-
1
-
-
76549229072
-
Dimensions of similarity
-
Attneave F., (1950). Dimensions of similarity, American Journal of Psychology, 63(4), 516–56.
-
(1950)
American Journal of Psychology
, vol.63
, Issue.4
, pp. 516-556
-
-
Attneave, F.1
-
2
-
-
61449233661
-
Twelve-tone rhythmic structure and the electronic medium
-
Babbitt M., (1962). Twelve-tone rhythmic structure and the electronic medium, Perspectives of New Music, 1(1), 49–69.
-
(1962)
Perspectives of New Music
, vol.1
, Issue.1
, pp. 49-69
-
-
Babbitt, M.1
-
6
-
-
84878540780
-
-
Cambridge, MA, Harvard University Press
-
Chávez C., (1961). Musical Thought. Cambridge, MA: Harvard University Press.
-
(1961)
Musical Thought
-
-
Chávez, C.1
-
8
-
-
33749867240
-
On derivation: syntax and rhetoric
-
Cone E. T., (1987). On derivation: syntax and rhetoric, Music Analysis, 6(3), 237–55.
-
(1987)
Music Analysis
, vol.6
, Issue.3
, pp. 237-255
-
-
Cone, E.T.1
-
9
-
-
4243850608
-
Perception: A perspective from music theory
-
Aiello, Sloboda, (eds), Oxford, Oxford University Press.,. In, and, (eds)
-
Cook N., (1994). Perception: A perspective from music theory. In Aiello R., and Sloboda J., (eds), Musical Perceptions, pp. 64–95, Oxford: Oxford University Press.
-
(1994)
Musical Perceptions
, pp. 64-95
-
-
Cook, N.1
-
10
-
-
0002650458
-
String-matching techniques for musical similarity and melodic recognition
-
Hewlett, Selfridge-Field, (eds), Cambridge, MA, MIT Press.,. In, and, (eds)
-
Crawford T., Iliopoulos C. S., & Raman R., (1998). String-matching techniques for musical similarity and melodic recognition. In Hewlett W.B., and Selfridge-Field E., (eds), Melodic Similarity Concepts, Procedures and Applications, pp. 73–100, Cambridge, MA: MIT Press.
-
(1998)
Melodic Similarity Concepts, Procedures and Applications
, pp. 73-100
-
-
Crawford, T.1
Iliopoulos, C.S.2
Raman, R.3
-
11
-
-
39749155215
-
Music analysis and music perception
-
Cross I., (1998). Music analysis and music perception. Music Analysis, 17(1), 3–20.
-
(1998)
Music Analysis
, vol.17
, Issue.1
, pp. 3-20
-
-
Cross, I.1
-
12
-
-
39749127204
-
Similarity relations in listening to music: How do they come into play?
-
Discussion Forum
-
Deliège I., (2007). Similarity relations in listening to music: How do they come into play?, Musicæ Scientiæ, Discussion Forum 4A, 9–37.
-
(2007)
Musicæ Scientiæ
, vol.4A
, pp. 9-37
-
-
Deliège, I.1
-
13
-
-
0025443254
-
The role of knowledge-based expectations in music perception: Evidence from musical restoration
-
DeWitt L. A., & Samuel A. G., (1990). The role of knowledge-based expectations in music perception: Evidence from musical restoration, Journal of Experimental Psychology: General 119(2), 123–44.
-
(1990)
Journal of Experimental Psychology: General
, vol.119
, Issue.2
, pp. 123-144
-
-
DeWitt, L.A.1
Samuel, A.G.2
-
14
-
-
84991260138
-
-
Florida State University, unpublished DMus treatise, College of Music
-
Djiovanis S. G., (2005). The oboe works of Benjamin Britten, unpublished DMus treatise, Florida State University, College of Music.
-
(2005)
The oboe works of Benjamin Britten
-
-
Djiovanis, S.G.1
-
15
-
-
4243840385
-
Composer, theorist, composer/theorist
-
Cook, Everist, (eds), Oxford, Oxford University Press.,. In, and, (eds)
-
Dubiel J., (1999). Composer, theorist, composer/theorist. In Cook N., and Everist M., (eds), Rethinking Music, pp. 262–83, Oxford: Oxford University Press.
-
(1999)
Rethinking Music
, pp. 262-283
-
-
Dubiel, J.1
-
18
-
-
0008869851
-
-
New Haven, Connecticut, Yale University Press
-
Forte A., (1973). The structure of atonal music, New Haven, Connecticut: Yale University Press.
