-
1
-
-
33748469486
-
-
(Doctoral dissertation). School of Music, Ohio State University, Columbus, Ohio
-
Aarden, B. J. (2003). Dynamic melodic expectancy (Doctoral dissertation). School of Music, Ohio State University, Columbus, Ohio. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=osu1060969388
-
(2003)
Dynamic melodic expectancy
-
-
Aarden, B.J.1
-
2
-
-
0001872697
-
The group-theoretic description of 12-fold and microtonal pitch systems
-
doi: 10.2307/3679467
-
Balzano, G. J. (1980). The group-theoretic description of 12-fold and microtonal pitch systems. Computer Music Journal, 4, 66-84. doi: 10.2307/3679467
-
(1980)
Computer Music Journal
, vol.4
, pp. 66-84
-
-
Balzano, G.J.1
-
3
-
-
84873553947
-
A robust mid-level representation for harmonic content in music signals
-
September, London, England
-
Bello, J. P., & Pickens, J. (2005, September). A robust mid-level representation for harmonic content in music signals. Paper presented at the International Symposium on Music Information Retrieval, London, England.
-
(2005)
Paper presented at the International Symposium on Music Information Retrieval
-
-
Bello, J.P.1
Pickens, J.2
-
4
-
-
84968265167
-
Music cognition and perceptual facilitation: A connectionist framework
-
doi:10.2307/40285384
-
Bharucha, J. J. (1987). Music cognition and perceptual facilitation: A connectionist framework. Music Perception, 5, 1-30. doi:10.2307/40285384
-
(1987)
Music Perception
, vol.5
, pp. 1-30
-
-
Bharucha, J.J.1
-
5
-
-
0020690018
-
The representation of harmonic structure in music: Hierarchies of stability as a function of context
-
doi:10.1016/0010-0277(83)90003-3
-
Bharucha, J., & Krumhansl, C. L. (1983). The representation of harmonic structure in music: Hierarchies of stability as a function of context. Cognition, 13, 63-102. doi:10.1016/0010-0277(83)90003-3
-
(1983)
Cognition
, vol.13
, pp. 63-102
-
-
Bharucha, J.1
Krumhansl, C.L.2
-
7
-
-
0023353309
-
Priming of chords: Spreading activation or overlapping frequency spectra?
-
doi:10.3758/BF03210486
-
Bharucha, J. J., & Stoeckig, K. (1987). Priming of chords: Spreading activation or overlapping frequency spectra? Perception & Psychophysics, 41, 519-524. doi:10.3758/BF03210486
-
(1987)
Perception & Psychophysics
, vol.41
, pp. 519-524
-
-
Bharucha, J.J.1
Stoeckig, K.2
-
8
-
-
84893505869
-
-
Manuscript submitted for publication.
-
Bigand, E., Delbé, C., Poulin-Charronnat, B., Leman, M., & Tillmann, B. (2013). Does musical syntax processing tell us more about auditory memory than about syntactic-like computations: The unanswered question. Manuscript submitted for publication.
-
(2013)
Does musical syntax processing tell us more about auditory memory than about syntactic-like computations: The unanswered question
-
-
Bigand, E.1
Delbé, C.2
Poulin-Charronnat, B.3
Leman, M.4
Tillmann, B.5
-
9
-
-
0033480666
-
Effect of global structure and temporal organization on chord processing
-
doi:10.1037/0096-1523.25.1.184
-
Bigand, E., Madurell, F., Tillmann, B., & Pineau, M. (1999). Effect of global structure and temporal organization on chord processing. Journal of Experimental Psychology: Human Perception and Performance, 25, 184-197. doi:10.1037/0096-1523.25.1.184
-
(1999)
Journal of Experimental Psychology: Human Perception and Performance
, vol.25
, pp. 184-197
-
-
Bigand, E.1
Madurell, F.2
Tillmann, B.3
Pineau, M.4
-
10
-
-
0033252071
-
Perceiving musical tension in long chord sequences
-
doi:10.1007/s004260050053
-
Bigand, E., & Parncutt, R. (1999). Perceiving musical tension in long chord sequences. Psychological Research, 62, 237-254. doi:10.1007/s004260050053
-
(1999)
Psychological Research
, vol.62
, pp. 237-254
-
-
Bigand, E.1
Parncutt, R.2
-
11
-
-
85047689910
-
Sensory versus cognitive components in harmonic priming
-
doi:10.1037/0096-1523.29.1.159
-
Bigand, E., Poulin, B., Tillmann, B., Madurell, F., & D'Adamo, D. A. (2003). Sensory versus cognitive components in harmonic priming. Journal of Experimental Psychology: Human Perception and Performance, 29, 159-171. doi:10.1037/0096-1523.29.1.159
-
(2003)
Journal of Experimental Psychology: Human Perception and Performance
, vol.29
, pp. 159-171
-
-
Bigand, E.1
Poulin, B.2
Tillmann, B.3
Madurell, F.4
D'Adamo, D.A.5
-
12
-
-
33646378135
-
A module for syntactic processing in music?
-
doi:10.1016/j.tics.2006.03.008
-
Bigand, E., Tillmann, B., & Poulin-Charronnat, B. (2006). A module for syntactic processing in music? Trends in Cognitive Sciences, 10, 195-196. doi:10.1016/j.tics.2006.03.008
-
(2006)
Trends in Cognitive Sciences
, vol.10
, pp. 195-196
-
-
Bigand, E.1
Tillmann, B.2
Poulin-Charronnat, B.3
-
13
-
-
0024698122
-
Rhythm and "good endings": Effects of temporal structure on tonality judgments
-
doi:10.3758/BF03208069
-
Boltz, M. (1989). Rhythm and "good endings": Effects of temporal structure on tonality judgments. Perception & Psychophysics, 46, 9-17. doi:10.3758/BF03208069
-
(1989)
Perception & Psychophysics
, vol.46
, pp. 9-17
-
-
Boltz, M.1
-
14
-
-
0001267370
-
The "musilanguage" model of music evolution
-
N. L. Wallin, B. Merker, & S. Brown (Eds.), Cambridge, MA: MIT Press
-
Brown, S. (2000). The "musilanguage" model of music evolution. In N. L. Wallin, B. Merker, & S. Brown (Eds.), The origins of music (pp. 271-300). Cambridge, MA: MIT Press.
-
(2000)
The origins of music
, pp. 271-300
-
-
Brown, S.1
-
15
-
-
84968298989
-
Describing the perception of tonality in music: A critique of the tonal hierarchy theory and a proposal for a theory of intervallic rivalry
-
doi:10.2307/40285588
-
Butler, D. (1989). Describing the perception of tonality in music: A critique of the tonal hierarchy theory and a proposal for a theory of intervallic rivalry. Music Perception, 6, 219-241. doi:10.2307/40285588
-
(1989)
Music Perception
, vol.6
, pp. 219-241
-
-
Butler, D.1
-
16
-
-
84968223146
-
Response to Carol Krumhansl
-
doi:10.2307/40285468
-
Butler, D. (1990). Response to Carol Krumhansl. Music Perception, 7, 325-338. doi:10.2307/40285468
-
(1990)
Music Perception
, vol.7
, pp. 325-338
-
-
Butler, D.1
-
17
-
-
42349087211
-
Generalized voice-leading spaces
-
April 18, doi:10.1126/science.1153021
-
Callender, C., Quinn, I., & Tymoczko, D. (2008, April 18). Generalized voice-leading spaces. Science, 320, 346-348. doi:10.1126/science.1153021
-
(2008)
Science
, vol.320
, pp. 346-348
-
-
Callender, C.1
Quinn, I.2
Tymoczko, D.3
-
18
-
-
0029745579
-
Neural correlates of the pitch of complex tones: I. Pitch and pitch salience
-
Cariani, P. A., & Delgutte, B. (1996a). Neural correlates of the pitch of complex tones: I. Pitch and pitch salience. Journal of Neurophysiology, 76, 1698-1716.
-
(1996)
Journal of Neurophysiology
, vol.76
, pp. 1698-1716
-
-
Cariani, P.A.1
Delgutte, B.2
-
19
-
-
0029813130
-
Neural correlates of the pitch of complex tones: II. Pitch shift, pitch ambiguity, phase invariance, pitch circularity, rate pitch, and the dominance region for pitch
-
Cariani, P. A., & Delgutte, B. (1996b). Neural correlates of the pitch of complex tones: II. Pitch shift, pitch ambiguity, phase invariance, pitch circularity, rate pitch, and the dominance region for pitch. Journal of Neurophysiology, 76, 1717-1734.
