The aesthetics of Antichrist: From Christian drama to Christopher Marlowe

The Aesthetics of Antichrist: From Christian Drama to Christopher Marlowe

Volumn , Issue , 2007, Pages 1-252

  Parker, John ^a  

^a MACALESTER COLLEGE   (United States)

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EID: 85056749957     PISSN: None     EISSN: None     Source Type: Book    
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References (446)

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128. Cf. Thomas à Kempis, The Imitation of Christ: A New Reading of the 1441 Latin Autograph Manuscript, trans. William C. Creasy (Macon, Ga.: Mercer University Press, 1989), p. 3.
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135. Middles Ages, Benedicta Ward, Miracles and the Medieval Mind: Theory, Record, Event, 1000-1215 (Philadelphia: University of Pennsylvania Press, 1987).
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139. David Williams, Deformed Discourse: The Function of the Monster in Mediaeval Thought and Literature (Exeter: Exeter University Press, 1996), esp. pp. 93ff.
140. Cf. Martin Stevens, Four Middle English Mystery Cycles: Textual, Contextual, and Critical Interpretations (Princeton: Princeton University Press, 1987), p. 207.
141. R. H. Nicholson, "The Trial of Christ the Sorcerer in the York Cycle," Journal of Medieval and Renaissance Studies 16.2 (1986): 125-69.
142. V. A. Kolve, The Play Called Corpus Christi (Stanford: Stanford University Press, 1966), p. 179.
143. Harry Berger Jr., "Text against Performance in Shakespeare: The Example of Macbeth," Genre 15.2-3 (1982): 49-79.
144. Siegfried Wenzel, "Somer Game and Sermon References to a Corpus Christi Play," Modern Philology 86.3 (1989): 274-83.
145. Jody Enders, Death by Drama and Other Medieval Urban Legends (Chicago: University of Chicago Press, 2002).
146. Peter Abelard, "Exposition of the Epistle to the Romans," in A Scholastic Miscellany: Anselm to Ockham, trans. and ed. Eugene Fairweather (New York: Macmillan, 1970), pp. 282-83.
147. Eugene TeSelle, Augustine, the Theologian (New York: Herder and Herder, 1970), pp. 219-23.
148. Jonas Barish, The Antitheatrical Prejudice (Berkeley: University of California Press, 1981), pp. 63-64.
149. William Beare, The Roman Stage: A Short History of Latin Drama in the Time of the Republic (London: Methuen, 1950), p. 232.
150. Allardyce Nicoll, Masks, Mimes and Miracles: Studies in the Popular Theatre (New York: Cooper Square, 1963), pp. 120-23.
151. Damien van den Eynde, L'OEuvre littéraire de Géroch de Reichersberg (Rome: Apud Pontifi cium Athenaeum Antonianum, 1957), pp. 358-96.
152. Horst Dieter Rauh, Das Bild des Antichrist im Mittelalter: Von Tyconius zum deutschen Symbolismus, 2nd ed. (Münster: Aschendorff, 1979), p. 421.
153. Karl F. Morrison, "The Church as Play: Gerhoch of Reichersberg's Call for Reform," in Popes, Teachers, and Canon Law in the Middle Ages, ed. James Ross Sweeney and Stanley Chodorow (Ithaca: Cornell University Press, 1989), pp. 114-44.
154. Cf. Morton Bloomfi eld, "Piers Plowman as a Fourteenth-Century Apocalypse," in Interpretations of Piers Plowman, ed. Edward Vasta (Notre Dame: University of Notre Dame Press, 1968), pp. 339-554.
155. Jeffrey Helterman, Symbolic Action in the Plays of the Wakefi eld Master (Athens: University of Georgia Press, 1981), p. 127.
156. Cf. Ritchie Kendall, The Drama of Dissent: The Radical Poetics of Nonconformity, 1380- 1590 (Chapel Hill: University of North Carolina Press, 1986), esp. pp. 8.
157. Carl Andresen, "Zur Entstehung und Geschichte des trinitarischen Personbegriffes," Zeitschrift für die Neutestamentliche Wissenschaft und die Kunde der älteren Kirche 52 (1961): 1-39.
158. Alois Grillmeier, Jesus der Christus im Glauben der Kirche: Von der Apostolischen Zeit bis zum Konzil von Chalcedon (451), 3rd ed. (Freiburg: Herder, 1990), 1:251.
159. William Prynne, Histrio-mastix (London, 1633), pp. 112-14.
160. "The Chester Cycle," in The Cambridge Companion to Medieval English Theatre, ed. Richard Beadle (Cambridge: Cambridge University Press, 1994), p. 132.
161. Klaus Aichele, Das Antichristdrama des Mitte lalters, der Reformation und Gegenreformation (The Hague: Martinus Nijhoff, 1974).
162. Richard K. Emmerson, "Contextualizing Performance: The Reception of the Chester Antichrist," Journal of Medieval and Early Modern Studies 29.1 (Winter 1999): 89-119.
163. Leslie Howard Martin, "Comic Eschatology in the Chester Coming of Antichrist," Comparative Drama 5.3 (1971): 163-76.
164. Peter W. Travis, Dramatic Design in the Chester Cycle (Chicago: University of Chicago Press, 1982), pp. 228ff.
165. Patricia Badir, "Representations of the Resurrection at Beverley Minster circa 1208: Chronicle, Play, Miracle," Theatre Survey 38.1 (1997): 9-41.
166. Lawrence Clopper, "Miracula and The Tretise of Miraclis Pleyinge," Speculum 65.4 (1990): 878-905.
167. Michael Camille, The Gothic Idol: Ideology and Image-Making in Medieval Art (Cambridge: Cambridge University Press, 1989), p. 14.
168. Johan Huizinga, Homo Ludens: A Study of the Play Element in Culture (Boston: Beacon Press, 1950), p. 24.
169. F. Büchsel in Theological Dictionary of the New Testament, trans. and ed. Geoffry W. Bromiley, 10 vols. (Grand Rapids: Eerdmans, 1964-76), 4:340-51.
170. Paul J. Achtemeier, 1 Peter: A Commentary on First Peter, Hermeneia (Minneapolis: Fortress, 1996), p. 127.
171. Bernd Janowski, "Auslösung des verwirkten Lebens: Zur Geschichte und Struktur der biblischen Lösegeldvorstellung," Zeitschrift für Theologie und Kirche 79 (1982): 25-59.
172. Wilfrid Haubeck, Loskauf durch Christus: Herkunft, Gestalt, und Bedeutung des paulinischen Loskaufmotivs (Giessen: Brunnen, 1985).
