메뉴 건너뛰기




Volumn 34, Issue 1, 2006, Pages 81-142

Implication and expectation in music: A zygonic model

Author keywords

Cognition; Realization; Relationship; Schematic; Structure; Veridical

Indexed keywords


EID: 39749191972     PISSN: 03057356     EISSN: 17413087     Source Type: Journal    
DOI: 10.1177/0305735606059106     Document Type: Review
Times cited : (30)

References (102)
  • 1
    • 33748469486 scopus 로고    scopus 로고
    • unpublished PhD dissertation, Ohio State University
    • Aarden, B. (2003) 'Dynamic Melodic Expectancy', unpublished PhD dissertation, Ohio State University.
    • (2003) Dynamic Melodic Expectancy
    • Aarden, B.1
  • 4
    • 0001277340 scopus 로고
    • A Cognitive Theory of Emotion and Aesthetics in Music
    • Bever, T.G. (1988) 'A Cognitive Theory of Emotion and Aesthetics in Music', Psychomusicology 7: 165-175.
    • (1988) Psychomusicology , vol.7 , pp. 165-175
    • Bever, T.G.1
  • 5
    • 84968265167 scopus 로고
    • Music Cognition and Perceptual Facilitation: A Connectionist Framework
    • Bharucha, J.J. (1987) 'Music Cognition and Perceptual Facilitation: A Connectionist Framework', Music Perception 5: 1-30.
    • (1987) Music Perception , vol.5 , pp. 1-30
    • Bharucha, J.J.1
  • 6
    • 0038948835 scopus 로고
    • Tonality and Expectation
    • R. Aiello with J.A. Sloboda (eds) New York: Oxford University Press
    • Bharucha, J.J. (1994) 'Tonality and Expectation', in R. Aiello with J.A. Sloboda (eds) Musical Perceptions, pp. 213-239. New York: Oxford University Press.
    • (1994) Musical Perceptions , pp. 213-239
    • Bharucha, J.J.1
  • 7
    • 0002233743 scopus 로고    scopus 로고
    • Neural Nets, Temporal Composites, and Tonality
    • D. Deutsch (ed.) 2nd edn. New York: Academic Press
    • Bharucha, J.J. (1999) 'Neural Nets, Temporal Composites, and Tonality', in D. Deutsch (ed.) The Psychology of Music, pp. 413-440, 2nd edn. New York: Academic Press.
    • (1999) The Psychology of Music , pp. 413-440
    • Bharucha, J.J.1
  • 8
    • 0023353309 scopus 로고
    • Priming of Chords: Spreading Activation or Overlapping Frequency Spectra?
    • Bharucha, J.J. and Stoeckig, K. (1987) 'Priming of Chords: Spreading Activation or Overlapping Frequency Spectra?', Perception & Psychophysics 41: 519-524.
    • (1987) Perception & Psychophysics , vol.41 , pp. 519-524
    • Bharucha, J.J.1    Stoeckig, K.2
  • 9
    • 0031241549 scopus 로고    scopus 로고
    • Global Context Effects on Musical Expectancy
    • Bigand, E. and Pineau, M. (1997) 'Global Context Effects on Musical Expectancy', Perception & Psychophysics 59: 1098-1107.
    • (1997) Perception & Psychophysics , vol.59 , pp. 1098-1107
    • Bigand, E.1    Pineau, M.2
  • 12
    • 84968210818 scopus 로고
    • Musical and Temporal Influences on Key Discovery
    • Brown, H., Butler, D. and Jones, M.R. (1994) 'Musical and Temporal Influences on Key Discovery', Music Perception 11: 371-407.
    • (1994) Music Perception , vol.11 , pp. 371-407
    • Brown, H.1    Butler, D.2    Jones, M.R.3
  • 13
    • 84878540780 scopus 로고
    • Cambridge, MA: Harvard University Press
    • Chávez, C. (1961) Musical Thought. Cambridge, MA: Harvard University Press.
