The PECMA flow: A general model of visual aesthetics

Film Studies

Volumn 2006, Issue 8, 2006, Pages 1-11

  Grodal, Torben ^a  

^a NONE

Author keywords

[No Author keywords available]

Indexed keywords

EID: 60949930190     PISSN: 14690314     EISSN: None     Source Type: Journal    
DOI: None     Document Type: Article

References (31)

1. Torben Grodal, Moving Pictures: A New Theory of Film Genres, Feelings and Cognition (Oxford: Clarendon Press, 1997).
2. Tico Romao, 'Review of Moving Pictures', Scope (2003). Available online at: http//www.nottingham. ac.uk/film/journal/bookrev/books-august-03.htm
3. Asbjørn Grønstad, 'The Appropriational Fallacy: Grand Theories and the Neglect of Film Form', Film-Philosophy, 6:23 (2002). Available online at: http://www.film-philosophy.com/vol6-2002/n23 gronstad
4. Christer Mattson, 'Anmeldelse af Filmoplevelse', Film International, 4:4 (2003). Available online at: http// www.filmint.nu/netonly/eng/bokrecgrodal.htm
5. David Bordwell, Narration in the Fiction Film (Madison, University of Wisconsin Press, 1985).
6. David Bordwell and Noël Carroll (eds), Post-Theory: Reconstructing Film Studies (Madison, WI: University of Wisconsin Press, 1996).
7. Bordwell, Making Meaning: Inference and Rhetoric in the Interpretation of Cinema (Cambridge, MA: Harvard University Press, 1989).
8. Bordwell, 'A Case for Cognitivism', Iris, 9(1989): 11-40.
9. David Marr, Vision: A Computational Investigation into the Human Representation and Processing of Visual Information (San Francisco, W. H. Freeman, 1982).
10. See Vilamur Ramachandran and William Hirstein 'The Science of Art. A Neurological Theory of Aesthetic Experience', Journal of Consciousness Studies, 6:6-7 (1999): 15-51.
11. Claus Bundesen, Thomas Habekost, and Søren Kyllingsbæk, 'A Neural Theory of Visual Attention: Bridging Cognition and Neurophysiology', Psychological Review, 112:2 (2005): 291-328.
12. Kay Young and Jeffrey L. Saver, 'The Neurology of Narrative', Substance, 30:1& 2 (2001): 72-84.
13. Nico Frijda, The Emotions (Cambridge, MA: Cambridge University Press, 1986).
14. Bordwell, Narration in the Fiction Film.
15. On the evolution of narrative, see Torben Grodal, 'Stories for Eye, Ear, and Muscles: Video Games, Media, and Embodied Experiences', in Mark Wolf and Bernard Perron (eds), The Video Game Theory Reader (New York, Routledge, 2003), pp. 129-156.
16. George Lakoff, Women, Fire and Dangerous Things: What Categories Reveal about the Mind (Chicago: University of Chicago Press, 1987).
17. Mark Johnson, The Body in the Mind (Chicago: University of Chicago Press, 1987).
18. Kai Vogeley and Albert Newen, 'Mirror Neurons and the Self Construct', in Maxim Stamenov and Vittorio Gallese (eds), Mirror Neurons and the Evolution of Brain and Language (Amsterdam: John Benjamins, 2002), pp. 134-143.
19. See Stamenov and Gallese (eds), Mirror Neurons,
20. and Grodal, 'Film, Character Simulation, and Emotion', in Jörg Friess, Britta Hartmann, and Eggo Müller (eds), Nicht allein das Laufbild auf der Leinwand: Strukturen des Films als Erlebnispotentiale (Berlin: Vistas Verlag, 2001), pp. 115-127.
21. Noël Carroll, A Philosophy of Mass Art (New York: Oxford University Press, 1998).
22. Ed Tan, Emotion and the Structure of Narrative Film: Film as an Emotion Machine. Translated by Barbara Fasting (Mahwah, NJ: Lawrence Erlbaum, 1996).
23. Also see Grodal, 'Stories for Eye, Ear, and Muscles'.
24. Jaak Panksepp, 'The Periconscious Substrates of Consciousness: Affective States and the Evolutionary Origins of the Self, in Shaun Gallagher and Jonathan Shear (eds), Models of the Self (Exeter, UK: Imprint Academic, 2002), pp. 113-130.
25. J. J. Gibson, The Ecological Approach to Visual Perception (Hillsdale, NJ: Lawrence Erlbaum, 1979).
26. Rudolf Arnheim, Art and Visual Perception (Berkeley, University of California Press, 1974).
27. Grodal, 'Subjectivity, Objectivity and Aesthetic Feelings in Film', in Bondebjerg (ed.). Moving Images, Culture and the Mind (Luton: University of Luton Press, 2000), pp. 87-104;
28. and Grodal, 'Film Lighting and Mood', in Barbara and Joseph Anderson (eds), Moving Image Theory: Ecological Considerations (Carbondale: University of Southern Illinois Press, 2005), pp. 152-163.
29. Francis F. Steen and Stephanie A. Owens, 'Evolution's Pedagogy: An Adaptationist Model of Pretense and Entertainment', Journal of Cognition and Culture, 1:4 (2001): 289-321.
30. Patricia Smith Churchland, Brain-Wise: Studies in Neurophilosophy (Cambridge, MA: MIT Press, 2002).
31. Gerald Edelman and Giulio Tononi, Consciousness: How Matter Becomes Imagination (London: Penguin Books, 2001).