-
(1996)
Journal of Neurophysiology
, vol.76
, pp. 1717-1734
-
-
Cariani, P.A.1
Delgutte, B.2
-
20
-
-
0021488966
-
Tonal hierarchies in the music of North India
-
doi:10.1037/0096-3445.113.3.394
-
Castellano, M. A., Bharucha, J. J., & Krumhansl, C. L. (1984). Tonal hierarchies in the music of North India. Journal of Experimental Psychology: General, 113, 394-412. doi:10.1037/0096-3445.113.3.394
-
(1984)
Journal of Experimental Psychology: General
, vol.113
, pp. 394-412
-
-
Castellano, M.A.1
Bharucha, J.J.2
Krumhansl, C.L.3
-
21
-
-
84873544235
-
Detection of key change in classical piano music
-
September, London, England.
-
Chai, W., & Vercoe, B. (2005, September). Detection of key change in classical piano music. Paper presented at the International Symposium on Music Information Retrieval, London, England.
-
(2005)
Paper presented at the International Symposium on Music Information Retrieval
-
-
Chai, W.1
Vercoe, B.2
-
22
-
-
84937688904
-
The spiral array: An algorithm for determining key boundaries
-
C. Anagnostopoulou, M. Ferrand, & A. Smaill (Eds.), Berlin, Germany: Springer
-
Chew, E. (2002). The spiral array: An algorithm for determining key boundaries. In C. Anagnostopoulou, M. Ferrand, & A. Smaill (Eds.), Music and artificial intelligence: Proceedings of the International Conference on Music and Artificial Intelligence (pp. 18-31). Berlin, Germany: Springer.
-
(2002)
Music and artificial intelligence: Proceedings of the International Conference on Music and Artificial Intelligence
, pp. 18-31
-
-
Chew, E.1
-
23
-
-
0142036051
-
Multiple viewpoint systems for music prediction
-
doi:10.1080/09298219508570672
-
Conklin, D., & Witten, I. H. (1995). Multiple viewpoint systems for music prediction. Journal of New Music Research, 24, 51-73. doi:10.1080/09298219508570672
-
(1995)
Journal of New Music Research
, vol.24
, pp. 51-73
-
-
Conklin, D.1
Witten, I.H.2
-
24
-
-
84968285637
-
The perception of large-scale tonal closure
-
doi:10.2307/40285392
-
Cook, N. (1987). The perception of large-scale tonal closure. Music Perception, 5, 197-205. doi:10.2307/40285392
-
(1987)
Music Perception
, vol.5
, pp. 197-205
-
-
Cook, N.1
-
25
-
-
4243850608
-
Perception: A perspective from music theory
-
R. Aiello, & J. A. Sloboda (Eds.), Oxford, England: Oxford University Press
-
Cook, N. (1994). Perception: A perspective from music theory. In R. Aiello, & J. A. Sloboda (Eds.), Musical perceptions (pp. 64-95). Oxford, England: Oxford University Press.
-
(1994)
Musical perceptions
, pp. 64-95
-
-
Cook, N.1
-
26
-
-
63049091821
-
Memory and musical expectation for tones in cultural context
-
doi: 10.1525/mp.2009.26.4.365
-
Curtis, M. E., & Bharucha, J. J. (2009). Memory and musical expectation for tones in cultural context. Music Perception, 26, 365-375. doi: 10.1525/mp.2009.26.4.365
-
(2009)
Music Perception
, vol.26
, pp. 365-375
-
-
Curtis, M.E.1
Bharucha, J.J.2
-
27
-
-
84893501141
-
Recurrent self-organization of sensory signals in the auditory domain
-
R. M. French, & E. Thomas (Eds.), Singapore: World Scientific. doi:10.1142/9789812797322_0015
-
Delbé, C. (2008). Recurrent self-organization of sensory signals in the auditory domain. In R. M. French, & E. Thomas (Eds.), From associations to rules: Connectionist models of behavior and cognition (pp. 178-190). Singapore: World Scientific. doi:10.1142/9789812797322_0015
-
(2008)
From associations to rules: Connectionist models of behavior and cognition
, pp. 178-190
-
-
Delbé, C.1
-
28
-
-
84893480451
-
-
(Doctoral dissertation). LEAD-CNRS UMR 5022, University of Burgundy, Dijon, France
-
Delbé, C. (2009). Music, psychoacoustics and implicit learning: Toward an integrated model of music cognition (Doctoral dissertation). LEAD-CNRS UMR 5022, University of Burgundy, Dijon, France. Retrieved from http://leadserv.u-bourgogne.fr/%7Edelbe/Thesis.pdf
-
(2009)
Music, psychoacoustics and implicit learning: Toward an integrated model of music cognition
-
-
Delbé, C.1
-
29
-
-
77955888278
-
Perceptual and semantic contributions to repetition priming of environmental sounds
-
doi: 10.1093/cercor/bhp230
-
De Lucia, M., Cocchi, L., Martuzzi, R., Meuli, R. A., Clarke, S., & Murray, M. M. (2010). Perceptual and semantic contributions to repetition priming of environmental sounds. Cerebral Cortex, 20, 1676-1684. doi: 10.1093/cercor/bhp230
-
(2010)
Cerebral Cortex
, vol.20
, pp. 1676-1684
-
-
De Lucia, M.1
Cocchi, L.2
Martuzzi, R.3
Meuli, R.A.4
Clarke, S.5
Murray, M.M.6
-
30
-
-
77954479630
-
An fMRI investigation of the cultural specificity of music memory
-
doi:10.1093/scan/nsp048
-
Demorest, S. M., Morrison, S. J., Stambaugh, L. A., Beken, M., Richards, T. L., & Johnson, C. (2010). An fMRI investigation of the cultural specificity of music memory. Social Cognitive and Affective Neuroscience, 5, 282-291. doi:10.1093/scan/nsp048
-
(2010)
Social Cognitive and Affective Neuroscience
, vol.5
, pp. 282-291
-
-
Demorest, S.M.1
Morrison, S.J.2
Stambaugh, L.A.3
Beken, M.4
Richards, T.L.5
Johnson, C.6
-
31
-
-
0011396239
-
The processing of pitch combinations
-
D. Deutsch (Ed.), (2nd ed.). San Diego, CA: Academic Press. doi:10.1016/B978-012213564-4/50011-1
-
Deutsch, D. (1999). The processing of pitch combinations. In D. Deutsch (Ed.), The psychology of music (2nd ed., pp. 349-411). San Diego, CA: Academic Press. doi:10.1016/B978-012213564-4/50011-1
-
(1999)
The psychology of music
, pp. 349-411
-
-
Deutsch, D.1
-
32
-
-
46649102100
-
The Music Information Retrieval Evaluation Exchange (2005-2007): A window into music information retrieval research
-
Downie, J. S. (2008). The Music Information Retrieval Evaluation Exchange (2005-2007): A window into music information retrieval research. Acoustical Science and Technology, 29, 247-255.
