A toolkit for explorations in sonic interaction design

Proceedings of the 5th Audio Mostly - A Conference on Interaction With Sound, AM '10

Volumn , Issue , 2010, Pages

  Delle Monache, Stefano ^a   Polotti, Pietro ^b   Rocchesso, Davide ^a  

^a UNIVERSITY IUAV OF VENICE   (Italy)

^b UNIVERSITY OF VERONA   (Italy)

Author keywords

physics based sound synthesis; sonic interaction design; user interfaces

Indexed keywords

PHYSICS-BASED; SONIC INTERACTION DESIGN; SONIC INTERACTIONS; SOUND DESIGNS; SOUND SYNTHESIS;

DESIGN; USER INTERFACES;

AUDIO ACOUSTICS;

EID: 78649414373     PISSN: None     EISSN: None     Source Type: Conference Proceeding    
DOI: 10.1145/1859799.1859800     Document Type: Conference Paper

References (37)

1. J.-M. Adrien. The missing link: modal synthesis. In G. De Poli, A. Piccialli, and C. Roads, editors, Representations of musical signals, pages 269-298. MIT Press, Cambridge, MA, USA, 1991.
2. V. T. Ament. The Foley Grail. Focal Press, 2009.
3. G. Anceschi. Basic Design, fondamenta del design. In G. Anceschi, M. Botta, and M. A. Garito, editors, L'ambiente dell'apprendimento - Web design e processi cognitivi, pages 57-67. McGraw Hill, Milano, Italia, 2006.
4. N. Armstrong. An enactive approach to digital musical instrument design. PhD thesis, Princeton University, 2006.
5. C. Bartneck. Notes on design and science in the HCI community. Design Issues, 25(2):46-61, 2009.
6. B. Buxton. Sketching User Experiences: Getting the Design Right and the Right Design. Morgan Kaufmann, 2007.
7. P. R. Cook. Real Sound Synthesis for Interactive Applications. A. K. Peters, Ltd., Natick, MA, USA, 2002.
8. S. Delle Monache, D. Hug, and C. Erkut. Basic exploration of narration and performativity for sounding interactive commodities. In Proceedings of the 5th International Workshop on Haptic and Audio Interaction Design (HAID), Copenhagen, Denmark, 2010.
9. S. Delle Monache, P. Polotti, S. Papetti, and D. Rocchesso. Sonically augmented found objects. In Proc. New Interfaces for Musical Expression, pages 154-157, Genova, Italy, 2008.
10. K. v. d. Doel. Physically based models for liquid sounds. ACM Trans. Appl. Percept., 2(4):534-546, 2005.
11. P. Dourish. Where the Action Is: The Foundations of Embodied Interaction. MIT Press, Cambridge, Mass., 2001.
12. C. Drioli, P. Polotti, D. Rocchesso, S. Delle Monache, K. Adiloglu, R. Anniés, and K. Obermayer. Auditory representations as landmarks in the sound design space. In Proc. Conference on Sound and Music Computing, pages 315-320, Port, Portugal, july 2009.
13. P. Dupont, V. Hayward, B. Armstrong, and F. Altpeter. Single state elasto-plastic friction models. IEEE Trans. Automat. Contr., 47(5):787-792, 2002.
14. G. Essl and S. O'Modhrain. An enactive approach to the design of new tangible musical instruments. Organised Sound, 11(3):285-296, 2006.
15. A. Findeli. Rethinking design education for the 21st century: Theoretical, methodological, and ethical discussion. Design Issues, 17(1):5-17, 2001.
16. K. Franinovic. Toward basic interaction design. Elisava Temes de Disseny Journal, 2009.
17. K. Franinovic and Y. Visell. Strategies for sonic interaction design: from context to basic design. In Proceedings of the 14th International Conference on Auditory Display, Paris, France, 2008. inproceedings.
18. W. Gaver, J. Bowers, T. Kerridge, A. Boucher, and N. Jarvis. Anatomy of a failure: how we knew when our design went wrong, and what we learned from it. In CHI '09: Proceedings of the 27th international conference on Human factors in computing systems, pages 2213-2222, New York, NY, USA, 2009. ACM.
19. W. W. Gaver. What in the world do we hear? an ecological approach to auditory event perception. Ecological Psychology, 5:1-29, 1993.
