Social and symbolic boundaries in newspaper coverage of music, 1955-2005: Gender and genre in the US, France, Germany, and the Netherlands

Poetics

Volumn 37, Issue 4, 2009, Pages 298-314

  Schmutz, Vaughn ^a  

^a EMORY UNIVERSITY   (United States)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 69049117967     PISSN: 0304422X     EISSN: None     Source Type: Journal    
DOI: 10.1016/j.poetic.2009.06.006     Document Type: Article

References (89)

1. Abrahamson E., and Fairchild G. Management fashion: lifecycles, triggers, and collective learning processes. Administrative Science Quarterly 44 (1999) 708-740
2. Allen M.P., and Lincoln A.E. Critical discourse and the cultural consecration of American films. Social Forces 82 (2004) 871-894
3. Allen M.P., and Parsons N.L. The institutionalization of fame: achievement, recognition, and cultural consecration in baseball. American Sociological Review 71 (2006) 808-825
4. Appadurai A. Modernity at Large (1996), University of Minnesota Press, Minneapolis, MN
5. Bansal P., and Clelland I. Talking trash: legitimacy, impression management, and unsystematic risk in the context of the natural environment. Academy of Management Journal 47 (2004) 93-103
6. Baumann S. Intellectualization and art world development: film in the United States. American Sociological Review 66 (2001) 404-426
7. Baumann S. Hollywood Highbrow (2007), Princeton University Press, Princeton, NJ
8. Baumann S. A general theory of artistic legitimation: how art worlds are like social movements. Poetics 35 (2007) 47-65
9. Bayton M. Frock rock (1998), Oxford University Press, Oxford
10. Becker H.S. Art Worlds (1982), University of California Press, Berkeley, CA
11. Berghman M., and Van Eijck K. Visual arts appreciation patterns: crossing horizontal and vertical boundaries within the cultural hierarchy. Poetics 37 (2009) 331-348
12. Bevers T. Cultural education and the canon: a comparative content analysis of secondary school exams for music and art in England, France Germany and the Netherlands 1990-2004. Poetics 33 (2005) 388-416
13. Bielby D.D., and Bielby W.T. Women and men in film: gender inequality among writers in a culture industry. Gender & Society 10 (1996) 248-270
14. Bourdieu P. Distinction. Translated by Richard Nice (1984), Harvard University Press, Cambridge, MA
15. Bourdieu P. The Field of Cultural Production (1993), Columbia University Press, New York
16. Boyle T.P. Intermedia agenda setting in the 1996 presidential election. Journalism and Mass Communication Quarterly 78 (2001) 26-44
17. Bryson B. 'Anything but heavy metal': symbolic exclusion and musical dislikes. American Sociological Review 61 (1996) 884-899
18. Cameron S. The political economy of gender disparity in musical markets. Cambridge Journal of Economics 27 (2003) 905-917
19. Christgau R. History of rock criticism. In: Szántó A., Levy D.S., and Tyndall A. (Eds). Reporting the Arts II, National Arts Journalism Program (2004), Columbia University, New York 140-143
20. Clawson M.A. When women play the bass. Gender and Society 13 (1999) 193-210
21. Corse S., and Griffin M. Cultural valorization and African American literary history. Sociological Forum 12 (1997) 173-203
22. Corse S., and Westervelt S.D. Gender and literary valorization: the awakening of a canonical novel. Sociological Perspectives 45 (2002) 139-161
23. Coulangeon P., Ravet H., and Roharik I. Gender differentiated effect of time in performing arts professions: musicians, actors and dancers in contemporary France. Poetics 33 (2005) 369-387
24. Crane D. High culture versus popular culture revisited: a re-conceptualization of recorded cultures. In: Lamont M., and Fournier M. (Eds). Cultivating Differences (1992), University of Chicago Press, Chicago 58-74
25. Deeds D.L., Mang P.Y., and Frandsen M.L. The influence of firms' and industries' legitimacy on the flow of capital into high-technology ventures. Strategic Organization 2 (2004) 9-34