-
(1973)
The structure of atonal music
-
-
Forte, A.1
-
19
-
-
61449150164
-
Motivic design and structural level in the first movement of Brahms's String Quartet in C minor
-
Forte A., (1983). Motivic design and structural level in the first movement of Brahms's String Quartet in C minor, Musical Quarterly, 69(4), 471–502.
-
(1983)
Musical Quarterly
, vol.69
, Issue.4
, pp. 471-502
-
-
Forte, A.1
-
20
-
-
60949494093
-
Pitch-class set analysis today
-
Forte A., (1985). Pitch-class set analysis today, Music Analysis, 4(1/2), 29–58.
-
(1985)
Music Analysis
, vol.4
, Issue.1-2
, pp. 29-58
-
-
Forte, A.1
-
21
-
-
4243388972
-
An experimental music theory?
-
Cook, Everist, (eds), Oxford, Oxford University Press.,. In, and, (eds)
-
Gjerdingen R. O., (1999). An experimental music theory?. In Cook N., and Everist M., (eds), Rethinking Music, pp. 161–70, Oxford: Oxford University Press.
-
(1999)
Rethinking Music
, pp. 161-170
-
-
Gjerdingen, R.O.1
-
23
-
-
33745730990
-
What is a musical feature? Forte's analysis of Brahms's Op. 51, No. 1, revisited
-
Huron D., (1999/2001). What is a musical feature? Forte's analysis of Brahms's Op. 51, No. 1, revisited Music Theory Online, 7(4).
-
(1999)
Music Theory Online
, vol.7
, Issue.4
-
-
Huron, D.1
-
25
-
-
33745745857
-
Similarity of interval-class content between pitch-class sets: The IcVSIM relation
-
Isaacson E. J., (1990). Similarity of interval-class content between pitch-class sets: The IcVSIM relation. Journal of Music Theory, 34(1), 1–27.
-
(1990)
Journal of Music Theory
, vol.34
, Issue.1
, pp. 1-27
-
-
Isaacson, E.J.1
-
27
-
-
0004260405
-
-
New Haven, Yale University Press
-
Kubler G., (1962). The shape of time. New Haven: Yale University Press.
-
(1962)
The shape of time
-
-
Kubler, G.1
-
29
-
-
0012555772
-
Dynamic programming for the analysis of serial behaviors
-
Large E. W., (1993). Dynamic programming for the analysis of serial behaviors. Behavior Research Methods, Instruments, and Computers, 25(2), 238–41.
-
(1993)
Behavior Research Methods, Instruments, and Computers
, vol.25
, Issue.2
, pp. 238-241
-
-
Large, E.W.1
-
31
-
-
61149388859
-
Cognitive constraints on compositional systems
-
Lerdahl F., (1992). Cognitive constraints on compositional systems. Contemporary Music Review, 6(2), 97–121.
-
(1992)
Contemporary Music Review
, vol.6
, Issue.2
, pp. 97-121
-
-
Lerdahl, F.1
-
34
-
-
12044250792
-
Respects for similarity
-
Medin D. L., Goldstone R. L., & Gentner D., (1993). Respects for similarity. Psychological Review, 100(2), 254–78.
-
(1993)
Psychological Review
, vol.100
, Issue.2
, pp. 254-278
-
-
Medin, D.L.1
Goldstone, R.L.2
Gentner, D.3
-
37
-
-
0010144932
-
-
Chicago, University of Chicago Press
-
Meyer L. B., (1973). Explaining music. Chicago: University of Chicago Press.
-
(1973)
Explaining music
-
-
Meyer, L.B.1
-
39
-
-
61049401323
-
Equivalence and similarity in pitch and their interaction with pcset theory
-
Morris R. D., (1995). Equivalence and similarity in pitch and their interaction with pcset theory. Journal of Music Theory, 39(2), 207–43.
-
(1995)
Journal of Music Theory
, vol.39
, Issue.2
, pp. 207-243
-
-
Morris, R.D.1
-
41
-
-
0039576772
-
The role of repetition in perceived musical structures
-
Howell, West, Cross, (eds), London, Academic Press.,. In, and, (eds)
-
Ockelford A., (1991). The role of repetition in perceived musical structures. In Howell P., West R., and Cross I., (eds), Representing Musical Structure, pp. 129–60, London: Academic Press.
-
(1991)
Representing Musical Structure
, pp. 129-160
-
-
Ockelford, A.1
-
44
-
-
84990394511
-
The magical number two, plus or minus one: Some limits on our capacity for processing musical information
-
Ockelford A., (2002). The magical number two, plus or minus one: Some limits on our capacity for processing musical information. Musicæ Scientiæ, 6, 177–215.
