New Keys to the World of Sound

The Oxford Handbook of Sound Studies

Volumn , Issue , 2012, Pages

  Pinch, Trevor ^a   Bijsterveld, Karin ^b  

^a Cornell University ^*  (United States)

^b MAASTRICHT UNIVERSITY   (Netherlands)

Author keywords

Cell phones; Ipod; Music; Sound; Soundscape; Sources of sound; Thinglike

Indexed keywords

EID: 84923475571     PISSN: None     EISSN: None     Source Type: Book    
DOI: 10.1093/oxfordhb/9780195388947.013.0010     Document Type: Chapter

References (152)

1. Agar, Jon. Constant Touch: A Global History of the Mobile Phone. Cambridge: Icon, 2003.
2. Alberts, Gerard. "Computergeluiden." In Informatica & Samenleving, ed. Gerard Alberts and Ruud van Dael, 7-9. Nijmegen: Katholieke Universiteit Nijmegen, 2000.
3. Alberts, Gerard. "Een halve eeuw computers in Nederland." Nieuwe Wiskrant 22(2003): 17-23.
4. Alderman, John. Sonic Boom: Napster, MP3, and the New Pioneers of Music. Cambridge, Mass.: Perseus, 2001.
5. Arkette, Sophie. "Sounds like City." Theory, Culture, and Society 21 (2004): 159.
6. Attali, Jacques. Noise: The Political Economy of Music. Manchester: Manchester University Press, 1985.
7. Augoyard, Jean-François, and Henry Torgue, eds. Sonic Experience: A Guide to Everyday Sounds. Montreal:McGill-Queen's University Press, 2005.
8. Badenoch, Alexander. Voices in Ruins: West German Radio across the 1945 Divide. Basingstoke, UK: Palgrave MacMillan, 2008.
9. Bailey, Peter. "Breaking the Sound Barrier: A Historian Listens to Noise." Body and Society 2(2) (1996): 49-66.
10. Berendt, Joachim-Ernst. Das dritte Ohr: Vom Hören der Welt. Reinbek bei Hamburg: Rowohlt, 1985.
11. Bernhart, Toni. "Stadt hören: Auditive Wahrnehmung in Berlin Alexanderplatz von Alfred Döblin." Zeitschrift für Literaturwissenschaft und Linguistik 38(149) (2008): 51-67.
12. Bijker, Wiebe, E., Thomas P. Hughes, and Trevor J. Pinch, eds. The Social Construction of Technological Systems:New Directions in the Sociology and History of Technology. Cambridge, Mass.: MIT Press, 1987.
13. Bijsterveld, Karin. "Acoustic Cocooning: How the Car Became a Place to Unwind." The Senses and Society 5 (July 2010): 189-211.
14. Bijsterveld, Karin. "Listening to Machines: Industrial Noise, Hearing Loss, and the Cultural Meaning of Sound." Interdisciplinary Science Reviews 31(4) (2006): 323-37.
15. Bijsterveld, Karin. Mechanical Sound: Technology, Culture, and Public Problems of Noise in the Twentieth Century. Cambridge, Mass.: MIT Press, 2008.
16. Bijsterveld, Karin, and José van Dijck, eds. Sound Souvenirs: Audio Technologies, Memory, and Cultural Practices. Amsterdam: Amsterdam University Press, 2009.
17. Birdsall, Carolyn, and Anthony Enns. Sonic Mediations: Body, Sound, Technology. Newcastle: Cambridge Scholars Publishing, 2008.
18. Blume, Stuart. The Artificial Ear: Cochlear Implants and the Culture of Deafness. New Brunswick, N.J.: Rutgers University Press, 2010.
19. Borg, Kevin. Auto Mechanics: Technology and Expertise in Twentieth-Century America. Baltimore: Johns Hopkins University Press, 2007.
20. Brady, Erika. A Spiral Way: How the Phonograph Changed Ethnography. Jackson: University Press of Mississippi, 1999.
21. Braun, Hans-Joachim, ed. 2000. "I Sing the Body Electric": Music and Technology in the 20th Century. Hofheim, Germany: Wolke, 2000. Reprint, Baltimore: Johns Hopkins University Press, 2002.
22. Bull, Michael. Sound Moves: iPod Culture and Urban Experience. New York: Routledge, 2007.
23. Bull, Michael. Sounding Out the City: Personal Stereos and the Management of Everyday Life. New York: Berg, 2000.