173. Martin Hengel, The Atonement: The Origins of the Doctrine in the New Testament (Philadelphia: Fortress, 1981), p. 24.
174. Baruch J. Schwartz, "The Prohibitions Concerning the 'Eating' of Blood in Leviticus 17," in Priesthood and Cult in Ancient Israel, ed. Gary A. Anderson and Saul M. Olyan (Sheffi eld: Sheffi eld Academic Press, 1991), pp. 34-66.
175. Robert J. Daly, Christian Sacrifi ce: The Judaeo-Christian Background before Origen (Washington, D.C.: Catholic University of America Press, 1978), p. 96.
176. C. K. Barrett, A Critical and Exegetical Commentary on the Acts of the Apostles, 2 vols. (Edinburgh: T & T Clark, 1998), 2:976.
177. C. Devine, "The Blood of God," Catholic Biblical Quarterly 9 (1947): 381-408.
178. Bart D. Ehrman, The Orthodox Corruption of Scripture: The Effect of Early Christological Controversies on the Text of the New Testament (Oxford: Oxford University Press, 1993), pp. 87-88.
179. Richard Seaford, Money and the Early Greek Mind: Homer, Philosophy, Tragedy (Cambridge: Cambridge University Press, 2004), p. 31.
180. Norman O. Brown, Life against Death: The Psychoanalytic Meaning of History (New York: Viking, 1959), p. 286.
181. Ernest Becker, Escape from Evil (New York: Free Press, 1975), pp. 73-90.
182. V. A. Kolve, "Everyman and the Parable of the Talents," in Medieval English Drama: Essays Critical and Contextual, ed. Jerome Taylor and Alan H. Nelson (Chicago: University of Chicago Press, 1972), pp. 316-40.
183. Victor I. Scherb, "The Parable of the Talents in The Castle of Perseverance," English Language Notes 28.1 (1990): 20-25.
184. David Hurst, Forty Gospel Homilies (Kalamazoo: Cistercian Publications, 1990), pp. 123, 128.
185. William Granger Ryan, The Golden Legend: Readings on the Saints, 2 vols. (Princeton: Princeton University Press, 1993), 1:9.
186. Horst Dieter Rauh, Das Bild des Antichrist im Mittelalter: Von Tyconius zum deutschen Symbolismus, 2nd ed. (Münster: Aschendorff, 1979), pp. 461-62.
187. John Wright, The Play of Antichrist (Toronto: Pontifi cal Institute of Mediaeval Studies, 1967).
188. Martin Herz, Sacrum Commercium: Eine begriffsgeschichtliche Studie zur Theologie der römischen Liturgiesprache (Munich: Kommissionsverlag Karl Zink, 1958), esp. pp. 210-20.
189. Josef A. Jungmann, The Mass of the Roman Rite: Its Origins and Development (Missarum Sollemnia), trans. Francis A. Brunner, 2 vols. (New York: Benziger, 1951-55), 2:16.
190. Arnold Angenendt et al., "Counting Piety in the Early and High Middle Ages," in Ordering Medieval Society: Perspectives on Intellectual and Practical Modes of Shaping Social Relations, ed. Bernhard Jussen, trans. Pamela Selwyn (Philadelphia: University of Pennsylvania Press, 2001), p. 37.
191. David Staines, "To Out-Herod Herod: The Development of a Dramatic Character," Comparative Drama 10 (1976): 29-53.
192. Theo Stemmler, Liturgische Feiern und Geistliche Spiele (Tübingen: Max Niemeyer, 1970), pp. 255-85.
193. Rosemary Woolf, The English Mystery Plays (Berkeley: University of California Press, 1972), pp. 202-4.
194. Thomas P. Campbell, "Eschatology and the Nativity in the English Mystery Plays," American Benedictine Review 27 (1976): 297-320.
195. Charles Eliott, "Language and Theme in the Towneley Magnus Herodes," Mediaeval Studies 30 (1968): 351-53.
196. John Gardner, The Construction of the Wakefi eld Cycle (Carbondale: Southern Illinois University Press, 1974), pp. 98-103.
197. Jeffrey Helterman, Symbolic Action in the Plays of the Wakefi eld Master (Athens: University of Georgia Press, 1981).
198. Georg Simmel, The Philosophy of Money, ed. David Frisby, 2nd ed. (London: Routledge, 1990), p. 236.
199. William H. Desmonde, Magic, Myth, and Money: The Origin of Money in Religious Ritual (Glencoe, Ill.: Free Press, 1962).
200. Russell W. Belk and Melanie Wallendorf, "The Sacred Meanings of Money," Journal of Economic Psychology 11 (1990): 35-67.
201. Michael Camille, The Gothic Idol: Ideology and Image-Making in Medieval Art (Cambridge: Cambridge University Press, 1989), pp. 258-71.
202. Dominic Janes, God and Gold in Late Antiquity (Cambridge: Cambridge University Press, 1998).
203. Friedrich Nietzsche, On the Genealogy of Morals 2.8, trans. Walter Kaufmann (New York: Vintage, 1989).
204. G. A. Lester, ed., Three Late Medieval Morality Plays (New York: Norton, 1981), p. xxix.
205. David Mills, "The Theaters of Everyman," in From Page to Performance: Essays in Early English Drama, ed. John A. Alford (East Lansing: Michigan State University Press, 1995), pp. 127-49.
206. Thomas N. Tentler, Sin and Confession on the Eve of the Reformation (Princeton: Princeton University Press, 1977), pp. 71-72.
207. Nikolaus Paulus, Geschichte des Ablasses im Mittelalter vom Ursprunge bis zur Mitte des 14. Jahrhunderts, 3 vols. (Paderborn: F. Schöningh, 1922-23).
208. Marc Bloch, Feudal Society, trans. L. A. Manyon (1961; repr., London: Routledge, 1989).
209. R. S. Lopez, The Commercial Revolution in the Middle Ages, 950-1350 (Cambridge: Cambridge University Press, 1976).
210. Lester K. Little, Religious Poverty and the Profi t Economy in Medieval Europe (Ithaca: Cornell University Press, 1978).
211. Nicholas Maltman, "Meaning and Art in the Croxton Play of the Sacrament," ELH 41.2 (1974): 149-64.
212. Mary Philippa Coogan, An Interpretation of the Moral Play, "Mankind" (Washington, D.C.: Catholic University of America Press, 1947), pp. 15-16.
213. David Daniell, The Bible in English: Its History and Infl uence (New Haven: Yale University Press, 2003), p. 181.
214. Carol L. Meyers and Eric M. Meyers, Zechariah 9-14: A New Translation with Introduction and Commentary, AB 25c (New York: Doubleday, 1993), pp. 277-78.
