Rock Aesthetics and Musics of the World

Theory, Culture & Society

Volumn 14, Issue 3, 1997, Pages 125-142

  Regev, Motti ^a  

^a NONE

Author keywords

[No Author keywords available]

Indexed keywords

EID: 0031475453     PISSN: 02632764     EISSN: None     Source Type: Journal    
DOI: 10.1177/026327697014003006     Document Type: Article

References (62)

1. Anderson, Benedict (1983) Imagined Communities. London: Verso.
2. Appadurai, Arjun (1990) ‘Disjuncture and Difference in the Global Cultural Economy’, Public Culture, 2: 1-24.
3. Banerji, Sabita (1988) ‘Ghazals to Bhangra in Great Britain’, Popular Music, 7: 207-214.
4. Bhabha, Homi K. (ed.) (1990) Nation and Narration. London: Routledge.
5. Bourdieu, Pierre (1990) In Other Words: Essays towards a Reflexive Sociology. Cambridge: Polity.
6. Bourdieu, Pierre (1993a) The Field of Cultural Production. Cambridge: Polity.
7. Bourdieu, Pierre (1993b) ‘Concluding Remarks’, pp. 263–275 in Craig Calhoun, Edward LiPuma and Moishe Postone (eds) Bourdieu: Critical Perspectives. Chicago, IL: University of Chicago Press.
8. Brace, Tim (1991) ‘Popular Music in Contemporary Beijing’, Asian Music, 22: 43-66.
9. Burnett, Robert (1996) The Global Jukebox: The International Music Industry. London: Routledge.
10. Calhoun, Craig (1994) ‘Nationalism and Civil Society’, pp. 304–336 in Craig Calhoun (ed.) Social Theory and the Politics of Identity. Oxford: Blackwell.
11. Christgau, Robert (1994) ‘Rah, Rah, Sis-Boom-Bah: The Secret Relationship Between College Rock and the Communist Party’, pp. 221–226 in Andrew Ross and Tricia Rose (eds) Microphone Fiends. London: Routledge.
12. Collins, John and Paul Richards (1989) ‘Popular Music in West Africa’, pp. 12–46 in Simon Frith (ed.) World Music, Politics and Social Change. Manchester: Manchester University Press.
13. De Garay Sanchez, Adrián (1993) El Rock También es Cultura. Mexico: Universidad Iberoamericana.
14. Featherstone, Mike (ed.) (1990) Global Culture: Nationalism, Globalization and Modernity. London: Sage.
15. Feld, Steven (1982) Sound and Sentiment. Philadelphia: University of Pennsylvania Press.
16. Fiori, Umberto (1984) ‘Rock Music and Politics in Italy’, Popular Music, 4: 261-278.
17. Friedlander, Paul (1996) Rock and Roll: A Social History. Boulder, CO: Westview Press.
18. Frith, Simon (1981) Sound Effects: Youth, Leisure and the Politics of Rock and Roll. New York: Pantheon.
19. Frith, Simon (1987) ‘Towards an Aesthetic of Popular Music’, pp. 133–150 in Richard Leppert and Susan McClary (eds) Music and Society. Cambridge: Cambridge University Press.
20. Frith, Simon (1990) ‘What is Good Music?’, Canadian University Music Review, 10: 92-102.
21. Frith, Simon (ed.) (1993) Music and Copyright. Edinburgh: Edinburgh University Press.
22. Frith, Simon (1996) Performing Rites. Cambridge, MA: Harvard University Press.
23. Garofalo, Reebee (ed.) (1992) Rockin’ the Boat. Boston, MA: South End Press.
24. Gellner, Ernest (1983) Nations and Nationalism. Oxford: Blackwell.
25. Gillett, Charlie (1983) The Sound of the City, revised edition. London: Souvenir.
26. Grinberg, Miguel (1993) Como Vino la Mano. Buenos Aires: Distal.
27. Gross, Joan, David McMurray and Ted Swedenburg (1994) ‘Arab Noise and Ramadan Nights; Rai, Rap, and Franco-Maghrebi Identity’, Diaspora, 3: 3-39.
28. Grossberg, Lawrence (1984) ‘Another Boring Day in Paradise: Rock and Roll and the Empowerment of Everday Life’, Popular Music, 4: 225-260.
29. Hannerz, Ulf (1992) Cultural Complexity. New York: Columbia University Press.
30. Hobsbawm, Eric and Terence Ranger (eds) (1983) The Invention of Tradition. Cambridge: Cambridge University Press.
31. Jones, Andrew F. (1992) Like a Knife: Ideology and Genre in Contemporary Chinese Popular Music. Ithaca, NY: East Asia Program, Cornell University.