-
(2008)
Acoustical Science and Technology
, vol.29
, pp. 247-255
-
-
Downie, J.S.1
-
33
-
-
77954992820
-
A developmental perspective on visual word recognition: New evidence and a self-organizing model
-
doi:10.1080/09541440903031230
-
Dufau, S., Lété, B., Touzet, C., Glotin, H., Ziegler, J. C., & Grainger, J. (2010). A developmental perspective on visual word recognition: New evidence and a self-organizing model. European Journal of Cognitive Psychology, 22, 669-694. doi:10.1080/09541440903031230
-
(2010)
European Journal of Cognitive Psychology
, vol.22
, pp. 669-694
-
-
Dufau, S.1
Lété, B.2
Touzet, C.3
Glotin, H.4
Ziegler, J.C.5
Grainger, J.6
-
34
-
-
42549094464
-
Medial orbitofrontal cortex codes relative rather than absolute value of financial rewards in humans
-
doi: 10.1111/j.1460-9568.2008.06202.x
-
Elliott, R., Agnew, Z., & Deakin, J. F. W. (2008). Medial orbitofrontal cortex codes relative rather than absolute value of financial rewards in humans. European Journal of Neuroscience, 27, 2213-2218. doi: 10.1111/j.1460-9568.2008.06202.x
-
(2008)
European Journal of Neuroscience
, vol.27
, pp. 2213-2218
-
-
Elliott, R.1
Agnew, Z.2
Deakin, J.F.W.3
-
36
-
-
84859599602
-
A parametric, temporal model of musical tension
-
doi:10.1525/mp.2012.29.4.387
-
Farbood, M. M. (2012). A parametric, temporal model of musical tension. Music Perception, 29, 387-428. doi:10.1525/mp.2012.29.4.387
-
(2012)
Music Perception
, vol.29
, pp. 387-428
-
-
Farbood, M.M.1
-
37
-
-
33748521851
-
Tonal description of polyphonic audio for music content processing
-
doi: 10.1287/ijoc.1040.0126
-
Gómez, E. (2006). Tonal description of polyphonic audio for music content processing. INFORMS Journal on Computing, 18, 294-304. doi: 10.1287/ijoc.1040.0126
-
(2006)
INFORMS Journal on Computing
, vol.18
, pp. 294-304
-
-
Gómez, E.1
-
38
-
-
34248593113
-
Graded semantic and phonological similarity effects in priming: Evidence for a distributed connectionist approach to morphology
-
doi:10.1037/0096-3445.136.2.323
-
Gonnerman, L. M., Seidenberg, M. S., & Andersen, E. S. (2007). Graded semantic and phonological similarity effects in priming: Evidence for a distributed connectionist approach to morphology. Journal of Experimental Psychology: General, 136, 323-345. doi:10.1037/0096-3445.136.2.323
-
(2007)
Journal of Experimental Psychology: General
, vol.136
, pp. 323-345
-
-
Gonnerman, L.M.1
Seidenberg, M.S.2
Andersen, E.S.3
-
39
-
-
0002363452
-
Neural responses to melodic and harmonic closure: An event-related-potential study
-
doi:10.2307/40285739
-
Hantz, E. C., Kreilick, K. G., Kananen, W., & Swartz, K. P. (1997). Neural responses to melodic and harmonic closure: An event-related-potential study. Music Perception, 15, 69-98. doi:10.2307/40285739
-
(1997)
Music Perception
, vol.15
, pp. 69-98
-
-
Hantz, E.C.1
Kreilick, K.G.2
Kananen, W.3
Swartz, K.P.4
-
40
-
-
70449637463
-
What/when causal expectation modelling applied to audio signals
-
doi:10.1080/09540090902733764
-
Hazan, A., Marxer, R., Brossier, P., Purwins, H., Herrera, P., & Serra, X. (2009). What/when causal expectation modelling applied to audio signals. Connection Science, 21, 119-143. doi:10.1080/09540090902733764
-
(2009)
Connection Science
, vol.21
, pp. 119-143
-
-
Hazan, A.1
Marxer, R.2
Brossier, P.3
Purwins, H.4
Herrera, P.5
Serra, X.6
-
41
-
-
58149380526
-
Repetition priming for multisensory stimuli: Task-irrelevant and task-relevant stimuli are associated if semantically related but with no advantage over uni-sensory stimuli
-
doi:10.1016/j.brainres.2008.10.062
-
Hecht, D., Reiner, M., & Karni, A. (2009). Repetition priming for multisensory stimuli: Task-irrelevant and task-relevant stimuli are associated if semantically related but with no advantage over uni-sensory stimuli. Brain Research, 1251, 236-244. doi:10.1016/j.brainres.2008.10.062
-
(2009)
Brain Research
, vol.1251
, pp. 236-244
-
-
Hecht, D.1
Reiner, M.2
Karni, A.3
-
42
-
-
0018987226
-
Priming effects with phonemically similar words
-
doi:10.3758/BF03213414
-
Hillinger, M. L. (1980). Priming effects with phonemically similar words. Memory & Cognition, 8, 115-123. doi:10.3758/BF03213414
-
(1980)
Memory & Cognition
, vol.8
, pp. 115-123
-
-
Hillinger, M.L.1
-
43
-
-
84862268451
-
The influence of task-irrelevant music on language processing: Syntactic and semantic structures
-
Article 112. doi:10.3389/fpsyg.2011.00112
-
Hoch, L., Poulin-Charronnat, B., & Tillmann, B. (2011). The influence of task-irrelevant music on language processing: Syntactic and semantic structures. Frontiers in Psychology, 2, Article 112. doi:10.3389/fpsyg.2011.00112
-
(2011)
Frontiers in Psychology
, pp. 2
-
-
Hoch, L.1
Poulin-Charronnat, B.2
Tillmann, B.3
-
45
-
-
0012108486
-
An improved model of tonality perception incorporating pitch salience and echoic memory
-
doi:10.1037/h0094110
-
Huron, D., & Parncutt, R. (1993). An improved model of tonality perception incorporating pitch salience and echoic memory. Psychomusicology, 12, 154-171. doi:10.1037/h0094110
-
(1993)
Psychomusicology
, vol.12
, pp. 154-171
-
-
Huron, D.1
Parncutt, R.2
-
46
-
-
0002857703
-
The acoustic component of western consonance
-
doi:10.1080/09298217808570246
-
Hutchinson, W., & Knopoff, L. (1978). The acoustic component of western consonance. Interface, 7, 1-29. doi:10.1080/09298217808570246
-
(1978)
Interface
, vol.7
, pp. 1-29
-
-
Hutchinson, W.1
Knopoff, L.2
-
47
-
-
33745282660
-
The capacity for music: What is it, and what's special about it?
-
doi:10.1016/j.cognition.2005.11.005
-
Jackendoff, R., & Lerdahl, F. (2006). The capacity for music: What is it, and what's special about it? Cognition, 100, 33-72. doi:10.1016/j.cognition.2005.11.005.
-
(2006)
Cognition
, vol.100
, pp. 33-72
-
-
Jackendoff, R.1
Lerdahl, F.2
-
48
-
-
0029045909
-
ERP measures assay the degree of expectancy violation of harmonic contexts in music
-
doi:10.1162/jocn.1995.7.2.153
-
Janata, P. (1995). ERP measures assay the degree of expectancy violation of harmonic contexts in music. Journal of Cognitive Neuroscience, 7, 153-164. doi:10.1162/jocn.1995.7.2.153
-
(1995)
Journal of Cognitive Neuroscience
, vol.7
, pp. 153-164
-
-
Janata, P.1
-
49
-
-
0035165228
-
Quantitative assessment of vocal development in the zebra finch using self-organizing neural networks
-
doi:10.1121/1.1412446
-
Janata, P. (2001). Quantitative assessment of vocal development in the zebra finch using self-organizing neural networks. Journal of the Acoustical Society of America, 110, 2593-2603. doi:10.1121/1.1412446
-
(2001)
Journal of the Acoustical Society of America
, vol.110
, pp. 2593-2603
-
-
Janata, P.1
-
50
-
-
33748887875
-
Brain networks that track musical structure
-
doi:10.1196/annals.1360.008
-
Janata, P. (2005). Brain networks that track musical structure. Annals of the New York Academy of Sciences, 1060, 111-124. doi:10.1196/annals.1360.008
-
(2005)
Annals of the New York Academy of Sciences
, vol.1060
, pp. 111-124
-
-
Janata, P.1
-
51
-
-
79959574365
-
Navigating tonal space
-
W. B. Hewlett, E. Selfridge-Field, & E. Correia (Eds.), Stanford, CA: Center for Computer Assisted Research in the Humanities.
-
Janata, P. (2007). Navigating tonal space. In W. B. Hewlett, E. Selfridge-Field, & E. Correia (Eds.), Computing in musicology: Tonal theory for the digital age (Vol. 15, pp. 39-50). Stanford, CA: Center for Computer Assisted Research in the Humanities.
