‘Losing touch?’: The human performer and electronics

Music, Electronic Media and Culture

Volumn , Issue , 2013, Pages 194-216

  Emmerson, Simon ^a  

^a CITY UNIVERSITY   (United Kingdom)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 67650123182     PISSN: None     EISSN: None     Source Type: Book    
DOI: None     Document Type: Chapter

References (23)

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7. Emmerson, Simon (1994a), 'Live' versus 'real-time', Contemporary Music Review, 10(2), pp. 95-101.
8. Emmerson, Simon (1994b), '"Local/field": towards a typology of live electroacoustic music', Proceedings of the International Computer Music Conference 1994, pp. 31-4, San Francisco: International Computer Music Association.
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10. Emmerson, Simon (1998), 'Acoustic/Electroacoustic: The Relationship with Instruments', Journal of New Music Research 27(1-2), pp. 146-64.
11. Landy, Leigh (1991), What's the Matter with Today's Experimental Music?, Chur: Harwood Academic Publishers.
12. Moore, F. Richard (1988), 'The dysfunctions of Midi', Computer Music Journal, 12(1), pp. 19-28.
13. Piaget, Jean (1969), The Mechanisms of Perception (tr. G.N. Seagrim), London: Routledge and Kegan Paul.
14. Schaeffer, Pierre (1966), Traité des objets musicaux, Paris: Editions du Seuil.
15. Schaeffer, Pierre (1973), La musique concrète, Paris: Presses Universitaires de France.
16. Schafer, R. Murray (1977), The Tuning of the World, New York: Knopf.
17. Smalley, Denis (1986), 'Spectro-morphology and structuring processes', in Emmerson, Simon (ed.), The Language of Electroacoustic Music, pp. 61-93, Basingstoke: Macmillan.
18. Smalley, Denis (1992), 'The listening imagination: listening in the electroacoustic era', in Paynter, John; Howell, Tim; Orton, Richard; Seymour, Peter (eds), Companion to Contemporary Musical Thought, pp. 514-54, London: Routledge.
19. Stockhausen, Karlheinz (1971), 'Elektronische Musik aus Studios in aller Welt', in Stockhausen, Karlheinz, Texte zur Musik (Band 3), pp. 242-87, Köln: Dumont Schauberg.
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21. Wishart, Trevor (1986), 'Sound symbols and landscapes', in Emmerson, Simon (ed.), The Language of Electroacoustic Music, pp. 41-60, Basingstoke: Macmillan.
22. Xenakis, Iannis (1985), Arts/Sciences: Alloys, New York: Pendragon.
23. Xenakis, Iannis (1992), Formalized Music, Stuyvesant: Pendragon.