32. Kushman, Thomas (1995) Notes from the Underground: Rock Music Counterculture in Russia. Albany: State University of New York Press.
33. Laing, Dave (1986) ‘The Music Industry and the Cultural Imperialism Thesis’, Media, Culture & Society, 8: 331-341.
34. Lamont, Michèle (1995) ‘National Identity and National Boundary Patterns in France and the United States’, French Historical Studies, 16: 349-365.
35. Larkey, Edward (1993) Pungent Sounds: Constructing Identity with Popular Music in Austria. New York: Peter Lang.
36. Lash, Scott (1993a) ‘Reflexive Modernization: The Aesthetic Dimension’, Theory, Culture & Society, 10(1): 1-23.
37. Lash, Scott (1993b) ‘Pierre Bourdieu: Cultural Economy and Social Change’, pp. 193–211 in Craig Calhoun, Edward LiPuma and Moishe Postone (eds) Bourdieu: Critical Perspectives. Chicago, IL: University of Chicago Press.
38. Lash, Scott (1994) ‘Reflexivity and its Doubles: Structure, Aesthetics, Community’, pp. 110–113 in Ulrich Beck, Anthony Giddens and Scott Lash, Reflexive Modernization. Cambridge: Polity.
39. Levy, Claire (1992) ‘The Influence of British Rock in Bulgaria’, Popular Music, 11: 209-212.
40. Malm, Krister and Roger Wallis (1992) Media Policy and Music Activity. London: Routledge.
41. Mitchell, Tony (1993) ‘World Music and the Popular Music Industry’, Ethnomusicology, 37: 309-338.
42. Mitchell, Tony (1995) ‘Question of Style: Notes on Italian Hip Hop’, Popular Music, 14: 333-348.
43. Moore, Allan F. (1993) Rock: The Primary Text. Buckingham: Open University Press.
44. Negus, Keith (1992) Producing Pop. London: Edward Arnold.
45. Palacios, Julia F. (1995) ‘The Rock and Roll Experience in Mexico in the Sixties’, paper presented at the 8th conference of the International Association for the Study of Popular Music (IASPM), Glasgow, Scotland.
46. Peterson, Richard (1990) ‘Why 1955? Explaining the Advent of Rock Music’, Popular Music, 9: 97-116.
47. Ramet, Sabrina Petra (ed.) (1994) Rocking the State: Rock and Politics in Eastern Europe and Russia. Boulder, CO: Westview Press.
48. Reed, Lou (1991) Between Thought and Expression. New York: Hyperion.
49. Regev, Motti (1986) ‘The Musical Soundscape as a Contest Area’, Media, Culture & Society, 8: 343-356.
50. Regev, Motti (1994) ‘Producing Artistic Value: The Gase of Rock Music’, Sociological Quarterly, 35: 85-102.
51. Regev, Motti (1996) ‘Musica Mizrakhit, Israeli Rock and National Culture in Israel’, Popular Music, 15: 275-284.
52. Robinson, Deanna Cambell, Elizabeth B. Buck and Marlene Cuthbert (1991) Music at the Margins. Newbury Park, CA: Sage.
53. Schudson, Michael (1994) ‘Culture and the Integration of National Societies’, pp. 21–44 in Diana Crane (ed.) The Sociology of Culture. Oxford: Blackwell.
54. Sewell, Jr, William H. (1992) ‘A Theory of Structure: Duality, Agency and Transformation’, American Journal of Sociology, 98: 1-29.
55. Stapelton, Chris and Chris May (1990) African Rock: The Pop Music of a Continent. New York: Obelisk/Dutton.
56. Stokes, Martin (ed.) (1994) Ethnicity, Identity and Music. Oxford: Berg.
57. Straw, Will (1991) ‘Systems of Articulation, Logics of Change: Communities and Scenes in Popular Music’, Cultural Studies, 3: 368-388.
58. Vila, Pablo (1987) ‘Rock Nacional and Dictatorship in Argentina’, Popular Music, 6: 129-148.
59. Vogrinc, Jože (1996) ‘Balkanizing the Global with/in Popular Music’, paper presented at the conference Balkan Popular Music, Ljubljana, Slovenia.
60. Wallis, Roger and Krister Malm (1984) Big Sounds from Small Peoples. New York: Pendragon.
61. Walzer, Michael (1981) ‘The Distribution of Membership’, pp. 1–35 in Peter G. Brown and Henry Shue (eds) Boundaries: National Autonomy and its Limits. Totowa, NJ: Rowman & Littlefield.
62. Wicke, Peter (1990) Rock Music: Culture, Aesthetics and Sociology. Cambridge: Cambridge University Press.