Internet of Musical Things: Vision and Challenges

IEEE Access

Volumn 6, Issue , 2018, Pages 61994-62017

  Turchet, Luca ^a   Fischione, Carlo ^b   Essl, Georg ^c   Keller, Damian ^d   Barthet, Mathieu ^a  

^a QUEEN MARY UNIVERSITY OF LONDON   (United Kingdom)

^b ROYAL INSTITUTE OF TECHNOLOGY   (Sweden)

^c UNIVERSITY OF WISCONSIN MILWAUKEE   (United States)

^d UNIVERSIDADE FEDERAL DO ACRE   (Brazil)

Author keywords

Internet of Things; mobile music; networked music performance; participatory art; sound and music computing; ubiquitous music

Indexed keywords

ARTIFICIAL INTELLIGENCE; ARTS COMPUTING; AUDIO STUDIOS; E-LEARNING; ECOSYSTEMS; INSTRUMENTS; INTERACTIVE COMPUTER SYSTEMS; INTERNET OF THINGS; INTEROPERABILITY; REAL TIME SYSTEMS; SENSORS; UBIQUITOUS COMPUTING;

MOBILE MUSIC; MUSIC; MUSIC PERFORMANCE; PARTICIPATORY ART; SOUND AND MUSIC COMPUTING; UBIQUITOUS MUSIC;

AUDIO ACOUSTICS;

EID: 85054356246     PISSN: None     EISSN: 21693536     Source Type: Journal    
DOI: 10.1109/ACCESS.2018.2872625     Document Type: Article

References (163)