-
(2007)
Computing in musicology: Tonal theory for the digital age
, vol.15
, pp. 39-50
-
-
Janata, P.1
-
52
-
-
70349932437
-
The neural architecture of music-evoked autobiographical memories
-
doi:10.1093/cercor/bhp008
-
Janata, P. (2009). The neural architecture of music-evoked autobiographical memories. Cerebral Cortex, 19, 2579-2594. doi:10.1093/cercor/bhp008
-
(2009)
Cerebral Cortex
, vol.19
, pp. 2579-2594
-
-
Janata, P.1
-
53
-
-
27844467151
-
Online detection of tonal pop-out in modulating contexts
-
doi:10.1525/mp.2003.20.3.283
-
Janata, P., Birk, J. L., Tillmann, B., & Bharucha, J. J. (2003). Online detection of tonal pop-out in modulating contexts. Music Perception, 20, 283-305. doi:10.1525/mp.2003.20.3.283
-
(2003)
Music Perception
, vol.20
, pp. 283-305
-
-
Janata, P.1
Birk, J.L.2
Tillmann, B.3
Bharucha, J.J.4
-
54
-
-
0037073837
-
The cortical topography of tonal structures underlying Western music
-
December 13, doi: 10.1126/science.1076262
-
Janata, P., Birk, J. L., Van Horn, J. D., Leman, M., Tillmann, B., & Bharucha, J. J. (2002, December 13). The cortical topography of tonal structures underlying Western music. Science, 298, 2167-2170. doi: 10.1126/science.1076262
-
(2002)
Science
, vol.298
, pp. 2167-2170
-
-
Janata, P.1
Birk, J.L.2
Van Horn, J.D.3
Leman, M.4
Tillmann, B.5
Bharucha, J.J.6
-
55
-
-
33845340137
-
Acuity of auditory images in pitch and time
-
doi:10.3758/BF03193705
-
Janata, P., & Paroo, K. (2006). Acuity of auditory images in pitch and time. Perception & Psychophysics, 68, 829-844. doi:10.3758/BF03193705
-
(2006)
Perception & Psychophysics
, vol.68
, pp. 829-844
-
-
Janata, P.1
Paroo, K.2
-
56
-
-
84968217878
-
Response-time measures as a means of exploring tonal hierarchies
-
doi:10.2307/40285423
-
Janata, P., & Reisberg, D. (1988). Response-time measures as a means of exploring tonal hierarchies. Music Perception, 6, 161-172. doi:10.2307/40285423
-
(1988)
Music Perception
, vol.6
, pp. 161-172
-
-
Janata, P.1
Reisberg, D.2
-
57
-
-
84968274334
-
Tonal schemata in the perception of music in Bali and in the West
-
doi:10.2307/40285289
-
Kessler, E. J., Hansen, C., & Shepard, R. N. (1984). Tonal schemata in the perception of music in Bali and in the West. Music Perception, 2, 131-165. doi:10.2307/40285289
-
(1984)
Music Perception
, vol.2
, pp. 131-165
-
-
Kessler, E.J.1
Hansen, C.2
Shepard, R.N.3
-
58
-
-
79952155979
-
The effect of conditional probability of chord progression on brain response: An MEG study
-
Article e17337. doi:10.1371/journal.pone.0017337
-
Kim, S.-G., Kim, J. S., & Chung, C. K. (2011). The effect of conditional probability of chord progression on brain response: An MEG study. PLoS ONE, 6(2), Article e17337. doi:10.1371/journal.pone.0017337
-
(2011)
PLoS ONE
, vol.6
, Issue.2
-
-
Kim, S.-G.1
Kim, J.S.2
Chung, C.K.3
-
59
-
-
16344378424
-
Perception of phrase structure in music
-
doi:10.1002/hbm.20088
-
Knösche, T. R., Neuhaus, C., Haueisen, J., Alter, K., Maess, B., Witte, O. W., & Friederici, A. D. (2005). Perception of phrase structure in music. Human Brain Mapping, 24, 259-273. doi:10.1002/hbm.20088
-
(2005)
Human Brain Mapping
, vol.24
, pp. 259-273
-
-
Knösche, T.R.1
Neuhaus, C.2
Haueisen, J.3
Alter, K.4
Maess, B.5
Witte, O.W.6
Friederici, A.D.7
-
60
-
-
58149203554
-
Music-syntactic processing and auditory memory: Similarities and differences between ERAN and MMN
-
doi:10.1111/j.1469-8986.2008.00752.x
-
Koelsch, S. (2009). Music-syntactic processing and auditory memory: Similarities and differences between ERAN and MMN. Psychophysiology, 46, 179-190. doi:10.1111/j.1469-8986.2008.00752.x
-
(2009)
Psychophysiology
, vol.46
, pp. 179-190
-
-
Koelsch, S.1
-
61
-
-
0034126001
-
Brain indices of music processing: "Nonmusicians" are musical
-
doi:10.1162/089892900562183
-
Koelsch, S., Gunter, T. C., Friederici, A. D., & Schröger, E. (2000). Brain indices of music processing: "Nonmusicians" are musical. Journal of Cognitive Neuroscience, 12, 520-541. doi:10.1162/089892900562183
-
(2000)
Journal of Cognitive Neuroscience
, vol.12
, pp. 520-541
-
-
Koelsch, S.1
Gunter, T.C.2
Friederici, A.D.3
Schröger, E.4
-
62
-
-
0035947345
-
Differentiating ERAN and MMN: An ERP study
-
doi:10.1097/00001756-200105250-00019
-
Koelsch, S., Gunter, T. C., Schröger, E., Tervaniemi, M., Sammler, D., & Friederici, A. D. (2001). Differentiating ERAN and MMN: An ERP study. NeuroReport, 12, 1385-1389. doi:10.1097/00001756-200105250-00019
-
(2001)
NeuroReport
, vol.12
, pp. 1385-1389
-
-
Koelsch, S.1
Gunter, T.C.2
Schröger, E.3
Tervaniemi, M.4
Sammler, D.5
Friederici, A.D.6
-
63
-
-
0036420111
-
Bach speaks: A cortical "language-network" serves the processing of music
-
doi:10.1006/nimg.2002.1154
-
Koelsch, S., Gunter, T. C., v. Cramon, D. Y., Zysset, S., Lohmann, G., & Friederici, A. D. (2002). Bach speaks: A cortical "language-network" serves the processing of music. NeuroImage, 17, 956-966. doi:10.1006/nimg.2002.1154
-
(2002)
NeuroImage
, vol.17
, pp. 956-966
-
-
Koelsch, S.1
Gunter, T.C.2
Cramon, V.D.Y.3
Zysset, S.4
Lohmann, G.5
Friederici, A.D.6
-
64
-
-
27144491337
-
Interaction between syntax processing in language and in music: An ERP study
-
doi:10.1162/089892905774597290
-
Koelsch, S., Gunter, T. C., Wittfoth, M., & Sammler, D. (2005). Interaction between syntax processing in language and in music: An ERP study. Journal of Cognitive Neuroscience, 17, 1565-1577. doi:10.1162/089892905774597290
-
(2005)
Journal of Cognitive Neuroscience
, vol.17
, pp. 1565-1577
-
-
Koelsch, S.1
Gunter, T.C.2
Wittfoth, M.3
Sammler, D.4
-
65
-
-
34247141951
-
Untangling syntactic and sensory processing: An ERP study of music perception
-
doi:10.1111/j.1469-8986.2007.00517.x
-
Koelsch, S., Jentschke, S., Sammler, D., & Mietchen, D. (2007). Untangling syntactic and sensory processing: An ERP study of music perception. Psychophysiology, 44, 476-490. doi:10.1111/j.1469-8986.2007
-
(2007)
Psychophysiology
, vol.44
, pp. 476-490
-
-
Koelsch, S.1
Jentschke, S.2
Sammler, D.3
Mietchen, D.4
-
66
-
-
0003410791
-
-
Berlin, Germany: Springer. doi:10.1007/978-3-642-97610-0
-
Kohonen, T. (1995). Self-organizing maps. Berlin, Germany: Springer. doi:10.1007/978-3-642-97610-0
-
(1995)
Self-organizing maps
-
-
Kohonen, T.1
-
68
-
-
84968054107
-
Tonal hierarchies and rare intervals in music cognition
-
doi:10.2307/40285467
-
Krumhansl, C. L. (1990b). Tonal hierarchies and rare intervals in music cognition. Music Perception, 7, 309-324. doi:10.2307/40285467
-
(1990)
Music Perception
, vol.7
, pp. 309-324
-
-
Krumhansl, C.L.1
-
69
-
-
0020096064
-
Perceived harmonic structure of chords in three related musical keys
-
doi:10.1037/0096-1523.8.1.24
-
Krumhansl, C. L., Bharucha, J. J., & Kessler, E. J. (1982). Perceived harmonic structure of chords in three related musical keys. Journal of Experimental Psychology: Human Perception and Performance, 8, 24-36. doi:10.1037/0096-1523.8.1.24
-
(1982)
Journal of Experimental Psychology: Human Perception and Performance
, vol.8
, pp. 24-36
-
-
Krumhansl, C.L.1
Bharucha, J.J.2
Kessler, E.J.3
-
70
-
-
84861939525
-
A theory of tonal hierarchies in music
-
M. Riess Jones, R. R. Fay, & A. N. Popper (Eds.), New York, NY: Springer. doi:10.1007/978-1-4419-6114-3_3
-
Krumhansl, C. L., & Cuddy, L. L. (2010). A theory of tonal hierarchies in music. In M. Riess Jones, R. R. Fay, & A. N. Popper (Eds.), Music perception (Vol. 36, pp. 51-87). New York, NY: Springer. doi:10.1007/978-1-4419-6114-3_3
-
(2010)
Music perception
, vol.36
, pp. 51-87
-
-
Krumhansl, C.L.1
Cuddy, L.L.2
-
72
-
-
0020161395
-
Tracing the dynamic changes in perceived tonal organization in a spatial representation of musical keys
-
doi:10.1037/0033-295X.89.4.334
-
Krumhansl, C. L., & Kessler, E. J. (1982). Tracing the dynamic changes in perceived tonal organization in a spatial representation of musical keys. Psychological Review, 89, 334-368. doi:10.1037/0033-295X.89.4.334
-
(1982)
Psychological Review
, vol.89
, pp. 334-368
-
-
Krumhansl, C.L.1
Kessler, E.J.2
-
74
-
-
84055186329