215. Arnold Angenendt, Heilige und Reliquien: Die Geschichte ihres Kultes vom frühen Christentum bis zur Gegenwart (Munich: Beck, 1994), pp. 215-16.
216. Wayland D. Hand, A Dictionary of Words and Idioms Associated with Judas Iscariot: A Compilation Based Mainly on Material Found in Germanic Languages (Berkeley: University of California Press, 1942), p. 321.
217. Andrew Louth, Three Treatises on the Divine Images (Crestwood, N.Y.: St. Vladimer's Seminary Press, 2003), p. 75.
218. William Klassen, Judas: Betrayer or Friend of Jesus? (Minneapolis: Fortress, 1996), pp. 22-23, 41-61.
219. Wiard Popkes, Christus Traditus: Eine Untersuchung zum Begriff der Dahingabe im Neuen Testament (Zürich: Zwingli Verlag, 1967).
220. Patrick J. Collins, The N-Town Plays and Medieval Picture Cycles (Kalamazoo: Medieval Institute Publications, Western Michigan University, 1979), p. 13.
221. Roy W. Battenhouse, Shakespearean Tragedy: Its Art and Its Christian Premises (Bloomington: Indiana University Press, 1969), pp. 94-102.
222. R. W. Ingram, ed., Coventry, Records of Early English Drama (REED) (Toronto: University of Toronto Press, 1981), p. 289.
223. Sybil Truchet, Le théâtre médiéval en Angleterre et son infl uence sur l'oevre de Marlowe, Kyd et Lyly: Contribution à l'étude du drama pré-Shakespearien, 2 vols. (Lille: Atelier reproduction des thèses, Université de Lille III, 1980), 1:139-54, 276, 280.
224. Rupert Berger, Die Wendung "Offerre Pro" in der römischen Liturgie (Münster: Aschendorff, 1965), pp. 48ff.
225. heodor Klauser, A Short History of the Western Liturgy: An Account and Some Refl ections, trans. John Halliburton, 2nd ed. (Oxford: Oxford University Press, 1979), pp. 8, 65, 109-13.
226. Dom Gregory Dix, The Shape of the Liturgy (Westminster: Dacre Press, 1945), pp. 110-25.
227. E. C. R. Lamburn, Behind Rite and Ceremony: An Historical Survey of Their Development in the English Church (London: W. Knott & Son, 1961), p. 57.
228. Miri Rubin, Corpus Christi: The Eucharist in Late Medieval Culture (Cambridge: Cambridge University Press, 1991), p. 155.
229. Charles Zika, "Hosts, Processions, and Pilgrimages: Controlling the Sacred in Fifteenth-Century Germany," Past and Present 118 (1998): 25-64.
230. Edouard Dumoutet, Le désir de voir l'hostie et les origines de la dévotion au Saint-Sacrament (Paris: Gabriel Beauchesne, 1926).
231. V. I. J. Flint, Honorius Augustodunensis of Regensburg (Brookfi eld, Vt.: Ashgate, 1995).
232. Richard W. Southern, Saint Anselm and His Biographer: A Study of Monastic Life and Thought, 1059- c. 1130 (Cambridge: Cambridge University Press, 1963), pp. 209-17.
233. Joseph Anton Endres, Honorius Augustodunensis: Beitrag zur Geschichte des geistigen Lebens im 12. Jahrhundert (Kempten: Verlag der Jos. Kösel'schen Buchhandlung, 1906).
234. Cf. Sarah Beckwith, "Ritual, Church, and Theatre: Medieval Dramas of the Sacred Body," in Culture and History, 1350-1600: Essays on English Communities, Identities, and Writing, ed. David Aers (Detroit: Wayne State University Press, 1992), pp. 65-89.
235. Rainer Warning, The Ambivalences of Medieval Religious Drama, trans. Steven Rendall (Stanford: Stanford University Press, 2001), esp. pp. 27-46.
236. T. P. Dolan, "The Mass as Performance Text," in From Page to Performance: Essays in Early English Drama, ed. John A. Alford (East Lansing: Michigan State University Press, 1995), pp. 13-24.
237. Glynne Wickham, The Medieval Theatre, 3rd ed. (Cambridge: Cambridge University Press, 1987), pp. 11ff.
238. David A. Bjork, "On the Dissemination of Quem quaeritis and the Visitatio sepulchri and the Chronology of Their Early Sources," in The Drama of the Middle Ages: Comparative and Critical Essays, ed. Clifford Davidson et al. (New York: AMS, 1982), pp. 1-24.
239. Benedicta Ward, Miracles and the Medieval Mind: Theory, Record, Event, 1000-1215 (Philadelphia: University of Pennsylvania Press, 1982), p. 15.
240. Cf. Lynette R. Muir, "The Mass on the Medieval Stage," Comparative Drama 23 (1989-90): 314-30.
241. Miri Rubin, Gentile Tales: The Narrative Assault on Late Medieval Jews (Philadelphia: University of Pennsylvania Press, 1994).
242. Stephen Greenblatt and Catherine Gallagher, Practicing New Historicism (Chicago: University of Chicago Press, 2000), pp. 75-109.
243. Solomon Grayzel, The Church and the Jews in the XIIIth Century: A Study of Their Relations during the Years 1198-1254, Based on the Papal Letters and the Conciliar Decrees of the Period, rev. ed. (New York: Hermon, 1966), pp. 136ff.
244. David Lawton, "Sacrilege and Theatricality: The Croxton Play of the Sacrament," Journal of Medieval and Early Modern Studies 33.2 (2003): 281-309.
245. Mervyn James, "Ritual, Drama, and Social Body in the Late Medieval English Town," Past and Present 98 (1983): 3-29.
246. Sarah Beckwith, "Ritual, Theater, and Social Space in the York Corpus Christi Cycle," in Bodies and Disciplines: Intersections of Literature and History in Fifteenth-Century England, ed. Barbara A. Hanawalt and David Wallace (Minneapolis: University of Minnesota Press, 1996), pp. 63-86.
247. Ann Eljenholm Nichols, "The Croxton Play of the Sacrament: A Re-reading," Comparative Drama 22.2 (1988): 117-37.
248. Stephen Spector, "Time, Space and Identity in the Play of the Sacrament," in The Stage as Mirror: Civic Theater in Late Medieval Europe, ed. Alan E. Knight (Cambridge: D. S. Brewer, 1997), pp. 189-200.
249. Mary Douglas, Purity and Danger: An Analysis of Concepts of Pollution and Taboo (1966; repr., London: Routledge, 2002), p. 86.
250. William Courtenay, "The King and the Leaden Coin: The Economic Background of 'Sine Qua Non' Causality" Traditio 28 (1972): 185-209.