    • (1961) Musical Thought
    • Chávez, C.1
  • 14
    • 0026299956 scopus 로고
    • Tonality and Perception: Musical Scales Primed by Excerpts from The Well-Tempered Clavier of J.S. Bach
    • Cohen, A.J. (1991) 'Tonality and Perception: Musical Scales Primed by Excerpts from The Well-Tempered Clavier of J.S. Bach', Psychological Research 53: 305-314.
    • (1991) Psychological Research , vol.53 , pp. 305-314
    • Cohen, A.J.1
  • 15
    • 33749867240 scopus 로고
    • On Derivation: Syntax and Rhetoric
    • Cone, E.T. (1987) 'On Derivation: Syntax and Rhetoric', Music Analysis 6: 237-255.
    • (1987) Music Analysis , vol.6 , pp. 237-255
    • Cone, E.T.1
  • 16
    • 0039086742 scopus 로고
    • Information as a Measure of Structure in Music
    • Coons, E. and Kraehenbuehl, D. (1958) 'Information as a Measure of Structure in Music', Journal of Music Theory 2: 127-161.
    • (1958) Journal of Music Theory , vol.2 , pp. 127-161
    • Coons, E.1    Kraehenbuehl, D.2
  • 17
    • 33847732049 scopus 로고
    • Review of The Analysis and Cognition of Melodic Complexityby Eugene Narmour
    • Cross, I. (1995) 'Review of The Analysis and Cognition of Melodic Complexityby Eugene Narmour', Music Perception 12: 486-509.
    • (1995) Music Perception , vol.12 , pp. 486-509
    • Cross, I.1
  • 18
    • 39749155215 scopus 로고    scopus 로고
    • Music Analysis and Music Perception
    • Cross, I. (1998) 'Music Analysis and Music Perception', Music Analysis 17: 3-20.
    • (1998) Music Analysis , vol.17 , pp. 3-20
    • Cross, I.1
  • 19
    • 0029298643 scopus 로고
    • Expectancies Generated by Melodic Intervals: Perceptual Judgements of Melodic Continuity
    • Cuddy, L.L. and Lunney, C.A. (1995) 'Expectancies Generated by Melodic Intervals: Perceptual Judgements of Melodic Continuity', Perception and Psychophysics 57: 451-462.
    • (1995) Perception and Psychophysics , vol.57 , pp. 451-462
    • Cuddy, L.L.1    Lunney, C.A.2
  • 20
    • 26144452231 scopus 로고    scopus 로고
    • Cue Abstraction as a Component of Categorisation Processes in Music Listening
    • Deliège, I. (1996) 'Cue Abstraction as a Component of Categorisation Processes in Music Listening', Psychology of Music 24: 131-156.
    • (1996) Psychology of Music , vol.24 , pp. 131-156
    • Deliège, I.1
  • 21
    • 33748470898 scopus 로고    scopus 로고
    • Introduction: Similarity Perception ↔ Categorization ↔ Cue Abstraction
    • Deliège, I. (2001) 'Introduction: Similarity Perception ↔ Categorization ↔ Cue Abstraction', Music Perception 18: 233-243.
    • (2001) Music Perception , vol.18 , pp. 233-243
    • Deliège, I.1
  • 22
    • 0345774630 scopus 로고    scopus 로고
    • Cue Abstraction in the Representation of Musical Form
    • I. Deliège and J.A. Sloboda (eds) Hove: Psychology Press
    • Deliège, I. and Mélen, M. (1997) 'Cue Abstraction in the Representation of Musical Form', in I. Deliège and J.A. Sloboda (eds) Perception and Cognition of Music, pp. 387-412. Hove: Psychology Press.
