The effects of rhythm and melody on auditory stream segregation

Journal of the Acoustical Society of America

Volumn 135, Issue 3, 2014, Pages 1392-1405

  Szalárdy, Orsolya ^a   Bendixen, Alexandra ^b   Böhm, Tamás M ^a   Davies, Lucy A ^c   Denham, Susan L ^c   Winkler, István ^a  

^a Research Centre for Natural Sciences Hungarian Academy of Sciences   (Hungary)

^b UNIVERSITY OF OLDENBURG   (Germany)

^c UNIVERSITY OF PLYMOUTH   (United Kingdom)

Author keywords

[No Author keywords available]

Indexed keywords

ACOUSTICS;

AUDITORY STREAM SEGREGATIONS; COHERENT SEQUENCE; EXPERIMENTAL CONDITIONS; INTERLEAVED SEQUENCE; LONG TERM MEMORY; STREAM FORMATION; STREAM SEGREGATION; TEMPORAL PATTERN;

PHYSICS;

ADOLESCENT; ADULT; ANALYSIS OF VARIANCE; ARTICLE; ASSOCIATION; AUDIOMETRY; AUDITORY STIMULATION; COMPARATIVE STUDY; FEMALE; HEARING; HUMAN; MALE; MUSIC; PERIODICITY; PSYCHOPHYSICS; TIME; TIME PERCEPTION; YOUNG ADULT;

ACOUSTIC STIMULATION; ADOLESCENT; ADULT; ANALYSIS OF VARIANCE; AUDIOMETRY; CUES; FEMALE; HUMANS; MALE; MUSIC; PERIODICITY; PITCH DISCRIMINATION; PITCH PERCEPTION; PSYCHOACOUSTICS; TIME FACTORS; TIME PERCEPTION; YOUNG ADULT;

EID: 84896360930     PISSN: 00014966     EISSN: None     Source Type: Journal    
DOI: 10.1121/1.4865196     Document Type: Article

References (46)

