Fortenotes

Music Analysis

Volumn 17, Issue 2, 1998, Pages 177-181

  Dunsby, Jonathan ^a  

^a NONE

Author keywords

[No Author keywords available]

Indexed keywords

EID: 60949536143     PISSN: 02625245     EISSN: None     Source Type: Journal    
DOI: 10.2307/854437     Document Type: Review

References (12)

1. Baker, James, 1990: 'Chromaticism in Mozart's 'Jupiter' Symphony', in Mozart-Jarhbuch 1991, ed. Rudolph Angermüller et al. (Kassel: Bärenreiter), pp. 1050-55.
2. Burnett, Henry and O'Donnell, Shaugn, 1996: 'Linear Ordering of the Chromatic Aggregate in Classical Symphonic Music', Music Theory Spectrum, 18/i, pp. 22-50.
3. Dawkins, Richard, 1995: River out of Eden: A Darwinian View of Life (London: Weidenfeld & Nicolson).
4. Dunsby, Jonathan, 1997: 'Acts of Recall', The Musical Times, 138 (No. 1847), pp. 12-17.
5. Forte, Allen, 1973: The Structure of Atonal Music (New Haven: Yale University Press). 1988: 'Pitch-Class Set Genera and the Origin of Modern Harmonic Species', Journal of Music Theory, 32/ii, pp. 187-271.
6. 1991: 'Debussy and the Octatonic', Music Analysis, 10/i-ii, pp. 125-69.
7. Jalowetz, Heinrich, 1944: 'On the Spontaneity of Schoenberg's Music', The Musical Quarterly, 30/iv, pp. 385-408.
8. Kennett, Chris, 1995: 'The Harmonic Species of Frank Bridge: An Assessment of the Applicability of Pitch-Class Generic Theory to Analysis of a Corpus of Works by a Transitional Composer' (PhD diss., University of Reading).
9. Mithen, Steven, 1996: The Prehistory of the Mind: A Search for the Origins of Art, Science and Religion (London: Thames and Hudson).
10. Nattiez, Jean-Jacques, 1990: Music and Discourse, trans. Carolyn Abbate (Princeton, NJ: Princeton University Press).
11. Pople, Anthony, 1991: SetBrowser [analysis software for Apple® Macintosh™ computers] (Lancaster: CTI Centre for Music).
12. Walker, Rosemary, 1989: 'Modes and Pitch-Class Sets in Messiaen: A Brief Discussion of "Première communion de la Vièrge"', Music Analysis, 8/i-ii, pp. 159-68.