The embrace of Mother Nature: Appraisal processes and the regulation of affect in attachment genres

New Review of Film and Television Studies

Volumn 8, Issue 4, 2010, Pages 412-435

  Kramer, Mette ^a  

^a UNIVERSITY OF COPENHAGEN   (Denmark)

Author keywords

affect regulation; appraisal; audio visual media; cognition; coping; emotion; neuro psychoanalysis; perception

Indexed keywords

EID: 79952890914     PISSN: 17400309     EISSN: 17407923     Source Type: Journal    
DOI: 10.1080/17400309.2010.514665     Document Type: Article

References (58)

1. Ainsworth, Mary D.S., Mary C. Blehar, Everett Waters, and Sally Wall. 1978. Patterns of attachment. Hillsdale, NJ: Laurence Erlbaum Associates.
2. Arnold, Magda B. 1960. Emotion and personality. New York: Columbia University Press.
3. Atkinson, B.J. 1999. The emotional imperative: Psychotherapists cannot afford to ignore the primacy of the limbic brain. http://www.thecouplesclinic. com/pdf/emotional- imperative.pdf
4. Barkow, John H., Leda Cosmides, and John Tooby. 1992. The adapted mind: Evolutionary psychology and the generation of culture. Oxford: Oxford University Press.
5. Barratt, D.H. 2005. The paradox of fiction revisited: A cognitive approach to understanding (cinematic) emotion. PhD diss., University of Kent.
6. Bartsch, A., and C. Jäger. 2006. Meta-emotions. Grazer Philosophische Studien 73: 179-204.
7. Bartsch, A., P. Vorderer, R. Mangold, and R. Viehoff. 2008. Appraisal of emotion use: Toward a process model of meta-emotion and emotion regulation. Media Psychology 11: 7-27.
8. Bechara, A., and A.R. Damasio. 2004. The somatic marker hypothesis: A neural theory of economic decision. Games and Economic Behavior 52: 336-72.
9. Bowlby, John. 1969. Attachment and loss, Vol. 1: Attachment. New York: Basic Books.
10. Boyer, P., and P. Liénard. 2006. Why ritualized behavior? Precaution systems and action parsing in developmental, pathological and cultural rituals. Behavioral and Brain Sciences 29: 1-56.
11. Bretherton, I. 1992. The origins of attachment theory: John Bowlby and Mary Ainsworth. Developmental Psychology 28: 759-75.
12. Carroll, Noël. 1990. The image of women in film: A defense of a paradigm. Journal of Aesthetics and Art Criticism 48, no. 4: 349-60.
13. Chisholm, James S. 1999. Death, hope, and sex: Steps to an evolutionary ecology of mind and morality. Cambridge: Cambridge University Press.
14. Coplan, A. 2006. Catching characters' emotions: Emotional contagion responses to narrative fiction film. In Film studies - An international review 8, ed. Daniel H. Barratt and Jonathan Frome 26-38. Manchester: Manchester University Press.
15. Currie, Gregory. 1995. Image and mind: Film, philosophy, and cognitive science. Cambridge: Cambridge University Press.
16. Damasio, Antonio R. 1994. Descartes' error: Emotion, reason, and the human brain. New York: G.P. Putnam.
17. De Sousa, Ronald. 1987. The rationality of emotion. Cambridge, MA: MIT Press.
18. De Sousa, R. 2010. Stanford encyclopedia of philosophy: Emotions. http://plato.stanford. edu/entries/emotion/.
19. Dissanayake, Ellen. 2000. Art and intimacy: How the arts began. Seattle: University of Washington Press.
20. Eysenck, Michael W., and Mark T. Keane. 2000. Cognitive psychology: A student's handbook. Hove: Psychology Press.
21. Fonagy, Peter, György Gergely, Elliot L. Jurist, and Mary Target. 2004. Affect regulation, mentalization, and the development of the self. London: Karnac Books.
22. Freud, Sigmund. 1945. An outline of psychoanalysis. New York: Norton.
23. Frijda, Nico H. 1986. The emotions. Cambridge, MA: Cambridge University Press.
24. Gergely, György, and John S. Watson. 1996. The social biofeedback theory of parental affect-mirroring: The development of emotional self-awareness and self-control in infancy. International Journal of Psychoanalysis 77: 1181-212.
25. Gibson, James J. 1979. The ecological approach to visual perception. Boston, MA: Houghton Mifflin.
26. Griffiths, P.E. 2003. Basic emotions, complex emotions and Machiavellian emotions. In Philosophy and the emotions. ed. Anthony Hatzimoysis, 39-68. Cambridge: Cambridge University Press.
27. Grodal, T. 2006. The pecma flow: A general model of visual aesthetics. In Film studies - An international review 8, ed. Daniel H. Barratt and Jonathan Frome, 1-11. Manchester: Manchester University Press.
28. Grodal, T. 2007. Pain, sadness, aggression, and love. Projections 1, no. 1: 91-107.
29. Grodal, T. 2009. Embodied visions. Evolution, emotion, culture, and film. New York: Oxford University Press.
