메뉴 건너뛰기




Volumn 62, Issue 4, 1999, Pages 237-254

Perceiving musical tension in long chord sequences

Author keywords

[No Author keywords available]

Indexed keywords

ADULT; ARTICLE; HEARING; HUMAN; MUSIC; PHYSIOLOGY; TIME; VOICE;

EID: 0033252071     PISSN: 03400727     EISSN: 14302772     Source Type: Journal    
DOI: 10.1007/s004260050053     Document Type: Article
Times cited : (101)

References (45)
  • 2
    • 0000963496 scopus 로고
    • Anchoring effects in music: The resolution of dissonance
    • Bharucha, J.J. (1984). Anchoring effects in music: The resolution of dissonance. Cognitive Psychology, 16, 485-518.
    • (1984) Cognitive Psychology , vol.16 , pp. 485-518
    • Bharucha, J.J.1
  • 3
    • 84968265167 scopus 로고
    • Music cognition and perceptual facilitation: A connectionist framework
    • Bharucha, J.J. (1987). Music cognition and perceptual facilitation: A connectionist framework. Music Perception, 5, 1-30.
    • (1987) Music Perception , vol.5 , pp. 1-30
    • Bharucha, J.J.1
  • 4
    • 0004596152 scopus 로고
    • The influence of implicit harmony, rhythm and musical training on the abstraction of "tension-relaxation schemas" in a tonal musical phrase
    • Bigand, E. (1993). The influence of implicit harmony, rhythm and musical training on the abstraction of "tension-relaxation schemas" in a tonal musical phrase. Contemporary Music Review, 9, 128-139.
    • (1993) Contemporary Music Review , vol.9 , pp. 128-139
    • Bigand, E.1
  • 5
    • 0031154810 scopus 로고    scopus 로고
    • Perceiving musical stability: The effect of tonal structure, rhythm and musical expertise
    • Bigand E. (1997). Perceiving musical stability: The effect of tonal structure, rhythm and musical expertise. Journal of Experimental Psychology: Human Perception and Performance, 23, 808-822.
    • (1997) Journal of Experimental Psychology: Human Perception and Performance , vol.23 , pp. 808-822
    • Bigand, E.1
  • 6
    • 0029705805 scopus 로고    scopus 로고
    • Perception of musical tension in short chord sequences: The influence of harmonic function, sensory dissonance, horizontal motion, and musical training
    • Bigand E., Parncutt, R., & Lerdahl, F. (1996). Perception of musical tension in short chord sequences: The influence of harmonic function, sensory dissonance, horizontal motion, and musical training. Perception & Psychophysics, 58, 125-141.
    • (1996) Perception & Psychophysics , vol.58 , pp. 125-141
    • Bigand, E.1    Parncutt, R.2    Lerdahl, F.3
  • 8
    • 38249040595 scopus 로고
    • Does rule recursion make it easier to reproduce? If not, what does?
    • Boltz, M., & Jones, M.R. (1986). Does rule recursion make it easier to reproduce? If not, what does? Cognitive Psychology, 18, 389-431.
    • (1986) Cognitive Psychology , vol.18 , pp. 389-431
    • Boltz, M.1    Jones, M.R.2
  • 9
    • 84968285637 scopus 로고
    • The perception of large-scale tonal closure
    • Cook, N. (1987). The perception of large-scale tonal closure. Music Perception, 5, 197-206.
    • (1987) Music Perception , vol.5 , pp. 197-206
    • Cook, N.1
  • 11
  • 14
    • 0004295184 scopus 로고
    • Paris: Presses Universitaires de France
    • Fraisse, P. (1957). Psychologie du temps. Paris: Presses Universitaires de France.
    • (1957) Psychologie du Temps
    • Fraisse, P.1
  • 16
    • 0023353236 scopus 로고
    • Dynamic pattern structures in music: Recent theory and research
    • Jones, M.R. (1987). Dynamic pattern structures in music: Recent theory and research. Perception & Psychophysics, 41, 621-634.
    • (1987) Perception & Psychophysics , vol.41 , pp. 621-634
    • Jones, M.R.1
  • 17
    • 84968157977 scopus 로고
    • The effects of structural interventions in the First Movement of Mozart's Symphony in G-Minor, K. 550, on aesthetic preference
    • Karno, M., & Konecni, V.J. (1992). The effects of structural interventions in the First Movement of Mozart's Symphony in G-Minor, K. 550, on aesthetic preference. Music Perception, 10, 63-72.
    • (1992) Music Perception , vol.10 , pp. 63-72
    • Karno, M.1    Konecni, V.J.2
  • 20
    • 0011299279 scopus 로고    scopus 로고
    • A perceptual analysis of Mozart's piano sonata K.282: Segmentation, tension, and musical ideas
    • Krumhansl, C.L. (1996). A perceptual analysis of Mozart's piano sonata K.282: Segmentation, tension, and musical ideas. Music Perception, 3, 401-432.
    • (1996) Music Perception , vol.3 , pp. 401-432
    • Krumhansl, C.L.1
  • 21
    • 0020161395 scopus 로고
    • Tracing the dynamic changes in perceived tonal organisation in a spacial representation of musical keys
    • Krumhansl, C. L., & Kessler, E.J. (1982). Tracing the dynamic changes in perceived tonal organisation in a spacial representation of musical keys. Psychological Review, 89, 334-368.
    • (1982) Psychological Review , vol.89 , pp. 334-368
    • Krumhansl, C.L.1    Kessler, E.J.2
  • 22
    • 84968157903 scopus 로고
