For the future

Contemporary Music Review

Volumn 28, Issue 2, 2009, Pages 237-241

  Davismoon, Stephen ^a  

^a EDINBURGH NAPIER UNIVERSITY   (United Kingdom)

Author keywords

Algorithmic composition; Evolutionary computing in music; Symbolic manipulation

Indexed keywords

EID: 77950751337     PISSN: 07494467     EISSN: 14772256     Source Type: Journal    
DOI: 10.1080/07494460903322513     Document Type: Review

References (7)

1. Agawu, K. (1992). Playing with signs: semiotic interpretation of classical music. Princeton, NJ: Princeton University Press
2. Agawu, K. (2008). Music as discourse: semiotic adventures in romantic music. Oxford: Oxford University Press
3. Miranda, E. R. (Ed.). (2003). Contemporary Music Review's Evolutionary Music: at the Crossroads of Evolutionary Computing and Musicology issue. Volume 22, part 3
4. Miranda, E. R. & Biles, J. A. (Eds.). (2007). Evolutionary computer music. London: Springer
5. Monelle, R. (1992). Linguistics and semiotics in music. Abingdon: Routledge
6. Monelle, R. (2000). The sense of music: semiotic essays. Princeton, NJ: Princeton University Press
7. Nattiez, J.-J. (1990). Music and discourse: toward a semiology of music. Princeton, NJ: Princeton University Press