26. Deephouse D.L., and Suchman M. Legitimacy in organizational institutionalism. In: Greenwood R., Oliver C., Suddaby R., and Sahlin-Andersson K. (Eds). The Sage Handbook of Organizational Institutionalism (2008), Sage, London 49-77
27. DeNora T. Musical patronage and social change in Beethoven's Vienna. American Journal of Sociology 97 (1991) 310-346
28. DeNora T. Beethoven and the Construction of Genius (1995), University of California Press, Berkeley
29. DeNora T. Music into action: performing gender on the Viennese concert stage 1790-1810. Poetics 30 (2002) 19-33
30. Dickerson J. Women on Top (1998), Billboard Books, New York
31. In: DiMaggio P.J. (Ed). Nonprofit Enterprise in the Arts (1986), Oxford University Press, New York
32. DiMaggio P. Social structure, institutions and cultural goods: the case of the United States. In: Bourdieu P., and Coleman J. (Eds). Social Theory for a Changing Society (1991), Westview Press, Boulder, CO 133-166
33. DiMaggio P. Cultural boundaries and structural change. In: Lamont M., and Fournier M. (Eds). Cultivating Differences (1992), University of Chicago Press, Chicago 21-57
34. Douglas M. Purity and Danger (1966), Routledge, London
35. Douglas M. How Institutions Think (1986), Syracuse University Press, Syracuse, NY
36. Dowd T.J., and Blyler M. Charting race: the success of black performers in the mainstream recording market 1940-1990. Poetics 30 (2002) 87-110
37. Dowd T.J., Liddle K., and Blyler M. Charting gender: the success of female acts in the US mainstream recording market 1940-1990. Research in the Sociology of Organizations 23 (2005) 81-123
38. Dowd T.J., Liddle K., Borden A., and Lupo K. Organizing the musical canon: the repertoires of major US symphony orchestras 1842-1969. Poetics 30 (2002) 35-61
39. Erlmann V. Hybridity and globalization. In: Shepherd J. (Ed). The Continuum Encyclopedia of Popular Music of the World (2003), Continuum, New York 279-290
40. Featherstone M. Consumer Culture and Postmodernism (1991), Sage, London
41. Ferguson P.P. A cultural field in the making: gastronomy in 19th century France. American Journal of Sociology 104 (1998) 597-641
42. Fine G.A. Reputational entrepreneurs and the memory of incompetence. American Journal of Sociology 101 (1996) 1159-1193
43. Frith S., and McRobbie A. Rock and sexuality. In: Frith S., and Goodwin A. (Eds). On Record (1990), Pantheon Books, New York 371-389
44. Gans H. Deciding What's News (1979), Pantheon, New York
45. Green L. Music, Gender Education (1997), Cambridge University Press, Cambridge, UK
46. Guillén M.F., and Suárez S.L. Explaining the global digital divide: economic, political and sociological drivers of cross-national internet use. Social Forces 84 (2005) 681-708
47. Hicks A., and Petrova V. Auteur discourse and the cultural consecration of films. Poetics 34 (2006) 180-203
48. Janssen S. Art journalism and cultural change: the coverage of the arts in Dutch newspapers 1965-1990. Poetics 26 (1999) 329-348
49. Janssen S., Kuipers G., and Verboord M. Cultural globalization and arts journalism: the international orientation of arts and culture coverage in American, Dutch, French and German newspapers 1955-2005. American Sociological Review 73 (2008) 719-740
50. Johnson-Grau B. Sweet nothings: presentation of women musicians in pop journalism. In: Jones S. (Ed). Pop Music and the Press (2002), Temple University Press, Philadelphia 202-218
51. Lamertz K., and Baum J.A.C. The legitimacy of organizational downsizing in Canada: an analysis of explanatory media accounts. Canadian Journal of Administrative Sciences 15 (1998) 93-107
52. Lamont M. Money, Morals and Manners (1992), University of Chicago Press
53. Lamont M., and Molnár V. The study of boundaries in the social sciences. Annual Review of Sociology 28 (2002) 167-195
54. Lash S. Sociology of Postmodernism (1990), Routledge, London
55. Lee S.S., and Peterson R.A. Internet-based virtual music scenes: the case of P2 in alt. country music. In: Bennett A., and Peterson R.A. (Eds). Music Scenes (2004), Vanderbilt University Press, Nashville 187-204
56. Leonard M. Gender in the Music Industry (2007), Ashgate, Burlington, VT
