Combining musical constraints with markov transition probabilities to improve the generation of creative musical structures

Lecture Notes in Computer Science (including subseries Lecture Notes in Artificial Intelligence and Lecture Notes in Bioinformatics)

Volumn 6025 LNCS, Issue PART 2, 2010, Pages 361-370

  Davismoon, Stephen ^a   Eccles, John ^a  

^a EDINBURGH NAPIER UNIVERSITY   (United Kingdom)

Author keywords

[No Author keywords available]

Indexed keywords

MARKOV PROCESSES; OPTIMIZATION;

COMPUTER AIDED; MUSICAL STRUCTURES; STOCHASTIC OPTIMIZATIONS; TRANSITION PROBABILITIES;

MUSICAL INSTRUMENTS;

EID: 77952397955     PISSN: 03029743     EISSN: 16113349     Source Type: Book Series    
DOI: 10.1007/978-3-642-12242-2_37     Document Type: Conference Paper

References (18)

1. Dahlstedt, P.: Thoughts on Creative Evolution: A Meta-generative Approach to Composition. Contemporary Music Review 28(1), 48 (2009)
2. Xenakis, I.: Formalized Music: Thought and Mathematics in Music, Pendragon revised edn. (1992)
3. Ames, C.: The Markov Process as a Compositional Model: A Survey and Tutorial. Leonardo 22(2), 175-187 (1989)
4. Cope, D.: The Algorithmic Composer. A-R Editions, Inc. (2000)
5. Hiller, L.A., Isaacson, L.M.: Experimental Music: Composition with an Electronic Computer, p. 15. McGraw-Hill, New York (1959); Reprinted Greenwood Press (1979)
6. Schoenberg, A.: Fundamentals of Musical Composition. In: Strang, F., Stein, L. (eds.), pp. 3-9. Faber and Faber (1967)
7. Husbands, P., et al.: Evolutionary Computer Music. In: Miranda, E.R., Biles, J.A. (eds.), vol.15. Springer, Heidelberg (2007)
8. Davismoon, S.: For the Future. Contemporary Music Review 28(2), 237-243
9. Collins, N.: Musical Form and Algorithmic Composition. Contemporary Music Review 28(1), 106 (2009)
10. Stockhausen, K.: How Time Passes. Die Reihe, vol.3 (English Translation Cardew, C) (1957/1959)
11. Bregman, A.: Auditory Scene Analysis: The Perceptual Organization of Sound, New edn. MIT Press, Cambridge (1994)
12. Nattiez, J.J.: Music and Discourse: Toward a Semiology of Music. Princeton University Press, Princeton (1990)
13. Mache, F.-B.: Music Myth and Nature. Harwood Academic Publishers (1993)
14. Agawu, K.: Playing with Signs: Semiotic Interpretation of Classical Music. Princeton University Press, Princeton (1992)
15. Monelle, R.: Linguistics and Semiotics in Music. Routledge, London (1992)
16. Kirkpatrick, S., Gellat, C.D., Vecchi, M.P.: Optimization by Simulated Annealing. Science 220(4598), 671-680 (1983)
17. Kirkpatrick, S.: Optimization by Simulated Annealing: Quantitative Studies. Journal of Statistical Physics 34(5-6), 975-986 (1984)
18. Deb, K.: Multi-Objective Optimization using Evolutionary Algorithms. John Wiley, Chichester (2001)