24. Bull, Michael, and Les Back, eds. The Auditory Culture Reader. Oxford: Berg, 2003.
25. Burke, Peter. "Notes for a Social History of Silence in Early Modern Europe." In The Art of Conversation, 123-41. Ithaca, N.Y.: Cornell University Press, 1993.
26. Casper, Monica. The Making of the Unborn Patient: A Social Anatomy of Fetal Surgery. New Brunswick, NJ:Rutgers University Press, 1998.
27. Chanan, Michael. Repeated Takes: A Short History of Recording and Its Effects on Music. New York: Verso, 1995.
28. Classen, Constance. "Foundations for an Anthropology of the Senses." International Social Science Journal 49(1997): 401-12.
29. Coates, Peter A. "The Strange Stillness of the Past: Toward an Environmental History of Sound and Noise." Environmental History 10(4) (2005): 636-65.
30. Cockayne, Emily. Hubbub: Filth, Noise, & Stench in England, 1600-1770. New Haven, Conn.: Yale University Press, 2007.
31. Collins, Harry M. Changing Order: Replication and Induction in Scientific Practice. London: Sage, 1985.
32. Collins, Harry M. "Tacit Knowledge, Trust, and the Q of Sapphire." Social Studies of Science 31(2001): 71-86.
33. Collins, Karen. Game Sound: An Introduction to the History, Theory, and Practice of Video Game Music and Sound Design. Cambridge, Mass.: MIT Press, 2008.
34. Connor, Steven. "Earslips: Of Mishearings and Mondegreens"; http://www.stevenconnor.com/earslips/ (accessed October 10, 2010).
35. Corbin, Alain. The Foul and the Fragrant: Odor and the French Social Imagination. Cambridge, Mass.: Harvard University Press, 1986 (originally published in 1982 as Le miasme et la jonquille: l'odorat et l'imaginaire social, XVIIIe-XIXe siècles, Paris: Aubier Montaigne).
36. Corbin, Alain. Time, Desire, and Horror: Towards a History of the Senses. Cambridge, UK: Polity, 1995.
37. Corbin, Alain. Village Bells: Sound and Meaning in the Nineteenth-Century French Countryside. London: Macmillan, 1999.
38. Cottrell, Stephen. "The Rise and Rise of Phonomusicology." In Recorded Music: Performance, Culture, and Technology, ed. Amanda Bayley, 15-36. New York: Cambridge University Press, 2010.
39. Cowan, Michael. "Imagining Modernity through the Ear." Arcadia 41(1) (2006): 124-46.
40. Daston, Lorraine, and Peter Galison. "The Image of Objectivity." Representations 10(40) (1992): 81-128.
41. Daston, Lorraine, and Peter Galison. Objectivity. New York: Zone, 2007.
42. Day, Timothy. A Century of Recorded Music: Listening to Musical History. New Haven, Conn.: Yale University Press, 2000.
43. Dayé, Christian, and Alberto de Campo. "Sounds Sequential: Sonification in the Social Sciences." Interdisciplinary Science Reviews 31(4) (2006): 349-64.
44. DeNora, Tia. Music in Everyday Life. New York: Cambridge University Press, 2000.
45. Douglas, Susan J. Listening In: Radio and the American Imagination, from Amos 'n' Andy and Edward R. Murrow to Wolfman Jack and Howard Stern. New York: Times Books, 1999.
46. Duffin, Jacalyn. To See with a Better Eye: A Life of R. T. H. Laennec. Princeton, N.J.: Princeton University Press, 1998.
47. Eglash, Ron, Jennifer L. Croissant, Giovanna Di Chiro, and Rayvon Fouché, eds. Appropriating Technology:Vernacular Science and Cultural Invention. Minneapolis: University of Minnesota Press, 2004.
48. Erlmann, Veit, ed. Hearing Cultures: Essays on Sound, Listening, and Modernity. New York: Berg, 2004.
49. Feld, Steven. "A Rainforest Acoustemology." In The Auditory Culture Reader, ed. Michael Bull and Les Back, 223-39. Oxford: Berg, 2003.
50. Ferguson, Eugene S. Engineering and the Mind's Eye. Cambridge, Mass.: MIT Press, 1992.
