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Volumn 63, Issue 1, 2013, Pages 1-16

Bodies at Home and at School: Toward a Theory of Embodied Social Class Status

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EID: 84875852166     PISSN: 00132004     EISSN: 17415446     Source Type: Journal    
DOI: 10.1111/edth.12006     Document Type: Article
Times cited : (6)

References (51)
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    • Note
    • It is critical that readers not overinterpret these theoretical suggestions; Shilling's desire here is to typify trends, not essentialize working-class or middle-class people in narrow, rigid ways.
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    • Note
    • While McCadden's focus is not on body pedagogics specifically, he begins this essay with a powerful vignette of the embodied transition rituals of a typical kindergarten classroom: the song with physical movements, meant as a classroom management strategy: "At the end of a song (during which we are all dancing around the meeting space), we sit down.Mrs. Hooper holds her arms up and calls out to the class, 'Open, shut them; open, shut them; give your hands a clap. Open, shut them; open, shut them; put them in your lap.' Her hands, as well as the hands of the students, mimic the words of the transitional mantra" (239).
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    • Marcel Mauss, "Techniques of the Body," Economy and Society 2, no. 1 (1973): 70-88, http://dx.doi.org/10.1080/03085147300000003. Mauss maintained that in "civilized" societies where children were placed in chairs for feeding, one of the body's responses was the loss of the capacity to squat. Squatting, he argued, was a physical capacity that had sociological and psychological implications in societies less "civilized" and demonstrated the "triumvirate" of the physical, psychological, and sociological of bodily techniques.
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    • While it is certainly true that multiple factors bear on the performances that children make - personality, gender, and so on - it is still important that we consider the patterns of performances that social class, as a significant element of habitus, has on cultivating various bodily techniques and performances.
    • While it is certainly true that multiple factors bear on the performances that children make - personality, gender, and so on - it is still important that we consider the patterns of performances that social class, as a significant element of habitus, has on cultivating various bodily techniques and performances.
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