메뉴 건너뛰기




Volumn 28, Issue 3, 2011, Pages 219-245

Musical tension and the interaction of dynamic auditory parameters

Author keywords

Ecological model; Loudness; Musical tension; Pitch direction; Pitch register

Indexed keywords


EID: 79954474359     PISSN: 07307829     EISSN: 15338312     Source Type: Journal    
DOI: 10.1525/MP.2011.28.3.219     Document Type: Article
Times cited : (38)

References (70)
  • 2
    • 0000963496 scopus 로고
    • Anchoring effects in music: The resolution of dissonance
    • Bharucha, J. J. (1984). Anchoring effects in music: The resolution of dissonance. Cognitive Psychology, 16, 485-518.
    • (1984) Cognitive Psychology , vol.16 , pp. 485-518
    • Bharucha, J.J.1
  • 3
    • 0031154810 scopus 로고    scopus 로고
    • Perceiving Musical Stability: The Effect of Tonal Structure, Rhythm, and Musical Expertise
    • Bigand, E. (1997). Perceiving musical stability: the effect of tonal structure, rhythm, and musical expertise. Journal of Experimental Psychology: Human Perception and Performance, 23, 808-822. (Pubitemid 127456145)
    • (1997) Journal of Experimental Psychology: Human Perception and Performance , vol.23 , Issue.3 , pp. 808-822
    • Bigand, E.1
  • 4
    • 0033252071 scopus 로고    scopus 로고
    • Perceiving music tension in long chord sequences
    • Bigand, E., & parncutt, R. (1999). Perceiving music tension in long chord sequences. Psychological Research, 62, 237-254.
    • (1999) Psychological Research , vol.62 , pp. 237-254
    • Bigand, E.1    Parncutt, R.2
  • 6
    • 0001115447 scopus 로고
    • Intonation across languages
    • J .H. Greenberg, C. A. Ferguson, & E. A. Moravcsik (Eds.): Phonology. Stanford, CA: Stanford University Press
    • Bolinger, D. L. (1964). Intonation across languages. In J .H. Greenberg, C. A. Ferguson, & E. A. Moravcsik (Eds.), Universals of human language, Vol. 2: Phonology (pp. 471-524). Stanford, CA: Stanford University Press.
    • (1964) Universals of Human Language , vol.2 , pp. 471-524
    • Bolinger, D.L.1
  • 8
    • 61249284340 scopus 로고    scopus 로고
    • The relationship between dynamics and tension in Haydn's symphony 104: A developmental study
    • Burnsed, V., & Sochinski, J. (2001). The relationship between dynamics and tension in Haydn's symphony 104: A developmental study. Psychomusicology, 17, 19-35.
    • (2001) Psychomusicology , vol.17 , pp. 19-35
    • Burnsed, V.1    Sochinski, J.2
  • 9
    • 60749103572 scopus 로고    scopus 로고
    • Encoding emotions in speech with the size code: A perceptual investigation
    • Chuenwattanapranithi, S., Xu, Y., Thipakorn, B., & Maneewongvatana, S. (2008). Encoding emotions in speech with the size code: A perceptual investigation. Phonetica, 65, 210-230.
    • (2008) Phonetica , vol.65 , pp. 210-230
    • Chuenwattanapranithi, S.1    Xu, Y.2    Thipakorn, B.3    Maneewongvatana, S.4
  • 10
    • 84990342721 scopus 로고    scopus 로고
    • Meaning and the specification of motion in music
    • Clarke, E. F. (2001). Meaning and the specification of motion in music. Musicae Scientiae, 5, 213-234.
    • (2001) Musicae Scientiae , vol.5 , pp. 213-234
    • Clarke, E.F.1
  • 12
    • 32844461165 scopus 로고
    • Palestrina counterpoint: A musical expression of unexcited speech
    • Cohen, D. (1971). Palestrina counterpoint: A musical expression of unexcited speech. Journal of Music Theory, 15, 99-111.