51. Fickers, Andreas. "Der Transistor" als technisches und kulturelles Phaenomen: Die Transistorisierung der Radiound Fernseheempfaenger in der deutschen Rundfunkindustrie 1955 bis 1965. Bassum, Germany: Verlag für Geschichte der Naturwissenschaften und der Technik, 1998.
52. Fisher, Claude S. America Calling: A Social History of the Telephone to 1940. Berkeley: University of California Press, 1992.
53. Folkerth, Wes. The Sound of Shakespeare. New York: Routledge, 2002.
54. Galison, Peter. "Computer Simulations and the Trading Zone." In The Disunity of Science: Boundaries, Contexts, and Power, ed. P. Galison, and D. J. Stump, 118-57. Stanford: Stanford University Press, 1996.
55. Garfinkel, Harold. Studies in Ethnomethodology. Englewood Cliffs, N.J.: Prentice Hall, 1967.
56. Gaylin, Ann. Eavesdropping in the Novel from Austen to Proust. New York: Cambridge University Press, 2002.
57. Gitelman, Lisa. Scripts, Grooves, and Writing Machines: Representing Technology in the Edison Era. Stanford:Stanford University Press, 1999.
58. Gitelman, Lisa, and Geoffrey B. Pingree, eds. New Media 1740-1915. Cambridge, Mass.: MIT Press, 2003.
59. Goggin, Gerard. Cell Phone Culture: Mobile Technology in Everyday Life. London: Routledge, 2006.
60. Gonseth, Marc-Olivier, Yann Laville, and Gregoire Mayor, eds. Bruits. Neuchâtel: Musée d'ethnographie, 2010.
61. Greene, Paul D., and Thomas Porcello, eds. Wired for Sound: Engineering and Technologies in Sonic Cultures. Middletown, Conn.: Wesleyan University Press, 2005.
62. Hankins, Thomas L., and Robert J. Silverman. Instruments and the Imagination. Princeton, N.J.: Princeton University Press, 1995.
63. Haraway, Donna. When Species Meet. Minneapolis: University of Minnesota Press, 2008.
64. Haring, Kristen. Ham Radio's Technical Culture. Cambridge, Mass.: MIT Press, 2008.
65. Howes, David. Empire of the Senses: The Sensual Culture Reader. Oxford: Berg, 2005.
66. Ihde, Don. Listening and Voice: A Phenomenology of Sound. Athens: Ohio University Press, 1976.
67. Ihde, Don. Listening and Voice: Phenomenologies of Sound. Albany: State University of New York Press, 2007.
68. Johnson, James H. Listening in Paris. Berkeley: University of California Press, 1995.
69. Jütte, Robert. A History of the Senses: From Antiquity to Cyberspace. Malden, Mass.: Polity, 2005.
70. Kahn, Douglas. Noise, Water, Meat: A History of Sound in the Arts. Cambridge Mass.: MIT Press, 1999.
71. Kahn, Douglas, ed. Wireless Imagination: Sound, Radio, and the Avant-Garde. Cambridge, Mass.: MIT Press, 1992.
72. Katz, Mark. Capturing Sound: How Technology Has Changed Music. Los Angeles: University of California Press, 2004.
73. Kelman, Ari Y. "Rethinking the Soundscape: A Critical Genealogy of a Key Term in Sound Studies." The Senses and Society 5(July 2010): 212-34.
74. Kelly, Caleb. Cracked Media: The Sound of Malfunction. Cambridge, Mass.: MIT Press, 2009.
75. Kline, Ronald, and Trevor Pinch. "Users as Agents of Technological Change: The Social Construction of the Automobile in the Rural United States." Technology and Culture 37(1996): 763-95.
76. Kraft, James. Stage to Studio: Musicians and the Sound Revolution, 1890-1950. Baltimore: Johns Hopkins University Press, 1996.
77. Kursell, Julia, ed. Sounds of Science-Schall im Labor (1800-1930). Berlin: Max-Planck-Institut für Wissenschaftsgeschichte, 2008.
78. LaBelle, Brandon, and Steve Roden, eds. Site of Sound: Of Architecture and the Ear. Los Angeles: Errant Bodies, 1999.
79. Lachmund, Jens. Der abgehorchte Körper: Zur historischen Soziologie der medizinischen Untersuchung. Opladen:Westdeutscher Verlag, 1994.