-
(2002)
Musicæ Scientiæ
, vol.6
, pp. 177-215
-
-
Ockelford, A.1
-
45
-
-
39749111332
-
On similarity, derivation and the cognition of musical structure
-
Ockelford A., (2004). On similarity, derivation and the cognition of musical structure. Psychology of Music, 32(1), 23–74.
-
(2004)
Psychology of Music
, vol.32
, Issue.1
, pp. 23-74
-
-
Ockelford, A.1
-
47
-
-
84991201027
-
Musical structure, content and aesthetic response: Beethoven's Op. 110
-
Ockelford A., (2005b). Musical structure, content and aesthetic response: Beethoven's Op. 110. Journal of the Royal Musical Association, 129(2), 112–55.
-
(2005)
Journal of the Royal Musical Association
, vol.129
, Issue.2
, pp. 112-155
-
-
Ockelford, A.1
-
48
-
-
39749191972
-
Implication and expectation in music: a zygonic model
-
Ockelford A., (2006a). Implication and expectation in music: a zygonic model. Psychology of Music, 34(1), 81–142.
-
(2006)
Psychology of Music
, vol.34
, Issue.1
, pp. 81-142
-
-
Ockelford, A.1
-
49
-
-
79954045730
-
Using a music-theoretical approach to interrogate musical development and social interaction
-
Lerner, Straus, (eds), New York, Routledge.,. In, and, (eds)
-
Ockelford A., (2006b). Using a music-theoretical approach to interrogate musical development and social interaction. In Lerner N., and Straus J., (eds), Sounding off: theorizing disability in music, pp. 137–55. New York: Routledge.
-
(2006)
Sounding off: theorizing disability in music
, pp. 137-155
-
-
Ockelford, A.1
-
50
-
-
61049510341
-
Exploring musical interaction between a teacher and pupil, and her evolving musicality, using a music-theoretical approach
-
Ockelford A., (2007). Exploring musical interaction between a teacher and pupil, and her evolving musicality, using a music-theoretical approach. Research Studies in Music Education, 28, 3–23.
-
(2007)
Research Studies in Music Education
, vol.28
, pp. 3-23
-
-
Ockelford, A.1
-
52
-
-
84924183382
-
Beyond music psychology
-
Hallam, Cross, Thaut, (eds), Oxford, Oxford University Press.,. In, and, (eds)
-
Ockelford A., (2008b). Beyond music psychology. In Hallam S., Cross I., and Thaut M., (eds), pp. 539–51, Oxford handbook of music psychology. Oxford: Oxford University Press.
-
(2008)
Oxford handbook of music psychology
, pp. 539-551
-
-
Ockelford, A.1
-
53
-
-
84992923844
-
Children with septo-optic dysplasia — musical interests, abilities and provision: The results of a parental survey
-
Ockelford A., & Pring L., (2005). Children with septo-optic dysplasia — musical interests, abilities and provision: The results of a parental survey. British Journal of Visual Impairment, 23(2), 58–66.
-
(2005)
British Journal of Visual Impairment
, vol.23
, Issue.2
, pp. 58-66
-
-
Ockelford, A.1
Pring, L.2
-
54
-
-
0027563803
-
Units of knowledge in music performance
-
Palmer C., & van de Sande C., (1993). Units of knowledge in music performance. Journal of Experimental Psychology: Learning, Memory and Cognition, 19(2), 457–70.
-
(1993)
Journal of Experimental Psychology: Learning, Memory and Cognition
, vol.19
, Issue.2
, pp. 457-470
-
-
Palmer, C.1
van de Sande, C.2
-
58
-
-
0001493556
-
The art of inaccuracy: Why pianists’ errors are difficult to hear
-
Repp B.H., (1996). The art of inaccuracy: Why pianists’ errors are difficult to hear. Music Perception, 14(2), 161–83.
-
(1996)
Music Perception
, vol.14
, Issue.2
, pp. 161-183
-
-
Repp, B.H.1
-
59
-
-
0001429776
-
The aesthetic quality of a quantitatively average music performance: two preliminary experiments
-
Repp B., (1997). The aesthetic quality of a quantitatively average music performance: two preliminary experiments. Music Perception, 14(4), 419–44.
-
(1997)
Music Perception
, vol.14
, Issue.4
, pp. 419-444
-
-
Repp, B.1
-
61
-
-
0032833973
-
The binding problem
-
Roskies A. L., (1999). The binding problem. Neuron, 24, 7–9.
-
(1999)
Neuron
, vol.24
, pp. 7-9
-
-
Roskies, A.L.1
-
62
-
-
4444367859
-
Methods of analysis in musicology
-
(trans. M. Everist)
-
Ruwet N., (1966/1987). Methods of analysis in musicology (trans. M. Everist). Music Analysis 6(1/2), 3–36.