251. Marc Shell, Money, Language, and Thought: Literary and Philosophical Economies from the Medieval to the Modern Era (Baltimore: Johns Hopkins University Press, 1993), p. 171.
252. Richard L. Homan, "Devotional Themes in the Violence and Humor of the Play of the Sacrament," Comparative Drama 20 (1986): 327-40.
253. Georges Didi-Huberman, Fra Angelico: Dissemblance and Figuration, trans. Jane Marie Todd (Chicago: University of Chicago Press, 1995), p. 149.
254. John M. Wasson, "The English Church as Theatrical Space," in A New History of Early English Drama, ed. John D. Cox and David Scott Kastan (New York: Columbia University Press, 1997), pp. 25-38.
255. Gerhoch of Reichersberg, De Investigatione Antichristi 1.5; text in Monumenta Germaniae Historica, Libelli de lite imperatorum et pontifi cum saeculis XI. et XII. conscripti, 3 vols. (Hannover, 1897), 3:315.
256. Peter Classen, Gerhoch von Reichersberg: Eine Biographie (Wiesbaden: Franz Steiner, 1960), pp. 50-51.
257. D. C. Baker, "The Date of Mankind," Philological Quarterly 42 (1963): 90-91.
258. Glyn Davies, A History of Money (Cardiff: University of Wales Press, 1994), p. 144.
259. Charles Oman, The Coinage of England (Oxford: Clarendon Press, 1931), p. 220.
260. George C. Brooke, English Coins (London: Methuen, 1932), p. 155.
261. Debora Shugar, Habits of Thought in the English Renaissance: Religion, Politics, and the Dominant Culture (Berkeley: University of California Press, 1990), p. 86.
262. Gilles Dorival, Marguerite Harl, and Olivier Munnich, La Bible Grecque des Septante: Du judaïsme hellénistique au christianisme ancien (Paris: Cerf, 1988), pp. 72-78.
263. Martin Hengel with the assistance of Roland Deines, The Septuagint as Christian Scripture: Its Prehistory and the Problem of Its Canon, trans. Mark E. Biddle (Edinburgh: T & T Clark, 2002), p. 75.
264. Moses Hadas, Aristeas to Philocrates (New York: Harper & Brothers, 1951).
265. Henry G. Meecham, The Letter of Aristeas (Manchester: Manchester University Press, 1935).
266. Heinrich Karpp, "'Prophet' oder 'Dolmetscher': Die Geltung der Septuaginta in der Alten Kirche," in Festschrift für Günther Dehn, ed. Wilhelm Schneemelcher (Neukirchen: Kreis Moers, 1957), pp. 103-17.
267. Pierre Benoit, "L'inspiration des Septante d'après les Pères," in L'Homme devant Dieu: Mélanges offertes au Père Henri de Lubac, 3 vols. (Paris: Aubier, 1963), 1:169-87.
268. R. J. H. Shutt, "The Letter of Aristeas," in The Old Testament Pseudepigrapha, ed. J. H. Charlesworth, 2 vols. (New York: Doubleday, 1985), 2:14.
269. Oswyn Murray, "The Letter of Aristeas," in Studi Ellenistici II: Biblioteca di studi antichi 54 (Pisa: Giardini editori, 1987), p. 24.
270. Rudolph Pfeiffer, History of Classical Scholarship: From the Beginnings to the End of the Hellenistic Age (Oxford: Clarendon Press, 1968), pp. 94, 110.
271. Natalio Fernández Marcos, The Septuagint in Context: Introduction to the Greek Version of the Bible, trans. Wilfred G. E. Watson (Leiden: Brill, 2000), p. 45.
272. Sebastian Brock, "To Revise or Not to Revise: Attitudes to Jewish Biblical Translation," in Septuagint, Scrolls and Cognate Writings: Papers Presented to the International Symposium on the Septuagint and Its Relation to the Dead Sea Scrolls and Other Writings (Manchester, 1990), ed. George J. Brooke and Barnabas Lindars (Atlanta: Scholars Press, 1992), pp. 301-38.
273. Margreta de Grazia and Peter Stallybrass, for example, "The Materiality of the Shakespearean Text," Shakespeare Quarterly 44.3 (1993): 255-83.
274. Günther Zuntz, "Aristeas Studies 2: Aristeas and the Translation of the Torah," in Studies in the Septuagint: Origins, Recensions, and Interpretations, ed. Sidney Jellicoe (New York: KTAV, 1974), pp. 208-25.
275. Sylvie Honigman, The Septuagint and Homeric Scholarship in Alexandria (London: Routledge, 2003), pp. 44ff., 119ff.
276. Frank Moore Cross, The Ancient Library of Qumrân, 3rd ed. (Sheffi eld: Sheffi eld Academic Press, 1995), pp. 128-42.
277. V. Tcherikover, "The Ideology of the Letter of Aristeas," in Jellicoe, Studies in the Septuagint (n. 8), pp. 181-207.
278. Cf. Andrew W. Erskine, "Culture and Power in Ptolemaic Egypt: The Museum and the Library of Alexandria," Greece and Rome 42.1 (1995): 38-48.
279. Elias Bickerman, "The Septuagint as Translation," in Studies in Jewish and Christian History, pt. 1 (Leiden: Brill, 1976), pp. 167-200.
280. William G. Rutherford, A Chapter in the History of Annotation, Being Scholia Aristophanica III (1905; repr., New York: Garland, 1987), p. 97.
281. Arie van der Kooij, "Perspectives on the Septuagint: Who Are the Translators?" in Perspectives in the Study of the Old Testament and Early Judaism, ed. F. García Martínez and E. Noort (Leiden: Brill, 1998), pp. 214-29.
282. Elias Bickerman, "Some Notes on the Transmission of the Septuagint," in Studies in Jewish and Christian History, pt. 1 (n. 13), pp. 137-66.
283. St. J. Thackeray, appended to Henry Barclay Swete, An Introduction to the Old Testament in Greek, rev. Richard Rusden Ottley (1902; repr., New York: KTAV, 1968), p. 556.
284. Palvis Wendland, ed., Aristeae ad Philocratem Epistula: Cum Ceteris de Origine Versionis LXX Interpretum Testimoniis (Leipzig: Teubner, 1900).
285. M. Rostovtzeff, "Seleucid Babylonia: Bullae and Seals of Clay with Greek Inscriptions," Yale Classical Studies 3 (1932): 68.
286. Jacob Milgrom, Leviticus 23-27: A New Translation with Introduction and Commentary, AB 3b (New York: Doubleday, 2001), p. 2092.