80. Lachmund, Jens. "Making Sense of Sound: Auscultation and Lung Sound Codification in Nineteenth-Century French and German Medicine." Science, Technology, and Human Values 24(4) (1999): 419-50.
81. Langenmaier, Arnica-Verena, ed. Der Klang der Dinge: Akustik-eine Aufgabe des Design. Munich: Design Zentrum/Verlag Silke Schreiber, 1993.
82. Lastra, James. Sound Technology and the American Cinema: Perception, Representation, Modernity. New York:Columbia University Press, 2000.
83. Latour, Bruno. Science in Action: How to Follow Scientists and Engineers through Society. Milton Keynes, UK:Open University Press, 1987.
84. Latour, Bruno. "Visualisation and Cognition: Thinking with Eyes and Hands." Knowledge and Society: Studies in the Sociology of Culture Past and Present 6(1986): 1-40.
85. Latour, Bruno, and Steve Woolgar. Laboratory Life: The Social Construction of Scientific Facts. London: Sage, 1979.
86. Lynch, Michael. "The Externalized Retina: Selection and Mathematization in the Visual Documentation of Objects in the Life Sciences." In Representation in Scientific Practice, ed. M. Lynch and S. Woolgar, 153-86. Cambridge, Mass.: MIT Press, 1990.
87. Lysloff, René T. A., and Leslie C. Gay. Music and Technoculture. Middletown, Conn.: Wesleyan Press, 2003.
88. Martin, Elizabeth. Architecture as a Translation of Music. New York: Princeton Architectural Press, 1994.
89. Meszaros, Beth. "Infernal Sound Cues: Aural Geographies and the Politics of Noise." Modern Drama 48(1) (2005):118-31.
90. Mody, Cyrus. "The Sounds of Science: Listening to Laboratory Practice." Science, Technology, and Human Values 30(2005): 175-98.
91. Morris, Adalaide, ed. Sound States: Innovative Poetics and Acoustical Technologies. Chapel Hill and London: The University of North Carolina Press, 1997.
92. Morton, David. Off the Record: The Technology and Culture of Sound Recording in America. New Brunswick, N.J.:Rutgers University Press, 2000.
93. Orr, Julian E. Talking about Machines: An Ethnography of a Modern Job. Ithaca, N.Y.: Cornell University Press, 1996.
94. Oudshoorn, Nelly, and Trevor Pinch. How Users Matter: The Coconstruction of Users and Technologies. Cambridge Mass.: MIT Press, 2003.
95. Özcan Vieira, Elif. Product Sounds: Fundamentals and Applications. PhD diss. Delft: Delft University Press, 2008.
96. Parr, Joy. "Notes for a More Sensuous History of Twentieth-Century Canada: The Timely, the Tacit, and the Material Body." Canadian Historical Review 82(4) (2001): 720-45.
97. Payer, Peter. "Vom Geräuch zum Lärm: Zur Geschichte des Hörens im 19. und frühen 20. Jahrhundert." In Der Aufstand des Ohrs-die neue Lust am Hören, ed. Volker Bernius, Peter Kemper, and Regina Oehler, 105-19. Göttingen: Vandenhoeck and Ruprecht, 2006.
98. Perlman, Marc. "Golden Ears and Meter Readers: The Contest for Epistemic Authority in Audiophilia." Social Studies of Science 34(2004): 783-807.
99. Philip, Robert. Performing Music in the Age of Recording. New Haven, Conn.: Yale University Press, 2004.
100. Picker, John M. Victorian Soundscapes. New York: Oxford University Press, 2003.
101. Pinch, Trevor, and Karin Bijsterveld. Introduction to "Sound Studies: New Technologies and Music." Special issue, Social Studies of Science 34(5) (2004): 635-48.
102. Pinch, Trevor, and Karin Bijsterveld. "Should One Applaud? Breaches and Boundaries in the Reception of New Technology in Music." Technology and Culture 44(2003): 536-59.
103. Pinch, Trevor, and David Reinecker. "Technostalgia: How Old Gear Lives on in New Music." In Sound Souvenirs:Audio Technologies, Memory, and Cultural Practices, ed. Karin Bijsterveld and José van Dijck, 152-66. Amsterdam:Amsterdam University Press, 2009.