    • (1971) Journal of Music Theory , vol.15 , pp. 99-111
    • Cohen, D.1
  • 13
    • 32844457685 scopus 로고    scopus 로고
    • Concurrence and nonoccurrence between learned and natural schemata: The case of Johann Sebastian Bach's saraband in C minor for cello solo
    • Cohen, D., & Wagner, N. (2000). Concurrence and nonoccurrence between learned and natural schemata: The case of Johann Sebastian Bach's saraband in C minor for cello solo. Journal of New Music Research, 29, 23-36.
    • (2000) Journal of New Music Research , vol.29 , pp. 23-36
    • Cohen, D.1    Wagner, N.2
  • 15
    • 0018401349 scopus 로고
    • The perception of collative properties in visual stimuli
    • Cupchik, G. C., & Berlyne, D. E. (1979). The perception of collative properties in visual stimuli. Scandinavian Journal of Psychology, 20, 93-104.
    • (1979) Scandinavian Journal of Psychology , vol.20 , pp. 93-104
    • Cupchik, G.C.1    Berlyne, D.E.2
  • 16
    • 33847113357 scopus 로고    scopus 로고
    • How music moves: Musical parameters and images of motion
    • Eitan, Z., & Granot, R. Y. (2006). How music moves: Musical parameters and images of motion. Music Perception, 23, 221-247.
    • (2006) Music Perception , vol.23 , pp. 221-247
    • Eitan, Z.1    Granot, R.Y.2
  • 17
    • 39749097304 scopus 로고    scopus 로고
    • Intensity changes and perceived similarity: Inter-parametric analogies
    • Discussion Forum 4a
    • Eitan, Z., & Granot, R. Y. (2007). Intensity changes and perceived similarity: Inter-parametric analogies. Musicae Scientiae, Discussion Forum 4a, 99-133.
    • (2007) Musicae Scientiae , pp. 99-133
    • Eitan, Z.1    Granot, R.Y.2
  • 18
    • 76349119890 scopus 로고    scopus 로고
    • Beethoven's last piano sonata and those who follow crocodiles: Cross-domain mappings of auditory pitch in a musical context
    • Eitan, Z., & Timmers, R. (2010). Beethoven's last piano sonata and those who follow crocodiles: Cross-domain mappings of auditory pitch in a musical context. Cognition, 114, 405-422.
    • (2010) Cognition , vol.114 , pp. 405-422
    • Eitan, Z.1    Timmers, R.2
  • 21
    • 84970442617 scopus 로고
    • A comparison of perceived musical tension and aesthetic response
    • Fredrickson, W. E. (1995). A comparison of perceived musical tension and aesthetic response. Psychology of Music, 23, 81-87.
    • (1995) Psychology of Music , vol.23 , pp. 81-87
    • Fredrickson, W.E.1
  • 22
    • 0039277069 scopus 로고    scopus 로고
    • Elementary, middle and high school student perceptions of tension in music
    • Fredrickson, W. E. (1997). Elementary, middle and high school student perceptions of tension in music. Journal of Research in Music education, 45, 626-638.
    • (1997) Journal of Research in Music Education , vol.45 , pp. 626-638
    • Fredrickson, W.E.1
  • 23
    • 0039868903 scopus 로고    scopus 로고
    • The effect of musical performance on perception of tension in Gustav Holst's first suite in E-flat
    • Fredricksqn, W. E. (1999). The effect of musical performance on perception of tension in Gustav Holst's first suite in E-flat. Journal of Research in Music Education, 47, 44-52.
    • (1999) Journal of Research in Music Education , vol.47 , pp. 44-52
    • Fredricksqn, W.E.1
  • 24
    • 0034154553 scopus 로고    scopus 로고
    • Perception of tension in music: Musicians versus nonmusicians
    • Fredricksqn, W. E. (2000). Perception of tension in music: Musicians versus nonmusicians. Journal of Music Therapy, 37, 40-50.