1. A. Aijaz, M. Dohler, A. H. Aghvami, V. Friderikos, and M. Frodigh, "Realizing the tactile Internet: Haptic communications over next generation 5G cellular networks, " IEEE Wireless Commun., vol. 24, no. 2, pp. 82-89, Apr. 2017.
2. M. Armbrust et al., "A view of cloud computing, " Commun. ACM, vol. 53, no. 4, pp. 50-58, 2010.
3. L. Atzori, A. Iera, and G. Morabito, "The Internet of Things: A survey, " Comput. Netw., vol. 54, no. 15, pp. 2787-2805, Oct. 2010.
4. J. J. Aucouturier and F Pachet, "Improving timbre similarity: How high's the sky?" J. Negative Results Speech Audio Set, vol. 1, no. 1, pp. 1-13, 2004.
5. M. A. J. Baalman, H. Smoak, C. L. Salter, J. Malloch, and M. M. Wanderley, "Sharing data in collaborative, interactive performances: The senseworld datanetwork, " in Proc. Conf. New Interfaces Musical Expression, 2009, pp. 131-134.
6. P. Bahadoran, A. L. Benito, T. Vassallo, and J. D. Reiss, "FXive: A Web platform for procedural sound synthesis, " in Proc. Audio Eng. Soc. Conv., 2018, pp. 1-5.
7. D. Baker and D. Mullensiefen, "Hearing wagner: Physiological responses to Richard Wagner's der ring des nibelungen, " in Proc. Int. Conf. Music Perception Cogn., 2014.
8. T. Baltrusaitis, C. Ahuja, and L.-P Morency, "Multimodal machine learning: A survey and taxonomy, " IEEE Trans. Pattern Anal. Mach. Intell, to be published. [Online]. Available: https://ieeexplore.ieee.org/abstract/document/8269806
9. A. Barbosa, "Displaced soundscapes: A survey of network systems for music and sonic art creation, " Leonardo Music I., vol. 13, pp. 53-59, Dec. 2003.
10. M. Barthet, A. Anglade, G. Fazekas, S. Kolozali, and R. Macrae, "Music recommendation for music learning: Hotttabs, a multimedia guitar tutor, " in Proc. Workshop Music Rec. Discovery, 2011, pp. 7-13.
11. M. Barthet, G. Fazekas, A. Allik, F S. Thalmann, and M. B. Sandler, "From interactive to adaptive mood-based music listening experiences in social or personal contexts, " J. Audio Eng. Soc, vol. 64, no. 9, pp. 673-682, 2016.
12. M. Barthet, M. D. Plumbley, A. Kachkaev, J. Dykes, D. Wolff, and T. Weyde, "Big chord data extraction and mining, " in Proc. Conf. Inter-discipl. Musicol., 2014, pp. 1-7.
13. M. Barthet and M. B. Sandler, "On the effect of reverberation on musical instrument automatic recognition, " in Proc. Audio Eng. Soc. Conv., 2010, pp. 1-8.
14. P. Bartolomeu, J. A. Fonseca, P. Duarte, P. M. Rodrigues, and L. M. Girao, "Midi over Bluetooth, " in Proc. IEEE Conf. Emerg. Technol. Factory Autom., Sep. 2005, pp. 95-102.
15. E. Benetos, S. Dixon, D. Giannoulis, H. Kirchhoff, and A. Klapuri, "Automatic music transcription: Challenges and future directions, " J. Intell. Inf. Syst., vol. 41, no. 3, pp. 407-434, 2013.
16. B. Bengler and N. Bryan-Kinns, "Designing collaborative musical experiences for broad audiences, " in Proc. ACM Conf. Creativity Cogn., 2013, pp. 234-242.
17. D. Berthaut, M. Desainte-Catherine, and M. Hachet, "Interacting with 3D reactive widgets for musical performance, " J. New Music Res., vol. 40, no. 3, pp. 253-263, 2011.
18. F. Berthaut and M. Hachet, "Spatial interfaces and interactive 3D environments for immersive musical performances, " IEEE Comput. Graph. Appl, vol. 36, no. 5, pp. 82-87, Sep. 2016.
19. F. Berthaut, D. M. Plasencia, M. Hachet, and S. Subramanian, "Reflets: Combining and revealing spaces for musical performances, " in Proc. Conf. New Interfaces Musical Expression, 2015, pp. 1-6.
20. D. Bogdanov et al, "Essentia: An audio analysis library for music information retrieval, " in Proc. Int. Soc. Music Inf. Retr. Conf, 2013, pp. 493-498.
21. H. Boley and E. Chang, "Digital ecosystems: Principles and semantics, " in Proc. IEEE Int. Conf. Digit. Ecosyst. Technol, Feb. 2007, pp. 398-403.
22. F. Bonomi, R. Milito, J. Zhu, and S. Addepalli, "Fog computing and its role in the Internet of Things, " in Proc. 1st Ed. MCC Workshop Mobile Cloud Comput, 2012, pp. 13-16.
23. E. Borgia, "The Internet of Things vision: Key features, applications and open issues, " Comput. Commun., vol. 54, pp. 1-31, Dec. 2014.