287. Immanuel Kant, Kritik der Urteilskraft, 45, ed. Wilhelm Weischedel (Frankfurt am Main: Suhrkamp Taschenbuch, 1957), p. 241.
288. Herman Parret, ed., Kants ästhetik (Berlin: de Gruyter, 1997), pp. 219ff.
289. Hans Vaihinger, The Philosophy of "As If": A System of the Theoretical, Practical and Religious Fictions of Mankind, trans. C. K. Ogden (1911; repr., London: Routledge & Kegan Paul, 1968).
290. Wolfgang Iser, The Fictive and Imaginary: Charting Literary Anthropology (Baltimore: Johns Hopkins University Press, 1993), pp. 13-17.
291. Slavoj Žižek, The Sublime Object of Ideology (London: Verso, 1990), pp. 33ff.
292. Catherine Gallagher and Stephen Greenblatt, Practicing New Historicism (Chicago: University of Chicago Press, 2000), pp. 168-69.
293. Werner Schmidt, Untersuchungen zur Fälschung historischer Dokumente bei Pseudo-Aristaios (Bonn: Dr. Rudolph Habelt, 1986).
294. Sidney Jellicoe, "St. Luke and the Letter of Aristeas," Journal of Biblical Literature 80 (1961):149-55.
295. Fearghus ó Fearghail, "The Imitation of the Septuagint in Luke's Infancy Narrative," Proceedings of the Irish Biblical Association 12 (1989):58-78.
296. Timothy Johnson, The Writings of the New Testament: An Interpretation, rev. ed. (Minneapolis: Fortress, 1999), pp. 217, 226.
297. Jennifer M. Dines, The Septuagint, ed. Michael A. Knibb (London: T & T Clark, 2004).
298. Morgens Müller, The First Bible of the Church: A Plea for the Septuagint (Sheffi eld: Sheffi eld Academic Press, 1996).
299. Karen H. Jobes and Moisés Silva, Invitation to the Septuagint (Grand Rapids: Baker Academic, 2000), pp. 183-205.
300. R. Timothy McLay, The Use of the Septuagint in New Testament Research (Grand Rapids: Eerdmans, 2003).
301. J. K. Elliott, "The Translations of the New Testament into Latin: The Old Latin and the Vulgate," in Aufstieg und Niedergang der Römischen Welt: Geschichte und Kultur Roms im Spiegel der neueren Forschung, pt. 2, ed. Hildegard Temporini (Berlin: de Gruyter, 1972-), 26.1:198-245.
302. Richard N. Longenecker, Biblical Exegesis in the Apostolic Period, 2nd ed. (Grand Rapids: Eerdmans, 1999), pp. 45-50.
303. Robert H. Gundy, The Use of the Old Testament in St. Matthew's Gospel: With Special Reference to the Messianic Hope (Leiden: Brill, 1967), esp. pp. 147-52.
304. Theodor Adorno and Max Horkheimer, Dialectic of Enlightenment: Philosophical Fragments, ed. Gunzelin Schmid Noerr, trans. Edmund Jephcott (Stanford: Stanford University Press, 2002), pp. 6-7.
305. René Girard, Violence and the Sacred, trans. Patrick Gregory (Baltimore: Johns Hopkins University Press, 1977).
306. Franz Mali, Das "Opus imperfectum in Matthaeum": Und sein Verhältnis zu den Matthäuskommentaren von Origenes und Hieronymus (Innsbruck: Tyrolia-Verlag, 1991).
307. Adrian Schenker, Versöhnung und Widerstand: Bibeltheologische Untersuchung zum Strafen Gottes und der Menschen, besonders im Lichte von Exodus 21-22 (Stuttgart: Katholisches Bibelwerk, 1990), p. 50.
308. Baruch J. Schwartz, "The Prohibitions Concerning the 'Eating' of Blood in Leviticus 17," in Priesthood and Cult in Ancient Israel, ed. Gary A. Anderson and Saul M. Olyan (Sheffi eld: Sheffi eld Academic Press, 1991), pp. 51-60.
309. Baruch A. Levine, Numbers 21-36: A New Translation with Introduction and Commentary, AB 4a (New York: Doubleday, 2000), p. 559.
310. J. K. Mikliszanski, "The Law of Retaliation and the Pentateuch," Journal of Biblical Literature 66 (1947): 295-304.
311. Cf. Jakob Weismann, "Talion und öffentliche Strafe in Mosaischen Rechte," in Um das Prinzip der Vergeltung in Religion und Recht des Alten Testaments, ed. Klaus Koch (Darmstadt: Wissenschaftliche Buchgesellschaft, 1972), p. 350.
312. Cf. Joachim Jeremias, "Das Lösegeld für Viele (Mk. 10,45)," in Abba: Studien zur neutestamentlichen Theologie und Zeitgeschichte (Göttingen: Vandenhoeck & Ruprecht, 1966), p. 226.
313. A. Metzinger, "Die Substitutionstheorie und das alttestamentliche Opfer mit besonderer Berücksichtigung von Lev. 17.11," Biblica 21 (1940): 159-87, 247-72, 353-77.
314. Robert J. Daly, Christian Sacrifi ce: The Judaeo-Christian Background before Origen (Washington, D.C.: Catholic University of America Press, 1978), pp. 129-31 and 140-41.
315. Karl-Heinz Menk, Stellvertretung: Schlüsselbegriff christlichen Lebens und theologische Grundkategorie (Freiburg: Johannes, 1991), p. 39.
316. William H. Bellinger Jr. and William R. Farmer, eds., Jesus and the Suffering Servant: Isaiah 53 and Christian Origins (Harrisburg, Pa.: Trinity Press, 1998).
317. F. Büchsel, Theological Dictionary of the New Testament, trans. and ed. Geoffry W. Bromiley, 10 vols. (Grand Rapids: Eerdmans, 1964-76), 1:372-73.
318. George Howard, Paul: Crisis in Galatia: A Study in Early Christian Theology, 2nd ed. (Cambridge: Cambridge University Press, 1990), pp. 54 and 59.
319. Eric Plumer, Augustine's Commentary on Galatians: Introduction, Text, Translation and Notes (Oxford: Oxford University Press, 2003), pp. 158-61.
320. Meg Twycross and Sarah Carpenter, Masks and Masking in Medieval and Early Tudor England (Burlington, Vt.: Ashgate, 2002).
321. John Bromyard, Summa predicantium, in G. R. Owst, Literature and Pulpit in Medieval England (Cambridge: Cambridge University Press, 1933), p. 395.