    • (2000) Journal of Music Therapy , vol.37 , pp. 40-50
    • Fredricksqn, W.E.1
  • 25
    • 60950234072 scopus 로고    scopus 로고
    • A comparison of music majors' and nonmajors' perceptions of tension for two selections of Jazz music
    • Fredricksqn, W. E., & Cqggiqla, J. (2003). A comparison of music majors' and nonmajors' perceptions of tension for two selections of Jazz music. Journal of Research in Music Education, 51, 259-270.
    • (2003) Journal of Research in Music Education , vol.51 , pp. 259-270
    • Fredricksqn, W.E.1    Cqggiqla, J.2
  • 26
    • 11244309937 scopus 로고    scopus 로고
    • Effects of aural and visual conditions on response to perceived artistic tension in music and dance
    • Fregq, R. J. D. (1999). Effects of aural and visual conditions on response to perceived artistic tension in music and dance. Journal of Research in Music Education, 47, 31-43.
    • (1999) Journal of Research in Music Education , vol.47 , pp. 31-43
    • Fregq, R.J.D.1
  • 27
    • 1642325338 scopus 로고    scopus 로고
    • The influence of musical structure on emotional expression
    • P. N. Juslin & J. A. Sloboda (Eds.). Oxford, UK: Oxford University Press
    • Gabrielssqn, A., & Lindström, E. (2001). The influence of musical structure on emotional expression. In P. N. Juslin & J. A. Sloboda (Eds.), Music and emotion: Theory and research (pp. 223-248). Oxford, UK: Oxford University Press.
    • (2001) Music and Emotion: Theory and Research , pp. 223-248
    • Gabrielssqn, A.1    Lindström, E.2
  • 30
    • 24944584439 scopus 로고    scopus 로고
    • Effects of intrastimulus modality change on audiovisual time-to-arrival judgments
    • Gordon, M. S., & Rqsenblum, L. D. (2005). Effects of intrastimulus modality change on audiovisual time-to-arrival judgments. Perception and Psychophysics, 67, 580-594. (Pubitemid 41328704)
    • (2005) Perception and Psychophysics , vol.67 , Issue.4 , pp. 580-594
    • Gordon, M.S.1    Rosenblum, L.D.2
  • 31
    • 33845237537 scopus 로고    scopus 로고
    • Doremifasolati-Constraints, congruity and musical training: An event-related brain potential study of musical expectancies
    • Granqt, R., & Donchin, E.. (2002). Doremifasolati-Constraints, congruity and musical training: An event-related brain potential study of musical expectancies. Music Perception, 19, 487-528.
    • (2002) Music Perception , vol.19 , pp. 487-528
    • Granqt, R.1    Donchin, E.2
  • 32
    • 33646748926 scopus 로고    scopus 로고
    • Why do skips precede reversals? the effect of tessitura on melodic structure
    • von Hippel, P. & Huron, D. (2000). Why do skips precede reversals? The effect of tessitura on melodic structure. Music Perception, 18, 59-85.
    • (2000) Music Perception , vol.18 , pp. 59-85
    • Von Hippel, P.1    Huron, D.2
  • 34
    • 65349186634 scopus 로고    scopus 로고
    • Influence of pitch height on the perception of submissiveness and threat in musical passages
    • Huron, D., Kinney, D., & Precoda, K. (2006). Influence of pitch height on the perception of submissiveness and threat in musical passages. Empirical Musicology Review, 1, 178-179.
    • (2006) Empirical Musicology Review , vol.1 , pp. 178-179
    • Huron, D.1    Kinney, D.2    Precoda, K.3
  • 35
    • 33847747806 scopus 로고    scopus 로고
    • A comparison of the acoustic cues in music and speech for three dimensions of affect
    • Ilie, G. & Thompson, W.F. (2006). A comparison of the acoustic cues in music and speech for three dimensions of affect. Music Perception, 23, 319-329.