1. Alain, C., and Bernstein, L. J. (2008). "From sounds to meaning: The role of attention during auditory scene analysis," Curr. Opin. Otolaryngol. Head Neck. Surg. 16, 485-489. 10.1097/MOO.0b013e32830e2096
2. Andreou, L. V., Kashino, M., and Chait, M. (2011). "The role of temporal regularity in auditory segregation," Hear. Res. 280, 228-235. 10.1016/j.heares.2011.06.001
3. Bar, M. (2007). "The proactive brain: Using analogies and associations to generate predictions," Trends Cogn. Sci. 11, 280-289. 10.1016/j.tics.2007.05.005
4. Bendixen, A., Böhm, T., Szalárdy, O., Mill, R., Denham, S. L., and Winkler, I. (2013). "Different roles of similarity and predictability in auditory stream segregation," Learn. Percept. 5, 37-54. 10.1556/LP.5.2013.Suppl2.4
5. Bendixen, A., Denham, S. L., Gyimesi, K., and Winkler, I. (2010). "Regular patterns stabilize auditory streams," J. Acoust. Soc. Am. 128, 3658-3666. 10.1121/1.3500695
6. Bey, C., and McAdams, S. (2002). "Schema-based processing in auditory scene analysis," Percept. Psychophys. 64, 844-854. 10.3758/BF03194750
7. Böhm, T. M., Shestopalova, L., Bendixen, A., Andreou, A. G., Georgiou, J., Garreau, G., Poliquen, P., Cassidy, A., Denham, S. L., and Winkler, I. (2013). "The role of perceived source location in auditory stream segregation: Separation affects sound organization, common fate does not," Learn. Percept. 5, 55-72. 10.1556/LP.5.2013.Suppl2.5
8. Bregman, A. S. (1990). Auditory Scene Analysis: The Perceptual Organization of Sound (MIT Press, Cambridge, MA), pp. 47-184, 411-453.
9. Bregman, A. S., Ahad, P. A., Crum, P. A., and O'Reilly, J. (2000). "Effects of time intervals and tone durations on auditory stream segregation," Atten. Percept. Psychophys. 62, 626-636. 10.3758/BF03212114
10. Cuddy, L. L. (1991). "Melodic patterns and tonal structure: Converging evidence," Psychomusic 10, 107-126. 10.1037/h0094138
11. Cusack, R., Deeks, J., Aikman, G., and Carlyon, R. P. (2004). "Effects of location, frequency region, and time course of selective attention on auditory scene analysis," J. Exp. Psychol. Hum. Percept. Perform. 30, 643-656. 10.1037/0096-1523.30.4.643
12. Demany, L., and Semal, C. (2002). "Limits of rhythm perception," Q. J. Exp. Psychol. A 55, 643-657. 10.1080/02724980143000406
13. Denham, S. L., Gyimesi, K., Stefanics, G., and Winkler, I. (2010). "Stability of perceptual organisation in auditory streaming," in The Neurophysiological Bases of Auditory Perception, edited by E. A. Lopez-Poveda, A. R. Palmer, and R. Meddis (Springer, New York), pp. 477-487.
14. Denham, S. L., Gyimesi, K., Stefanics, G., and Winkler, I. (2013). "Perceptual bistability in auditory streaming: How much do stimulus features matter?," Learn. Percept. 5, 73-100. 10.1556/LP.5.2013.Suppl2.6
15. Denham, S. L., and Winkler, I. (2006). "The role of predictive models in the formation of auditory streams," J. Physiol. Paris 100, 154-170. 10.1016/j.jphysparis.2006.09.012
16. Devergie, A., Grimault, N., Tillmann, B., and Berthommier, F. (2010). "Effect of rhythmic attention on the segregation of interleaved melodies," J. Acoust. Soc. Am. 128, EL1-EL7. 10.1121/1.3436498
17. Dowling, W. J. (1973). "The perception of interleaved melodies," Cog. Psychol. 5, 322-337. 10.1016/0010-0285(73)90040-6
18. Dowling, W. J., Lung, K. M., and Herrbold, S. (1987). "Aiming attention in pitch and time in the perception of interleaved melodies," Percept. Psychophys. 41, 642-656. 10.3758/BF03210496
19. French-St George, M., and Bregman, A. S. (1989). "Role of predictability of sequence in auditory stream segregation," Percept. Psychophys. 46, 384-386. 10.3758/BF03204992
20. Geiser, E., Ziegler, E., Jancke, L., and Meyer, M. (2009). "Early electrophysiological correlates of meter and rhythm processing in music perception," Cortex 45, 93-102. 10.1016/j.cortex.2007.09.010
21. Gutschalk, A., Micheyl, C., Melcher, J. R., Rupp, A., Scherg, M., and Oxenham, A. J. (2005). "Neuromagnetic correlates of streaming in human auditory cortex," J. Neurosci. 25, 5382-5388. 10.1523/JNEUROSCI.0347-05. 2005
22. Hochstein, S., and Ahissar, M. (2002). "View from the top: Hierarchies and reverse hierarchies in the visual system," Neuron 36, 791-804. 10.1016/S0896-6273(02)01091-7
23. Jones, M. R. (1976). "Time, our lost dimension: Toward a new theory of perception, attention, and memory," Psychol. Rev. 83, 323-355. 10.1037/0033-295X.83.5.323