24. W. Brent, "A timbre analysis and classification toolkit for pure data, " in Proc. Int. Comput. Music Conf, 2010, pp. 1-6.
25. M. Buffa and J. Lebrun, "Real time tube guitar amplifier simulation using WebAudio, " in Proc. Web Audio Conf, 2017, pp. 1-9.
26. J. A. Burgoyne, I. Fujinaga, and J. S. Downie, "Music infor-mation retrieval, " in A New Companion to Digital Humanities. Hoboken, NJ, USA: Wiley, 2016, pp. 213-228. [Online]. Available: https://onlinelibrary.wiley.com/doi/pdf/10.1002/9781118680605.chl5
27. J. P. Caceres and C. Chafe, "JackTrip: Under the hood of an engine for network audio, " J. New Music Res., vol. 39, no. 3, pp. 183-187, 2010.
28. J. P. Caceres, R. Hamilton, D. Iyer, C. Chafe, and G. Wang, "To the edge with China: Explorations in network performance, " in Proc. Int. Conf. Digit. Arts, 2008, pp. 61-66.
29. J.-P. Caceres and A. B. Renaud, "Playing the network: The use of time delays as musical devices, " in Proc. Int. Comput. Music Conf, 2008, pp. 1-6.
30. C. Cannam, C. Landone, and M. Sandler, "Sonic visualiser: An open source application for viewing, analysing, and annotating music audio files, " in Proc. ACM Multimedia Int. Conf, 2010, pp. 1467-1468.
31. C. Cannam, M. Sandler, M. O. Jewell, C. Rhodes, and M. d'lnverno, "Linked data and you: Bringing music research software into the semantic Web, " J. New Music Res., vol. 39, no. 4, pp. 313-325, 2010.
32. B. Caramiaux, F Bevilacqua, and N. Schnell, "Towards a gesture-sound cross-modal analysis, " in Proc. Int. Conf. Gesture Embodied Commun. Hum.-Comput. Interact. Berlin, Germany: Springer-Verlag, 2010, pp. 158-170.
33. A. D. deCarvalho, Jr., M. Queiroz, and G. Essl, "Computermusic through the cloud: Evaluating a cloud service for collaborative computer music applications, " in Proc. Int. Comput. Music Conf, 2015, pp. 226-233.
34. C. Chafe, J.-P. Caceres, and M. Gurevich, "Effect of temporal separation on synchronization in rhythmic performance, " Perception, vol. 39, no. 7, pp. 982-992, 2010.
35. S. Chenand M. A. Williams, "Privacy: An onto logical problem, " inProc. Pacific Asia Conf. Inf. Syst, 2010, pp. 1402-1413.
36. A. Clement, F Ribeiro, R. Rodrigues, and R. Penha, "Bridging the gap between performers and the audience using networked smartphones: The a.bel system, " in Proc. Int. Conf. Live Interfaces, 2016.
37. Part 15.4: Wireless Medium Access Control (MAC) and Physical Layer (PHY) Specifications for Low-Rate Wireless Personal Area Networks (LR-WPANS), IEEE Standard 802.15.4, LAN/MAN Standards Committee, 2003.
38. W. Dargie and C. Poellabauer, Fundamentals of Wireless Sensor Networks: Theory and Practice. Hoboken, NJ, USA: Wiley, 2010.
39. A. Deusany, S. W. Lee, and G. Essl, "Understanding cloud service in the audience participation music performance of crowd in c [loud], " in Proc. Conf. New Interfaces Musical Expression, 2016, pp. 1-6.
40. Z. Ding, Z. Yang, P. Fan, and H. V. Poor, "On the performance of non-orthogonal multiple access in 5G systems with randomly deployed users, " IEEE Signal Process. Lett., vol. 21, no. 12, pp. 1501-1505, Dec. 2014.
41. M. C. Dobson and J. Sloboda, "Staying behind: Explorations in post-performance musician-audience dialogue, " in Coughing and Clapping: Investigating Audience Experience, vol. 1. Farnham, U.K.: Ashgate, 2014, pp. 1-17.
42. R. F. Easley, "Ethical issues in the music industry response to innovation and piracy, " J. Bus. Ethics, vol. 62, no. 2, pp. 163-168, 2005.
43. G. Essl, "Automated ad hoc networking for mobile and hybrid music performance, " inProc. Int. Comput. Music Conf, 2011, pp. 1-4.
44. G. Essl and S. W Lee, "Mobile devices as musical instruments-State of the art and future prospects, " in Proc. Int. Symp. Comput. Music Multidiscipl. Res., 2017', pp. 1-12.
45. G. Essl, M. Rohs, and S. Kratz, "Use the force (or something)-Pressure and pressure-like input for mobile music performance, " in Proc. Conf. New Interfaces Musical Expression, 2010, pp. 1-4.
