메뉴 건너뛰기




Volumn 25, Issue 2, 1997, Pages 149-160

Effect of tempo and dynamics on the perception of emotion in music

Author keywords

[No Author keywords available]

Indexed keywords


EID: 0039576700     PISSN: 03057356     EISSN: 17413087     Source Type: Journal    
DOI: 10.1177/0305735697252005     Document Type: Article
Times cited : (57)

References (47)
  • 1
    • 84964127282 scopus 로고
    • Sex differences in emotionality: A multidimensional approach
    • Allen, J. G. and Haccoun, D. M. (1976). Sex differences in emotionality: A multidimensional approach. Human Relations, 29, 711-722
    • (1976) Human Relations , vol.29 , pp. 711-722
    • Allen, J.G.1    Haccoun, D.M.2
  • 2
    • 84970473582 scopus 로고
    • Vocal expression of emotion: Acoustical properties of speech are associated with emotional intensity and context
    • Bachorowski, J. A. and Owren, M. J. (1995). Vocal expression of emotion: Acoustical properties of speech are associated with emotional intensity and context. Psychological Science, 6, 219-224
    • (1995) Psychological Science , vol.6 , pp. 219-224
    • Bachorowski, J.A.1    Owren, M.J.2
  • 3
    • 60950238776 scopus 로고
    • The study of man as music-maker
    • J. Blacking and J. W. Kealiinohomoku (Eds.), The Hague: Mouton
    • Blacking, J. (1979). The study of man as music-maker. In: J. Blacking and J. W. Kealiinohomoku (Eds.), The Performing Arts: Music and Dance (pp. 3-15). The Hague: Mouton
    • (1979) The Performing Arts: Music and Dance , pp. 3-15
    • Blacking, J.1
  • 4
    • 0002436525 scopus 로고
    • Gender and emotion
    • M. Lewis and J. M. Haviland (Eds.), New York, N.Y.: Guilford Press
    • Brody, L. R. and Hall, J. A., (1993). Gender and emotion. In: M. Lewis and J. M. Haviland (Eds.), Handbook of Emotions (pp. 447-460). New York, N.Y.: Guilford Press
    • (1993) Handbook of Emotions , pp. 447-460
    • Brody, L.R.1    Hall, J.A.2
  • 6
    • 0039832719 scopus 로고
    • Perception of the major/minor distinction: Ill. Hedonic, musical, and affective discriminations
    • Crowder, R. G. (1985). Perception of the major/minor distinction: Ill. Hedonic, musical, and affective discriminations. Bulletin of the Psychonomic Society, 23, 314-316
    • (1985) Bulletin of the Psychonomic Society , vol.23 , pp. 314-316
    • Crowder, R.G.1
  • 8
    • 0002376087 scopus 로고
    • Personality, perception, and cognitive correlates of emotional sensitivity
    • J. R. Davitz (Ed.), New York: McGraw-Hill
    • Davitz, J. R. (1964). Personality, perception, and cognitive correlates of emotional sensitivity. In: J. R. Davitz (Ed.), The Communication of Emotional Meaning (pp. 57-68). New York: McGraw-Hill
    • (1964) The Communication of Emotional Meaning , pp. 57-68
    • Davitz, J.R.1
  • 10
    • 0000606280 scopus 로고
    • Emotional patterns in intonation and music
    • Fonagy, I. and Magdics, K. (1963). Emotional patterns in intonation and music. Zeitschriftfuir Phonetik, 16, 293-326
    • (1963) Zeitschriftfuir Phonetik , vol.16 , pp. 293-326
    • Fonagy, I.1    Magdics, K.2
  • 11
    • 0003371213 scopus 로고
    • Play it again, Sam : on liking music
    • Gaver, W. W. and Mandler, G. (1987). Play it again, Sam: On liking music. Cognition and Emotion, 1, 259-282
    • (1987) Cognition and Emotion , vol.1 , pp. 259-282
    • Gaver, W.W.1    Mandler, G.2
  • 12
    • 0000839868 scopus 로고
    • Factors determining the characterization of musical phrases
    • Gundlach, R. H. (1935). Factors determining the characterization of musical phrases. American Journal of Psychology, 47, 624-643
    • (1935) American Journal of Psychology , vol.47 , pp. 624-643
    • Gundlach, R.H.1
  • 13
    • 0001414756 scopus 로고
    • Gender effects in decoding nonverbal cues
    • Hall, J. A. (1978). Gender effects in decoding nonverbal cues. Psychological Bulletin, 85, 845-857
    • (1978) Psychological Bulletin , vol.85 , pp. 845-857
    • Hall, J.A.1
  • 15
    • 0001538017 scopus 로고
    • The affective character of the major and minor modes in music
    • Hevner, K. (1935). The affective character of the major and minor modes in music. American Journal of Psychology, 47, 103-118