104. Pinch, Trevor, and Frank Trocco. Analog Days: The Invention and Impact of the Moog Synthesizer. Cambridge, Mass.: Harvard University Press, 2002.
105. Polanyi, Michael. The Tacit Dimension. New York: Anchor, 1967.
106. Porcello, Thomas. "Speaking of Sound: Language and the Professionalization of Sound Recording Engineers." Social Studies of Science 34(5) (2004): 733-58.
107. Rath, Richard Cullen. How Early America Sounded. Ithaca, N.Y.: Cornell University Press, 2003.
108. Rée, Jonathan. I See a Voice: A Philosophical History of Language, Deafness, and the Senses. London: Flamingo, 1999.
109. Revill, G. "Music and the Politics of Sound: Nationalism, Citizenship, and Auditory Space." Environment and Planning 18(October 2000): 597-613.
110. Rice, Tom, and John Coltart. "Getting a Sense of Listening: An Anthropological Perspective on Auscultation." British Journal of Cardiology 13(1) (2006): 56-57.
111. Roberts, Lissa. "The Death of the Sensuous Chemist. The 'New' Chemistry and the Transformation of Sensuous Technology." Studies in the History and Philosophy of Science 4(1995): 503-29.
112. Rodaway, Paul. Sensuous Geographies: Body, Sense, and Place. New York: Routledge, 1994.
113. Rodgers, Tara. Pink Noises: Women on Electronic Music and Sound. Durham, N.C.: Duke University Press, 2010.
114. Saul, Klaus. " 'Kein Zeitalter seit Erschaffung der Welt hat so viel und so ungeheuerlichen Lärm gemacht...'-Lärmquellen, Lärmbekämpfung, und Antilärmbewegung im Deutschen Kaiserreich." In Umweltgeschichte-Methoden, Themen, Potentiale: Tagung des Hamburger Arbeitskreises für Umweltgeschichte, Hamburg 1994, ed. Günther Bayerl, Norman Fuchsloch, and Torsten Meyer, 187-217. Münster: Waxmann, 1996a.
115. Saul, Klaus. "Wider die 'Lärmpest': Lärmkritik und Lärmbekämpfung im Deutschen Kaiserreich." In Macht Stadt krank? Vom Umgang mit Gesundheit und Krankheit, ed. Dittmar Machule, Olaf Mischer, and Arnold Sywottek, 151-92. Hamburg: Dölling and Galitz, 1996b.
116. Schafer, R. Murray. Ear Cleaning: Notes for an Experimental Music Course. Toronto: Berandol Music, 1967.
117. Schafer, R. Murray. European Sound Diary. Burnaby, Canada: Simon Fraser University Press, 1977.
118. Schafer, R. Murray. The New Soundscape: A Handbook for the Modern Music Teacher. Toronto: Clark and Cruickshank, 1969.
119. Schafer, R. Murray. The Soundscape: Our Sonic Environment and the Tuning of the World. Rochester, Vt.: Destiny, 1994 (originally published in 1977 as The Tuning of the World, New York: Knopf).
120. Schaffer, Simon. "Late Victorian Metrology and Its Instrumentation: A Manufactory of Ohms." In The Science Studies Reader, ed. M. Biagioli, 457-78. London: Routledge, 1999.
121. Schiffer, Michael B. The Portable Radio in American Life. Tucson: University of Arizona Press, 1991.
122. Schmidt-Horning, Susan. "Engineering the Performance: Recording Engineers, Tacit Knowledge, and the Art of Controlling Sound." Social Studies of Science 34(2004): 703-31.
123. Schulze, Holger, ed. Sound Studies: Traditione-Methoden-Desiderate: Eine Einführung. Bielefeld, Germany:Transcript, 2008.
124. Schweighauser, Philipp. The Noises of American Literature, 1890-1985: Toward a History of Literary Acoustics. Gainesville: University Press of Florida Press, 2006.
125. Shapin, Steven, and Simon Schaffer. Leviathan and the Air-Pump: Hobbes, Boyle, and the Experimental Life. Princeton, N.J.: Princeton University Press, 1985.