46. G. Fazekas, M. Barthet, and M. B. Sandler, "Novel methods in facilitating audience and performer interaction using the mood conductor framework, " in Sound, Music, and Motion, M. Aramaki, O. Derrien, R. Kronland-Martinet, and S. Ystad, Eds. Cham, Switzerland: Springer, 2014, pp. 122-147.
47. R. Fencott and N. Bryan-Kinns, "Computer musicking: HCI, CSCW and collaborative digital musical interaction, " in Music and Human-Computer Interaction. London, U.K.: Springer, 2013, pp. 189-205.
48. G. P. Fettweis, "The tactile Internet: Applications and challenges, " IEEE Veh. Technol. Mag., vol. 9, no. 1, pp. 64-70, Mar. 2014.
49. R. Fiebrink and B. Caramiaux, "The machine learning algorithm as creative musical tool, " in Oxford Handbook of Algorithmic Music, R. Dean and A. McLean, Eds. London, U.K.: Oxford Univ. Press, 2016.
50. L. Floridi, "The ontological interpretation of informational privacy, " Ethics Inf. Technol., vol. 7, no. 4, pp. 185-200, 2005.
51. A. Fraietta, "Open sound control: Constraints and limitations, " in Proc. Conf. New Interfaces Musical Expression, 2008, pp. 19-23.
52. J. Freeman, "Large audience participation, technology, and orchestral performance, " in Proc. Int. Comput. Music Conf., 2005, pp. 1-4.
53. L. Gabrielli and S. Squartini, Wireless Networked Music Performance. Singapore: Springer, 2016.
54. J. C. García, P. Kudumakis, I. Barbancho, L. J. Tardón, and M. San-dler, "Enabling interactive and interoperable semantic music applica-tions, " in Springer Handbook of Systematic Musicology. Berlin, Ger-many: Springer, 2018, pp. 911-921.
55. D. Guinard, V. Trifa, F. Mattern, and E. Wilde, "From the Internet of Things to the Web of things: Resource-oriented architecture and best practices, " in Architecting the Internet of Things. Berlin, Germany: Springer, 2011, pp. 97-129.
56. K. Ha et al., "The impact of mobile multimedia applications on data center consolidation, " in Proc. IEEE Int. Conf. Cloud Eng., Mar. 2013, pp. 166-176.
57. D. L. Hall and J. Llinas, Multisensor Data Fusion. Boca Raton, FL, USA: CRC Press, 2001.
58. A. Hazzard, S. Benford, A. Chamberlain, C. Greenhalgh, and H. Kwon, "Musical intersections across the digital and physical, " in Proc. Digit. Music Res. Netw. Abstr., 2014, pp. 1-2.
59. A. Hindle, "CloudOrch: A portable soundcard in the cloud, " in Proc. Conf. New Interfaces Musical Expression, 2014, pp. 277-280.
60. P. Hitzler, M. Krotzsch, and S. Rudolph, Foundations of Semantic Web Technologies. Boca Raton, FL, USA: CRC Press, 2009.
61. O. Hödl, G. Fitzpatrick, F. Kayali, and S. Holland, "Design implications for technology-mediated audience participation in live music, " in Proc. Sound Music Comput. Conf., 2017, pp. 28-34.
62. Y. C. Hu, M. Patel, D. Sabella, N. Sprecher, and V. Young, "Mobile edge computing-A key technology towards 5G, " ETSI, Sophia Antipolis, France, ETSI White Paper 11, 2015, pp. 1-16.
63. P. Ignoto, I. Hattwick, and M. M. Wanderley, "Development of a vibro-tactile metronome to assist in conducting contemporary classical music, " in Proc. Int. Conf. Appl. Hum. Factors Ergonom., 2017, pp. 248-258.
64. I. Jang, P. Kudumakis, M. B. Sandler, and K. Kang, "The MPEG interactive music application format standard [standards in a nutshell], " IEEE Signal Process. Mag., vol. 28, no. 1, pp. 150-154, Jan. 2011.
65. A. R. Jensenius and M. J. Lyons, Eds., A NIME Reader: Fifteen Years of New Interfaces for Musical Expression. Cham, Switzerland: Springer, 2017.
66. X. Jiang et al., "Low-latency networking: Where latency lurks and how to tame it, " Proc. IEEE, to be published. [Online]. Available: https://ieeexplore.ieee.org/abstract/document/8452158
67. P. Johansson, M. Kazantzidis, R. Kapoor, and M. Gerla, "Bluetooth: An enabler for personal area networking, " IEEE Netw., vol. 15, no. 5, pp. 28-37, Sep. 2001.
68. S. Jordà, G. Geiger, M. Alonso, and M. Kaltenbrunner, "The reactable: Exploring the synergy between live music performance and tabletop tangible interfaces, " in Proc. 1st Int. Conf. Tangible Embedded Interaction, 2007, pp. 139-146.
69. F. Kayali et al., "Playful technology-mediated audience participation in a live music event, " in Proc. Extended Abstr. Publ. Annu. Symp. Comput.-Hum. Interact. Play, 2017, pp. 437-443.
