Aesthetic identity, race, and American folk music

Qualitative Sociology

Volumn 25, Issue 3, 2002, Pages 459-469

  Roy, William G ^a  

^a UNIVERSITY OF CALIFORNIA   (United States)

Author keywords

Aesthetics; Culture; Folk music; Identity; Race; Social movements; Sociology of music

Indexed keywords

EID: 3943076102     PISSN: 01620436     EISSN: 15737837     Source Type: Journal    
DOI: 10.1023/A:1016094232372     Document Type: Article

References (10)

1. Bourdieu, P. (1984). Distinction: A social critique of the Judgement of Taste. R. Nice (Trans.). Cambridge: Harvard University Press.
2. Cantwell, R. (1998). When we were good: The folk revival. Cambridge: Harvard University Press.
3. Cruz, J. (1999). Culture on the margins: The black spiritual and the rise of American cultural interpretation. Princeton: Princeton University Press.
4. DiMaggio, P. (1987). Classification in art. American Sociological Review, 52, 440-455.
5. Eyerman, A., & Jamison, A. (1998). Music and social movements. New York: Cambridge University Press.
6. Filene, B. (2000). Romancing the folk: Public memory and American roots music. Chapel Hill: University of North Carolina Press.
7. Griswold, W. (1987). The fabrication of meaning: Literary interpretation in the United States, Great Britain, and the West Indies. American Journal of Sociology, 92, 1077-1117.
8. Lieberman, R. (1995). "My song is my weapon": People's songs, American communism, and the politics of culture, 1930-1950. Urbana: University of Illinois Press.
9. Oliver, P. (1984). Songsters and saints: Vocal traditions on race records. Cambridge: Cambridge University Press.
10. Peterson, R. A. (1997). Creating country music: Fabricating authenticity. Chicago: University of Chicago Press.