    • Tonal pitch space
    • Lerdahl, F. (1988). Tonal pitch space. Music Perception, 5, 315-345.
    • (1988) Music Perception , vol.5 , pp. 315-345
    • Lerdahl, F.1
  • 23
    • 0040664812 scopus 로고
    • Pitch-space journeys in two Chopin preludes
    • M.R. Jones & S. Holleran (Eds.), American Psychological Association
    • Lerdahl, F. (1991). Pitch-space journeys in two Chopin preludes. In M.R. Jones & S. Holleran (Eds.), Cognitive bases of musical communication, American Psychological Association, 171-191.
    • (1991) Cognitive Bases of Musical Communication , pp. 171-191
    • Lerdahl, F.1
  • 24
    • 0004755588 scopus 로고    scopus 로고
    • Calculating tonal tension
    • Lerdahl, F. (1996). Calculating tonal tension. Music Perception. 3, 319-363.
    • (1996) Music Perception. , vol.3 , pp. 319-363
    • Lerdahl, F.1
  • 27
    • 0039373813 scopus 로고
    • Harmony and new scales
    • J. Sundberg (Ed.), Stockholm: Royal Swedish Academy of Music
    • Mathews, M.V., Pierce, J.R., & Roberts, L.A. (1987). Harmony and new scales. In J. Sundberg (Ed.), Harmony and tonality. Stockholm: Royal Swedish Academy of Music, 54, 59-84.
    • (1987) Harmony and Tonality , vol.54 , pp. 59-84
    • Mathews, M.V.1    Pierce, J.R.2    Roberts, L.A.3
  • 32
    • 0023355110 scopus 로고
    • Pitch and temporal contributions to musical phrase perception: Effects of harmony, performance timing, and familiarity
    • Palmer, C., & Krumhansl, C.L. (1987b). Pitch and temporal contributions to musical phrase perception: Effects of harmony, performance timing, and familiarity. Perception & Psychophysics, 41, 505-518.
    • (1987) Perception & Psychophysics , vol.41 , pp. 505-518
    • Palmer, C.1    Krumhansl, C.L.2
  • 33
    • 84968258463 scopus 로고
    • Revision of Terhardt's psychoacoustical model of the root(s) of a musical chord
    • Parncutt, R. (1988). Revision of Terhardt's psychoacoustical model of the root(s) of a musical chord. Music Perception, 6, 65-94.
    • (1988) Music Perception , vol.6 , pp. 65-94
    • Parncutt, R.1
  • 35
    • 0004761175 scopus 로고
    • (P. Gosset, Trans.). New York: Dover. (Original work published 1722)
    • Rameau, J.P. (1971). Treatise of Harmony (P. Gosset, Trans.). New York: Dover. (Original work published 1722).
    • (1971) Treatise of Harmony
    • Rameau, J.P.1
  • 37
    • 82755171538 scopus 로고
    • (H. Bewerung, Trans.). London: Augener. (Original work published 1893)
    • Riemann, H. (1896). Harmony simplified (H. Bewerung, Trans.). London: Augener. (Original work published 1893)
    • (1896) Harmony Simplified
    • Riemann, H.1
  • 38
    • 84968188636 scopus 로고
    • Perceived structure of triads
    • Roberts, L.A., & Shaw, M.L.(1984). Perceived structure of triads. Music Perception, 2, 95-124.
    • (1984) Music Perception , vol.2 , pp. 95-124
    • Roberts, L.A.1    Shaw, M.L.2
  • 39
    • 0004074494 scopus 로고
    • (E. Oster, Trans.). New York: Longman. (Original work published 1935)
    • Schenker, H. (1979). Free composition (E. Oster, Trans.). New York: Longman. (Original work published 1935)
    • (1979) Free Composition
    • Schenker, H.1
  • 40
    • 0040168207 scopus 로고
    • Structural representations of musical pitch
    • D. Deutsch (Ed.), New York: Academic Press
    • Shepard, R.N. (1982). Structural representations of musical pitch. In D. Deutsch (Ed.), Psychology of music (pp. 343-390). New York: Academic Press.
    • (1982) Psychology of Music , pp. 343-390
    • Shepard, R.N.1
  • 42
    • 0016047265 scopus 로고
    • On the perception of periodic sound fluctuations (roughness)
    • Terhardt, E. (1974b). On the perception of periodic sound fluctuations (roughness). Acustica, 30, 201-213.
    • (1974) Acustica , vol.30 , pp. 201-213
    • Terhardt, E.1
  • 43
    • 0010079330 scopus 로고    scopus 로고
    • Formal structure and musical expressivity
    • Tillmann B., & Bigand E. (1996). Formal structure and musical expressivity, Psychology of Music, 24, 3-17.
    • (1996) Psychology of Music , vol.24 , pp. 3-17
    • Tillmann, B.1    Bigand, E.2
  • 44
    • 0038502600 scopus 로고    scopus 로고
    • Local versus global processing of harmonic cadences in the solution of musical puzzles
    • Tillmann, B., Bigand, E., & Madurell, F. (1998a). Local versus global processing of harmonic cadences in the solution of musical puzzles, Psychological Research, 61, 157-174.
    • (1998) Psychological Research , vol.61 , pp. 157-174
    • Tillmann, B.1    Bigand, E.2    Madurell, F.3
  • 45
    • 0001769911 scopus 로고    scopus 로고
    • Effects of global and local contexts on harmonic expectancy
    • Tillmann, B., Bigand, E., & Pineau, M. (1998b). Effects of global and local contexts on harmonic expectancy, Music Perception, 16, 99-117.
    • (1998) Music Perception , vol.16 , pp. 99-117
    • Tillmann, B.1    Bigand, E.2    Pineau, M.3


* 이 정보는 Elsevier사의 SCOPUS DB에서 KISTI가 분석하여 추출한 것입니다.