-
A Matlab toolbox for music information retrieval
-
C. Preisach, H. Burkhardt, L. Schmidt-Thieme, & R. Decker (Eds.), Berlin, Germany: Springer. doi:10.1007/978-3-540-78246-9_31
-
Lartillot, O., Toiviainen, P., & Eerola, T. (2008). A Matlab toolbox for music information retrieval. In C. Preisach, H. Burkhardt, L. Schmidt-Thieme, & R. Decker (Eds.), Data analysis, machine learning and applications (pp. 261-268). Berlin, Germany: Springer. doi:10.1007/978-3-540-78246-9_31
-
(2008)
Data analysis, machine learning and applications
, pp. 261-268
-
-
Lartillot, O.1
Toiviainen, P.2
Eerola, T.3
-
75
-
-
33947136754
-
Representation of harmony rules in the human brain: Further evidence from eventrelated potentials
-
doi:10.1016/j.brainres.2007.01.049
-
Leino, S., Brattico, E., Tervaniemi, M., & Vuust, P. (2007). Representation of harmony rules in the human brain: Further evidence from eventrelated potentials. Brain Research, 1142, 169-177. doi:10.1016/j.brainres.2007.01.049
-
(2007)
Brain Research
, vol.1142
, pp. 169-177
-
-
Leino, S.1
Brattico, E.2
Tervaniemi, M.3
Vuust, P.4
-
76
-
-
84968123581
-
A model of retroactive tone-center perception
-
doi:10.2307/40285676
-
Leman, M. (1995). A model of retroactive tone-center perception. Music Perception, 12, 439-471. doi:10.2307/40285676
-
(1995)
Music Perception
, vol.12
, pp. 439-471
-
-
Leman, M.1
-
77
-
-
2242437357
-
An auditory model of the role of short-term memory in probe-tone ratings
-
doi:10.2307/40285830
-
Leman, M. (2000). An auditory model of the role of short-term memory in probe-tone ratings. Music Perception, 17, 481-509. doi:10.2307/40285830
-
(2000)
Music Perception
, vol.17
, pp. 481-509
-
-
Leman, M.1
-
78
-
-
84948957044
-
Schema and gestalt: Testing the hypothesis of psychoneural isomorphism by computer simulation
-
M. Leman (Ed.), Berlin, Germany: Springer. doi: 10.1007/BFb0034112
-
Leman, M., & Carreras, F. (1997). Schema and gestalt: Testing the hypothesis of psychoneural isomorphism by computer simulation. In M. Leman (Ed.), Music, gestalt, and computing: Studies in cognitive and systematic musicology (pp. 144-168). Berlin, Germany: Springer. doi: 10.1007/BFb0034112
-
(1997)
Music, gestalt, and computing: Studies in cognitive and systematic musicology
, pp. 144-168
-
-
Leman, M.1
Carreras, F.2
-
79
-
-
84893487521
-
Introduction to the IPEM toolbox for perception-based music analysis
-
March, Ghent, Belgium.
-
Leman, M., Lesaffre, M., & Tanghe, K. (2001, March). Introduction to the IPEM toolbox for perception-based music analysis. Paper presented at the meeting of the FWO Research Society on Foundations of Music, Ghent, Belgium.
-
(2001)
Paper presented at the meeting of the FWO Research Society on Foundations of Music
-
-
Leman, M.1
Lesaffre, M.2
Tanghe, K.3
-
80
-
-
84919774094
-
-
New York, NY: Oxford University Press.
-
Lerdahl, F. (2001). Tonal pitch space. New York, NY: Oxford University Press.
-
(2001)
Tonal pitch space
-
-
Lerdahl, F.1
-
82
-
-
34047235257
-
Modeling tonal tension
-
doi:10.1525/mp.2007.24.4.329
-
Lerdahl, F., & Krumhansl, C. L. (2007). Modeling tonal tension. Music Perception, 24, 329-366. doi:10.1525/mp.2007.24.4.329
-
(2007)
Music Perception
, vol.24
, pp. 329-366
-
-
Lerdahl, F.1
Krumhansl, C.L.2
-
84
-
-
58849111695
-
A generalized mechanism for perception of pitch patterns
-
doi:10.1523/JNEUROSCI.4503-08.2009
-
Loui, P., Wu, E. H., Wessel, D. L., & Knight, R. T. (2009). A generalized mechanism for perception of pitch patterns. Journal of Neuroscience, 29, 454-459. doi:10.1523/JNEUROSCI.4503-08.2009
-
(2009)
Journal of Neuroscience
, vol.29
, pp. 454-459
-
-
Loui, P.1
Wu, E.H.2
Wessel, D.L.3
Knight, R.T.4
-
85
-
-
0035035626
-
Musical syntax is processed in Broca's area: An MEG study
-
Maess, B., Koelsch, S., Gunter, T. C., & Friederici, A. D. (2001). Musical syntax is processed in Broca's area: An MEG study. Nature Neuroscience, 4, 540-545.
-
(2001)
Nature Neuroscience
, vol.4
, pp. 540-545
-
-
Maess, B.1
Koelsch, S.2
Gunter, T.C.3
Friederici, A.D.4
-
86
-
-
33646729315
-
A model of musical expectancy
-
doi:10.1525/mp.2005.22.4.663
-
Margulis, E. H. (2005). A model of musical expectancy. Music Perception, 22, 663-714. doi:10.1525/mp.2005.22.4.663
-
(2005)
Music Perception
, vol.22
, pp. 663-714
-
-
Margulis, E.H.1
-
87
-
-
59549099145
-
Tonal priming beyond tonics
-
doi:10.1525/mp.2009.26.3.211
-
Marmel, F., & Tillmann, B. (2009). Tonal priming beyond tonics. Music Perception, 26, 211-221. doi:10.1525/mp.2009.26.3.211
-
(2009)
Music Perception
, vol.26
, pp. 211-221
-
-
Marmel, F.1
Tillmann, B.2
-
88
-
-
77955783963
-
Priming in melody perception: Tracking down the strength of cognitive expectations
-
doi:10.1037/a0018735
-
Marmel, F., Tillmann, B., & Delbé, C. (2010). Priming in melody perception: Tracking down the strength of cognitive expectations. Journal of Experimental Psychology: Human Perception and Performance, 36, 1016-1028. doi:10.1037/a0018735
-
(2010)
Journal of Experimental Psychology: Human Perception and Performance
, vol.36
, pp. 1016-1028
-
-
Marmel, F.1
Tillmann, B.2
Delbé, C.3
-
89
-
-
49049121671
-
Tonal expectations influence pitch perception
-
doi:10.3758/PP.70.5.841
-
Marmel, F., Tillmann, B., & Dowling, W. J. (2008). Tonal expectations influence pitch perception. Perception & Psychophysics, 70, 841-852. doi:10.3758/PP.70.5.841
-
(2008)
Perception & Psychophysics
, vol.70
, pp. 841-852
-
-
Marmel, F.1
Tillmann, B.2
Dowling, W.J.3
-
90
-
-
0011550991
-
The effect of modulation and formal manipulation on perception of tonic closure by expert listeners
-
doi:10.2307/40285801
-
Marvin, E. W., & Brinkman, A. (1999). The effect of modulation and formal manipulation on perception of tonic closure by expert listeners. Music Perception, 16, 389-407. doi:10.2307/40285801
-
(1999)
Music Perception
, vol.16
, pp. 389-407
-
-
Marvin, E.W.1
Brinkman, A.2
-
91
-
-
0025113006
-
Interaction among auditory dimensions: Timbre, pitch, and loudness
-
doi:10.3758/BF03207084
-
Melara, R. D., & Marks, L. E. (1990). Interaction among auditory dimensions: Timbre, pitch, and loudness. Perception & Psychophysics, 48, 169-178. doi:10.3758/BF03207084
-
(1990)
Perception & Psychophysics
, vol.48
, pp. 169-178
-
-
Melara, R.D.1
Marks, L.E.2
-
93
-
-
79957948253
-
Modelling the similarity of pitch collections with expectation tensors
-
doi:10.1080/17459737.2011.573678
-
Milne, A. J., Sethares, W. A., Laney, R., & Sharp, D. B. (2011). Modelling the similarity of pitch collections with expectation tensors. Journal of Mathematics and Music, 5, 1-20. doi:10.1080/17459737.2011.573678
-
(2011)
Journal of Mathematics and Music
, vol.5
, pp. 1-20
-
-
Milne, A.J.1
Sethares, W.A.2
Laney, R.3
Sharp, D.B.4
-
95
-
-
77953289340
-
Electrophysiological correlates of accurate mental image formation in auditory perception and imagery tasks
-
doi:10.1016/j.brainres.2010.04.026
-
Navarro Cebrian, A., & Janata, P. (2010). Electrophysiological correlates of accurate mental image formation in auditory perception and imagery tasks. Brain Research, 1342, 39-54. doi:10.1016/j.brainres.2010.04.026
-
(2010)
Brain Research
, vol.1342
, pp. 39-54
-
-
Navarro Cebrian, A.1
Janata, P.2
-
96
-
-
33645910992
-
Semantic priming and retrieval from lexical memory: Evidence for facilitatory and inhibitory processes
-
doi:10.3758/BF03213230
-
Neely, J. H. (1976). Semantic priming and retrieval from lexical memory: Evidence for facilitatory and inhibitory processes. Memory & Cognition, 4, 648-654. doi:10.3758/BF03213230
-
(1976)
Memory & Cognition
, vol.4
, pp. 648-654
-
-
Neely, J.H.1
-
97
-
-
67149142257
-
Semantic priming effects in visual word recognition: A selective review of current findings and theories
-
D. Besner, & G. W. Humphreys (Eds.), Hillsdale, NJ: Erlbaum
-
Neely, J. H. (1991). Semantic priming effects in visual word recognition: A selective review of current findings and theories. In D. Besner, & G. W. Humphreys (Eds.), Basic processes in reading: Visual word recognition (pp. 264-336). Hillsdale, NJ: Erlbaum.