30. Hart, S. 2008. Tilknytningens betydning: Et indblik I neuroaffektiv udviklingspsykologi. Psykologiinformation 36, no. 2: 22-40 (in Danish).
31. Hoffman, MartinL. 2000/2003. Empathy and moral development: Implications for caring and justice. Cambridge: Cambridge University Press.
32. Izard, C., and B. Ackerman. 2000. Motivational, organizational, and regulatory functions of discrete emotions. In The handbook of emotions, ed. Mark Lewis and Jeanette M. Haviland-Jones, 253-64. New York: Guilford Press.
33. Kramer, M. 2007. Film, følelser og kognition. In Følelser og kognition, ed. Martin Skov and ThomasWiben Jensen, 239-62. Copenhagen: Museum Tusculanum (in Danish).
34. Lazarus, R.S. 1982. Thoughts on the relations between emotion and cognition. American Psychologist 37: 1019-24.
35. Lazarus, Richard S., and Susan Folkman. 1984. Stress, appraisal and coping. New York: Guilford Press.
36. LeDoux, Joseph E. 1996/1998. The emotional brain: The mysterious underpinnings of emotional life. New York: Simon and Schuster/Touchstone.
37. Metz, Christian. 1982. Psychoanalysis and cinema: The imaginary signifier. Bloomington: Indiana University Press.
38. Mikulincer, M., P.R. Shaver, and D. Pereg. 2003. Attachment theory and affect regulation: The dynamics, development, and cognitive consequences of attachment-related strategies. Emotion and Motivation 27, no. 2: 77-102.
39. Mulvey, Laura. 1975. Visual pleasure and narrative cinema. Screen 16, no. 3: 6-18.
40. Nesse, R.M. 1991. What good is feeling bad?- The evolutionary benefits of physic pain. The Sciences (November/December) : 30-7.
41. Oliver, M.B. 1993. Exploring the paradox of the enjoyment of sad films. Human Communication Research 19: 315-42.
42. Oliver, M.B., S. Sargent, and J.B. Weaver. 1998. The impact of sex and gender-role selfperception on affective reactions to different types of film. Sex Roles 38: 45-62.
43. Öhman, Arne. 1986. Face the beast and fear the face: Animal and social fears as prototypes for evolutionary analyses of emotion. Psychophysiology 23: 123-45.
44. Panksepp, Jaak. 1998. Affective neuroscience: The foundation of human and animal emotions. New York: Oxford University Press.
45. Plantinga, Carl, and Greg M. Smith. 1999. Passionate views: Film, cognition, and emotion. Baltimore: Johns Hopkins University Press.
46. Prinz, Jesse. 2003. Emotion, psychosemantics, and embodied appraisals. In Philosophy and the emotions, ed. Anthony Hatzimoysis, 69-86. Cambridge: Cambridge University Press.
47. Robinson, Jenefer. 2005. Deeper than reason: Emotion and its role in literature, music and art. New York: Oxford University Press.
48. Scherer, Klaus, Angela Schorr, and Tom Johnstone. 2001. Appraisal processes in emotion: Theory, methods, research. New York: Oxford University Press.
49. Schore, Allan N. 1994. Affect regulation and the origin of the self: The neurobiology of emotional development. Hillsdale, NJ: Lawrence Erlbaum Associates.
50. Schore, Allan N. 2001. Effects of a secure attachment relationship on right brain development, affect regulation, and infant mental health. Infant Mental Health Journal 22, nos. 1-2: 7-66.
51. Schore, A.N. 2002. Dysregulation of the right brain: A fundamental mechanism of traumatic attachment and the psychopathogenesis of posttraumatic stress disorder. Australian and New Zealand Journal of Psychiatry 36: 9-30.
52. Schore, A.N. 2007. Special section: Notes from Allan N. Schore's study groups in developmental affective neuroscience & clinical practice. Psychologist Psychoanalyst XXVII, no. 3: 6-15.
53. Stern, Daniel N. 1985. The interpersonal world of the infant. London: Karnac Books.
54. Tan, E.S.H. 1996. Emotion and the structure of narrative film: Film as an emotion machine. Mahwah, NJ: Lawrence Erlbaum Associates.
55. Tan, E.S.H., and N.H. Frijda. 1999. Sentiment in film viewing. In Passionate views: Film, cognition, and emotion, ed. Carl Plantinga and G.M. Smith, 48-64. Baltimore, MD: Johns Hopkins University Press.
56. Trevarthen, C. 1979. Communication and cooperation in early infancy: A description of primary intersubjectivity. In Before speech: The beginning of human communication, ed. Margaret M. Bullowa, 321-47. Cambridge: Cambridge University Press.
57. Waters, E., J. Crowell, M. Elliot, D. Corcoran, and D. Treboux. 2002. Bowlby's secure base theory and the social/personality psychology of attachment styles: Work(s) in progress. A commentary on Shaver and Mikulincer's attachment-related psychodynamics. Attachment and Human Development 4: 230-42.
58. Zajonc, R.B. 1984. On the primacy of affect. American Psychologist 39: 117-23.