    • (1997) Perception and Cognition of Music , pp. 387-412
    • Deliège, I.1    Mélen, M.2
  • 23
    • 0040559159 scopus 로고    scopus 로고
    • Musical Schemata in Real-Time Listening to a Piece of Music
    • Deliège, I., Mélen, M., Stammers, D. and Cross, I. (1997) 'Musical Schemata in Real-Time Listening to a Piece of Music', Music Perception 14: 117-160.
    • (1997) Music Perception , vol.14 , pp. 117-160
    • Deliège, I.1    Mélen, M.2    Stammers, D.3    Cross, I.4
  • 24
    • 0025443254 scopus 로고
    • The Role of Knowledge-Based Expectations in Music Perception: Evidence from Musical Restoration
    • DeWitt, L.A. and Samuel, A.G. (1990) 'The Role of Knowledge-Based Expectations in Music Perception: Evidence from Musical Restoration', Journal of Experimental Psychology: General 119: 123-144.
    • (1990) Journal of Experimental Psychology: General , vol.119 , pp. 123-144
    • DeWitt, L.A.1    Samuel, A.G.2
  • 27
    • 79956872126 scopus 로고
    • (CD). Deutsche Grammophon
    • Eschenbach, Christoph (1971) Mozart: Die Klaviersonaten, Vol. 1 (CD). Deutsche Grammophon, 419 452-2.
    • (1971) Mozart: Die Klaviersonaten , vol.1 , pp. 452-452
    • Eschenbach, C.1
  • 31
    • 60949494093 scopus 로고
    • Pitch-Class Set Analysis Today
    • Forte, A. (1985) 'Pitch-Class Set Analysis Today', Music Analysis 4: 29-58.
    • (1985) Music Analysis , vol.4 , pp. 29-58
    • Forte, A.1
  • 32
    • 84968130236 scopus 로고
    • Apparent Motion in Music?
    • Gjerdingen, R.O. (1994) 'Apparent Motion in Music?', Music Perception 11: 335-370.
    • (1994) Music Perception , vol.11 , pp. 335-370
    • Gjerdingen, R.O.1
  • 33
    • 4243388972 scopus 로고    scopus 로고
    • An Experimental Music Theory?
    • N. Cook and M. Everist (eds) Oxford: Oxford University Press
    • Gjerdingen, R.O. (1999) 'An Experimental Music Theory?', in N. Cook and M. Everist (eds) Rethinking Music, pp. 161-170. Oxford: Oxford University Press.
    • (1999) Rethinking Music , pp. 161-170
    • Gjerdingen, R.O.1
  • 35
    • 0041065977 scopus 로고    scopus 로고
    • Tone and Voice: A Derivation of the Rules of Voice-Leading from Perceptual Principles
    • Huron, D. (2001) 'Tone and Voice: A Derivation of the Rules of Voice-Leading from Perceptual Principles', Music Perception 19: 1-64.
    • (2001) Music Perception , vol.19 , pp. 1-64
    • Huron, D.1
  • 38
    • 33745745857 scopus 로고
    • Similarity of Interval-Class Content between Pitch-Class Sets: The IcVSIM Relation
    • Isaacson, E.J. (1990) 'Similarity of Interval-Class Content between Pitch-Class Sets: The IcVSIM Relation', Journal of Music Theory 34: 1-27.
    • (1990) Journal of Music Theory , vol.34 , pp. 1-27
    • Isaacson, E.J.1
  • 39
    • 84968301849 scopus 로고
    • Musical Parsing and Musical Affect
    • Jackendoff, R. (1991) 'Musical Parsing and Musical Affect', Music Perception 9: 199-230.
    • (1991) Music Perception , vol.9 , pp. 199-230
    • Jackendoff, R.1
  • 40
    • 0013674293 scopus 로고
    • Music as a Stimulus for Psychological Motion: Part I. Some Determinants of Expectancies
    • Jones, M.R. (1981) 'Music as a Stimulus for Psychological Motion: Part I. Some Determinants of Expectancies', Psychomusicology 1: 34-51.
