Acoustic/electroacoustic: The relationship with instruments

Journal of New Music Research

Volumn 27, Issue 1-2, 1998, Pages 146-164

  Emmerson, Simon ^a  

^a CITY UNIVERSITY   (United Kingdom)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 61249393185     PISSN: 09298215     EISSN: 17445027     Source Type: Journal    
DOI: 10.1080/09298219808570742     Document Type: Article

References (16)

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4. Emmerson, S., 1994a. ‘Live’ versus ‘real-time’. Contemporary Music Review, 10: 95–101.
5. Emmerson, S., ‘Local/field’: Towards a typology of live electroacoustic music. Proceedings of the International Computer Music Conference 1994. San Francisco. pp. 31–34. International Computer Music Association.
6. Koblyakov, L., 1984. Jean-Claude Risset — Songes (1979) (9'). Contemporary Music Review, 1: 171–3.
7. Smalley, D., 1986. “ Spectro-morphology and structuring processes ”. In The language of electroacoustic music, Edited by: Emmerson, S., 61–93. Basingstoke, UK: The Macmillan Press.
8. Smalley, D., 1992. “ The listening imagination: Listening in the electroacoustic era ”. In Companion to contemporary musical thought, Edited by: Paynter, J., Howell, T., Orton, R., and Seymour, P., 514–554. London: Routledge.
9. Contemporary Music Review, 1377–107.
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11. Wishart, T., 1986. “ Sound symbols and landscapes ”. In The language of electroacoustic music, Edited by: Emmerson, S., 41–60. Basingstoke, UK: The Macmillan Press.
12. Wishart, T., 1996. On sonic art, (rev. ed.), London: Harwood Academic Publishers.
13. Zuckerkandl, V., 1956. Sound and symbol, London: Routledge & Kegan Paul.
14. Risset, J.-C., Songes, Wergo WER 2013–50.
15. Saariaho, K., Lichtbogen, Finlandia FACD 374. (Avanti Chamber Orchestra c. Jukka-Pekka Saraste)
16. Smalley, D., Clarinet Threads, Empreintes Digitales IMED-9209-CD. (Roger Heaton (clarinet))