    • (2006) Music Perception , vol.23 , pp. 319-329
    • Ilie, G.1    Thompson, W.F.2
  • 36
    • 0039576700 scopus 로고    scopus 로고
    • Effect of tempo and dynamics on the perception of emotion in music
    • Kamenetsky, S. B., Hill, D. S., & Trehub, S. E. (1997). Effect of tempo and dynamics on the perception of emotion in music. Psychology of Music, 25, 149-160.
    • (1997) Psychology of Music , vol.25 , pp. 149-160
    • Kamenetsky, S.B.1    Hill, D.S.2    Trehub, S.E.3
  • 37
    • 0011299279 scopus 로고    scopus 로고
    • A perceptual analysis of Mozart's Piano Sonata K. 282: Segmentation, tension, and musical ideas
    • Krumhansl, C. L. (1996). A perceptual analysis of Mozart's piano sonata K. 282: Segmentation, tension, and musical ideas. Music Perception, 13, 401-432. (Pubitemid 126818962)
    • (1996) Music Perception , vol.13 , Issue.3 , pp. 401-432
    • Krumhansl, C.L.1
  • 38
    • 0004755588 scopus 로고    scopus 로고
    • Calculating tonal tension
    • Lerdahl, F. (1996). Calculating tonal tension. Music-Perception, 13, 319-363. (Pubitemid 126818959)
    • (1996) Music Perception , vol.13 , Issue.3 , pp. 319-363
    • Lerdahl, F.1
  • 39
    • 84919774094 scopus 로고    scopus 로고
    • New York: Oxford University Press
    • Lerdahl, F. (2001). Tonal pitch space. New York: Oxford University Press.
    • (2001) Tonal Pitch Space
    • Lerdahl, F.1
  • 42
    • 0141647783 scopus 로고    scopus 로고
    • Emotional responses to music
    • Madsen, C. K. (1997). Emotional responses to music. Psychomusicology, 16, 59-67.
    • (1997) Psychomusicology , vol.16 , pp. 59-67
    • Madsen, C.K.1
  • 43
    • 34548386621 scopus 로고    scopus 로고
    • Emotion versus tension in Haydn's symphony No. 104 as measured by the two-dimensional continuous response digital interface
    • Madsen, C. K. (1998). Emotion versus tension in Haydn's symphony No. 104 as measured by the two-dimensional continuous response digital interface. Journal of Research in Music Education, 46, 546-554.
    • (1998) Journal of Research in Music Education , vol.46 , pp. 546-554
    • Madsen, C.K.1
  • 44
    • 0040762227 scopus 로고
    • The experience of musical tension: A replication of Nielsen's research using the continuous response digital interface
    • Madsen, C. K. and Fredricksqn, W. E. (1993). The experience of musical tension: A replication of Nielsen's research using the continuous response digital interface. Journal of Music Therapy, 30, 46-63.
    • (1993) Journal of Music Therapy , vol.30 , pp. 46-63
    • Madsen, C.K.1    Fredricksqn, W.E.2
  • 45
    • 33646729315 scopus 로고    scopus 로고
    • A model of melodic expectation
    • DOI 10.1525/mp.2005.22.4.663
    • Margulis, E. H. (2005). A model of melodic expectation. Music Perception, 22, 663-714. (Pubitemid 44857615)
    • (2005) Music Perception , vol.22 , Issue.4 , pp. 663-714
    • Margulis, E.H.1
  • 48
    • 78751587940 scopus 로고    scopus 로고
    • An investigation of music and nonmusic majors' responses to musical tension and dynamics in Beethoven's symphony No. 7
    • Misenhelter, D. (2001). An investigation of music and nonmusic majors' responses to musical tension and dynamics in Beethoven's symphony No. 7. Missouri Journal of Research in Music Education, 38, 56-67.
    • (2001) Missouri Journal of Research in Music Education , vol.38 , pp. 56-67
    • Misenhelter, D.1
  • 50
    • 0007226734 scopus 로고
    • Infants' discrimination of relative distance in the auditory modality: Approaching versus receding sound sources
    • Morrongiello, B. A., Hewitt, K. L., & Gotowiec, A. (1991). Infants' discrimination of relative distance in the auditory modality: Approaching versus receding sound sources. Infant Behavior and Development, 14, 187-208.
