Schema-based processing in auditory scene analysis

Perception and Psychophysics

Volumn 64, Issue 5, 2002, Pages 844-854

  Bey, Caroline ^b   Mcadams, Stephen ^a  

^a IRCAM   (France)

^b NONE

Author keywords

[No Author keywords available]

Indexed keywords

ADULT; ARTICLE; DECISION MAKING; FEMALE; HEARING; HUMAN; MALE; PHYSIOLOGY;

ADULT; AUDITORY PERCEPTION; DECISION MAKING; FEMALE; HUMANS; MALE;

EID: 0036633455     PISSN: 00315117     EISSN: None     Source Type: Journal    
DOI: 10.3758/BF03194750     Document Type: Article

References (29)

1. ALAIN, C., & Woods, D. L. (1994). Signal clustering modulates auditory cortical activity in humans. Perception & Psychophysics, 56, 501-516.
2. BEY, C., & MCADAMS, S. (1998, November). Implication of top-down processes in auditory streaming. Paper presented at the 39th Annual Meeting of the Psychonomic Society, Dallas.
3. BEY, C., & MCADAMS, S. (2002). Post-recognition of interleaved melodies as an indirect measure of auditory stream formation. Revision under review.
4. BREGMAN, A. S. (1990). Auditory scene analysis: The perceptual organization of sound. Cambridge. MA: MIT Press.
5. BREGMAN, A. S. (1993). Auditory scene analysis: Hearing in complex environments. In S. McAdams & E. Bigand (Eds.), Thinking in sound: The cognitive psychology of human audition ( pp. 10-36). Oxford: Oxford University Press, Clarendon Press.
6. CHERRY, E. C. (1953). Some experiments on the recognition of speech with one and with two ears. Journal of the Acoustical Society of America, 25, 975-979.
7. DEMANY, L. (1982). Auditory stream segregation in infancy. Infant Behavior & Development, 5, 261-276.
8. DEUTSCH, D. (1970). Tones and numbers: Specificity of interference in immediate memory. Science, 68, 1604-1605.
9. DOWLING, W. J. (1973). The perception of interleaved melodies. Cognitive Psychology, 5, 322-337.
10. DOWLING, W. J. (1978). Scale and contour: Two components of a theory of memory for melodies. Psychological Review, 85, 341-354.
11. DOWLlNG, W. J., & FUJITANI, D. S. (1971). Contour, interval and pitch recognition in memory for melodies. Journal of the Acoustical Society of America, 49, 524-531.
12. DOWLING, W. J., & HARWOOD, D. L. (1986). Melody: Attention and memory. In Music cognition ( pp. 124-152). Orlando, FL: Academic Press.
13. DOWLING, W. J., KWAK, S., & ANDREWS, M. W. (1995). The time course of recognition of novel melodies. Perception & Psychophysics, 57, 136-149.
14. DOWLING, W. J., LUNG, K. M.-T., & HERRBOLD, S. (1987). Aiming attention in pitch and time in the perception of interleaved melodies. Perception & Psychophysics, 41, 642-656.
15. GREENHOUSE, S. W., & GEISSER, S. (1959). On methods in the analysis of profile data. Psychometrika, 24, 95-112.
16. GROSSBERG, S. (1999). The link between brain learning, attention and consciousness. Consciousness & Cognition. 8, 1-44.
17. HARTMANN, W. M., & JOHNSON, D. (1991). Stream segregation and peripheral channeling. Music Perception, 9, 155-184.
18. HULSE, S. H., MACDOUGALL-SHACKLETON, S. A., & WISNIEWSKI, A. B. (1997). Auditory scene analysis by songbirds: Stream segregation of birdsong by European starlings (Sturnus vulgans). Journal of Comparative Psychology, 111, 3-13.
19. MACDOUGALL-SHACKLETON, S. A., HULSE, S. H., GENTNER, T. Q., & WHITE, W. (1998). Auditory scene analysis by European starlings (Sturnus vulgaris): Perceptual segregation of tone sequences. Journal of the Acoustical Society of America, 103, 3581-3587.
20. MACMILLAN, N. A., & CREELMAN, C. D. (1991). Detection theory: A user's guide. Cambridge: Cambridge University Press.
21. MACMILLAN, N. A., & KAPLAN, H. L. (1985). Detection theory analysis of group data: Estimating sensitivity from average hit and false-alarm rates. Psychological Bulletin, 98, 185-199.
22. MCADAMS, S., & BERTONCINI, J. (1997). Organization and discrimination of repeating sound sequences by newborn infants. Journal of the Acoustical Society of America, 102, 2945-2953.
23. OTT, R. L. (1993). An introduction to statistical methods and data analysis. (4th ed.). Belmont, CA: Duxbury.
24. SHEPARD, R. N. (1981). Psychophysical complementarity. In M. Kubovy & J. R. Pomerantz (Eds.), Perceptual organization (pp. 279-341). Hillsdale, NJ: Erlbaum.
25. SUSSMAN, E., RITTER, W., & VAUGHAN, J. H. G. (1998). Attention affects the organization of auditory input associated with the mismatch negativity system. Brain Research. 789, 130-138.
26. SUSSMAN, E., RITTER, W.. & VAUGHAN, J. H. G. (1999). An investigation of auditory streaming effect using event-related brain potentials. Psychophysiology, 36, 22-34.
27. TVERSKY, A. (1977). Features of similarity. Psychological Review, 84, 327-352.
28. VAN NOORDEN, L. P. A. S. (1975). Temporal coherence in the perception of tone. sequences. Unpublished doctoral dissertation. Eindhoven University of Technology.
29. VLIEGEN, J., & OXENHAM, A. J. (1999). Sequential stream segregation in the absence of spectral cues. Journal of the Acoustical Society of America. 105. 339-346.