006)
Journal of Cognitive Neuroscience
, vol.18
, Issue.8
, pp. 1380-1393
-
-
Steinbeis, N.1
Koelsch, S.2
Sloboda, J.3
-
360
-
-
0032111610
-
The metaphor of scaffolding: its utility for the field of learning disabilities
-
Stone, A. (1998) The metaphor of scaffolding: its utility for the field of learning disabilities. Journal of Learning Disabilities, 3(4), 344-64.
-
(1998)
Journal of Learning Disabilities
, vol.3
, Issue.4
, pp. 344-364
-
-
Stone, A.1
-
361
-
-
36248964755
-
Leber congenital amaurosis - a model for efficient genetic testing of heterogeneous disorders: LXIV Edward Jackson Memorial Lecture
-
Stone, E. (2007) Leber congenital amaurosis - a model for efficient genetic testing of heterogeneous disorders: LXIV Edward Jackson Memorial Lecture. American Journal of Ophthalmology, 144(6), 791-811.
-
(2007)
American Journal of Ophthalmology
, vol.144
, Issue.6
, pp. 791-811
-
-
Stone, E.1
-
363
-
-
0004301699
-
-
Cambridge, MA: Harvard University Press
-
Stravinsky, I. (1942) Poetics of Music. Cambridge, MA: Harvard University Press.
-
(1942)
Poetics of Music
-
-
Stravinsky, I.1
-
364
-
-
84923046749
-
-
Boston, MA: Adamant Media Corporation
-
Stumpf, C. (1883/2003) Tonpsychologie: Band 1. Boston, MA: Adamant Media Corporation.
-
(1883)
Tonpsychologie: Band 1
-
-
Stumpf, C.1
-
365
-
-
69749127426
-
Expectation (and attention) in visual cognition
-
Summerfield, C. and Egner, T. (2009) Expectation (and attention) in visual cognition. Trends in Cognitive Sciences, 13(9), 403-9.
-
(2009)
Trends in Cognitive Sciences
, vol.13
, Issue.9
, pp. 403-409
-
-
Summerfield, C.1
Egner, T.2
-
366
-
-
84921668903
-
The use of micro-musical analysis and conversation analysis of improvisation: the invisible handshake - free musical improvisation as conversation
-
T. Wosch and T. Wigram (eds), London: Jessica Kingsley
-
Sutton, J. (2007) The use of micro-musical analysis and conversation analysis of improvisation: the invisible handshake - free musical improvisation as conversation. In: T. Wosch and T. Wigram (eds) Microanalysis in Music Therapy: Methods, Techniques and Applications for Clinicians, Researchers, Educators and Students. London: Jessica Kingsley, pp. 186-97.
-
(2007)
Microanalysis in Music Therapy: Methods, Techniques and Applications for Clinicians, Researchers, Educators and Students
, pp. 186-197
-
-
Sutton, J.1
-
367
-
-
84970156614
-
Further research on the developmental spiral
-
Swanwick, K. (1991) Further research on the developmental spiral. Psychology of Music, 19(1), 22-32.
-
(1991)
Psychology of Music
, vol.19
, Issue.1
, pp. 22-32
-
-
Swanwick, K.1
-
368
-
-
0542402717
-
The sequence of musical development: a study of children's composition
-
Swanwick, K. and Tillman, J. (1986) The sequence of musical development: a study of children's composition. British Journal of Music Education, 16(1), 5-19.
-
(1986)
British Journal of Music Education
, vol.16
, Issue.1
, pp. 5-19
-
-
Swanwick, K.1
Tillman, J.2
-
370
-
-
84968250142
-
Motivic perception and modularity
-
Temperley, D. (1995) Motivic perception and modularity. Music Perception, 13(2), 141-69.
-
(1995)
Music Perception
, vol.13
, Issue.2
, pp. 141-169
-
-
Temperley, D.1
-
372
-
-
0000018258
-
Expectancy in Bohemian folk song melodies:evaluation of implicative principles for implicative and closural intervals
-
Thompson, W. and Stainton, M. (1996) Expectancy in Bohemian folk song melodies:evaluation of implicative principles for implicative and closural intervals. Music Perception, 15(3), 231-52.