    • (1981) Psychomusicology , vol.1 , pp. 34-51
    • Jones, M.R.1
  • 41
    • 0002559362 scopus 로고
    • Music as a Stimulus for Psychological Motion: Part II. An Expectancy Model
    • Jones, M.R. (1982) 'Music as a Stimulus for Psychological Motion: Part II. An Expectancy Model', Psychomusicology 2: 1-13.
    • (1982) Psychomusicology , vol.2 , pp. 1-13
    • Jones, M.R.1
  • 42
    • 26144461805 scopus 로고
    • Attending to Musical Events
    • M.R. Jones and S. Holleran (eds) Washington, DC: American Psychological Association
    • Jones, M.R. (1992) 'Attending to Musical Events', in M.R. Jones and S. Holleran (eds) Cognitive Bases of Musical Communication, pp. 91-110. Washington, DC: American Psychological Association.
    • (1992) Cognitive Bases of Musical Communication , pp. 91-110
    • Jones, M.R.1
  • 44
    • 0020161395 scopus 로고
    • Tracing the Dynamic Changes in Perceived Tonal Organization in a Spatial Representation of Musical Keys
    • Krumhansl, C.L. and Kessler, E.J. (1982) 'Tracing the Dynamic Changes in Perceived Tonal Organization in a Spatial Representation of Musical Keys', Psychological Review 89: 334-368.
    • (1982) Psychological Review , vol.89 , pp. 334-368
    • Krumhansl, C.L.1    Kessler, E.J.2
  • 45
    • 0001348979 scopus 로고    scopus 로고
    • Melodic Expectation in Finnish Spiritual Folk Hymns: Convergence of Statistical, Behavioural, and Computational Approaches
    • Krumhansl, C.L., Louhivuori, J., Toiviainen, P., Järvinen, T. and Eerola, T. (1999) 'Melodic Expectation in Finnish Spiritual Folk Hymns: Convergence of Statistical, Behavioural, and Computational Approaches', Music Perception 17: 151-195.
    • (1999) Music Perception , vol.17 , pp. 151-195
    • Krumhansl, C.L.1    Louhivuori, J.2    Toiviainen, P.3    Järvinen, T.4    Eerola, T.5
  • 47
    • 33845274672 scopus 로고    scopus 로고
    • Musical Forces, Melodic Expectation, and Jazz Melody
    • Larson, S. (2002) 'Musical Forces, Melodic Expectation, and Jazz Melody', Music Perception 19: 351-385.
    • (2002) Music Perception , vol.19 , pp. 351-385
    • Larson, S.1
  • 49
    • 0028523436 scopus 로고
    • Absolute Memory for Musical Pitch: Evidence from the Production of Learned Memories
    • Levitin, D.J. (1994) 'Absolute Memory for Musical Pitch: Evidence from the Production of Learned Memories', Perception and Psychophysics 56: 414-423.
    • (1994) Perception and Psychophysics , vol.56 , pp. 414-423
    • Levitin, D.J.1
  • 51
    • 61249284038 scopus 로고
    • Pierre Boulez: Decision and automatism in structure Ia
    • English edition
    • Ligeti, G. (1960[1958]) 'Pierre Boulez: Decision and Automatism in Structure Ia', Die Reihe(English edition) 4: 36-62.
    • (1958) Die Reihe , vol.4 , pp. 36-62
    • Ligeti, G.1
  • 53
    • 33646729315 scopus 로고    scopus 로고
    • A Model of Melodic Expectation
    • Margulis, E.H. (2005) 'A Model of Melodic Expectation', Music Perception 22 (4). 663-713.
    • (2005) Music Perception , vol.22 , Issue.4 , pp. 663-713
    • Margulis, E.H.1
  • 56
    • 0009896443 scopus 로고
    • Chicago: University of Chicago Press
    • Meyer, L.B. (1973) Explaining Music. Chicago: University of Chicago Press.