70. D. Keller, "Compositional processes from an ecological perspective, " Leonardo Music J., vol. 10, pp. 55-60, Dec. 2000.
71. D. Keller, L. V. Flores, M. S. Pimenta, A. Capasso, and P. Tinajero, "Convergent trends toward ubiquitous music, " J. New Music Res., vol. 40, no. 3, pp. 265-276, 2011.
72. D. Keller and V. Lazzarini, "Ecologically grounded creative practices in ubiquitous music, " Org. Sound, vol. 22, no. 1, pp. 61-72, 2017.
73. D. Keller, V. Lazzarini, and M. S. Pimenta, Ubiquitous Music. Cham, Switzerland: Springer, 2014.
74. D. Keller et al., "Ecologically grounded multimodal design: The Palafito 1.0 study, " in Proc. Int. Comput. Music Conf., 2014, pp. 1-8.
75. S. Kolozali, M. Barthet, G. Fazekas, and M. Sandler, "Automatic ontology generation for musical instruments based on audio analysis, " IEEE Trans. Audio, Speech, Language Process., vol. 21, no. 10, pp. 2207-2220, Oct. 2013.
76. T. L. Koreshoff, T. W. Leong, and T. Robertson, "Approaching a human-centred Internet of Things, " in Proc. Austral. Comput.-Hum. Interact. Conf., 2013, pp. 363-366.
77. T. L. Koreshoff, T. Robertson, and T. W. Leong, "Internet of Things: A review of literature and products, " in Proc. Austral. Comput.-Hum. Interact. Conf., 2013, pp. 335-344.
78. J. P. Lambert, S. Robaszkiewicz, and N. Schnell, "Synchronisation for distributed audio rendering over heterogeneous devices, in HTML5, " in Proc. Web Audio Conf., 2016, pp. 1-6.
79. S. Landström, J. Bergström, E. Westerberg, and D. Hammarwall, "NB-IoT: A sustainable technology for connecting billions of devices, " Ericsson Technol. Rev., vol. 93, no. 3, pp. 1-12, 2016.
80. V. Lazzarini, D. Keller, C. Kuhn, M. S. Pimenta, and J. Timoney, "Prototyping of ubiquitous music ecosystems, " J. Cases Inf. Technol., vol. 17, no. 4, p. 13, 2015.
81. Q. V. Le, "Building high-level features using large scale unsupervised learning, " in Proc. IEEE Int. Conf. Acoust., Speech Signal Process., May 2013, pp. 8595-8598.
82. S. W. Lee, A. D. de Carvalho, Jr., and G. Essl, "Understanding cloud support for the audience participation concert performance of crowd in c [loud], " in Proc. Conf. New Interfaces Musical Expression, 2016, pp. 176-181.
83. S. W. Lee, G. Essl, and Z. M. Mao, "Distributing mobile music applications for audience participation using mobile ad-hoc network (MANET), " in Proc. Conf. New Interfaces Musical Expression, 2014, pp. 533-536.
84. G. E. Lewis, "Too many notes: Computers, complexity and culture in voyager, " Leonardo Music J., vol. 10, no. 10, pp. 33-39, 2000.
85. F. Lind and A. MacPherson, "Soundtrap: A collaborative music studio with Web audio, " in Proc. Web Audio Conf., 2017, pp. 1-2.
86. "Namm 2013: Panel discussion: Past, present and future of midi, " Future Music Mag., 2013, Accessed: Sep. 23, 2017. [Online]. Available: https://www.musicradar.com/news/tech/namm-2013-video-panel-discussion-past-present-and-future-of-midi-570682
87. J. Malloch, S. Sinclair, and M. M. Wanderley, "A network-based framework for collaborative development and performance of digital musical instruments, " in Computer Music Modeling and Retrieval. Sense of Sounds. Berlin, Germany: Springer, 2008, pp. 401-425.
88. J. Malloch, S. Sinclair, and M. M. Wanderley, "Libmapper: (A library for connecting things), " in Proc. Extended Abstr. Hum. Factors Comput. Syst., 2013, pp. 3087-3090.
89. J. Malloch, S. Sinclair, and M. M. Wanderley, "Distributed tools for interactive design of heterogeneous signal networks, " Multimedia Tools Appl., vol. 74, no. 15, pp. 5683-5707, 2015.
90. Y. Mao, C. You, J. Zhang, K. Huang, and K. B. Letaief, "A survey on mobile edge computing: The communication perspective, " IEEE Commun. Surveys Tuts., vol. 19, no. 4, pp. 2322-2358, 4th Quart., 2017.
91. O. Mazhelis, E. Luoma, and H. Warma, "Defining an Internet-of-Things ecosystem, " in Internet of Things, Smart Spaces, and Next Generation Networking. Berlin, Germany: Springer, 2012, pp. 1-14.
92. D. Mazzanti, V. Zappi, D. G. Caldwell, and A. Brogni, "Augmented stage for participatory performances, " in Proc. Conf. New Interfaces Musical Expression, 2014, pp. 29-34.