-
(1996)
Music Perception
, vol.15
, Issue.3
, pp. 231-252
-
-
Thompson, W.1
Stainton, M.2
-
373
-
-
84863299296
-
An empirical exploration of the zygonic model of expectation in music
-
Thorpe, M. and Ockelford, A., and Aksentijevic, A. (2012) An empirical exploration of the zygonic model of expectation in music. Psychology of Music, 40(4), 429-470.
-
(2012)
Psychology of Music
, vol.40
, Issue.4
, pp. 429-470
-
-
Thorpe, M.1
Ockelford, A.2
Aksentijevic, A.3
-
374
-
-
70350335321
-
Congenital amusia: a short-memory deficit for non-verbal, but not verbal sounds
-
Tillmann, B., Schulze, K., and Foxton, J. (2009) Congenital amusia: a short-memory deficit for non-verbal, but not verbal sounds. Brain and Cognition, 71(3), 259-64.
-
(2009)
Brain and Cognition
, vol.71
, Issue.3
, pp. 259-264
-
-
Tillmann, B.1
Schulze, K.2
Foxton, J.3
-
377
-
-
0001920892
-
The perception of musical patterns by human infants: the provision of similar patterns by their parents
-
M. Berkley and W. Stebbins (eds), New York: Wiley
-
Trehub, S. (1990) The perception of musical patterns by human infants: the provision of similar patterns by their parents. In: M. Berkley and W. Stebbins (eds) Comparative Perception; Vol. 1, Mechanisms. New York: Wiley, pp. 429-59.
-
(1990)
Comparative Perception; Vol. 1, Mechanisms
, pp. 429-459
-
-
Trehub, S.1
-
378
-
-
0038748493
-
Emotion and music in infancy
-
Special Issue: Current Trends in the Study of Music and Emotion
-
Trehub, S. and Nakata, T. (2001/2002) Emotion and music in infancy. Musicæ Scientiæ (Special Issue: Current Trends in the Study of Music and Emotion), 37-61.
-
(2001)
Musicæ Scientiæ
, pp. 37-61
-
-
Trehub, S.1
Nakata, T.2
-
379
-
-
48949116554
-
The musical art of infant conversation: narrating in the time of sympathetic experience, without rational interpretation, before words
-
Special Issue: Narrative in Music and Interaction
-
Trevarthen, C. (2008) The musical art of infant conversation: narrating in the time of sympathetic experience, without rational interpretation, before words. Musicæ Scientiæ (Special Issue: Narrative in Music and Interaction), 11-37.
-
(2008)
Musicæ Scientiæ
, pp. 11-37
-
-
Trevarthen, C.1
-
380
-
-
84923062220
-
An investigation into the effect of tonality on memory for melodies
-
MSc Dissertation. University of Roehampton
-
Trower, H. (2011) An investigation into the effect of tonality on memory for melodies. MSc Dissertation. University of Roehampton.
-
(2011)
-
-
Trower, H.1
-
381
-
-
67650170416
-
The phenomenon of "Blind Tom": the most remarkable instance of the operation of the sub-conscious mind in music
-
February 1918
-
Tutein, A. (1918) The phenomenon of "Blind Tom": the most remarkable instance of the operation of the sub-conscious mind in music. The Etude, February 1918, 91-2.
-
(1918)
The Etude
, pp. 91-92
-
-
Tutein, A.1
-
384
-
-
1542331557
-
Changes in affectivity with repetition
-
Verveer, E., Barry, H., and Bousfield, W. (1933) Changes in affectivity with repetition. American Journal of Psychology, 45(1), 130-4.
-
(1933)
American Journal of Psychology
, vol.45
, Issue.1
, pp. 130-134
-
-
Verveer, E.1
Barry, H.2
Bousfield, W.3
-
385
-
-
33749597040
-
Tonality induction: theoretical problems and dilemmas
-
Vos, P. (2000) Tonality induction: theoretical problems and dilemmas. Music Perception, 17(4), 403-16.
-
(2000)
Music Perception
, vol.17
, Issue.4
, pp. 403-416
-
-
Vos, P.1
-
386
-
-
0039733554
-
Inference of mode on melodies
-
Vos, P. and Verkaart, P. (1999) Inference of mode on melodies. Music Perception, 17(2), 223-39.
-
(1999)
Music Perception
, vol.17
, Issue.2
, pp. 223-239
-
-
Vos, P.1
Verkaart, P.2
-
390
-
-
0012784374
-
The nature and measurement of musical meanings
-
Watson, K. (1942) The nature and measurement of musical meanings. Psychological Monographs, 54(2), 1-43.
