Desire and distance in Kaija Saariaho’s Lonh1

Organised Sound

Volumn 8, Issue 1, 2003, Pages 71-84

  Sivuoja Gunaratnam, Anne ^a  

^a UNIVERSITY OF TURKU   (Finland)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 84894730685     PISSN: 13557718     EISSN: 14698153     Source Type: Journal    
DOI: 10.1017/S1355771803001080     Document Type: Article

References (48)

1. Adomo, T. W. 1987[1948]. Philosophy of Modern Music. London: Sheen & Ward.
2. Alpers, P. 1982. What is pastoral? Critical Enquiry 8: 437–60.
3. Alpers, P. 1997. What is Pastoral?. Chicago, IL: University of Chicago Press.
4. Attali, J. 1996[1977]. Noise. The Political Economy of Music. Minneapolis, MN: University of Minnesota Press.
5. Barthes, R. 1975[1972]. The Pleasure of the Text. Oxford: Basil Blackwell.
6. Barthes, R. 1977[1972]. The grain of the voice. In S. Heath (ed.) Image, Music, Text, pp. 179–89. New York: Hill and Wang.
7. Chion, M. 1995. Guide des objets sonores. Pierre Schaeffer et la recherche musicale. Paris: Buchet/Chastel.
8. Cixous, H., and Clement, C. 1993[1975]. The Newly Born Woman. Minneapolis, MN: University of Minnesota Press.
9. Emmerson, S. 1994. ‘Live’ versus ‘real-time’. Contemporary Music Review 10(2): 95–101.
10. Emmerson, S. 1998. Acoustic/electroacoustic. The relationship with instruments. Journal of New Music Research 27(1,2): 146–64.
11. Emmerson, S. 2000. ‘Losing touch?’: the human performer and electronics. In S. Emmerson (ed.) Music, Electronic Media and Culture, pp. 194–216. Aldershot: Ashgate.
12. Field, A. 2000. Simulation and reality: the new sonic objects. In S. Emmerson (ed.) Music, Electronic Media and Culture, pp. 36–55. Aldershot: Ashgate.
13. Genette, G. 1982. Palimpsestes. La litterature au second degre. Paris: Seuil.
14. Ghil, E. M. 1995. Imagery and vocabulary. In F. R. P. Ake-hurst and J. M. Davies (eds.) A Handbook of the Troubadours’, pp. 441–66. Berkeley & Los Angeles: University of California Press.
15. Gifford, T. 1999. Pastoral. The New Critical Idiom. London: Routledge.
16. Grabocz, M. 1986. Morphologie des oeuvres pour piano de Liszt. Influence du programme sur l'evolution des formes instrumentales. Budapest: MTA Zenetudomanyi Intezet.
17. Greimas, A. J., and Courtes, J. 1979. Semiotique. Dictionnaire raisonne de la theorie du langage. Paris: Hachette.
18. Heinio, M. 1995. Aikamme musiikki. Suomen musiikin historia 4. Porvoo: WSOY.
19. Iitti, S. 2001. Kaija Saariaho: stylistic development and artistic principles. Journal of the IAWM (= international alliance for women in music) 7(3): 17–20.
20. Iitti, S. 2002. L’amour de loin: Kaija Saariaho’s first opera. Journal of the IAWM (= international allaiance for women in music) 8(1,2): 9–14.
21. Irigaray, L. 1985 [1977]. This Sex which is not One. Ithaca, NY: Cornell University Press.
22. [1984]. An Ethics of Sexual Difference. London: The Athlone Press. Jeanroy, A. (ed.) 1915. Les chansons de Jaufre Rudel. Paris: Honore Champion.
23. Kankaanpaa, V. 1995. Sointivarin kasite musiikin kuvaajana. Kaija Saariahon sointivarikasitykset ja niiden ilmeneminen soolohuiluteoksessa. Laconisme de l'aile. Musiikki 3: 218-48.
24. Kankaanpaa, V. 1996. Displaced time: transcontextual references to time in Kaija Saariaho’s Stilleben. Organised Sound 1(2): 87–92.
25. Lazar, M. 1964. Amour courtois et ‘fin‘amors’ dans la litterat-ure du XIIe siecle. Paris: Klincksieck.