57. Lont C.M. Women's music: no longer a small private party. In: Garofalo R. (Ed). Rockin' the Boat. (1992), South End Press, Boston, MA 241-253
58. Lopes P. The Rise of a Jazz Art World (2002), Cambridge University Press, Cambridge, UK
59. Lupo, J.D., 2007. Accounting for taste: film criticism, canons, and cultural authority 1996-2006. PhD dissertation, Department of Communication, University of Massachusetts-Amherst.
60. Macleod B.A. Women Performing Music (2001), McFarland, London
61. McCourt T., and Burkhart P. When creators, corporations, and consumers collide: Napster and the development of on-line music distribution. Media, Culture & Society 25 (2003) 335-350
62. Meijer M.M., and Kleinnijenhuis J. News and corporate reputation: empirical findings from the Netherlands. Public Relations Review 32 (2006) 341-348
63. Menger P. Artistic labor markets and careers. Annual Review of Sociology 25 (1999) 541-574
64. In: Mitchell T. (Ed). Global Noise (2001), Wesleyan University Press, Middletown, CT
65. Negus K. Popular Music in Theory (1997), University Press of New England, Hanover, NH
66. Negus K. Music Genres and Corporate Cultures (1999), Routledge, London
67. Pachucki M.A., Pendergrass S., and Lamont M. Boundary processes: recent theoretical developments and contributions. Poetics 35 (2007) 331-351
68. Peterson R.A. Problems in comparative research: the example of omnivorousness. Poetics 33 (2005) 259-282
69. Peterson R.A., and Kern R.M. Changing highbrow taste: from snob to omnivore. American Sociological Review 61 (1996) 900-907
70. Peterson R.A., and Rossman G. Changing arts audiences: capitalizing on omnivorousness. In: Ivey W., and Tepper S. (Eds). Engaging Art (2006), Routledge, New York
71. Peterson R.A., and Ryan J. The disembodied muse: music in the internet age. In: Howard P.N., and Jones S. (Eds). Society Online (2004), Sage, Thousand Oaks, CA 223-236
72. Pollock T.G., and Rindova V.P. Media legitimation effects in the market for initial public offerings. Academy of Management Journal 46 (2003) 631-642
73. Porter E.C. What is This Thing Called Jazz? (2002), University of California Press, Berkeley, CA
74. Regev M. Producing artistic value: the case of rock music. Sociological Quarterly 35 (1994) 85-102
75. Regev M. Rock aesthetics and musics of the world. Theory Culture and Society 14 (1997) 125-142
76. Roy W.G. Aesthetic identity, race, and American folk music. Qualitative Sociology 24 (2002) 459-469
77. Roy W.G. 'Race records' and 'Hillbilly music': institutional origins of racial categories in the American commercial recording industry. Poetics 32 (2004) 265-279
78. Schmutz V. Retrospective cultural consecration in popular music. American Behavioral Scientist 48 (2005) 1510-1523
79. Schmutz, V., Faupel, A., 2009. Gender and cultural consecration in popular music. Unpublished manuscript, Emory University, Department of Sociology.
80. Sonnett J. Musical boundaries: intersections of form and content. Poetics 32 (2004) 247-264
81. Stokes M. Music and the global order. Annual Review of Anthropology 33 (2004) 47-72
82. Tomlinson J. Globalization and Culture (1999), University of Chicago Press, Chicago
83. Tuchman G., and Fortin N.E. Fame and misfortune: edging women out of the great literary tradition. American Journal of Sociology 90 (1984) 72-96
84. van Rees C.J. How a literary work becomes a masterpiece. Poetics 12 (1983) 397-417
85. van Rees K., and Vermunt J. Event history analysis of authors' reputation: effects of critics' attention on debutants' careers. Poetics 23 (1996) 317-333
86. van Venrooij, A.T., Schmutz, V., forthcoming. The evaluation of popular music in the United States, Germany and the Netherlands: a comparison of the use of high art and popular aesthetic criteria. Cultural Sociology.
87. Whiteley S. Women and Popular Music (2000), Routledge, London
88. Zuckerman E.W. The categorical imperative: securities analysts and the illegitimacy discount. American Journal of Sociology 104 (1999) 1398-1438
89. Zukin S., and Maguire J.S. Consumers and consumption. Annual Review of Sociology 30 (2004) 173-197