-
(1991)
Basic processes in reading: Visual word recognition
, pp. 264-336
-
-
Neely, J.H.1
-
98
-
-
0029182419
-
Responsiveness of Western adults to pitch-distributional information in melodic sequences
-
Oram, N., & Cuddy, L. L. (1995). Responsiveness of Western adults to pitch-distributional information in melodic sequences. Psychological Research, 57, 103-118.
-
(1995)
Psychological Research
, vol.57
, pp. 103-118
-
-
Oram, N.1
Cuddy, L.L.2
-
99
-
-
84866706220
-
Pitch perception
-
doi:10.1523/JNEUROSCI.3815-12.2012
-
Oxenham, A. J. (2012). Pitch perception. Journal of Neuroscience, 32, 13335-13338. doi:10.1523/JNEUROSCI.3815-12.2012
-
(2012)
Journal of Neuroscience
, vol.32
, pp. 13335-13338
-
-
Oxenham, A.J.1
-
100
-
-
0038502610
-
Tone profiles following short chord progressions: Top-down or bottom-up?
-
doi:10.2307/40285900
-
Parncutt, R., & Bregman, A. S. (2000). Tone profiles following short chord progressions: Top-down or bottom-up? Music Perception, 18, 25-57. doi:10.2307/40285900
-
(2000)
Music Perception
, vol.18
, pp. 25-57
-
-
Parncutt, R.1
Bregman, A.S.2
-
101
-
-
0037482920
-
Language, music, syntax and the brain
-
doi:10.1038/nn1082
-
Patel, A. D. (2003). Language, music, syntax and the brain. Nature Neuroscience, 6, 674-681. doi:10.1038/nn1082
-
(2003)
Nature Neuroscience
, vol.6
, pp. 674-681
-
-
Patel, A.D.1
-
102
-
-
84920874155
-
Language, music, and the brain: A resource-sharing framework
-
P. Rebuschat, M. Rohrmeier, J. A. Hawkins, & I. Cross (Eds.), Oxford, England: Oxford University Press
-
Patel, A. D. (2012). Language, music, and the brain: A resource-sharing framework. In P. Rebuschat, M. Rohrmeier, J. A. Hawkins, & I. Cross (Eds.), Language and music as cognitive systems (pp. 204-223). Oxford, England: Oxford University Press.
-
(2012)
Language and music as cognitive systems
, pp. 204-223
-
-
Patel, A.D.1
-
103
-
-
0031743344
-
Processing syntactic relations in language and music: An event-related potential study
-
doi: 10.1162/089892998563121
-
Patel, A. D., Gibson, E., Ratner, J., Besson, M., & Holcomb, P. J. (1998). Processing syntactic relations in language and music: An event-related potential study. Journal of Cognitive Neuroscience, 10, 717-733. doi: 10.1162/089892998563121
-
(1998)
Journal of Cognitive Neuroscience
, vol.10
, pp. 717-733
-
-
Patel, A.D.1
Gibson, E.2
Ratner, J.3
Besson, M.4
Holcomb, P.J.5
-
104
-
-
75249083260
-
Unsupervised statistical learning underpins computational, behavioural, and neural manifestations of musical expectation
-
doi:10.1016/j.neuroimage.2009.12.019
-
Pearce, M. T., Ruiz, M. H., Kapasi, S., Wiggins, G. A., & Bhattacharya, J. (2010). Unsupervised statistical learning underpins computational, behavioural, and neural manifestations of musical expectation. NeuroImage, 50, 302-313. doi:10.1016/j.neuroimage.2009.12.019
-
(2010)
NeuroImage
, vol.50
, pp. 302-313
-
-
Pearce, M.T.1
Ruiz, M.H.2
Kapasi, S.3
Wiggins, G.A.4
Bhattacharya, J.5
-
105
-
-
33847749898
-
Expectation in melody: The influence of context and learning
-
doi:10.1525/mp.2006.23.5.377
-
Pearce, M. T., & Wiggins, G. A. (2006). Expectation in melody: The influence of context and learning. Music Perception, 23, 377-405. doi:10.1525/mp.2006.23.5.377
-
(2006)
Music Perception
, vol.23
, pp. 377-405
-
-
Pearce, M.T.1
Wiggins, G.A.2
-
106
-
-
84874716461
-
Challenging prior evidence for a shared syntactic processor for language and music
-
doi:10.3758/s13423-012-0344-5
-
Perruchet, P., & Poulin-Charronnat, B. (2013). Challenging prior evidence for a shared syntactic processor for language and music. Psychonomic Bulletin & Review, 20, 310-317. doi:10.3758/s13423-012-0344-5
-
(2013)
Psychonomic Bulletin & Review
, vol.20
, pp. 310-317
-
-
Perruchet, P.1
Poulin-Charronnat, B.2
-
107
-
-
0345120206
-
-
New York, NY: Norton.
-
Piston, W. (1948). Harmony. New York, NY: Norton.