    • (1935) American Journal of Psychology , vol.47 , pp. 103-118
    • Hevner, K.1
  • 16
    • 0001175419 scopus 로고
    • Experimental studies of the elements of expression in music
    • Hevner, K. (1936). Experimental studies of the elements of expression in music. American Journal of Psychology, 48, 246-268
    • (1936) American Journal of Psychology , vol.48 , pp. 246-268
    • Hevner, K.1
  • 17
    • 0016434612 scopus 로고
    • Rated preference for musical compositions as it relates to complexity and exposure frequency
    • Heyduk, R. G. (1975). Rated preference for musical compositions as it relates to complexity and exposure frequency. Perception & Psychophysics, 17, 84-91
    • (1975) Perception & Psychophysics , vol.17 , pp. 84-91
    • Heyduk, R.G.1
  • 18
    • 10944237087 scopus 로고    scopus 로고
    • Relations among text, mode, and medium: Historical and empirical perspectives
    • Hill, D. S., Kamenetsky, S. B. and Trehub, S. E. (1996). Relations among text, mode, and medium: Historical and empirical perspectives. Music Perception, 14, 1-19
    • (1996) Music Perception , vol.14 , pp. 1-19
    • Hill, D.S.1    Kamenetsky, S.B.2    Trehub, S.E.3
  • 19
    • 0001954292 scopus 로고
    • More alike than meets the eye: Perceived gender differences in subjective experience and its display
    • Johnson, J. T. and Shulman, G. A. (1988). More alike than meets the eye: Perceived gender differences in subjective experience and its display. Sex Roles, 19, 67-69
    • (1988) Sex Roles , vol.19 , pp. 67-69
    • Johnson, J.T.1    Shulman, G.A.2
  • 20
    • 84968158056 scopus 로고
    • Perception of the major/minor distinction: IV. Emotional connotations in young children
    • Kastner, M. P. and Crowder, R. G. (1990). Perception of the major/minor distinction: IV. Emotional connotations in young children. Music Perception, 8, 189-201
    • (1990) Music Perception , vol.8 , pp. 189-201
    • Kastner, M.P.1    Crowder, R.G.2
  • 21
    • 33749579639 scopus 로고
    • New Haven: Yale University Press. (Original work published 1774.)
    • Kirnberger, J. P. (1982). The Art of Strict Musical Composition. (D. Beach and J. Thym, Trans.). New Haven: Yale University Press. (Original work published 1774.)
    • (1982) The Art of Strict Musical Composition
    • Kirnberger, J.P.1
  • 23
    • 0041019455 scopus 로고
    • A developmental study of children's interpretation of emotion in music
    • Kratus, J. (1993). A developmental study of children's interpretation of emotion in music. Psychology of Music, 21, 3-19
    • (1993) Psychology of Music , vol.21 , pp. 3-19
    • Kratus, J.1
  • 27
    • 0017483374 scopus 로고
    • Is stimulus recognition a necessary condition for the occurrence of exposure effects?
    • Moreland, R. L. and Zajonc, R. B. (1977). Is stimulus recognition a necessary condition for the occurrence of exposure effects? Journal of Personality and Social Psychology, 35, 191-199
    • (1977) Journal of Personality and Social Psychology , vol.35 , pp. 191-199
    • Moreland, R.L.1    Zajonc, R.B.2
  • 28
    • 0027447292 scopus 로고
    • Toward the simulation of emotion in synthetic speech: A review of the literature on human vocal emotion
    • Murray, I. R. and Arnott, J. L. (1993). Toward the simulation of emotion in synthetic speech: A review of the literature on human vocal emotion. Journal of the Acoustical Society of America, 93, 1097-1108
    • (1993) Journal of the Acoustical Society of America , vol.93 , pp. 1097-1108
    • Murray, I.R.1    Arnott, J.L.2
  • 29
    • 79956652598 scopus 로고
    • Performance practice
    • D. Arnold (Ed.), Oxford: Oxford University Press
    • Parrott, A. (1983). Performance practice. In: D. Arnold (Ed.), The New Oxford Companion to Music: Vol. II (K-Z) (pp. 1407-1412). Oxford: Oxford University Press
    • (1983) The New Oxford Companion to Music: Vol. II (K-Z) , pp. 1407-1412
    • Parrott, A.1
  • 30
    • 0002351519 scopus 로고
    • Vocal expression and communication of emotion
    • M. Lewis and J. M. Haviland (Eds.), New York: Guilford Press
    • Pittam, J. and Scherer, K. R. (1993). Vocal expression and communication of emotion. In: M. Lewis and J. M. Haviland (Eds.), Handbook of Emotions (pp. 185-197). New York: Guilford Press