    • (1991) Infant Behavior and Development , vol.14 , pp. 187-208
    • Morrongiello, B.A.1    Hewitt, K.L.2    Gotowiec, A.3
  • 51
    • 0001336677 scopus 로고
    • On the occurrence and significance of motivation-structural rules in some bird and mammal sounds
    • Morton, E. S. (1977). On the occurrence and significance of motivation-structural rules in some bird and mammal sounds. The American Naturalist, 111, 855-869.
    • (1977) The American Naturalist , vol.111 , pp. 855-869
    • Morton, E.S.1
  • 52
    • 0000055467 scopus 로고
    • Grading, discreteness, redundancy, and motivation-structural rules
    • D. E. Kroodsma & E. H. Miller (Eds.), New York: Academic Press
    • Morton, E. S. (1982). Grading, discreteness, redundancy, and motivation-structural rules. In D. E. Kroodsma & E. H. Miller (Eds.), Acoustic communication in birds. Vol. 1 (pp. 183-212). New York: Academic Press.
    • (1982) Acoustic Communication in Birds. , vol.1 , pp. 183-212
    • Morton, E.S.1
  • 53
    • 0000580180 scopus 로고
    • Sound symbolism and its role in nonhuman vertebrate communication
    • L. Hinton, J. Nichols, & J. J. Ohala (Eds.). Cambridge, UK: Cambridge University Press
    • Morton, E. S. (1994). Sound symbolism and its role in nonhuman vertebrate communication. In L. Hinton, J. Nichols, & J. J. Ohala (Eds.), Sound symbolism (pp. 348-365). Cambridge, UK: Cambridge University Press.
    • (1994) Sound Symbolism , pp. 348-365
    • Morton, E.S.1
  • 55
    • 0032505061 scopus 로고    scopus 로고
    • Perceptual bias for rising tones
    • Neuhoff, J. G. (1998). Perceptual bias for rising tones. Nature, 395, 123-124.
    • (1998) Nature , vol.395 , pp. 123-124
    • Neuhoff, J.G.1
  • 56
    • 0035590616 scopus 로고    scopus 로고
    • An adaptive bias in the perception of looming auditory motion
    • Neuhoff, J. G. (2001). An adaptive bias in the perception of looming auditory motion. Ecological Psychology, 13, 87-110.
    • (2001) Ecological Psychology , vol.13 , pp. 87-110
    • Neuhoff, J.G.1
  • 59
    • 0039730957 scopus 로고
    • The frequency code underlies the soundsymbolic use of voice pitch
    • L. Hinton, J. Nichols, & J. J. Ohala (Eds.). Cambridge, UK: Cambridge University Press
    • Ohala, J. J. (1994). The frequency code underlies the soundsymbolic use of voice pitch, In L. Hinton, J. Nichols, & J. J. Ohala (Eds.), Sound symbolism (pp. 348-365). Cambridge, UK: Cambridge University Press.
    • (1994) Sound Symbolism , pp. 348-365
    • Ohala, J.J.1
  • 60
    • 0033629666 scopus 로고    scopus 로고
    • Perception of music tension for nontonal orchestral timbres and its relation to psychoacoustic roughness
    • PRESSNiTZER, D., McADAMS, S., WlNSBERG, S., & FlNEBERG, J. (2000). Perception of music tension for nontonal orchestral timbres and its relation to psychoacoustic roughness. Perception and Psychophysics, 62, 66-80.
