Intellectualization and art world development: Film in the United States

American Sociological Review

Volumn 66, Issue 3, 2001, Pages 404-426

  Baumann, S ^a  

^a HARVARD UNIVERSITY   (United States)

Author keywords

[No Author keywords available]

Indexed keywords

ART;

EID: 0034915664     PISSN: 00031224     EISSN: None     Source Type: Journal    
DOI: 10.2307/3088886     Document Type: Article

References (66)

1. Transparencies on film
2. The art film market in the new Hollywood
3. Constructing a shifting moral boundary: Literature and obscenity in nineteenth-century America
4. Film, ideology and Bourdieu's critique of public taste
5. The beginnings of American television
6. Introduction
7. Musical patronage and social change in Beethoven's Vienna
8. Cultural entrepreneurship in nineteenth-century Boston
9. Cultural boundaries and structural change: The extension of the high culture model to theater, opera, and the dance, 1900-1940
10. Reel scholarship
11. Film critics: Influencers of predictors?
12. A cultural field in the making: Gastronomy in 19th century France
13. Differences in consumer behavior between buyers of literature
14. The Theatre critic as a cultural agent: Esslin, Marowitz and Tynan
15. A process model of the folk, pop and fine art phases of jazz
16. Culture studies through the production perspective: Progress and prospects
17. Mass culture and the feminine: The 'Place' of television in film studies
18. Notes on the auteur theory in 1962
19. Part five: The Hollywood mode of production, 1930-1960
20. Auteurism and film authorship theory
21. Event history analysis of authors' reputation: Effects of critics' attention on debutants' careers
22. Social and economic factors in the attribution of literary quality
23. Effects of acquired readership and reviewers' attention on the sales of new literary works