93. A. McPherson and V. Zappi, "An environment for submillisecond-latency audio and sensor processing on BeagleBone black, " in Proc. Audio Eng. Soc. Conv., 2015, pp. 1-7.
94. C. M. Medaglia and A. Serbanati, "An overview of privacy and security issues in the Internet of Things, " in The Internet of Things. New York, NY, USA: Springer, 2010, pp. 389-395.
95. J. B. Meisel and T. S. Sullivan, "The impact of the Internet on the law and economics of the music industry, " Info, vol. 4, no. 2, pp. 16-22, 2002.
96. L. Men and N. Bryan-Kinns, "LeMo: Supporting collaborative music making in virtual reality, " in Proc. IEEE VR Workshop Sonic Interact. Virtual Environ., 2018.
97. A. Migicovsky, J. Scheinerman, and G. Essl, "MoveOSC-Smart watches in mobile music performance, " in Proc. Int. Joint Comput. Music Conf. Sound Music Comput. Conf., 2014, pp. 692-696.
98. D. Miorandi, S. Sicari, F. De Pellegrini, and I. Chlamtac, "Internet of Things: Vision, applications and research challenges, " Ad Hoc Netw., vol. 10, no. 7, pp. 1497-1516, 2012.
99. E. R. Miranda and M. M. Wanderley, New Digital Musical Instruments: Control and Interaction Beyond the Keyboard, vol. 21. Middleton, WI, USA: A-R Editions, 2006.
100. J. Miranda et al., "From the Internet of Things to the Internet of people, " IEEE Internet Comput., vol. 19, no. 2, pp. 40-47, Mar. 2015.
101. T. Mitchell, S. Madgwick, S. Rankine, G. S. Hilton, A. Freed, and A. R. Nix, "Making the most of Wi-Fi: Optimisations for robust wireless live music performance, " in Proc. Conf. New Interfaces Musical Expression, 2014, pp. 251-256.
102. K. Ng, "Sensing and mapping for interactive performance, " Org. Sound, vol. 7, no. 2, pp. 191-200, 2002.
103. R. Oda and R. Fiebrink, "The global metronome: Absolute tempo sync for networked musical performance, " in Proc. Conf. New Interfaces Musical Expression, 2016, pp. 1-6.
104. M. Patel and J. Wang, "Applications, challenges, and prospective in emerging body area networking technologies, " IEEE Wireless Commun., vol. 17, no. 1, pp. 80-88, Feb. 2010.
105. D. Poirier-Quinot, B. Matuszewski, N. Schnell, and O. Warusfel, "Nü Soundworks: Using spectators smartphones as a distributed network of speakers and sensors during live performances, " in Proc. Web Audio Conf., 2017, pp. 1-7.
106. I. Poupyrev et al., "Augmented groove: Collaborative jamming in augmented reality, " in Proc. ACM SIGGRAPH Conf. Abstr. Appl., 2000, p. 77.
107. Y. Raimond, S. A. Abdallah, M. B. Sandler, and F. Giasson, "The music ontology, " in Proc. Int. Soc. Music Inf. Retr. Conf., 2007, pp. 1-6.
108. A. R. Netto, L. Castheloge, A. Oliosi, A. Mateus, L. Costalonga, and D. Coura, "Memory tree: Multimedia interactive installation, " in Proc. XV Brazilian Symp. Comput. Music (SBCM), Campinas, Brazil, Nov. 2015.
109. T. Robertson and I. Wagner, "CSCW and the Internet of Things, " in Proc. Eur. Conf. Comput. Supported Cooperat. Work, 2015, pp. 285-294.
110. Y. Rogers, H. Sharp, and J. Preece, Interaction Design: Beyond Human-Computer Interaction. Hoboken, NJ, USA: Wiley, 2011.
111. R. Roman, P. Najera, and J. Lopez, "Securing the Internet of Things, " Computer, vol. 44, no. 9, pp. 51-58, Sep. 2011.
112. C. Rottondi, M. Buccoli, M. Zanoni, D. Garao, G. Verticale, and A. Sarti, "Feature-based analysis of the effects of packet delay on networked musical interactions, " J. Audio Eng. Soc., vol. 63, no. 11, pp. 864-875, 2015.
113. C. Rottondi, C. Chafe, C. Allocchio, and A. Sarti, "An overview on networked music performance technologies, " IEEE Access, vol. 4, pp. 8823-8843, 2016.
114. C. Rowland, E. Goodman, M. Charlier, A. Light, and A. Lui, Designing Connected Products: UX for the Consumer Internet of Things. Newton, MA, USA: O'Reilly, 2015.
115. S. Roy, D. Sarkar, S. Hati, and D. De, "Internet of music things: An edge computing paradigm for opportunistic crowdsensing, " J. Supercomput., pp. 1-33, Aug. 2018. [Online]. Available: https://link.springer.com/article/10.1007/s11227-018-2511-6#citeas
