Displaced time: Transcontextual references to time in Kaija Saariaho's Stilleben

Organised Sound

Volumn 1, Issue 2, 1996, Pages 87-

  Kankaanpaa, Vesa ^a  

^a UNIVERSITY OF TURKU   (Finland)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 84894800981     PISSN: 13557718     EISSN: 14698153     Source Type: Journal    
DOI: 10.1017/S1355771896000106     Document Type: Article

References (12)

1. Emmerson, S. 1986. The relation of language to material. In S. Emmerson (ed.) The Language of Electroacoustic Music. London: Macmillan Press Ltd.
2. Saariaho, K. 1985–6. Lichtbogen. For nine musicians and live-electronics. A Score. Copenhagen: Edition Wilhelm Hansen AS.
3. Saariaho, K. 1988. Stilleben. Nature morte avec paysage en mouvement, a travers la fenetre. A radiophonic composition. A score. Helsinki: Oy Yleisradio Ab.
4. Saariaho, K. 1989. Lichtbogen, lo Verblendungen, Stil-leben. Avanti Chamber Orchestra, J.-P. Saraste (cond.). Helsinki: Finlandia Records FACD 374. Epstein, D. 1987. Beyond Orpheus. Studies in Musical Structure. Oxford (New York): Oxford University Press.
5. Hutcheon, L. 1985. A Theory of Parody. The Teachings of Twentieth-Century Art Forms. New York and London: Methuen.
6. Kankaanpaa, V. 1995. Sointivarin kasite musiikin kuvaa-jana. Kaija Saariahon sointivarikasitykset ja niiden ilmeneminen huilusoolossa Laconisme de l'aile. Musiikki 3: 218–48.
7. Kramer, J. 1988. The Time of Music. New Meanings, New Temporalities, New Listening Strategies. New York (London): Schirmer Books.
8. Langer, S. 1953(1973). Feeling and Form. A Theory of Art. London: Routledge and Kegan Paul Ltd.
9. Nattiez, J.-J. 1990. Music and Discourse. Toward a Semiology of Music. Translated by Carolyn Abbate. Princeton, NJ: Princeton University Press.
10. Ricoeur, P. 1984. Time and Narrative, Vol. 1. Translated by Kathleen McLaughlin and David Pellaeur. Chicago and London: The University of Chicago Press.
11. Saariaho, K. 1987–8. Kaija Saariaho on Stilleben. An essay published in connection with the score, pp. 10–15.
12. Smalley, D. 1992. The listening imagination: Listening in the electroacoustic era. In J. Paynter, T. Howell, R. Orton and P. Seymour (eds.) Companion to Contemporary Musical Thought, Vol. 1, pp. 514–54. London: Routledge.