-
2
-
-
84968265167
-
Music cognition and perceptual facilitation: A connectionist framework
-
Bharucha J. J. (1987). Music cognition and perceptual facilitation: A connectionist framework. Music Perception, 5, 5–11.
-
(1987)
Music Perception
, vol.5
, pp. 5-11
-
-
Bharucha, J.J.1
-
3
-
-
0038502308
-
Memory-based models of melodic analysis: Challenging the Gestalt principles
-
Bod R. (2002). Memory-based models of melodic analysis: Challenging the Gestalt principles. Journal of New Music Research, 31, 31–37.
-
(2002)
Journal of New Music Research
, vol.31
, pp. 31-37
-
-
Bod, R.1
-
5
-
-
84968298989
-
Describing the perception of tonality in music: A critique of the tonal hierarchy theory and a proposal for a theory of intervallic rivalry
-
Butler D. (1989). Describing the perception of tonality in music: A critique of the tonal hierarchy theory and a proposal for a theory of intervallic rivalry. Music Perception, 6, 6–219.
-
(1989)
Music Perception
, vol.6
, pp. 6-219
-
-
Butler, D.1
-
9
-
-
85056005347
-
Information theory and music
-
Cohen J. E. (1962). Information theory and music. Behavioral Science, 7, 7–137.
-
(1962)
Behavioral Science
, vol.7
, pp. 7-137
-
-
Cohen, J.E.1
-
10
-
-
0142036051
-
Multiple viewpoint systems for music prediction
-
Conklin D. Witten I. (1995). Multiple viewpoint systems for music prediction. Journal of New Music Research, 24, 24–51.
-
(1995)
Journal of New Music Research
, vol.24
, pp. 24-51
-
-
Conklin, D.1
Witten, I.2
-
11
-
-
39749154177
-
Structure and information in Webern’s Symphonie, Opus 21
-
Hiller L. A. Fuller R. (1967). Structure and information in Webern’s Symphonie, Opus 21. Journal of Music Theory, 11, 11–60.
-
(1967)
Journal of Music Theory
, vol.11
, pp. 11-60
-
-
Hiller, L.A.1
Fuller, R.2
-
12
-
-
1842552903
-
A program for key determination
-
Holrzmann S. R. (1977). A program for key determination. Interface, 6, 6–29.
-
(1977)
Interface
, vol.6
, pp. 6-29
-
-
Holrzmann, S.R.1
-
13
-
-
0012108486
-
An improved model of tonality perception incorporating pitch salience and echoic memory
-
Huron D. Parncutt R. (1993). An improved model of tonality perception incorporating pitch salience and echoic memory. Psychomusicology, 12, 12–154.
-
(1993)
Psychomusicology
, vol.12
, pp. 12-154
-
-
Huron, D.1
Parncutt, R.2
-
15
-
-
0041890525
-
Entropy as a measure of style: The influence of sample length
-
Knopoff L. Hutchinson W. (1983). Entropy as a measure of style: The influence of sample length. Journal of Music Theory, 27, 27–75.
-
(1983)
Journal of Music Theory
, vol.27
, pp. 27-75
-
-
Knopoff, L.1
Hutchinson, W.2
-
22
-
-
84858848907
-
Meaning in music and information theory
-
In Chicago University of Chicago Press
-
Meyer L. B. (1967). Meaning in music and information theory. In Music, The Arts, and Ideas (pp. 5–21). Chicago: University of Chicago Press.
-
(1967)
Music, The Arts, and Ideas
, pp. 5-21
-
-
Meyer, L.B.1
-
24
-
-
0029182419
-
Responsiveness of Western adults to pitch-distributional information in melodic sequences
-
Oram N. Cuddy L. L. (1995). Responsiveness of Western adults to pitch-distributional information in melodic sequences. Psychological Research, 57, 57–103.
-
(1995)
Psychological Research
, vol.57
, pp. 57-103
-
-
Oram, N.1
Cuddy, L.L.2
-
27
-
-
0008354398
-
Simplifying the implication-realization model of melodic expectancy
-
Schellenberg E. G. (1997). Simplifying the implication-realization model of melodic expectancy. Music Perception, 14, 14–295.
-
(1997)
Music Perception
, vol.14
, pp. 14-295
-
-
Schellenberg, E.G.1
-
28
-
-
84968081876
-
Expectation and music: Investigation of melodic and harmonic processes
-
Schmuckler M. (1989). Expectation and music: Investigation of melodic and harmonic processes. Music Perception, 7, 7–109.
-
(1989)
Music Perception
, vol.7
, pp. 7-109
-
-
Schmuckler, M.1
-
29
-
-
7744238949
-
Pitch-distributional effects on the perception of tonality
-
In Woods C. Luck B. B. Brochard R. O’Neil S. A. Sloboda J. A. (eds Keele, UK Department of Psychology
-
Smith N. Schmuckler M. (2000). Pitch-distributional effects on the perception of tonality. In Woods C. Luck B. B. Brochard R. O’Neil S. A. Sloboda J. A. (eds), Proceedings of the Sixth International Conference on Music Perception and Cognition (CD). Keele, UK: Department of Psychology.
-
(2000)
Proceedings of the Sixth International Conference on Music Perception and Cognition (CD)
-
-
Smith, N.1
Schmuckler, M.2
-
31
-
-
38049127476
-
A Bayesian approach to key-finding
-
In Anagnostopoulou C. Ferrand M. Smaill A (eds Berlin Springer
-
Temperley D. (2002). A Bayesian approach to key-finding. In Anagnostopoulou C. Ferrand M. Smaill A (eds), Music and Artificial Intelligence (pp. 195–206). Berlin: Springer.
-
(2002)
Music and Artificial Intelligence
, pp. 195-206
-
-
Temperley, D.1
-
32
-
-
0002313843
-
Modeling meter and harmony: A preference-rule approach
-
Temperley D. Sleator D. (1999). Modeling meter and harmony: A preference-rule approach. Computer Music Journal, 23(1), 10–27.
-
(1999)
Computer Music Journal
, vol.23
, Issue.1
, pp. 10-27
-
-
Temperley, D.1
Sleator, D.2
-
33
-
-
0141543879
-
Measuring and modeling real-time responses to music: The dynamics of tonality induction
-
Toiviainen P. Krumhansl C. L. (2003). Measuring and modeling real-time responses to music: The dynamics of tonality induction. Perception, 32, 32–741.
-
(2003)
Perception
, vol.32
, pp. 32-741
-
-
Toiviainen, P.1
Krumhansl, C.L.2
-
34
-
-
0039878827
-
Redefining pitch proximity: Tessitura and mobility as constraints on melodic intervals
-
von Hippel P. (2000). Redefining pitch proximity: Tessitura and mobility as constraints on melodic intervals. Music Perception, 17, 17–315.
-
(2000)
Music Perception
, vol.17
, pp. 17-315
-
-
von Hippel, P.1
-
35
-
-
33646748926
-
Why do skips precede reversals? The effect of tessitura on melodic structure
-
von Hippel P. Huron D. (2000). Why do skips precede reversals? The effect of tessitura on melodic structure. Music Perception, 18, 18–59.
-
(2000)
Music Perception
, vol.18
, pp. 18-59
-
-
von Hippel, P.1
Huron, D.2
-
36
-
-
0004731465
-
A parallel-processing key-finding model
-
Vos P. G. Van Geenen E. W. (1996). A parallel-processing key-finding model. Music Perception, 14, 14–185.
-
(1996)
Music Perception
, vol.14
, pp. 14-185
-
-
Vos, P.G.1
Van Geenen, E.W.2
|