116. P. Saari, G. Fazekas, T. Eerola, M. Barthet, O. Lartillot, and M. Sandler, "Genre-adaptive semantic computing and audio-based modelling for music mood annotation, " IEEE Trans. Affect. Comput., vol. 7, no. 2, pp. 122-135, Apr. 2016.
117. A. Sarasúa, "Context-aware gesture recognition in classical music conducting, " in Proc. ACM Int. Conf. Multimedia, 2013, pp. 1059-1062.
118. M. Satyanarayanan, "Pervasive computing: Vision and challenges, " IEEE Pers. Commun., vol. 8, no. 4, pp. 10-17, Aug. 2001.
119. M. Satyanarayanan, "The emergence of edge computing, " Computer, vol. 50, no. 1, pp. 30-39, 2017.
120. A. Schmeder, A. Freed, and D. Wessel, "Best practices for open sound control, " in Proc. Linux Audio Conf., 2010, pp. 1-10.
121. S. Serafin, C. Erkut, J. Kojs, N. C. Nilsson, and R. Nordahl, "Virtual reality musical instruments: State of the art, design principles, and future directions, " Comput. Music J., vol. 40, no. 3, pp. 22-40, 2016.
122. W. Shi, J. Cao, Q. Zhang, Y. Li, and L. Xu, "Edge computing: Vision and challenges, " IEEE Internet Things J., vol. 3, no. 5, pp. 637-646, Oct. 2016.
123. H. Shokri-Ghadikolaei et al., "Millimeter wave cellular networks: A MAC layer perspective, " IEEE Trans. Commun., vol. 63, no. 10, pp. 3437-3458, Oct. 2015.
124. H. Shokri-Ghadikolaei, C. Fischione, P. Popovski, and M. Zorzi, "Design aspects of short-range millimeter-wave networks: A MAC layer perspective, " IEEE Netw., vol. 30, no. 3, pp. 88-96, May 2016.
125. N. Shrestha, S. Kubler, and K. Främling, "Standardized framework for integrating domain-specific applications into the IoT, " in Proc. IEEE Int. Conf. Future Internet Things Cloud, Aug. 2014, pp. 124-131.
126. S. Skach, A. Xambó, L. Turchet, A. Stolfi, R. Stewart, and M. Barthet, "Embodied interactions with E-textiles and the Internet of sounds for performing arts, " in Proc. Int. Conf. Tangible, Embedded, Embodied Interact., 2018, pp. 80-87.
127. M. Slaney, "Semantic-audio retrieval, " in Proc. IEEE Int. Conf. Acoust., Speech, Signal Process., vol. 4, May 2002, pp. 4108-4111.
128. M. Slater, "Grand challenges in virtual environments, " Frontiers Robot. AI, vol. 1, p. 3, May 2014.
129. A. Stolfi, M. Barthet, F. Goródscy, A. Deusany, and F. Iazzetta, "Open band: Audience creative participation using Web audio synthesis, " in Proc. Web Audio Conf., 2017, pp. 1-7.
130. J. Strähle and L. Köhneke, "How digital changed the music industry, " in Fashion & Music. Singapore: Springer, 2018, pp. 201-221.
131. A. Subramaniam and M. Barthet, "Mood visualiser: Augmented music visualisation gauging audience arousal, " in Proc. Int. Audio Mostly Conf., 2017, pp. 5:1-5:8.
132. T. Subramanya, L. Goratti, S. N. Khan, E. Kafetzakis, I. Giannoulakis, and R. Riggio, "A practical architecture for mobile edge computing, " in Proc. IEEE Conf. Netw. Function Virtualization Softw. Defined Netw., Nov. 2017, pp. 1-4.
133. A. Tanaka, "Musical performance practice on sensor-based instruments, " Trends Gestural Control Music, vol. 13, pp. 389-405, 2000. [Online]. Available: https://www.researchgate.net/profile/Atau_Tanaka/publication/239016748_Musical_Performance_Practice_ on_Sensor-based_Instruments/links/5707a2e508ae8883a1f7e4ad.pdf
134. A. Tanaka, "Mobile music making, " in Proc. Conf. New Interfaces Musical Expression, 2004, pp. 154-156.
135. F. Thalmann, A. Perez-Carrillo, G. Fazekas, G. A. Wiggins, and M. B. Sandler, "Navigating ontological structures based on feature metadata with the semantic music player, " in Proc. Int. Soc. Music Inf. Retr. Conf., 2015, pp. 1-3.
136. L. Thompson, C. Cannam, and M. B. Sandler, "Piper: Audio feature extraction in browser and mobile applications, " in Proc. Web Audio Conf., 2017, pp. 1-3.
137. L. Turchet and M. Barthet, "An Internet of musical things architecture for performers-audience tactile interactions, " in Proc. Digit. Music Res. Netw. Workshop, 2017, p. 1.
138. L. Turchet and M. Barthet, "Envisioning smart musical haptic wearables to enhance performers' creative communication, " in Proc. Int. Symp. Comput. Music Multidiscipl. Res., 2017, pp. 538-549.