    • (1973) Explaining Music
    • Meyer, L.B.1
  • 57
    • 17644425937 scopus 로고    scopus 로고
    • Music and Emotion: Distinctions and Uncertainties
    • P.N. Juslin and J.A. Sloboda (eds) Oxford: Oxford University Press
    • Meyer, L.B. (2001) 'Music and Emotion: Distinctions and Uncertainties', in P.N. Juslin and J.A. Sloboda (eds) Music and Emotion: Theory and Research, pp. 341-360. Oxford: Oxford University Press.
    • (2001) Music and Emotion: Theory and Research , pp. 341-360
    • Meyer, L.B.1
  • 59
    • 61049401323 scopus 로고
    • Equivalence and Similarity in Pitch and their Interaction with pcset Theory
    • Morris, R.D. (1995) 'Equivalence and Similarity in Pitch and their Interaction with pcset Theory', Journal of Music Theory 39: 207-243.
    • (1995) Journal of Music Theory , vol.39 , pp. 207-243
    • Morris, R.D.1
  • 63
    • 0642338313 scopus 로고    scopus 로고
    • Analyzing Form and Measuring Perceptual Content in Mozart's Sonata K.282: A New Theory of Parametric Analogues
    • Narmour, E. (1996) 'Analyzing Form and Measuring Perceptual Content in Mozart's Sonata K.282: A New Theory of Parametric Analogues', Music Perception 13: 265-318.
    • (1996) Music Perception , vol.13 , pp. 265-318
    • Narmour, E.1
  • 64
    • 2442617540 scopus 로고    scopus 로고
    • Music Expectations by Cognitive Rule-mapping
    • Narmour, E. (2000) 'Music Expectations by Cognitive Rule-mapping', Music Perception 17: 329-398.
    • (2000) Music Perception , vol.17 , pp. 329-398
    • Narmour, E.1
  • 66
    • 0039576772 scopus 로고
    • The Role of Repetition in Perceived Musical Structures
    • P. Howell, R. West and I. Cross (eds) London: Academic Press
    • Ockelford, A. (1991) 'The Role of Repetition in Perceived Musical Structures', in P. Howell, R. West and I. Cross (eds) Representing Musical Structure, pp. 129-160. London: Academic Press.
    • (1991) Representing Musical Structure , pp. 129-160
    • Ockelford, A.1
  • 69
    • 84990394511 scopus 로고    scopus 로고
    • The Magical Number Two, Plus or Minus One: Some Limits on our Capacity for Processing Musical Information
    • Ockelford, A. (2002) 'The Magical Number Two, Plus or Minus One: Some Limits on our Capacity for Processing Musical Information', Musicæ Scientiæ 6: 177-215.
    • (2002) Musicæ Scientiæ , vol.6 , pp. 177-215
    • Ockelford, A.1
  • 70
    • 39749111332 scopus 로고    scopus 로고
    • On Similarity, Derivation, and the Cognition of Musical Structure
    • Ockelford, A. (2004) 'On Similarity, Derivation, and the Cognition of Musical Structure', Psychology of Music 32: 23-74.
    • (2004) Psychology of Music , vol.32 , pp. 23-74
    • Ockelford, A.1
  • 72
    • 39749121492 scopus 로고    scopus 로고
    • Relating Musical Structure and Content to Aesthetic Response: A Model and Analysis of Beethoven's Piano Sonata Op. 110
    • Ockelford, A. (2005b) 'Relating Musical Structure and Content to Aesthetic Response: A Model and Analysis of Beethoven's Piano Sonata Op. 110', Journal of the Royal Musical Association 130 (1). 74-118.
    • (2005) Journal of the Royal Musical Association , vol.130 , Issue.1 , pp. 74-118
    • Ockelford, A.1
  • 73
    • 84968137305 scopus 로고
    • The Emotional Sources of "Chills" Induced by Music'
    • Panskepp, J. (1995) 'The Emotional Sources of "Chills" Induced by Music', Music Perception 13: 171-208.
