-
1
-
-
0017099920
-
The magic number 4 plus or minus 0: a new look at numerosity judgement
-
Atkinson J. Campbell F. W. Francis M. R. (1976). The magic number 4 plus or minus 0: a new look at numerosity judgement. Perception, 5, 327–34.
-
(1976)
Perception
, vol.5
, pp. 327-334
-
-
Atkinson, J.1
Campbell, F.W.2
Francis, M.R.3
-
3
-
-
0004038883
-
-
Cambridge, Massachusetts Harvard University Press
-
Bernstein L. (1976). The Unanswered Question. Cambridge, Massachusetts: Harvard University Press.
-
(1976)
The Unanswered Question
-
-
Bernstein, L.1
-
4
-
-
39749093821
-
-
The Limitations of Logic. New York and London Garland Publishing Inc
-
Borthwick A. (1995). Music Theory and Analysis. The Limitations of Logic. New York and London: Garland Publishing Inc.
-
(1995)
Music Theory and Analysis
-
-
Borthwick, A.1
-
5
-
-
33645028790
-
-
(trans. Bradshaw S. and Bennett R.R. London Faber and Faber
-
Boulez P. (1963/1971). Boulez on Music Today. (trans. Bradshaw S. and Bennett R.R. ). London: Faber and Faber.
-
(1963)
Boulez on Music Today
-
-
Boulez, P.1
-
6
-
-
0011072755
-
The formation of auditory streams
-
In Requin J.,(ed. Hillsdale, New Jersey Lawrence Erlbaum Associates
-
Bregman A.S. (1978). The formation of auditory streams. In Requin J.,(ed. ), Attention and Performance VII (pp. 63–75). Hillsdale, New Jersey: Lawrence Erlbaum Associates.
-
(1978)
Attention and Performance VII
, pp. 63-75
-
-
Bregman, A.S.1
-
7
-
-
33749867240
-
On derivation: syntax and rhetoric
-
Cone E. T. (1987). On derivation: syntax and rhetoric. Music Analysis, 6, 237–55.
-
(1987)
Music Analysis
, vol.6
, pp. 237-255
-
-
Cone, E.T.1
-
8
-
-
58149404765
-
Scale and contour two components of a theory of memory for melodies
-
Dowling W.J. (1978). Scale and contour two components of a theory of memory for melodies. Psychological Review, 85, 341–54.
-
(1978)
Psychological Review
, vol.85
, pp. 341-354
-
-
Dowling, W.J.1
-
9
-
-
33750738382
-
-
Berkeley University of California Press
-
Erickson R. (1975). Sound Structure in Music. Berkeley: University of California Press.
-
(1975)
Sound Structure in Music
-
-
Erickson, R.1
-
12
-
-
0010384388
-
Universals in music: a perspective from cognitive psychology
-
Harwood D. L. (1976). Universals in music: a perspective from cognitive psychology. Ethnomusicology, 20, 521–33.
-
(1976)
Ethnomusicology
, vol.20
, pp. 521-533
-
-
Harwood, D.L.1
-
13
-
-
0041065977
-
Tone and voice: a derivation of the rules of voice-leading from perceptual principles
-
Huron D. (2001). Tone and voice: a derivation of the rules of voice-leading from perceptual principles. Music Perception, 19, 1–64.
-
(2001)
Music Perception
, vol.19
, pp. 1-64
-
-
Huron, D.1
-
15
-
-
2442712171
-
Relationship of interval frequency count to ratings of melodic intervals
-
Jeffries T. B. (1974). Relationship of interval frequency count to ratings of melodic intervals. Journal of Experimental Psychology, 102, 903–5.
-
(1974)
Journal of Experimental Psychology
, vol.102
, pp. 903-905
-
-
Jeffries, T.B.1
-
19
-
-
0028523436
-
Absolute memory for musical pitch: evidence from the production of learned memories
-
Levitin D.J. (1994). Absolute memory for musical pitch: evidence from the production of learned memories. Perception & Psychophysics, 56, 414–23.
-
(1994)
Perception & Psychophysics
, vol.56
, pp. 414-423
-
-
Levitin, D.J.1
-
20
-
-
84968249289
-
Music theory, phenomenology, and modes of perception
-
Lewin D. (1986). Music theory, phenomenology, and modes of perception. Music Perception, 3, 327–92.
-
(1986)
Music Perception
, vol.3
, pp. 327-392
-
-
Lewin, D.1
-
24
-
-
0010144932
-
-
Chicago The University of Chicago Press
-
Meyer L. B. (1973). Explaining Music. Chicago: The University of Chicago Press.
-
(1973)
Explaining Music
-
-
Meyer, L.B.1
-
26
-
-
39749093168
-
The magical number seven, plus or minus two: some limits on our capacity for processing information
-
Miller G. A. (1956). The magical number seven, plus or minus two: some limits on our capacity for processing information. Psychological Review, 63, 81–96.
-
(1956)
Psychological Review
, vol.63
, pp. 81-96
-
-
Miller, G.A.1
-
29
-
-
2442617540
-
Music expectations by cognitive rule-mapping
-
Narmour E. (2000). Music expectations by cognitive rule-mapping. Music Perception, 17, 329–98.
-
(2000)
Music Perception
, vol.17
, pp. 329-398
-
-
Narmour, E.1
-
30
-
-
0039576772
-
The role of repetition in perceived musical structures
-
In Howell P., West R. and Cross I. (eds), London Academic Press
-
Ockelford A. (1991). The role of repetition in perceived musical structures. In Howell P., West R. and Cross I. (eds), Representing Musical Structure (pp. 129–60). London: Academic Press.
-
(1991)
Representing Musical Structure
, pp. 129-160
-
-
Ockelford, A.1
-
34
-
-
0009194828
-
-
(rev., 1956, Jonas O.; ed. and trans. Oster E. New York Longman
-
Schenker H. (1935/1979). Free Composition (rev., 1956, Jonas O.; ed. and trans. Oster E. ). New York: Longman.
-
(1935)
Free Composition
-
-
Schenker, H.1
-
35
-
-
0007691658
-
-
Berkeley University of California Press
-
Slawson W. (1985). Sound Color. Berkeley: University of California Press.
-
(1985)
Sound Color
-
-
Slawson, W.1
-
37
-
-
84968210806
-
The need for limits in hierarchical theories of music
-
Swain J. (1986). The need for limits in hierarchical theories of music. Music Perception, 4, 121–48.
-
(1986)
Music Perception
, vol.4
, pp. 121-148
-
-
Swain, J.1
-
38
-
-
0015499056
-
Auditory induction: perceptual synthesis of absent sounds
-
Warren R.M. Obusek C.J. Ackroff J. (1972). Auditory induction: perceptual synthesis of absent sounds. Science, 176, 1149–51.
-
(1972)
Science
, vol.176
, pp. 1149-1151
-
-
Warren, R.M.1
Obusek, C.J.2
Ackroff, J.3
|