-
(1942)
Psychological Monographs
, vol.54
, Issue.2
, pp. 1-43
-
-
Watson, K.1
-
391
-
-
38949150570
-
The musical development and education of young children
-
B. Spodek and O. Saracho (eds), Mahwah, NJ: Lawrence Erlbaum Associates
-
Welch, G. (2006) The musical development and education of young children. In: B. Spodek and O. Saracho (eds) Handbook of Research on the Education of Young Children. Mahwah, NJ: Lawrence Erlbaum Associates, pp. 251-67.
-
(2006)
Handbook of Research on the Education of Young Children
, pp. 251-267
-
-
Welch, G.1
-
393
-
-
68149161148
-
Sounds of Intent: mapping musical behaviour and development in children and young people with complex needs
-
Welch, G., Ockelford, A., Carter, F.-C., Zimmermann, S., and Himonides, E. (2009) Sounds of Intent: mapping musical behaviour and development in children and young people with complex needs. Psychology of Music, 37(3), 348-70.
-
(2009)
Psychology of Music
, vol.37
, Issue.3
, pp. 348-370
-
-
Welch, G.1
Ockelford, A.2
Carter, F.-C.3
Zimmermann, S.4
Himonides, E.5
-
395
-
-
84970651756
-
Modelling music perception as input-output and as process
-
West, R., Howell, P., and Cross, I. (1987) Modelling music perception as input-output and as process. Psychology of Music, 15(1), 7-29.
-
(1987)
Psychology of Music
, vol.15
, Issue.1
, pp. 7-29
-
-
West, R.1
Howell, P.2
Cross, I.3
-
396
-
-
21644478449
-
False memory following rapidly presented lists: the element of surprise
-
Whittlesea, B., Masson, M., and Hughes, A. (2005) False memory following rapidly presented lists: the element of surprise. Psychological Research, 69(5-6), 420-30.
-
(2005)
Psychological Research
, vol.69
, Issue.5-6
, pp. 420-430
-
-
Whittlesea, B.1
Masson, M.2
Hughes, A.3
-
398
-
-
84921627962
-
Event-based analysis of improvisations using the improvisation assessment profiles (IAPs)
-
T. Wosch and T. Wigram (eds), London: Jessica Kingsley
-
Wigram, T. (2007) Event-based analysis of improvisations using the improvisation assessment profiles (IAPs). In: T. Wosch and T. Wigram (eds) Microanalysis in Music Therapy: Methods, Techniques and Applications for Clinicians, Researchers, Educators and Students. London: Jessica Kingsley, pp. 211-26.
-
(2007)
Microanalysis in Music Therapy: Methods, Techniques and Applications for Clinicians, Researchers, Educators and Students
, pp. 211-226
-
-
Wigram, T.1
-
399
-
-
48249091496
-
Microanalysis in music therapy: a comparison of different models and methods and their application in clinical practice, research and teaching music therapy
-
T. Wosch and T. Wigram (eds), London: Jessica Kingsley
-
Wigram, T. and Wosch, T. (2007) Microanalysis in music therapy: a comparison of different models and methods and their application in clinical practice, research and teaching music therapy. In: T. Wosch and T. Wigram (eds) Microanalysis: Methods, Techniques and Applications for Clinicians, Researchers, Educators and Students. London: Jessica Kingsley, pp. 298-316.
-
(2007)
Microanalysis: Methods, Techniques and Applications for Clinicians, Researchers, Educators and Students
, pp. 298-316
-
-
Wigram, T.1
Wosch, T.2
-
400
-
-
0001312219
-
Supravalvular aortic stenosis
-
Williams, J.C., Barratt-Boyes, B.G., and Lowe, J.B. (1961) Supravalvular aortic stenosis. Circulation, 24(6), 1311-18.
