Chironomic stylization of intonation

Journal of the Acoustical Society of America

Volumn 129, Issue 3, 2011, Pages 1594-1604

  D'Alessandro, Christophe ^a   Rilliard, Albert ^a   Le Beux, Sylvain ^a  

^a CNRS   (France)

Author keywords

[No Author keywords available]

Indexed keywords

DISTANCE MEASURE; HAND GESTURE; HAND MOVEMENT; MALE SPEAKERS; MEAN OPINION SCORES; PERCEPTUAL DIFFERENCE; PERFORMANCE ASSESSMENT;

ORGANIC COATINGS;

ADULT; ANALYSIS OF VARIANCE; ARTICLE; ASSOCIATION; BIOMECHANICS; COMPARATIVE STUDY; COMPUTER GRAPHICS; FEMALE; GESTURE; HAND; HEARING; HUMAN; IMITATION; MALE; PATTERN RECOGNITION; SOUND DETECTION; SPEECH; TIME; YOUNG ADULT;

ADULT; ANALYSIS OF VARIANCE; BIOMECHANICS; COMPUTER GRAPHICS; CUES; FEMALE; GESTURES; HAND; HUMANS; IMITATIVE BEHAVIOR; MALE; PATTERN RECOGNITION, PHYSIOLOGICAL; PITCH DISCRIMINATION; SOUND SPECTROGRAPHY; SPEECH ACOUSTICS; TIME FACTORS; YOUNG ADULT; BIOMECHANICAL PHENOMENA;

EID: 79953063024     PISSN: 00014966     EISSN: None     Source Type: Journal    
DOI: 10.1121/1.3531802     Document Type: Article

References (22)

1. D. J. Hermes, Stylization of pitch contours., in Methods in Empirical Prosody Research, edited by, S. Sudhoff, D. Lenertov, R. Meyer, S. Pappert, P. Augurzky, I. Mleinek, N. Richter, and, J. Schlieer, (Walter de Gruyter, Berlin, New York, 2006), pp. 29-61.
2. C. d'Alessandro and P. Mertens, Automatic pitch contour stylization using a model of tonal perception., Comput. Speech Lang. 9, 257-288 (1995). 10.1006/csla.1995.0013
3. J. T. Hart, R. Collier, and A. Cohen, A Perceptual Study of Intonation (Cambridge University Press, UK, 1990), pp. 10-66.
4. D. J. Hirst, P. Nicolas, and R. Espesser, Coding the F0 of a continuous textin French: An experimental approach., in Proceedings of the International Congress of Phonetic Sciences, Aix en Provence, France (1991), pp. 234-237.
5. D. J. Hirst, Form and function in the representation of speech prosody., Speech Commun. 46, 334-347 (2005). 10.1016/j.specom.2005.02.020 (Pubitemid 40952520)
6. K. Kohler, Timing and communicative functions of pitch contours., Phonetica 62, 88-105 (2005). 10.1159/000090091 (Pubitemid 43030006)
7. Y. Xu, Timing and coordination in tone and intonation-An articulatory-functional perspective., Lingua 119, 906-927 (2009). 10.1016/j.lingua.2007.09.015
8. N. d'Alessandro, C. d'Alessandro, S. Le Beux, and B. Doval, Real-time CALM synthesizer: New approaches in hands-controlled voice synthesis., in Proceedings of International Conference on New Interfaces for Musical Expression, Paris, France (2006), pp. 266-271.
9. N. d'Alessandro, B. Doval, T. Dutoit, C. d'Alessandro, Y. Favre, and S. Le Beux, Realtime and accurate musical control of expression in singing synthesis., J. Multimodal User Interfaces 1, 31-39 (2007). 10.1007/BF02884430
10. S. S. Fels and G. Hinton, GloveTalk: A neural network interface between a DataGlove and a speech synthesizer., IEEE Trans. Neural Networks 4, 2-8 (1993). 10.1109/72.182690
11. M. Zbyszynski, M. Wright, A. Momeni, and D. Cullen, Ten years of tablet musical interfaces at CNMAT., in Proceedings of International Conference on New Interfaces for Musical Expression, New York (2007), pp. 100-105.
12. E. Moulines and F. Charpentier, Pitch-synchronous waveform processing techniques for text-to-speech synthesis using diphones., Speech Commun. 9, 453-467 (1990). 10.1016/0167-6393(90)90021-Z
13. C. d'Alessandro, A. Rilliard, and S. Le Beux, Computerized chironomy: Evaluation of hand-controlled Intonation reiteration., in Proceedings of Interspeech 2007, Antwerpen, Belgium (2007), pp. 1270-1273.
14. D. J. Hermes, Measuring the perceptual similarity of pitch contours., J. Speech Lang. Hear. Res. 41, 73-82 (1998). (Pubitemid 28081252)
15. H. Kawahara, I. Masuda-Katsuse, and A. de Cheveigne, Restructuring speech representations using a pitch-adaptive time-frequency smoothing and an instantaneous-frequency-based F0 extraction: Possible role of a repetitive structure in sounds., Speech Commun. 27, 187-207 (1999). 10.1016/S0167-6393(98) 00085-5
16. L. S. Larkey, Reiterant speech: An acoustic and perceptual validation., J. Acoust. Soc. Am. 73, 1337-1345 (1983). 10.1121/1.389237 (Pubitemid 13052708)
17. C. d'Alessandro, S. Rosset, and J. P. Rossi, The pitch of short-duration fundamental frequency glissandos., J. Acoust. Soc. Am. 104, 2339-2348 (1998). 10.1121/1.423745 (Pubitemid 28463131)
18. M. Rossi, Le seuil de glissando ou seuil de perception des variations tonales pour les sons de la parole or (the glissando threshold, or perceptual threshold for tonal variations for speech sounds.), Phonetica 23, 1-33 (1971). 10.1159/000259328
19. M. Rossi, La perception des glissando descendants dans les contours prosodiques or (perception of falling pitch glissando in prosodic contours.), Phonetica 35, 11-40 (1978). 10.1159/000259920 (Pubitemid 8294816)
20. S. Le Beux, A. Rilliard, and C. d'Alessandro, Calliphony: A real-time intonation controller for expressive speech synthesis., in Proceedings of the 6th ISCA Speech Synthesis Workshop, Bonn, Germany (2007), pp. 345-350.
21. D. Byrd and E. Saltzman, The elastic phrase: Modeling the dynamics of boundary-adjacent lengthening., J. Phonetics 31, 2, 149-180 (2003). 10.1016/S0095-4470(02)00085-2 (Pubitemid 36593552)
22. D. Byrd, J. Krivokapic, and S. Lee, How far, how long: On the temporal scope of prosodic boundary effects., J. Acoust. Soc. Am. 120, 1589-1599 (2006). 10.1121/1.2217135 (Pubitemid 44370679)