322. Robert M. Grant, Irenaeus of Lyons (London: Routledge, 1997), p. 17.
323. Markwart Herzog, "Descensus ad Infernos": Eine religionsphilosophische Untersuchung der Motive und Interpretationen mit besonderer Berücksichtigung der monographischen Literatur seit dem 16. Jahrhundert (Frankfurt am Main: Joseph Knecht, 1997), pp. 274-75.
324. Raymond Schwager, Der Wunderbare Tausch: Zur Geschichte und Deutung der Erlösungslehre (Munich: Kösel, 1986), pp. 7-31.
325. Bruce M. Metzger, The Text of the New Testament: Its Transmission, Corruption, and Restoration, 3d ed. (New York: Oxford University Press, 1992), p. 202.
326. William Henry Hulme, ed., The Middle English Harrowing of Hell and the Gospel of Nicodemus, EETS e.s. 100 (London: Kegan Paul, Trench, Trübner, 1907), p. 106.
327. Sidney Jellicoe, The Septuagint and Modern Study (Winona Lake, Ind.: Eisenbrauns, 1993), p. 75.
328. Gerson D. Cohen, "Esau as Symbol in Early Medieval Thought," in Jewish Medieval and Renaissance Studies, ed. Alexander Altmann (Cambridge: Harvard University Press, 1967), pp. 19-48.
329. Salo W. Baron, Arcadius Kahan et al., Economic History of the Jews, ed. Nachum Gross (New York: Schocken Books, 1975), p. 25.
330. Immanuel Wallerstein, The Modern World-System, 3 vols. (New York: Academic Press, 1974-89), 1:147-51.
331. Shael Herman, Medieval Usury and the Commercialization of Feudal Bonds (Berlin: Duncker & Humblot, 1993), p. 70.
332. R. I. Moore, The Formation of a Persecuting Society: Power and Deviance in Western Europe, 950-1250 (Oxford: Blackwell, 1987), p. 85.
333. John Scott Colley, "Launcelot, Jacob and Esau: Old and New Law in The Merchant of Venice," Yearbook of English Studies: Literature and Its Audience 1, Special Number, ed. G. K. Hunter and C. J. Rawson (Leeds: W. S. Maney and Son, 1980): 181-89.
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335. John Cox, The Devil and the Sacred in English Drama, 1350-1642 (Cambridge: Cambridge University Press, 2000), p. 34.
336. Linda Marshall, "'Sacral Parody' in the Secunda Pastorum," Speculum 47.4 (1972): 720-36.
337. Míceál F. Vaughan, "The Three Advents in the Secunda Pastorum," Speculum 55.3 (1980): 484-504.
338. Wallace H. Johnson, "The Origin of the Second Shepherds' Play: A New Theory," Quarterly Journal of Speech 52 (1966): 47-57.
339. Josef Kroll, Gott und Hölle: Der Mythos vom Descensuskampfe (Leipzig: B. G. Teubner, 1932), p. 87.
340. J. K. Elliott, The Apocryphal New Testament: A Collection of Apocryphal Christian Literature in an English Translation (Oxford: Clarendon, 1993), p. 200.
341. E. von Dobschütz, Das Decretum Gelasianum de libris recipiendis et non recipiendis (Leipzig: J. C. Hinrichs, 1912), p. 298.
342. Zbigniew Izydorczyk, "The Evangelium Nicodemi in the Latin Middle Ages," in The Medieval "Gospel of Nicodemus": Texts, Intertexts, and Contexts in Western Europe, ed. Zbigniew Izydorczyk (Tempe, Ariz.: Medieval & Renaissance Texts & Studies, 1997), pp. 43-102.
343. W. A. Craigie, "The Gospel of Nicodemus and the York Mystery Plays," in An English Miscellany: Presented to Dr. Furnivall (Oxford: Clarendon Press, 1901), pp. 52-61.
344. C. W. Marx, The Devil's Rights and the Redemption in the Literature of Medieval England (Cambridge: D. S. Brewer, 1995), p. 114.
345. M. G. Frampton, "The Towneley 'Harrowing of Hell,' " PMLA 56 (1941):105-19.
346. Chester Curtis, "The York and Towneley Plays on 'The Harrowing of Hell,' " Studies in Philology 30 (1930): 24-31.
347. Michelle M. Butler, "The York/Towneley Harrowing of Hell ?" Fifteenth-Century Studies 25 (2000): 115-26.
348. Meyer Schapiro, "Muscipula Diaboli: The Symbolism of the Mérode Altarpiece," in Late Antique, Early Christian, and Medieval Art: Selected Papers (New York: George Braziller, 1979), pp. 1-19.
349. Ruth Mellinkoff, The Devil at Isenheim: Refl ections of Popular Belief in Grünewald's Altarpiece (Berkeley: University of California Press, 1988), pp. 28-31.
350. John Doebler, "The Play within the Play: The Muscipula Diaboli in Hamlet," Shakespeare Quarterly 23.2 (1972): 161-69.
351. Martin Werner, The Formation of Christian Dogma: An Historical Study of Its Problem, trans. S. G. F. Brandon (New York: Harpers & Brothers, 1957), p. 97.
352. Peter W. Travis, Dramatic Design in the Chester Cycle (Chicago: University of Chicago Press, 1982), p. 139.
353. Raymond E. Brown, The Birth of the Messiah: A Commentary on the Infancy Narratives in Matthew and Luke (New York: Doubleday, 1977), pp. 145-53.
354. Sarah Beckwith, Signifying God: Social Relation and Symbolic Action in the York Corpus Christi Plays (Chicago: University of Chicago Press, 2001), p. 55.
355. John Brenkman, "Theses on Cultural Marxism," Social Text 7 (1983): 19-33.
356. David Riggs, The World of Christopher Marlowe (London: Faber and Faber, 2004).
357. Charles Nicholl, The Reckoning: The Murder of Christopher Marlowe (London: Jonathan Cape, 1992).
358. John Bakeless, The Tragicall History of Christopher Marlowe, 2 vols. (Cambridge: Harvard University Press, 1942).
359. Alexandra Walsham, Oxford Dictionary of National Biography, ed. H. C. G. Matthew and Brian Harrison, 60 vols. (Oxford: Oxford University Press, 2004), 4:537-38.
360. Harold C. Gardiner, Mysteries' End: An Investigation of the Last Days of the Medieval Religious Stage (New Haven: Yale University Press, 1946).
361. Michael O'Connell, The Idolatrous Eye: Iconoclasm and Theater in Early-Modern England (New York: Oxford University Press, 2000.
362. James Simpson, Reform and Cultural Revolution, 1350-1547, vol. 2 of The Oxford English Literary History, ed. Jonathan Bate (Oxford: Oxford University Press, 2002), pp. 536-39.