-
(1948)
Harmony
-
-
Piston, W.1
-
109
-
-
33749433407
-
Processing of musical syntax tonic versus subdominant: An event-related potential study
-
doi:10.1162/jocn.2006.18.9.1545
-
Poulin-Charronnat, B., Bigand, E., & Koelsch, S. (2006). Processing of musical syntax tonic versus subdominant: An event-related potential study. Journal of Cognitive Neuroscience, 18, 1545-1554. doi:10.1162/jocn.2006.18.9.1545
-
(2006)
Journal of Cognitive Neuroscience
, vol.18
, pp. 1545-1554
-
-
Poulin-Charronnat, B.1
Bigand, E.2
Koelsch, S.3
-
110
-
-
13844266748
-
Musical structure modulates semantic priming in vocal music
-
doi:10.1016/j.cognition.2004.05.003
-
Poulin-Charronnat, B., Bigand, E., Madurell, F., & Peereman, R. (2005). Musical structure modulates semantic priming in vocal music. Cognition, 94, B67-B78. doi:10.1016/j.cognition.2004.05.003
-
(2005)
Cognition
, vol.94
-
-
Poulin-Charronnat, B.1
Bigand, E.2
Madurell, F.3
Peereman, R.4
-
111
-
-
0031878570
-
Semantic, repetition and rime priming between spoken words: Behavioral and electrophysiological evidence
-
doi: 10.1016/S0301-0511(98)00012-X
-
Radeau, M., Besson, M., Fonteneau, E., & Castro, S. L. (1998). Semantic, repetition and rime priming between spoken words: Behavioral and electrophysiological evidence. Biological Psychology, 48, 183-204. doi: 10.1016/S0301-0511(98)00012-X
-
(1998)
Biological Psychology
, vol.48
, pp. 183-204
-
-
Radeau, M.1
Besson, M.2
Fonteneau, E.3
Castro, S.L.4
-
112
-
-
79957935550
-
Towards a generative syntax of tonal harmony
-
doi:10.1080/17459737.2011.573676
-
Rohrmeier, M. A. (2011). Towards a generative syntax of tonal harmony. Journal of Mathematics and Music, 5, 35-53. doi:10.1080/17459737.2011.573676
-
(2011)
Journal of Mathematics and Music
, vol.5
, pp. 35-53
-
-
Rohrmeier, M.A.1
-
113
-
-
84857234937
-
Predictive information processing in music cognition: A critical review
-
doi:10.1016/j.ijpsycho.2011.12.010
-
Rohrmeier, M. A., & Koelsch, S. (2012). Predictive information processing in music cognition: A critical review. International Journal of Psychophysiology, 83, 164-175. doi:10.1016/j.ijpsycho.2011.12.010
-
(2012)
International Journal of Psychophysiology
, vol.83
, pp. 164-175
-
-
Rohrmeier, M.A.1
Koelsch, S.2
-
115
-
-
0033041815
-
Statistical learning of tone sequences by human infants and adults
-
doi:10.1016/S0010-0277(98)00075-4
-
Saffran, J. R., Johnson, E. K., Aslin, R. N., & Newport, E. L. (1999). Statistical learning of tone sequences by human infants and adults. Cognition, 70, 27-52. doi:10.1016/S0010-0277(98)00075-4
-
(1999)
Cognition
, vol.70
, pp. 27-52
-
-
Saffran, J.R.1
Johnson, E.K.2
Aslin, R.N.3
Newport, E.L.4
-
116
-
-
79251601201
-
Anatomically distinct dopamine release during anticipation and experience of peak emotion to music
-
doi:10.1038/nn.2726
-
Salimpoor, V. N., Benovoy, M., Larcher, K., Dagher, A., & Zatorre, R. J. (2011). Anatomically distinct dopamine release during anticipation and experience of peak emotion to music. Nature Neuroscience, 14, 257-262. doi:10.1038/nn.2726
-
(2011)
Nature Neuroscience
, vol.14
, pp. 257-262
-
-
Salimpoor, V.N.1
Benovoy, M.2
Larcher, K.3
Dagher, A.4
Zatorre, R.J.5
-
117
-
-
84876311088
-
Interactions between the nucleus accumbens and auditory cortices predict music reward value
-
April 12, doi:10.1126/science.1231059
-
Salimpoor, V. N., van den Bosch, I., Kovacevic, N., McIntosh, A. R., Dagher, A., & Zatorre, R. J. (2013, April 12). Interactions between the nucleus accumbens and auditory cortices predict music reward value. Science, 340, 216-219. doi:10.1126/science.1231059
-
(2013)
Science
, vol.340
, pp. 216-219
-
-
Salimpoor, V.N.1
van den Bosch, I.2
Kovacevic, N.3
McIntosh, A.R.4
Dagher, A.5
Zatorre, R.J.6
-
118
-
-
33745703076
-
Visual hierarchical key analysis
-
doi:10.1145/1095534.1095544
-
Sapp, C. S. (2005). Visual hierarchical key analysis. Computers in Entertainment, 3, 1-19. doi:10.1145/1095534.1095544
-
(2005)
Computers in Entertainment
, vol.3
, pp. 1-19
-
-
Sapp, C.S.1
-
119
-
-
0008354398
-
Simplifying the implication-realization model of melodic expectancy
-
doi:10.2307/40285723
-
Schellenberg, G. E. (1997). Simplifying the implication-realization model of melodic expectancy. Music Perception, 14, 295-318. doi:10.2307/40285723
-
(1997)
Music Perception
, vol.14
, pp. 295-318
-
-
Schellenberg, G.E.1
-
120
-
-
79954512321
-
-
(E. Mann Borgese, Trans.). Cambridge, MA: MIT Press.
-
Schenker, H. (1973). Harmony (E. Mann Borgese, Trans.). Cambridge, MA: MIT Press.
-
(1973)
Harmony
-
-
Schenker, H.1
-
121
-
-
84968081876
-
Expectation in music: Investigation of melodic and harmonic processes
-
doi:10.2307/40285454
-
Schmuckler, M. A. (1989). Expectation in music: Investigation of melodic and harmonic processes. Music Perception, 7, 109-149. doi:10.2307/40285454
-
(1989)
Music Perception
, vol.7
, pp. 109-149
-
-
Schmuckler, M.A.1
-
122
-
-
80053926631
-
-
Cambridge, MA: MIT Press
-
Schnupp, J., Nelken, I., & King, A. (2011). Auditory neuroscience: Making sense of sound. Cambridge, MA: MIT Press.
-
(2011)
Auditory neuroscience: Making sense of sound
-
-
Schnupp, J.1
Nelken, I.2
King, A.3
-
123
-
-
0004033083
-
-
London, England: Faber & Faber. (Original work published 1954)
-
Schoenberg, A. (1983). Structural functions of harmony. London, England: Faber & Faber. (Original work published 1954)
-
(1983)
Structural functions of harmony
-
-
Schoenberg, A.1
-
124
-
-
68149171720
-
Statistical analysis of chroma features in Western music predicts human judgments of tonality
-
doi:10.1080/09298210902894085
-
Serrà, J., Gómez, E., Herrera, P., & Serra, X. (2008). Statistical analysis of chroma features in Western music predicts human judgments of tonality. Journal of New Music Research, 37, 299-309. doi:10.1080/09298210902894085
-
(2008)
Journal of New Music Research
, vol.37
, pp. 299-309
-
-
Serrà, J.1
Gómez, E.2
Herrera, P.3
Serra, X.4
-
125
-
-
0020164538
-
Geometrical approximations to the structure of musical pitch
-
doi:10.1037/0033-295X.89.4.305
-
Shepard, R. N. (1982). Geometrical approximations to the structure of musical pitch. Psychological Review, 89, 305-333. doi:10.1037/0033-295X.89.4.305
-
(1982)
Psychological Review
, vol.89
, pp. 305-333
-
-
Shepard, R.N.1
-
126
-
-
66849101732
-
Making psycholinguistics musical: Self-paced reading time evidence for shared processing of linguistic and musical syntax
-
doi:10.3758/16.2.374
-
Slevc, L. R., Rosenberg, J., & Patel, A. (2009). Making psycholinguistics musical: Self-paced reading time evidence for shared processing of linguistic and musical syntax. Psychonomic Bulletin & Review, 16, 374-381. doi:10.3758/16.2.374
-
(2009)
Psychonomic Bulletin & Review
, vol.16
, pp. 374-381
-
-
Slevc, L.R.1
Rosenberg, J.2
Patel, A.3
-
127
-
-
44849120406
-
Shared neural resources between music and language indicate semantic processing of musical tension-resolution patterns
-
doi:10.1093/cercor/bhm149
-
Steinbeis, N., & Koelsch, S. (2008). Shared neural resources between music and language indicate semantic processing of musical tension-resolution patterns. Cerebral Cortex, 18, 1169-1178. doi:10.1093/cercor/bhm149
-
(2008)
Cerebral Cortex
, vol.18
, pp. 1169-1178
-
-
Steinbeis, N.1
Koelsch, S.2
-
128
-
-
84968240791
-
Representation of phrase structure in the perception of music
-
doi:10.2307/40285332
-
Stoffer, T. H. (1985). Representation of phrase structure in the perception of music. Music Perception, 3, 191-220. doi:10.2307/40285332
-
(1985)
Music Perception
, vol.3
, pp. 191-220
-
-
Stoffer, T.H.1
-
131
-
-
84990370530
-
Bayesian models of musical structure and cognition
-
Temperley, D. (2004). Bayesian models of musical structure and cognition. Musicae Scientiae, 8, 175-205.