139. L. Turchet, M. Benincaso, and C. Fischione, "Examples of use cases with smart instruments, " in Proc. Audio Mostly Conf., 2017, pp. 47:1-47:5.
140. L. Turchet, C. Fischione, and M. Barthet, "Towards the Internet of musical things, " in Proc. Sound Music Comput. Conf., 2017, pp. 13-20.
141. L. Turchet, A. McPherson, and M. Barthet, "Co-design of a smart Cajón, " J. Audio Eng. Soc., vol. 66, no. 4, pp. 220-230, 2018.
142. L. Turchet, A. McPherson, and M. Barthet, "Real-time hit classification in a smart Cajón, " Frontiers ICT, vol. 5, no. 16, Jul. 2018.
143. L. Turchet, A. McPherson, and C. Fischione, "Smart instruments: Towards an ecosystem of interoperable devices connecting performers and audiences, " in Proc. Sound Music Comput. Conf., 2016, pp. 498-505.
144. R. van Kranenburg and A. Bassi, "IoT challenges, " Commun. Mobile Comput., vol. 1, no. 1, p. 9, 2012.
145. G. Volpe et al., "Designing multimodal interactive systems using Eye-sWeb XMI, " in Proc. Conf. New Interfaces Musical Expression, 2007, pp. 49-56.
146. J. Wagner, F. Lingenfelser, T. Baur, I. Damian, F. Kistler, and E. André, "The social signal interpretation (SSI) framework: Multimodal signal processing and recognition in real-time, " in Proc. ACM Int. Conf. Multimedia, 2013, pp. 831-834.
147. R. H. Weber, "Internet of Things-Need for a new legal environment? Comput. Law Secur. Rev., vol. 25, no. 6, pp. 522-527, 2009.
148. R. H. Weber, "Internet of Things: Privacy issues revisited, " Comput. Law Secur. Rev., vol. 31, no. 5, pp. 618-627, 2015.
149. G. Weinberg, "The aesthetics, history and future challenges of inter-connected music networks, " in Proc. Int. Comput. Music Conf., 2002, pp. 1-8.
150. G. Weinberg, "Interconnected musical networks: Toward a theoretical framework, " Comput. Music J., vol. 29, no. 2, pp. 23-39, Jun. 2005.
151. M. Weiser, "The computer for the 21st century, " Sci. Amer., vol. 265, no. 3, pp. 94-105, 1991.
152. N. Weitzner, J. Freeman, S. Garrett, and Y. L. Chen, "massMobile-An audience participation framework, " in Proc. Conf. New Interfaces Musical Expression, 2012, pp. 21-23.
153. W. Weng, P. Chen, S. He, X. Sun, and H. Peng, "Smart electronic textiles, " Angew. Chem. Int. Ed., vol. 55, no. 21, pp. 6140-6169, 2016.
154. S. Abdallah, E. Benetos, N. Gold, S. Hargreaves, T. Weyde, and D. Wolff, "The digital music lab: A big data infrastructure for digital musicology, " J. Comput. Cult. Herit., vol. 10, no. 1, pp. 2:1-2:21, Jan. 2017. [Online]. Available: https://dl.acm.org/citation.cfm?id=2983918
155. A. Whitmore, A. Agarwal, and L. Da Xu, "The Internet of Things-A survey of topics and trends, " Inf. Syst. Frontiers, vol. 17, no. 2, pp. 261-274, 2015.
156. A. Willig, "Recent and emerging topics in wireless industrial communications: A selection, " IEEE Trans. Ind. Informat., vol. 4, no. 2, pp. 102-124, May 2008.
157. T. Wilmering, F. Thalmann, and M. B. Sandler, "Towards a framework for the discovery of collections of live music recordings and artefacts on the semantic Web, " in Proc. Web Audio Conf., 2017.
158. M. Wilson, "Six views of embodied cognition, " Psychonomic Bull. Rev., vol. 9, no. 4, pp. 625-636, 2002.
159. W. Woszczyk, J. Cooperstock, J. Roston, and W. Martens, "Shake, rattle, and roll: Getting immersed in multisensory, interactive music via broadband networks, " J. Audio Eng. Soc., vol. 53, no. 4, pp. 336-344, 2005.
160. M. Wright, A. Freed, and A. Momeni, "Opensound control: State of the art 2003, " in Proc. Conf. New Interfaces Musical Expression, 2003, pp. 153-160.
161. Y. Wu, L. Zhang, N. Bryan-Kinns, and M. Barthet, "Open symphony: Creative participation for audiences of live music performances, " IEEE Multimedia Mag., vol. 24, no. 1, pp. 48-62, Jan. 2017.
162. S. Yi, C. Li, and Q. Li, "A survey of fog computing: Concepts, applications and issues, " in Proc. Workshop Mobile Big Data, 2015, pp. 37-42.
163. L. Zhang, Y. Wu, and M. Barthet, "A Web application for audience participation in live music performance: The open symphony use case, " in Proc. Conf. New Interfaces Musical Expression, 2016, pp. 170-175.