24. Jones, M. R., and Boltz, M. (1989). "Dynamic attending and responses to time," Psychol. Rev. 96, 459-491. 10.1037/0033-295X.96.3.459
25. Kaiser, J., Lutzenberger, W., Preissl, H., Ackermann, H., and Birbaumer, N. (2000). "Right-hemisphere dominance for the processing of sound-source lateralization," J. Neurosci. 20, 6631-6639.
26. Koelsch, S., and Siebel, W. A. (2005). "Towards a neural basis of music perception," Trends Cogn. Sci. 9, 578-584. 10.1016/j.tics.2005.10.001
27. Ladinig, O., Honing, H., Háden, G. P., and Winkler, I. (2009). "Probing attentive and pre-attentive emergent meter in adult listeners without extensive music training," Music Percept. 26, 377-386. 10.1525/mp.2009.26.4.377
28. Leopold, D. A., and Logothetis, N. K. (1999). "Multistable phenomena: Changing views in perception," Trends Cogn. Sci. 3, 254-264. 10.1016/S1364-6613(99)01332-7
29. McDermott, J. H., Wrobleski, D., and Oxenham, A. J. (2011). "Recovering sound sources from embedded repetition," Proc. Natl. Acad. Sci. U.S.A. 108, 1188-1193. 10.1073/pnas.1004765108
30. Mill, R. W., Böhm, T. M., Bendixen, A., Winkler, I., and Denham, S. L. (2013). "Modelling the emergence and dynamics of perceptual organisation in auditory streaming," PLoS Comp. Biol. 9, e1002925. 10.1371/journal. pcbi.1002925
31. Moore, B. C. J., and Gockel, H. (2002). "Factors influencing sequential stream segregation," Acta Acust. Acust. 88, 320-333.
32. Moreno-Bote, R., Shpiro, A., Rinzel, J., and Rubin, N. (2010). "Alternation rate in perceptual bistability is maximal at and symmetric around equi-dominance," J. Vision 10, 1-18. 10.1167/10.11.1
33. Nahum, M., Nelken, I., and Ahissar, M. (2008). "Low-level information and high-level perception: The case of speech in noise," PLoS Biol. 6, e126. 10.1371/journal.pbio.0060126
34. Pressnitzer, D., and Hupé, J.-M. (2006). "Temporal dynamics of auditory and visual bistability reveal common principles of perceptual organization," Curr. Biol. 16, 1351-1357. 10.1016/j.cub.2006.05.054
35. Rimmele, J., Schröger, E., and Bendixen, A. (2012). "Age-related changes in the use of regular patterns for auditory scene analysis," Hear. Res. 289, 98-107. 10.1016/j.heares.2012.04.006
36. Rogers, W. L., and Bregman, A. S. (1993). "An experimental evaluation of three theories of auditory stream segregation," Percept. Psychophys. 53, 179-189. 10.3758/BF03211728
37. Snyder, J. S., and Alain, C. (2007). "Toward a neurophysiological theory of auditory stream segregation," Psychol. Bull. 133, 780-799. 10.1037/0033-2909.133.5.780
38. Snyder, J. S., Gregg, M. K., Weintraub, D. M., and Alain, C. (2012). "Attention, awareness, and the perception of auditory scenes," Front. Psychol. 3, 15. 10.3389/fpsyg.2012.00015
39. Snyder, J. S., and Weintraub, D. M. (2011). "Pattern specificity in the effect of prior Δ on auditory stream segregation.," J. Exp. Psychol. Hum. Percept. Perform. 37, 1649-1656. 10.1037/a0023098
40. Sussman, E., Ritter, W., and Vaughan, H. G., Jr. (1998). "Attention affects the organization of auditory input associated with the mismatch negativity system," Brain Res. 789, 130-138. 10.1016/S0006-8993(97)01443-1
41. Szalárdy, O., Bendixen, A., Tóth, D., Denham, S. L., and Winkler, I. (2013). "Modulation-frequency acts as a primary cue for auditory stream segregation," Learn. Percept. 5, 149-161. 10.1556/LP.5.2013.Suppl2.9
42. Trainor, L. J., and Trehub, S. E. (1994). "Key membership and implied harmony in Western tonal music: Developmental perspectives," Atten. Percept. Psychophys. 56, 125-132. 10.3758/BF03213891
43. van Noorden, L. P. A. S. (1975)." Temporal coherence in the perception of tone sequences," Ph.D. dissertation, Technical University Eindhoven, Eindhoven, Netherlands.
44. Winkler, I., Denham, S., Mill, R., Böhm, T. M., and Bendixen, A. (2012). "Multistability in auditory stream segregation: A predictive coding view," Philos. Trans. R. Soc. Lond. B Biol. Sci. 367, 1001-1012. 10.1098/rstb.2011.0359
45. Winkler, I., Denham, S. L., and Nelken, I. (2009a). "Modeling the auditory scene: Predictive regularity representations and perceptual objects," Trends Cogn. Sci. 13, 532-540. 10.1016/j.tics.2009.09.003
46. Winkler, I., Háden, G. P., Ladinig, O., Sziller, I., and Honing, H. (2009b). "Newborn infants detect the beat in music," Proc. Natl. Acad. Sci. U.S.A. 106, 2468-2471. 10.1073/pnas.0809035106