26. Lazar, M. 1995. Fin’amor. In F. R. P. Akehurst and J. M. Davies (eds.) A Handbook of the Troubadours, pp. 61–100. Berkeley & Los Angeles: University of California Press.
27. Moisala, P. 2000. Gender negotiations of the composer Kaija Saariaho in Finland: composer as nomadic subject. In P. Moisala and B. Diamond (eds.) Music and Gender, pp. 166–88. Urbana and Chicago, IL: University of Illinois Press.
28. Monelle, R. 2000. The Sense of Music. Semiotic Essays. Princeton, NJ: Princeton University Press.
29. Pickens, R. T. (ed.) 1978. The Songs of Jaufre Rudel. Toronto: Pontifical Institute of Mediaeval Studies.
30. Poizat, M. 1992[1986]. The Angel’s Cry. Beyond the Pleasure Principle in Opera. Ithaca, NY: Cornell University Press.
31. Potter, J. 1998. A Vocal Authority. Singing Style and Ideology. Cambridge: Cambridge University Press.
32. Riikonen, T. 2002. Ansatsista toiseen: kohti narratiivista huili-sti-identiteettia. Musiikki 2: 28–44.
33. Rosenstein, R. 1988. Les annees d’apprentissage du troubadour Jaufre Rudel: De L’Escola n’Ebloa la Segura Escola. Annales du Midi 100(171, janvier-mars): 7–15.
34. Saariaho, K. 1987. Timbre and harmony: interpolations of tim-bral structures. Contemporary Music Review 2(1): 93–133.
35. Schaeffer, P. 1966. Traite des objets musicaux. Essai interdis-ciplines. Paris: Seuil.
36. Sivuoja-Gunaratnam, A. 1998. Rhetoric of transition in Kaija Saariaho’s music. In G. Stefani, E. Tarasti and L. Marconi (eds.) Musical Signification: Between Rhetoric and Pragmatics. Proc. of the 5th Int. Congr. on Musical Signification,, pp. 537-42. Bologna: CLUEB 1998.
37. Smalley, D. 1992. The listening imagination: listening in the electroacoustic era. In J. Paytner, T. Howell, R. Orton and P. Seymour (eds.) Companion to Contemporary Musical Thought, Vol. 1, pp. 514-44. London: Routledge.
38. Smalley, D. 1997. Spectromorphology: explaining sound-shapes. Organised Sound 2(2): 107–26.
39. Truax, B. 1992. Electroacoustic music and the soundscape: the inner and outer world. In J. Paytner, T. Howell, R. Orton and P. Seymour (eds.) Companion to Contemporary Musical Thought, Vol. 1, pp. 374–98. London: Routledge.
40. Viljanen, T. 2000. Kyborgisubjektisuus Kaija Saariahon teok-sessa NoaNoa (1992) huilulle ja elektroniikalle. Musiikki 3-4: 186–196.
41. Werf, H. 1972. The Chansons of the Troubadours and Trouveres. Utrecht: A. Oosthoek.
42. Werf, H. 1995. Music. In F. R. P. Akehurst and J. M. Davies (eds.) A Handbook of the Troubadours, pp. 121–64. Berkeley & Los Angeles: University of California Press. Komsi, A., 2000. Interview with the author, 27 March 2000. Teacher's reading room, University of Helsinki.
43. Saariaho, K., 2000. Interview with the author, 10 March 2000. YLE (Finnish Broadcasting Company), Helsinki. A major part of the interview was broadcast by YLE, 18 March 2000.
44. Saariaho, K., 2000. Public interview with the author, 7 March 2000. Main Hall, University of Helsinki.
45. Saariaho, K., 2000. E-mail message to the author, 6 June 2000. Rudel, Jaufre. Lancan li jorn son lanc en mai. CD recording by Martin Best. In The Forgotten Provence. NIMBUS, NI 5445.
46. Rudel, Jaufre. Lanquan li jorn son lanc en mai. CD recording by Paul Hillier. In Distant Love. Harmonia Mundi USA. 907203.
47. Saariaho, Kaija. Lonh. Score and Rehearsal CD. London: Chester Music, 1996.
48. Saariaho, Kaija. Lonh. CD recording by Dawn Upshaw (soprano). In Private Gardens, Helsinki: Online Records, ODE 906–912, 1997.