-
(2004)
Musicae Scientiae
, vol.8
, pp. 175-205
-
-
Temperley, D.1
-
133
-
-
38949195334
-
Pitch-class distribution and the identification of key
-
doi:10.1525/mp.2008.25.3.193
-
Temperley, D., & Marvin, E. W. (2008). Pitch-class distribution and the identification of key. Music Perception, 25, 193-212. doi:10.1525/mp.2008.25.3.193
-
(2008)
Music Perception
, vol.25
, pp. 193-212
-
-
Temperley, D.1
Marvin, E.W.2
-
134
-
-
0034293604
-
Implicit learning of tonality: A self-organizing approach
-
doi:10.1037/0033-295X.107.4.885
-
Tillmann, B., Bharucha, J. J., & Bigand, E. (2000). Implicit learning of tonality: A self-organizing approach. Psychological Review, 107, 885-913. doi:10.1037/0033-295X.107.4.885
-
(2000)
Psychological Review
, vol.107
, pp. 885-913
-
-
Tillmann, B.1
Bharucha, J.J.2
Bigand, E.3
-
135
-
-
33646354434
-
The influence of musical relatedness on timbre discrimination
-
doi:10.1080/09541440500269548
-
Tillmann, B., Bigand, E., Escoffier, N., & Lalitte, P. (2006). The influence of musical relatedness on timbre discrimination. European Journal of Cognitive Psychology, 18, 343-358. doi:10.1080/09541440500269548
-
(2006)
European Journal of Cognitive Psychology
, vol.18
, pp. 343-358
-
-
Tillmann, B.1
Bigand, E.2
Escoffier, N.3
Lalitte, P.4
-
136
-
-
0037382476
-
Activation of the inferior frontal cortex in musical priming
-
doi:10.1016/S0926-6410(02)00245-8
-
Tillmann, B., Janata, P., & Bharucha, J. J. (2003). Activation of the inferior frontal cortex in musical priming. Cognitive Brain Research, 16, 145-161. doi:10.1016/S0926-6410(02)00245-8
-
(2003)
Cognitive Brain Research
, vol.16
, pp. 145-161
-
-
Tillmann, B.1
Janata, P.2
Bharucha, J.J.3
-
137
-
-
0042352169
-
The costs and benefits of tonal centers for chord processing
-
doi: 10.1037/0096-1523.29.2.470
-
Tillmann, B., Janata, P., Birk, J. L., & Bharucha, J. J. (2003). The costs and benefits of tonal centers for chord processing. Journal of Experimental Psychology: Human Perception and Performance, 29, 470-482. doi: 10.1037/0096-1523.29.2.470
-
(2003)
Journal of Experimental Psychology: Human Perception and Performance
, vol.29
, pp. 470-482
-
-
Tillmann, B.1
Janata, P.2
Birk, J.L.3
Bharucha, J.J.4
-
138
-
-
58149134550
-
Tonal centers and expectancy: Facilitation or inhibition of chords at the top of the harmonic hierarchy?
-
doi:10.1037/0096-1523.34.4.1031
-
Tillmann, B., Janata, P., Birk, J. L., & Bharucha, J. J. (2008). Tonal centers and expectancy: Facilitation or inhibition of chords at the top of the harmonic hierarchy? Journal of Experimental Psychology: Human Perception and Performance, 34, 1031-1043. doi:10.1037/0096-1523.34.4.1031
-
(2008)
Journal of Experimental Psychology: Human Perception and Performance
, vol.34
, pp. 1031-1043
-
-
Tillmann, B.1
Janata, P.2
Birk, J.L.3
Bharucha, J.J.4
-
139
-
-
84962416339
-
Musical expectations within chord sequences: Facilitation due to tonal stability without closure effects
-
doi:10.1037/a0030454
-
Tillmann, B., & Marmel, F. (2013). Musical expectations within chord sequences: Facilitation due to tonal stability without closure effects. Psychomusicology: Music, Mind, and Brain, 23, 1-5. doi:10.1037/a0030454
-
(2013)
Psychomusicology: Music, Mind, and Brain
, vol.23
, pp. 1-5
-
-
Tillmann, B.1
Marmel, F.2
-
140
-
-
77954650673
-
Auditory expectations for newly acquired structures
-
doi:10.1080/17470210903511228
-
Tillmann, B., & Poulin-Charronnat, B. (2010). Auditory expectations for newly acquired structures. Quarterly Journal of Experimental Psychology, 63, 1646-1664. doi:10.1080/17470210903511228
-
(2010)
Quarterly Journal of Experimental Psychology
, vol.63
, pp. 1646-1664
-
-
Tillmann, B.1
Poulin-Charronnat, B.2
-
141
-
-
0141543879
-
Measuring and modeling real-time responses to music: The dynamics of tonality induction
-
doi:10.1068/p3312
-
Toiviainen, P., & Krumhansl, C. L. (2003). Measuring and modeling real-time responses to music: The dynamics of tonality induction. Perception, 32, 741-766. doi:10.1068/p3312
-
(2003)
Perception
, vol.32
, pp. 741-766
-
-
Toiviainen, P.1
Krumhansl, C.L.2
-
142
-
-
60049085564
-
Beyond the beat: Modeling metric structure in music and performance
-
doi:10.1121/1.3006382
-
Tomic, S. T., & Janata, P. (2008). Beyond the beat: Modeling metric structure in music and performance. Journal of the Acoustical Society of America, 124, 4024-4041. doi:10.1121/1.3006382
-
(2008)
Journal of the Acoustical Society of America
, vol.124
, pp. 4024-4041
-
-
Tomic, S.T.1
Janata, P.2
-
143
-
-
60349092759
-
The neurological basis of musical expectations
-
S. Hallam, I. Cross, M. Thaut, & A. D. Patel (Eds.), Oxford, England: Oxford University Press
-
Trainor, L. J., & Zatorre, R. J. (2009). The neurological basis of musical expectations. In S. Hallam, I. Cross, M. Thaut, & A. D. Patel (Eds.), The Oxford handbook of music psychology (pp. 171-183). Oxford, England: Oxford University Press.
-
(2009)
The Oxford handbook of music psychology
, pp. 171-183
-
-
Trainor, L.J.1
Zatorre, R.J.2
-
144
-
-
0026635515
-
Pitch and voiced/unvoiced determination with an auditory model
-
doi:10.1121/1.402840
-
Van Immerseel, L. M., & Martens, J. P. (1992). Pitch and voiced/unvoiced determination with an auditory model. Journal of the Acoustical Society of America, 91, 3511-3526. doi:10.1121/1.402840
-
(1992)
Journal of the Acoustical Society of America
, vol.91
, pp. 3511-3526
-
-
Van Immerseel, L.M.1
Martens, J.P.2
-
145
-
-
0036790884
-
Recursive self-organizing maps
-
doi:10.1016/S0893-6080(02)00072-2
-
Voegtlin, T. (2002). Recursive self-organizing maps. Neural Networks, 15, 979-991. doi:10.1016/S0893-6080(02)00072-2
-
(2002)
Neural Networks
, vol.15
, pp. 979-991
-
-
Voegtlin, T.1
-
146
-
-
33646748926
-
Why do skips precede reversals? The effect of tessitura on melodic structure
-
doi:10.2307/40285901
-
von Hippel, P., & Huron, D. (2000). Why do skips precede reversals? The effect of tessitura on melodic structure. Music Perception, 18, 59-85. doi:10.2307/40285901
-
(2000)
Music Perception
, vol.18
, pp. 59-85
-
-
von Hippel, P.1
Huron, D.2
-
147
-
-
0041689888
-
Separating pitch chroma and pitch height in the human brain
-
doi:10.1073/pnas.1730682100
-
Warren, J. D., Uppenkamp, S., Patterson, R. D., & Griffiths, T. D. (2003). Separating pitch chroma and pitch height in the human brain. PNAS: Proceedings of the National Academy of Sciences, USA, 100, 10038-10042. doi:10.1073/pnas.1730682100
-
(2003)
PNAS: Proceedings of the National Academy of Sciences, USA
, vol.100
, pp. 10038-10042
-
-
Warren, J.D.1
Uppenkamp, S.2
Patterson, R.D.3
Griffiths, T.D.4
-
148
-
-
0036482992
-
Influence of tonal context and timbral variation on perception of pitch
-
doi:10.3758/BF03195786
-
Warrier, C. M., & Zatorre, R. J. (2002). Influence of tonal context and timbral variation on perception of pitch. Perception & Psychophysics, 64, 198-207. doi:10.3758/BF03195786
-
(2002)
Perception & Psychophysics
, vol.64
, pp. 198-207
-
-
Warrier, C.M.1
Zatorre, R.J.2
-
149
-
-
77952165257
-
Modelling tonal attraction between adjacent musical elements
-
doi: 10.1080/09298210903180252
-
Woolhouse, M. (2009). Modelling tonal attraction between adjacent musical elements. Journal of New Music Research, 38, 357-379. doi: 10.1080/09298210903180252
-
(2009)
Journal of New Music Research
, vol.38
, pp. 357-379
-
-
Woolhouse, M.1
|