    • (2000) Perception and Psychophysics , vol.62 , pp. 66-80
    • Pressnitzer, D.1    McAdams, S.2    Wlnsberg, S.3    Flneberg, J.4
  • 61
    • 33744906073 scopus 로고    scopus 로고
    • Dominance and the evolution of sexual dimorphism in human voice pitch
    • DOI 10.1016/j.evolhumbehav.2005.11.003, PII S1090513805000966
    • Puts, D., Gaulin, S., & Verdolini, K. (2006). Dominance and the evolution of sexual dimorphism in human voice pitch. Evolution and Human Behavior, 27, 283-296. (Pubitemid 43842763)
    • (2006) Evolution and Human Behavior , vol.27 , Issue.4 , pp. 283-296
    • Puts, D.A.1    Gaulin, S.J.C.2    Verdolini, K.3
  • 62
    • 71849091705 scopus 로고    scopus 로고
    • Perceptual and stimulus-selective enhancement of low-level human visual cortex excitability by sounds
    • Romei, V. B., Murray, M. M., Cappe, C., & Thut, G. (2009). Perceptual and stimulus-selective enhancement of low-level human visual cortex excitability by sounds. Current Biology, 19, 1799-1805.
    • (2009) Current Biology , vol.19 , pp. 1799-1805
    • Romei, V.B.1    Murray, M.M.2    Cappe, C.3    Thut, G.4
  • 63
    • 0346833066 scopus 로고    scopus 로고
    • Continuous measurement of self-report emotional response to music
    • P. N. Juslin & J. A. Sloboda (Eds.). Oxford: Oxford University Press
    • Schubert, E. (2001). Continuous measurement of self-report emotional response to music. In P. N. Juslin & J. A. Sloboda (Eds.), Music and emotion: Theory and research (pp. 393-414). Oxford: Oxford University Press.
    • (2001) Music and Emotion: Theory and Research , pp. 393-414
    • Schubert, E.1
  • 64
    • 26544454533 scopus 로고    scopus 로고
    • Correlation analysis of continuous emotional response to music: Correcting for the effects of serial correlation
    • Schubert, E. (2001-2002). Correlation analysis of continuous emotional response to music: Correcting for the effects of serial correlation. Musicae Scientiae, Special Issue, 213-236.
    • (2001) Musicae Scientiae, Special Issue , pp. 213-236
    • Schubert, E.1
  • 65
    • 31144442341 scopus 로고    scopus 로고
    • Modeling perceived emotion with continuous musical features
    • Schubert, E. (2004). Modeling perceived emotion with continuous musical features. Music Perception, 21, 561-585.
    • (2004) Music Perception , vol.21 , pp. 561-585
    • Schubert, E.1
  • 66
    • 33749859241 scopus 로고
    • New York: Harcourt, Brace & Co
    • Sessions, R. (1951). Harmonic practice. New York: Harcourt, Brace & Co.
    • (1951) Harmonic Practice
    • Sessions, R.1
  • 67
  • 69
    • 76249118320 scopus 로고    scopus 로고
    • Aggressiveness of the growl-like timbre: Acoustic characteristics, musical implications, and biomechanical mechanisms
    • Tsai, C., Wang, L., Wang, S., Shau, Y., Hsiao. T., & Auhagen, W. (2010). Aggressiveness of the growl-like timbre: Acoustic characteristics, musical implications, and biomechanical mechanisms. Music Perception, 27, 209-221.
    • (2010) Music Perception , vol.27 , pp. 209-221
    • Tsai, C.1    Wang, L.2    Wang, S.3    Shau, Y.4    Hsiao, T.5    Auhagen, W.6
  • 70
    • 33847710693 scopus 로고    scopus 로고
    • Analyzing temporal dynamics in music: Differential calculus, physics, and functional data analysis techniques
    • Vines, B. W., Nuzzo, R. L. & Levitin, D. J. (2005). Analyzing temporal dynamics in music: Differential calculus, physics, and functional data analysis techniques. Music Perception, 23, 137-152.
    • (2005) Music Perception , vol.23 , pp. 137-152
    • Vines, B.W.1    Nuzzo, R.L.2    Levitin, D.J.3


* 이 정보는 Elsevier사의 SCOPUS DB에서 KISTI가 분석하여 추출한 것입니다.