    • (1995) Music Perception , vol.13 , pp. 171-208
    • Panskepp, J.1
  • 74
    • 0343039382 scopus 로고
    • Information Theory and Melody
    • Pinkerton, R.C. (1956) 'Information Theory and Melody', Scientific American 194: 77-86.
    • (1956) Scientific American , vol.194 , pp. 77-86
    • Pinkerton, R.C.1
  • 75
    • 0039290066 scopus 로고
    • London: Victor Gollancz
    • Piston, W. (1978 [1941]) Harmony, rev. M. deVoto. London: Victor Gollancz.
    • (1978) Harmony
    • Piston, W.1
  • 79
    • 0032833973 scopus 로고    scopus 로고
    • The Binding Problem
    • Roskies, A.L. (1999) 'The Binding Problem', Neuron 24: 7-9.
    • (1999) Neuron , vol.24 , pp. 7-9
    • Roskies, A.L.1
  • 80
    • 4444367859 scopus 로고
    • Methods of Analysis in Musicology
    • Ruwet, N. (1987 [1966]) 'Methods of Analysis in Musicology', trans. M. Everist, Music Analysis 6: 3-36.
    • (1987) Music Analysis , vol.6 , pp. 3-36
    • Ruwet, N.1
  • 81
    • 0029683190 scopus 로고    scopus 로고
    • Expectancy in Melody: Tests of the Implication-Realization Model
    • Schellenberg, E.G. (1996) 'Expectancy in Melody: Tests of the Implication-Realization Model', Cognition 58: 75-125.
    • (1996) Cognition , vol.58 , pp. 75-125
    • Schellenberg, E.G.1
  • 82
    • 0008354398 scopus 로고    scopus 로고
    • Simplifying the Implication-Realization Model of Melodic Expectancy
    • Schellenberg, E.G. (1997) 'Simplifying the Implication-Realization Model of Melodic Expectancy', Music Perception 14: 295-318.
    • (1997) Music Perception , vol.14 , pp. 295-318
    • Schellenberg, E.G.1
  • 83
    • 0004074494 scopus 로고
    • O. Jonas, trans. E. Oster. New York: Longman
    • Schenker, H. (1979 [1935]) Free Composition, rev., 1956, ed. O. Jonas, trans. E. Oster. New York: Longman.
    • (1979) Free Composition
    • Schenker, H.1
  • 84
    • 84968081876 scopus 로고
    • Expectation in Music: Investigation of Melodic and Harmonic Processes
    • Schmuckler, M.A. (1989) 'Expectation in Music: Investigation of Melodic and Harmonic Processes', Music Perception 7: 109-150.
    • (1989) Music Perception , vol.7 , pp. 109-150
    • Schmuckler, M.A.1
  • 86
  • 87
    • 84888750667 scopus 로고    scopus 로고
    • S.K. Langer (ed.). London: Oxford University Press
    • in S.K. Langer (ed.) Reflections on Art, pp. 152-160. London: Oxford University Press.
    • Reflections on Art , pp. 152-160
  • 89
    • 84970235336 scopus 로고
    • Melodic Structure and Note Transition Probabilities: A Content Analysis of 15,618 Classical Themes
    • Simonton, D.K. (1984) 'Melodic Structure and Note Transition Probabilities: A Content Analysis of 15,618 Classical Themes', Psychology of Music 12: 307-322.
    • (1984) Psychology of Music , vol.12 , pp. 307-322
    • Simonton, D.K.1
  • 90
    • 84968091443 scopus 로고
    • Drawing Inferences from Symphonic Programmes: Listener Attributes versus Listener Attributions
    • Simonton, D.K. (1995) 'Drawing Inferences from Symphonic Programmes: Listener Attributes versus Listener Attributions', Music Perception 12: 3-16.