20. D. Hug. Investigating narrative and performative sound design strategies for interactive commodities. In S. Ystad, M. Aramaki, R. Kronland-Martinet, and K. Jensen, editors, Auditory Display - 6th International Symposium, CMMR/ICAD 2009, Copenhagen, Denmark, May 18-22, 2009, Revised Papers, volume 5954 of Lecture Notes in Computer Science. Springer, 2010.
21. A. Jylhä and C. Erkut. A hand clap interface for sonic interaction with the computer. In CHI EA '09: Proceedings of the 27th international conference extended abstracts on Human factors in computing systems, pages 3175-3180, New York, NY, USA, 2009. ACM.
22. G. Lemaitre, O. Houix, Y. Visell, K. Franinovic, N. Misdariis, and P. S. P. Toward the design and evaluation of continuous sound in tangible interfaces: The spinotron. International Journal of Human-Computer Studies, 67, 2009. Special issue on Sonic Interaction Design, to appear.
23. E. Lupton and J. C. Phillips. Graphic Design: The New Basics. Princeton Architectural Press, 2008.
24. D. W. Marhefka and D. E. Orin. A compliant contact model with nonlinear damping for simulation of robotic systems. IEEE Transactions on Systems, Man, and Cybernetics, Part A, 29(6):566-572, 1999.
25. E. R. Miranda and M. Wanderley. New Digital Musical Instruments: Control And Interaction Beyond the Keyboard (Computer Music and Digital Audio Series). A-R Editions, Inc., 2006.
26. P. Polotti, S. Delle Monache, S. Papetti, and D. Rocchesso. Gamelunch: forging a dining experience through sound. In CHI '08: CHI '08 extended abstracts on Human factors in computing systems, pages 2281-2286, New York, NY, USA, 2008. ACM.
27. M. Rinott and I. Ekman. Using vocal sketching for designing sonic interactions. In to be published in DIS 2010: Proceedings of the Designing Interactive Systems Conference, 2010.
28. D. Rocchesso, R. Bresin, and M. Fernström. Sounding objects. IEEE Multimedia, 10(2):42-52, april 2003.
29. D. Rocchesso, P. Polotti, and S. Delle Monache. Designing continuous sonic interaction. International Journal of Design, 3(3), December 2009.
30. D. Rocchesso, S. Serafin, F. Behrendt, N. Bernardini, R. Bresin, G. Eckel, K. Franinovic, T. Hermann, S. Pauletto, P. Susini, and Y. Visell. Sonic interaction design: sound, information and experience. In CHI '08: CHI '08 extended abstracts on Human factors in computing systems, pages 3969-3972, New York, NY, USA, 2008. ACM.
31. D. A. Schön. The Reflective Practitioner. Basic Books, London, UK, 1983.
32. B. Smith and R. Casati. Naive physics: An essay in ontology. Philosphical Psychology, 7(2):225-244, 1994.
33. J. O. Smith. Principles of digital waveguide models of musical instruments. In M. Kahrs and K. Brandenburg, editors, Applications of Digital Signal Processing to Audio and Acoustics, pages 417-466. Kluwer Academic Publishers, 1998.
34. E. Stolterman. The nature of design practice and implications for interaction design research. International Journal of Design, 2(1):55-65, April 2008.
35. P. Susini, N. Misdariis, G. Lemaitre, D. Rocchesso, P. Polotti, K. Franinovic, Y. Visell, and K. Obermayer. Closing the loop of sound evaluation and design. In Proceedings of the 2nd ISCA/DEGA Tutorial and Research Workshop on Perceptual Quality of Systems, Berlin, 2006.
36. V. Valimaki, J. Pakarinen, C. Erkut, and M. Karjalainen. Discrete-time modelling of musical instruments. Reports on Progress in Physics, 69(1):1-78, January 2006.
37. K. van den Doel, P. G. Kry, and D. K. Pai. Foleyautomatic: physically-based sound effects for interactive simulation and animation. In SIGGRAPH '01: Proceedings of the 28th annual conference on Computer graphics and interactive techniques, pages 537-544, New York, NY, USA, 2001. ACM.