363. Thomas Beard, The Theatre of Gods Iudgements (London, 1597 [STC 1659]), p. 374.
364. Tanya Pollard, Shakespeare's Theater: A Sourcebook (Oxford: Blackwell, 2004), pp. 168-69.
365. Bernard McGinn, Antichrist: Two Thousand Years of the Human Fascination with Evil (New York: Columbia University Press, 2000), pp. 153.
366. Thomas Beard, Antichrist the Pope of Rome: or, The Pope of Rome is Antichrist (London, 1625 [STC 1657]), p. 4.
367. Christopher Marlowe, The Jew of Malta, ed. N. W. Bawcutt, The Revels Plays (Manchester: Manchester University Press, 1978).
368. Morton Smith, Jesus the Magician (San Francisco: Harper & Row, 1978), p. 64.
369. Stephen Greenblatt, Hamlet in Purgatory (Princeton: Princeton University Press, 2001).
370. E. P. Sanders, The Historical Figure of Jesus (New York: Penguin, 1993), p. 274.
371. Helen K. Bond, Pontius Pilate in History and Interpretation (Cambridge: Cambridge University Press, 1998).
372. Robert Carroll and Stephen Prickett, eds., The Bible: Authorized King James Version (Oxford: Oxford University Press, 1997), p. 413.
373. Raymond E. Brown, The Death of the Messiah: From Gethsemane to the Grave: A Commentary on the Passion Narratives in the Four Gospels (New York: Doubleday, 1993), p. 820.
374. W. D. Davies and Dale C. Allison, A Critical and Exegetical Commentary on the Gospel According to Saint Matthew, 3 vols. (Edinburgh: T & T Clark, 1988-97).
375. Willard R. Trask (New York: Pantheon, 1953), pp. 46-47.
376. Barbara Lewalski, Milton's Brief Epic: The Genre, Meaning, and Art of "Paradise Regained" (Providence: Brown University Press, 1966), pp. 10ff.
377. Frederick W. Danker, ed., A Greek-English Lexicon of the New Testament and Other Early Christian Literature, 3d ed. (Chicago: University of Chicago Press, 2000).
378. Harry Levin, The Overreacher: A Study of Christopher Marlowe (Cambridge: Harvard University Press, 1952), p. 64.
379. Wayland D. Hand, A Dictionary of Words and Idioms Associated with Judas Iscariot: A Compilation Based Mainly on Material Found in Germanic Languages (Berkeley: University of California Press, 1942).
380. Cf. G. K. Hunter, "The Theology of Marlowe's The Jew of Malta," Journal of the Warburg and Courtauld Institutes 27 (1964): 211-40.
381. John D. Cox, The Devil and the Sacred in English Drama, 1350-1642 (Cambridge: Cambridge University Press, 2000).
382. Jeffery Knapp, Shakespeare's Tribe: Church, Nation, and Theater in Renaissance England (Chicago: Chicago University Press, 2002), pp. 142 and 144.
383. Douglas Cole, Suffering and Evil in the Plays of Christopher Marlowe (Princeton: Princeton University Press, 1962), p. 196.
384. A. Bartlett Giamatti, "Marlowe: The Arts of Illusion," Yale Review 61.2 (1972): 530-43.
385. Marjorie Garber, "'Infi nite Riches in a Little Room': Closure and Enclosure in Marlowe," in Two Renaissance Mythmakers: Christopher Marlowe and Ben Jonson, ed. Alvin Kernan (Baltimore: Johns Hopkins University Press, 1977), pp. 3-21.
386. Don Beecher, "The Jew of Malta and the Ritual of the Inverted Moral Order," Cahiers élisabéthains: études sur la Pré-Renaissance et la Renaissance Anglaises 12 (1977): 45-58.
387. Sara Munson Deats, "Biblical Parody in Marlowe's The Jew of Malta: A Re-examination," Christianity and Literature 37.2 (1988): 27-48.
388. E. P. Sanders, Jesus and Judaism (Philadelphia: Fortress, 1985), p. 298.
389. Elias Bickerman, "Some Notes on the Transmission of the Septuagint," in Studies in Jewish and Christian History, vol. 1 (Leiden: Brill, 1976), pp. 137-66.
390. S. L. Davies, "Who Is Called Bar Abbas?" New Testament Studies 27 (1980-81): 260-62.
391. Cf. Kenneth Burke, The Rhetoric of Religion: Studies in Logology (Berkeley: University of California Press, 1970), p. 2.
392. Hans Blumenberg, The Legitimacy of the Modern Age, trans. Robert M. Wallace (Cambridge: MIT Press, 1983), p. 70.
393. Christopher Marlowe, Tamburlaine the Great, ed. J. S. Cunningham, The Revels Plays (Manchester: Manchester University Press, 1981).
394. Stephen Greenblatt, Renaissance Self-Fashioning: From More to Shakespeare (Chicago: University of Chicago Press, 1980) p. 203.
395. Patrick Cheney, Marlowe's Counterfeit Profession: Ovid, Spenser, Counter-nationhood (Toronto: University of Toronto Press, 1997), pp. 138-41.
396. John Payne et al., Paraphrases on Romans and Galatians, ed. Robert D. Sider (Toronto: University of Toronto Press, 1984), pp. 104ff.
397. Bart D. Ehrman, Lost Christianities: The Battle for Scripture and the Faiths We Never Knew (Oxford: Oxford University Press, 2003), p. 183.
398. Gerd Lüdemann, Opposition to Paul in Jewish Christianity, trans. M. Eugene Boring (Minneapolis: Fortress, 1989), pp. 169-96.
399. Théodore Silverstein, "The Vision of Saint Paul: New Links and Patterns in the Western Tradition," Archives d'histoire doctrinale et littéraire du moyen âge 34 (1959): 199-248.
400. Martin Werner, The Formation of Christian Dogma: An Historical Study of Its Problem, trans. S. G. F. Brandon (New York: Harper & Brothers, 1957), p. 7.
401. Elaine Pagels, The Gnostic Paul: Gnostic Exegesis of the Pauline Letters (Philadelphia: Fortress, 1975).
402. Cf. A. G. Dickens, The English Reformation, 2nd ed. (University Park: Pennsylvania State University Press, 1989), p. 376.
403. C. S. Lewis, English Literature in the Sixteenth Century, Excluding Drama (Oxford: Clarendon Press, 1954), p. 33.
404. Roger Moore, "The Spirit and the Letter: Marlowe's Tamburlaine and Elizabethan Religious Radicalism," Studies in Philology 99.2 (2002): 123-51.