    • (1995) Music Perception , vol.12 , pp. 3-16
    • Simonton, D.K.1
  • 91
    • 84970156704 scopus 로고
    • Music Structure and Emotional Response: Some Empirical Findings
    • Sloboda, J.A. (1991) 'Music Structure and Emotional Response: Some Empirical Findings', Psychology of Music 19: 110-120.
    • (1991) Psychology of Music , vol.19 , pp. 110-120
    • Sloboda, J.A.1
  • 92
    • 84970406882 scopus 로고
    • The Pleasingness of Melodic Sequences: Contrasting Effects of Repetition and Rule Familiarity
    • Smith, K.C. and Cuddy, L.L. (1986) 'The Pleasingness of Melodic Sequences: Contrasting Effects of Repetition and Rule Familiarity', Psychology of Music 14: 17-32.
    • (1986) Psychology of Music , vol.14 , pp. 17-32
    • Smith, K.C.1    Cuddy, L.L.2
  • 93
    • 0004301699 scopus 로고
    • Cambridge, MA: Harvard University Press
    • Stravinsky, I. (1942) Poetics of Music. Cambridge, MA: Harvard University Press.
    • (1942) Poetics of Music
    • Stravinsky, I.1
  • 94
    • 0000018258 scopus 로고    scopus 로고
    • Expectancy in Bohemian Folk Song Melodies: Evaluation of Implicative Principles for Implicative and Closural Intervals
    • Thompson, W.F. and Stainton, M. (1998) 'Expectancy in Bohemian Folk Song Melodies: Evaluation of Implicative Principles for Implicative and Closural Intervals', Music Perception 15: 231-252.
    • (1998) Music Perception , vol.15 , pp. 231-252
    • Thompson, W.F.1    Stainton, M.2
  • 96
    • 0039878827 scopus 로고    scopus 로고
    • Redefining Pitch Proximity: Tessitura and Mobility as Constraints on Melodic Intervals
    • Von Hippel, P. (2000) 'Redefining Pitch Proximity: Tessitura and Mobility as Constraints on Melodic Intervals', Music Perception 17: 315-327.
    • (2000) Music Perception , vol.17 , pp. 315-327
    • Von Hippel, P.1
  • 98
    • 33646748926 scopus 로고    scopus 로고
    • Why Do Skips Precede Reversals? The Effect of Tessitura on Melodic Structure
    • Von Hippel, P. and Huron, D. (2000) 'Why Do Skips Precede Reversals? The Effect of Tessitura on Melodic Structure', Music Perception 18: 59-85.
    • (2000) Music Perception , vol.18 , pp. 59-85
    • Von Hippel, P.1    Huron, D.2
  • 99
    • 33749597040 scopus 로고    scopus 로고
    • Tonality Induction: Theoretical Problems and Dilemmas
    • Vos, P.G. (2000) 'Tonality Induction: Theoretical Problems and Dilemmas', Music Perception 17: 403-416.
    • (2000) Music Perception , vol.17 , pp. 403-416
    • Vos, P.G.1
  • 100
    • 0039733554 scopus 로고    scopus 로고
    • Inference of Mode on Melodies
    • Vos, P.G. and Verkaart, P.P. (1999) 'Inference of Mode on Melodies', Music Perception 17: 223-239.
    • (1999) Music Perception , vol.17 , pp. 223-239
    • Vos, P.G.1    Verkaart, P.P.2
  • 101
    • 0005717596 scopus 로고    scopus 로고
    • Temporal Mechanisms of the Brain as Fundamentals of Communication - with Special Reference to Music Perception and Performance
    • Wittmann, M. and Pöppel, E. (1999-2000) 'Temporal Mechanisms of the Brain as Fundamentals of Communication - with Special Reference to Music Perception and Performance', Musicæ Scientiæ special issue: 13-28.
    • (1999) Musicæ Scientiæ , pp. 13-28
    • Wittmann, M.1    Pöppel, E.2


* 이 정보는 Elsevier사의 SCOPUS DB에서 KISTI가 분석하여 추출한 것입니다.