-
(1966)
Music Analysis
, vol.6
, Issue.1-2
, pp. 3-36
-
-
Ruwet, N.1
-
63
-
-
0009194828
-
-
Jonas, Oster s. E., (eds), New York, Longman., rev., 1956 (ed., tran
-
Schenker H., (1935/1979). Free composition, rev., 1956 (ed. Jonas O., tran Oster s. E), New York: Longman.
-
(1935)
Free composition
-
-
Schenker, H.1
-
64
-
-
0004300364
-
-
London, Faber and Faber., (trans. R.E. Carter)
-
Schoenberg A., (1911/1978). Theory of harmony (trans. R.E. Carter). London: Faber and Faber.
-
(1911)
Theory of harmony
-
-
Schoenberg, A.1
-
66
-
-
0009188764
-
Music and duration. Music and Letters 1, 286-93
-
Langer, (ed), London, Oxford University Press.,. In, (ed)
-
de Selincourt B., (1958). Music and duration. Music and Letters 1, 286-93. In Langer S.K., (ed), Reflections on Art, pp. 152–60. London: Oxford University Press.
-
(1958)
Reflections on Art
, pp. 152-160
-
-
de Selincourt, B.1
-
67
-
-
0041113123
-
Cognition in music
-
Serafine M. L., (1983). Cognition in music. Cognition, 14, 119–83.
-
(1983)
Cognition
, vol.14
, pp. 119-183
-
-
Serafine, M.L.1
-
69
-
-
0040168207
-
Structural representations of musical pitch
-
Deutsch, (ed), New York, Academic Press.,. In, (ed)
-
Shepard R. N., (1982). Structural representations of musical pitch. In Deutsch D., (ed), The psychology of music, pp. 343–90. New York: Academic Press.
-
(1982)
The psychology of music
, pp. 343-390
-
-
Shepard, R.N.1
-
70
-
-
0007691658
-
-
Berkeley, University of California Press
-
Slawson W., (1985). Sound color. Berkeley: University of California Press.
-
(1985)
Sound color
-
-
Slawson, W.1
-
71
-
-
84925975944
-
Melody and the historiography of music
-
Solie A., (1982). Melody and the historiography of music. Journal of the History of Ideas, 43(2), 297–308.
-
(1982)
Journal of the History of Ideas
, vol.43
, Issue.2
, pp. 297-308
-
-
Solie, A.1
-
73
-
-
0004301699
-
-
Cambridge, MA, Harvard University Press
-
Stravinsky I., (1942). Poetics of music. Cambridge, MA: Harvard University Press.
-
(1942)
Poetics of music
-
-
Stravinsky, I.1
-
74
-
-
0003566580
-
-
Mahwah, New Jersey, Lawrence Erlbaum Associates
-
Sun R., (2002). Duality of the mind. Mahwah, New Jersey: Lawrence Erlbaum Associates.
-
(2002)
Duality of the mind
-
-
Sun, R.1
-
75
-
-
84968250142
-
Motivic perception and modularity
-
Temperley D., (1995). Motivic perception and modularity. Music Perception, 13(2), 141–69.
-
(1995)
Music Perception
, vol.13
, Issue.2
, pp. 141-169
-
-
Temperley, D.1
-
76
-
-
39749108038
-
-
). Editorial., Discussion Forum 4A, 3-5
-
Toiviainen P., (2007). Editorial. Musicæ Scientiæ, Discussion Forum 4A, 3-5.
-
(2007)
Musicæ Scientiæ
-
-
Toiviainen, P.1
-
78
-
-
0041689888
-
Separating pitch chroma and pitch height in the human brain
-
Warren J. D., Uppenkamp S., Patterson R. D., & Griffiths T. D., (2003). Separating pitch chroma and pitch height in the human brain. Proceedings of the National Academy of Sciences of the United States of America, 100(17), 10,038–10,042.
-
(2003)
Proceedings of the National Academy of Sciences of the United States of America
, vol.100
, Issue.17
, pp. 10,038-10,042
-
-
Warren, J.D.1
Uppenkamp, S.2
Patterson, R.D.3
Griffiths, T.D.4
-
79
-
-
0008181094
-
Recognition of melody, harmonic accompaniment, and instrumentation: Musicians vs. nonmusicians
-
Wolpert R. S., (1990). Recognition of melody, harmonic accompaniment, and instrumentation: Musicians vs. nonmusicians. Music Perception, 8(1), 95–106.
-
(1990)
Music Perception
, vol.8
, Issue.1
, pp. 95-106
-
-
Wolpert, R.S.1
|