405. A. D. Nuttall, The Alternative Trinity: Gnostic Heresy in Marlowe, Milton, and Blake (New York: Oxford University Press, 1998), esp. pp. 41-70.
406. Simone Petrement, A Separate God: The Christian Origins of Gnosticism, trans. Carol Harrison (San Francisco: HarperSanFrancisco, 1990), p. 15.
407. Lawrence T. Martin, Commentary on the Acts of the Apostles (Kalamazoo: Cistercian Publications, 1989), p. 117.
408. E. K. Chambers, The Mediaeval Stage, 2 vols. (Oxford: Clarendon Press, 1903), 2:230-33.
409. James D. G. Dunn, The Acts of the Apostles (Peterborough: Epworth Press, 1996), p. 119.
410. Daniel Boyarin, A Radical Jew: Paul and the Politics of Identity (Berkeley: University of California Press, 1994).
411. Robert Greene, Perimedes the Blacksmith (1588), in Life and Complete Works of Robert Greene, ed. Alexander Grosart, 15 vols. (1881-86; repr., New York: Russell and Russell, 1964), 7:7-8.
412. R. M. Cornelius, Christopher Marlowe's Use of the Bible (New York: Peter Lang Publishers, 1984), pp. 65-66.
413. Henry W. Wells, Elizabethan and Jacobean Playwrights, 2nd ed. (New York: Kennikat Press, 1964), p. 80.
414. Anthony Brian Taylor, "Tamburlaine's Doctrine of Strife and John Calvin," English Language Notes 27.1 (1989): 30-31.
415. Paul Kocher, Christopher Marlowe: A Study of His Thought, Learning, and Character (Chapel Hill: University of North Carolina Press, 1946), p. 76.
416. Carlos Eire, "The Reformation Critique of Images," in Bilder und Bildersturm im Spätmittelalter und in der frühen Neuzeit, ed. Bob Scribner (Wiesbaden: Otto Harrassowitz, 1990), pp. 51-68.
417. Hans-Josef Klauck, Magic and Paganism in Early Christianity, trans. Brian McNeil (Edinburgh: T & T Clark, 2000), p. 11.
418. Vivien Thomas and William Tydeman, eds., Christopher Marlowe: The Plays and Their Sources (London: Routledge, 1994), pp. 113-14.
419. Sidney R. Homan, "Chapman and Marlowe: The Paradoxical Hero and the Divided Response," Journal of English and Germanic Philology 68 (1969): 391-406.
420. K. M. Coleman, "Fatal Charades: Roman Executions Staged as Mythological Enactments," Journal of Roman Studies 80 (1990): 44-73.
421. Susan R. Garrett, The Demise of the Devil: Magic and the Demonic in Luke's Writings (Minneapolis: Fortress, 1989), pp. 65-87.
422. William R. Cook and Ronald B. Herzman, "Simon Magus and the Medieval Tradition," Journal of Magic History 2 (1980): 28-43.
423. James Nohrnberg, The Analogy of "The Faerie Queene" (Princeton: Princeton University Press, 1976), pp. 247-60.
424. Richard K. Emmerson, Antichrist in the Middle Ages: A Study of Medieval Apocalypticism, Art, and Literature (Seattle: University of Washington Press, 1981), p. 248.
425. Morton Smith, "The Account of Simon Magus in Acts 8," in Harry Austryn Wolfson Jubilee Volume, English Section, vol. 2 (Jerusalem: American Academy for Jewish Research, 1965), pp. 735-49.
426. Christine M. Thomas, The "Acts of Peter," Gospel Literature, and the Ancient Novel (Oxford: Oxford University Press, 2003).
427. Norman Austin, Helen of Troy and Her Shameless Phantom (Ithaca: Cornell University Press, 1994).
428. Philip Mason Palmer and Robert Pattison More, eds., The Sources of the Faust Tradition: From Simon Magus to Lessing (New York: Oxford University Press, 1936).
429. Beatrice Daw Brown, "Marlowe, Faustus, and Simon Magus," PMLA 54 (1939): 82-121.
430. Richard Halpern, "Marlowe's Theater of Night: Doctor Faustus and Capital," ELH 71 (2004): 455-95.
431. E. M. Butler, The Myth of the Magus (Cambridge: Cambridge University Press, 1948), pp. 35-43.
432. Michael Keefer, ed., Christopher Marlowe's "Doctor Faustus": The 1604 Version Edition (Peterborough, Ontario: Broadview, 1991), p. xlvi.
433. James M. Reese, Hellenistic Infl uence on the Book of Wisdom and Its Consequences (Rome: Biblical Institute Press, 1970), esp. pp. 14-15, 34-35, 45-49.
434. Lester L. Grabbe, Wisdom of Solomon (Sheffi eld: Sheffi eld Academic Press, 1997), pp. 68-80, 91-95.
435. Geoffrey Mark Hahneman, The Muratorian Fragment and the Development of the Canon (Oxford: Clarendon Press, 1992), p. 201.
436. C. Larcher, études sur la Livre de la Sagesse (Paris: Librairie Lecoffre; J. Gabalda, 1969), p. 65.
437. Bruce Metzger, An Introduction to the Apocrypha (New York: Oxford University Press, 1957), p. 192.
438. John N. King, English Reformation Literature: The Tudor Origins of the Protestant Tradition (Princeton: Princeton University Press, 1982), pp. 153-54.
439. Christopher Marlowe, Edward II, ed. Charles R. Forker, The Revels Plays (Manchester: Manchester University Press, 1994), p. 165.
440. Christopher Marlowe, Dido Queen of Carthage and The Massacre at Paris, ed. H. J. Oliver, The Revels Plays (Cambridge: Harvard University Press, 1968), p. 161.
441. Roma Gill, ed., The Complete Works of Christopher Marlowe, vol. 2 (Oxford: Clarendon Press, 1990), p. xvii.
442. Gareth Roberts, "Marlowe and the Metaphysics of Magicians," in Constructing Christopher Marlowe, ed. J. A. Downie and J. T. Parnell (Cambridge: Cambridge University Press), pp. 55-73.
443. Karl Marx, Capital, trans. Ben Fowkes, vol. 1 (New York: Penguin, 1976), e.g., p. 207.
444. Charles Clay Doyle, "One Drop of Christ's Streaming Blood: A Gloss on Dr. Faustus," Cahiers élisabéthains: études sur la Pre-Renaissance et la Renaissance Anglaises 17 (1980): 85-87.
445. Robert Culpepper, Interpreting the Atonement (Grand Rapids: Eerdmans, 1966), p. 87.
446. Jonathan Dollimore, Sexual Dissidence: Augustine to Wilde, Freud to Foucault (Oxford: Clarendon Press, 1991), p. 200.