    • (1993) Handbook of Emotions , pp. 185-197
    • Pittam, J.1    Scherer, K.R.2
  • 31
    • 79956600316 scopus 로고
    • Rubato
    • Cambridge, M.A.: The Belknap Press of Harvard University Press
    • Randel, D. M. (Ed.). (1986). Rubato. The New Harvard Dictionary of Music (pp. 719-720). Cambridge, M.A.: The Belknap Press of Harvard University Press
    • (1986) The New Harvard Dictionary of Music , pp. 719-720
    • Randel, D.M.1
  • 32
    • 0001599358 scopus 로고
    • Speed as a determiner of musical mood
    • Rigg, M. E. (1940). Speed as a determiner of musical mood. Journal of Experimental Psychology, 27, 566-571
    • (1940) Journal of Experimental Psychology , vol.27 , pp. 566-571
    • Rigg, M.E.1
  • 33
    • 0000584183 scopus 로고
    • Socialization of emotion
    • M. Lewis and J. M. Haviland (Eds.), New York: Guilford Press
    • Saarni, C. (1993). Socialization of emotion. In: M. Lewis and J. M. Haviland (Eds.), Handbook of Emotions (pp. 435-446). New York: Guilford Press
    • (1993) Handbook of Emotions , pp. 435-446
    • Saarni, C.1
  • 34
    • 0022688124 scopus 로고
    • Vocal affect expression: A review and a model for future research
    • Scherer, K. R. (1986). Vocal affect expression: A review and a model for future research. Psychological Bulletin, 99, 143-165
    • (1986) Psychological Bulletin , vol.99 , pp. 143-165
    • Scherer, K.R.1
  • 35
    • 0001309343 scopus 로고
    • Cue utilization in emotion attribution from auditory stimuli
    • Scherer, K. R. and Oshinsky, J. S. (1977). Cue utilization in emotion attribution from auditory stimuli. Motivation and Emotion, 1, 331-346
    • (1977) Motivation and Emotion , vol.1 , pp. 331-346
    • Scherer, K.R.1    Oshinsky, J.S.2
  • 36
    • 24044516331 scopus 로고
    • New York: Philosophical Library
    • Schoenberg, A. (1950). Style and Idea. New York: Philosophical Library
    • (1950) Style and Idea
    • Schoenberg, A.1
  • 37
    • 18744397500 scopus 로고
    • Berkeley, C.A.: University of California Press
    • Solie, R. (Ed.). (1993). Musicology and Difference. Berkeley, C.A.: University of California Press
    • (1993) Musicology and Difference
    • Solie, R.1
  • 38
    • 0347691447 scopus 로고
    • Musical cognition and aesthetic response
    • Swanwick K. (1973). Musical cognition and aesthetic response. Psychology of Music, 1, 7-13
    • (1973) Psychology of Music , vol.1 , pp. 7-13
    • Swanwick, K.1
  • 39
    • 0000151278 scopus 로고
    • Disclosure reciprocity and liking as a function of gender and personalism
    • Taylor, D. A. and Hinds, M. (1985). Disclosure reciprocity and liking as a function of gender and personalism. Sex Roles, 12, 1137-1153
    • (1985) Sex Roles , vol.12 , pp. 1137-1153
    • Taylor, D.A.1    Hinds, M.2
  • 41
    • 79956659141 scopus 로고
    • Baroque
    • D. M. Randel (Ed.), Cambridge, M.A.: The Belknap Press of Harvard University Press
    • Tomlinson, G. A. (1986). Baroque. In: D. M. Randel (Ed.), The New Harvard Dictionary of Music (pp. 79-80). Cambridge, M.A.: The Belknap Press of Harvard University Press
    • (1986) The New Harvard Dictionary of Music , pp. 79-80
    • Tomlinson, G.A.1
  • 43
    • 79956600292 scopus 로고
    • Romanticism
    • D. Arnold (Ed.), Oxford: Oxford University Press
    • Warrack, J. (1983). Romanticism. In: D. Arnold (Ed.), The New Oxford Companion to Music: Vol. II (K-Z) (pp. 1580-1582). Oxford: Oxford University Press
    • (1983) The New Oxford Companion to Music: Vol. II (K-Z) , pp. 1580-1582
    • Warrack, J.1
  • 44
    • 0012784374 scopus 로고
    • The nature and measurement of musical meanings
    • Watson, K. B. (1942). The nature and measurement of musical meanings. Psychological Monographs, 54, 1-43
    • (1942) Psychological Monographs , vol.54 , pp. 1-43
    • Watson, K.B.1
  • 45
    • 0015453033 scopus 로고
    • A multidimensional study of perceptual-emotional qualities in music
    • Wedin, L. (1972). A multidimensional study of perceptual-emotional qualities in music. Scandanavian Journal of Psychology, 13, 241-257
    • (1972) Scandanavian Journal of Psychology , vol.13 , pp. 241-257
    • Wedin, L.1


* 이 정보는 Elsevier사의 SCOPUS DB에서 KISTI가 분석하여 추출한 것입니다.