-
(1961)
Circulation
, vol.24
, Issue.6
, pp. 1311-1318
-
-
Williams, J.C.1
Barratt-Boyes, B.G.2
Lowe, J.B.3
-
401
-
-
70350346639
-
Music in working memory? Examining the effect of pitch proximity on the recall performance of nonmusicians
-
Bologna: University of Bologna. [Available at: )(]
-
Williamson, V., Baddeley, A., and Hitch, G., (2006) Music in working memory? Examining the effect of pitch proximity on the recall performance of nonmusicians. In: Proceedings of the 9th International Conference on Music Perception and Cognition. Bologna: University of Bologna. [Available at: )(]
-
(2006)
Proceedings of the 9th International Conference on Music Perception and Cognition
-
-
Williamson, V.1
Baddeley, A.2
Hitch, G.3
-
402
-
-
81055125477
-
Finding your voice: a singing lesson from functional imaging
-
Wilson, S., Abbott, D., Lusher, D., Gentle, E., and Jackson, G. (2011) Finding your voice: a singing lesson from functional imaging. Human Brain Mapping, 32(12), 2115-30.
-
(2011)
Human Brain Mapping
, vol.32
, Issue.12
, pp. 2115-2130
-
-
Wilson, S.1
Abbott, D.2
Lusher, D.3
Gentle, E.4
Jackson, G.5
-
403
-
-
0017276549
-
The role of tutoring in problem solving
-
Wood, D., Bruner, J., and Ross, G. (1976) The role of tutoring in problem solving. Journal of Child Psychology and Psychiatry, 17(2), 89-100.
-
(1976)
Journal of Child Psychology and Psychiatry
, vol.17
, Issue.2
, pp. 89-100
-
-
Wood, D.1
Bruner, J.2
Ross, G.3
-
404
-
-
84921627961
-
Microanalysis of processes of interactions in clinical improvisation with IAP-autonomy
-
T. Wosch and T. Wigram (eds), London: Jessica Kingsley
-
Wosch, T. (2007) Microanalysis of processes of interactions in clinical improvisation with IAP-autonomy. In: T. Wosch and T. Wigram (eds) Microanalysis in Music Therapy:Methods, Techniques and Applications for Clinicians, Researchers, Educators and Students. London: Jessica Kingsley, pp. 241-54.
-
(2007)
Microanalysis in Music Therapy:Methods, Techniques and Applications for Clinicians, Researchers, Educators and Students
, pp. 241-254
-
-
Wosch, T.1
-
405
-
-
77953845359
-
Musicians' memory for language and music in conditions of irrelevant sound
-
Williamson, V., Mitchell, T., Hitch, G., and Baddeley, A. (2010) Musicians' memory for language and music in conditions of irrelevant sound. Psychology of Music, 38(3), 331-50.
-
(2010)
Psychology of Music
, vol.38
, Issue.3
, pp. 331-350
-
-
Williamson, V.1
Mitchell, T.2
Hitch, G.3
Baddeley, A.4
-
406
-
-
0005717596
-
Temporal mechanisms of the brain as fundamentals of communication - with special reference to music perception and performance
-
Special Issue 1999-2000
-
Wittmann, M. and Pöppel, E. (1999-2000) Temporal mechanisms of the brain as fundamentals of communication - with special reference to music perception and performance. Musicæ Scientiæ (Special Issue 1999-2000), 13-28.
-
(1999)
Musicæ Scientiæ
, pp. 13-28
-
-
Wittmann, M.1
Pöppel, E.2
-
407
-
-
48249091496
-
-
London: Jessica Kingsley
-
Wosch, T. and Wigram, T. (eds) (2007) Microanalysis in Music Therapy: Methods, Techniques and Applications for Clinicians, Researchers, Educators and Students. London: Jessica Kingsley.
-
(2007)
Microanalysis in Music Therapy: Methods, Techniques and Applications for Clinicians, Researchers, Educators and Students
-
-
Wosch, T.1
Wigram, T.2
-
409
-
-
0007326398
-
Metaphor and music theory: reflections from cognitive science
-
Zbikowski, L. (1998) Metaphor and music theory: reflections from cognitive science. Music Theory Online, 4(1).
-
(1998)
Music Theory Online
, vol.4
, Issue.1
-
-
Zbikowski, L.1
-
411
-
-
33745620430
-
Imitation and socio-emotional processes: implications for communicative development and interventions
-
Zeedyk, S. and Heimann, M. (2006) Imitation and socio-emotional processes: implications for communicative development and interventions. Infant and Child Development, 15(3), 219-22.
-
(2006)
Infant and Child Development
, vol.15
, Issue.3
, pp. 219-222
-
-
Zeedyk, S.1
Heimann, M.2
|