메뉴 건너뛰기




Volumn 28, Issue 1, 2009, Pages 43-55

Thoughts on creative evolution: A meta-generative approach to composition

(1)  Dahlstedt, Palle a  

a NONE

Author keywords

Computer music; Creativity; Evolutionary algorithms; Generative music; Music composition

Indexed keywords


EID: 70949101279     PISSN: 07494467     EISSN: 14772256     Source Type: Journal    
DOI: 10.1080/07494460802664023     Document Type: Review
Times cited : (15)

References (24)
  • 2
    • 44649140680 scopus 로고    scopus 로고
    • Opportunities for evolutionary music composition
    • P. Doornbusch (Ed.), Melbourne: Royal Melbourne Institute of Technology (RMIT)
    • Brown, A. R. (2002). Opportunities for evolutionary music composition. In P. Doornbusch (Ed.), Proceedings of the Australasian Computer Music Conference (pp. 27-34). Melbourne: Royal Melbourne Institute of Technology (RMIT)
    • (2002) Proceedings of the Australasian Computer Music Conference , pp. 27-34
    • Brown, A.R.1
  • 3
    • 0040368684 scopus 로고    scopus 로고
    • Generation of musical sequences with genetic techniques
    • Burton, A. R. & Vladimirova, T. (1999). Generation of musical sequences with genetic techniques. Computer Music Journal, 23(4), 59-73
    • (1999) Computer Music Journal , vol.23 , Issue.4 , pp. 59-73
    • Burton, A.R.1    Vladimirova, T.2
  • 6
    • 34548106352 scopus 로고    scopus 로고
    • A MutaSynth in parameter space: Interactive composition through evolution
    • Dahlstedt, P. (2001). A MutaSynth in parameter space: Interactive composition through evolution. Organised Sound, 6(2), 121-124
    • (2001) Organised Sound , vol.6 , Issue.2 , pp. 121-124
    • Dahlstedt, P.1
  • 8
    • 79957122320 scopus 로고    scopus 로고
    • Defining Spaces of Potential Art: The significance of representation in computer-aided creativity
    • July
    • Dahlstedt, P. (2005, July). Defining Spaces of Potential Art: The significance of representation in computer-aided creativity. Paper presented at the Description & Creativity Conference, King's College, Cambridge, UK. http://www.ituniv.se/palle/publications/dahlstedt2005-DescAnd Crea.pdf
    • (2005) Description & Creativity Conference, King's College, Cambridge, UK
    • Dahlstedt, P.1
  • 9
    • 47249091887 scopus 로고    scopus 로고
    • Evolution in creative sound design
    • E. R. Miranda & J. A. Biles (Eds.), London: Springer-Verlag
    • Dahlstedt, P. (2007a). Evolution in creative sound design. In E. R. Miranda & J. A. Biles (Eds.), Evolutionary computer music (pp. 79-99). London: Springer-Verlag
    • (2007) Evolutionary Computer Music , pp. 79-99
    • Dahlstedt, P.1
  • 10
    • 67650690011 scopus 로고    scopus 로고
    • Autonomous evolution of complete piano pieces and performances
    • Workshop CD-ROM
    • Dahlstedt, P. (2007b). Autonomous evolution of complete piano pieces and performances. In Proceedings of MusicAL Workshop, ECAL 2007. Lisbon, Portugal (Workshop CD-ROM). http://cmr.soc.plymouth.ac.uk/Musical2007/papers/Dahlstedt. pdf
    • (2007) Proceedings of MusicAL Workshop, ECAL 2007. Lisbon, Portugal
    • Dahlstedt, P.1
  • 11
    • 47249156136 scopus 로고    scopus 로고
    • Free flight in parameter space: A dynamic mapping strategy for expressive free impro
    • M. Giacobini et al. (Eds.), Berlin Heidelberg: Springer-Verlag
    • Dahlstedt, P. & Nilsson, P. A. (2008). Free flight in parameter space: A dynamic mapping strategy for expressive free impro. In M. Giacobini et al. (Eds.), LNCS 4974: Applications of evolutionary computing (pp. 479-484). Berlin Heidelberg: Springer-Verlag
    • (2008) LNCS 4974: Applications of Evolutionary Computing , pp. 479-484
    • Dahlstedt, P.1    Nilsson, P.A.2
  • 12
    • 70949100141 scopus 로고    scopus 로고
    • duo pantoMorf. Haverdal, Sweden: LJ Records
    • duo pantoMorf. (2008). antiforms [audio CD], LJCD 5247. Haverdal, Sweden: LJ Records
    • (2008) Antiforms [Audio CD], LJCD 5247
  • 15
    • 67650651561 scopus 로고    scopus 로고
    • An introduction to evolutionary computing for musicians
    • E. R. Miranda & J. A. Biles (Eds.), London: Springer-Verlag
    • Husbands, P., Copley, P., Eldridge, A. & Mandelis, J. (2007). An introduction to evolutionary computing for musicians. In E. R. Miranda & J. A. Biles (Eds.), Evolutionary computer music (pp. 1-27). London: Springer-Verlag
    • (2007) Evolutionary Computer Music , pp. 1-27
    • Husbands, P.1    Copley, P.2    Eldridge, A.3    Mandelis, J.4
  • 16
    • 85038393187 scopus 로고
    • Composing with genetic algorithms
    • Banff, Alberta: International Computer Music Association (ICMA) and Banff Centre for the Arts
    • Jacob, B. (1995). Composing with genetic algorithms. In Proceedings of the International Computer Music Conference (ICMC 1995). Banff, Alberta: International Computer Music Association (ICMA) and Banff Centre for the Arts
    • (1995) Proceedings of the International Computer Music Conference (ICMC 1995)
    • Jacob, B.1
  • 17
    • 85009234091 scopus 로고    scopus 로고
    • Algorithmic composition as a model of creativity
    • Jacob, B. (1996). Algorithmic composition as a model of creativity. Organised Sound, 1(3), 157-165
    • (1996) Organised Sound , vol.1 , Issue.3 , pp. 157-165
    • Jacob, B.1
  • 18
    • 24644459412 scopus 로고    scopus 로고
    • Open problems in evolutionary music and art
    • F. Rothlauf et al. (Eds.), Berlin Heidelberg: Springer-Verlag
    • McCormack, J. (2005). Open problems in evolutionary music and art. In F. Rothlauf et al. (Eds.), LNCS 3449: EvoWorkshops 2005 (pp. 428-436). Berlin Heidelberg: Springer-Verlag
    • (2005) LNCS 3449: EvoWorkshops 2005 , pp. 428-436
    • McCormack, J.1
  • 20
    • 79957169153 scopus 로고    scopus 로고
    • Evolutionary music [theme issue]
    • Miranda, E. R. (Ed.). (2003). Evolutionary music [theme issue]. Contemporary Music Review, 22(3)
    • (2003) Contemporary Music Review , vol.22 , Issue.3
    • Miranda, E.R.1


* 이 정보는 Elsevier사의 SCOPUS DB에서 KISTI가 분석하여 추출한 것입니다.