126. Smilor, Raymond Wesley. "Toward an Environmental Perspective: The Anti-Noise Campaign, 1893-1932." In Pollution and Reform in American Cities, 1870-1930, ed. Martin V. Melosi, 135-51. Austin: University of Texas Press, 1980.
127. Smith, Bruce R. The Acoustic World of Early Modern England: Attending to the O-Factor. Chicago: University of Chicago Press, 1999.
128. Smith, Mark M. "Echoes in Print: Method and Causation in Aural History." Journal of the Historical Society 2(Summer/Fall 2002): 317-336.
129. Smith, Mark M. "Futures of Hearing Pasts." Lecture, Hearing Modern History: Auditory Cultures in the 19th and 20th Century, 9th Blankensee Colloquium, Free University of Berlin, June 17-19, 2010.
130. Smith, Mark M. Hearing History: A Reader. Athens: University of Georgia Press, 2004.
131. Smith, Mark M. Listening to Nineteenth-Century America. Chapel Hill: University of North Carolina Press, 2001.
132. Smith, Mark M. "Listening to the Heard Worlds of Antebellum America." Journal of the Historical Society 1 (Spring 2000):65-99.
133. Smith, Mark M. "Making Sense of Social History." Journal of Social History 37(1) (2003): 165-86.
134. Smith, Mark M. Sensing the Past: Seeing, Hearing, Smelling, Tasting, and Touching in History. Berkeley: University of California Press, 2007.
135. Spehr, Georg, ed. Funktionale Klänge: Hörbare Daten, klingende Geräte, und gestaltete Hörerfahrungen. Bielefeld, Germany: Transcript, 2009.
136. Stadler, Gustavus, ed. Special issue, Social Text 102 (Spring 2010).
137. Stafford, Barbara M. Artful Science: Enlightenment Entertainment and the Eclipse of Visual Education. Cambridge, Mass.: MIT Press, 1994.
138. Stangl, Burkhard. Ethnologie im Ohr: Die Wirkungsgeschichte des Phonographen. Vienna: WUV Universitätsverlag, 2000.
139. Sterne, Jonathan. The Audible Past: Cultural Origins of Sound Reproduction. Durham, N.C.: Duke University Press, 2003.
140. Stoller, Paul. The Taste of Ethnographic Things: The Senses in Anthropology. Philadelphia: University of Pennsylvania Press, 1989.
141. Suchman, Lucy. Plans and Situated Actions: The Problem of Human-Machine Communication. New York:Cambridge University Press, 1987.
142. Taylor, Timothy. Strange Sounds: Music, Technology, and Culture. New York: Routledge, 2001.
143. Théberge, Paul. Any Sound You Can Imagine: Making Music/Consuming Technology. Hanover, N.H.: Wesleyan University Press, 1997.
144. Thompson, Emily. The Soundscape of Modernity: Architectural Acoustics 1900-1933. Cambridge, Mass.: MIT Press, 2002.
145. Tyler, Stephen A. "The Vision Quest in the West, or What the Mind's Eye Sees." Journal of Anthropological Research 40(1984): 23-40.
146. Truax, Barry. Acoustic Communication, 2nd ed., Norwood, N.J.: Ablex, 2001.
147. Truax, Barry, ed. The World Soundscape Project's Handbook for Acoustic Ecology. Vancouver, British Columbia: ARC, 1978.
148. Tufte, Edward R. Visual Explanations: Images and Quantities, Evidence and Narrative. Cheshire, Conn.: Graphics, 1997.
149. Weber, Heike. Das Versprechen mobiler Freiheit: Zur Kultur- und Technikgeschichte von Kofferradio, Walkman, und Handy. Bielefeld, Germany: Transcript, 2008.
150. Westerkamp, Hildegard. "Soundwalking." Sound Heritage 3(4) (1974) (unpaginated); http://www.sfu.ca/~westerka/writings%20page/articles%20pages/soundwalking.html (accessed October 8, 2010).
151. Woolf, Daniel R. "Hearing Renaissance England." In Hearing History: A Reader, ed. Mark M. Smith, 112-35. Athens:University of Georgia Press, 2004.
152. Wurtzler, Steve J. Electric Sounds: Technological Change and the Rise of Corporate Mass Media. New York:Columbia University Press, 2007.