메뉴 건너뛰기




Volumn 28, Issue 1, 2009, Pages 103-114

Musical form and algorithmic composition

(1)  Collins, Nick a  

a NONE

Author keywords

Algorithmic composition; Large scale works; Macro structure; Musical form; Musical tension

Indexed keywords


EID: 71049182323     PISSN: 07494467     EISSN: 14772256     Source Type: Journal    
DOI: 10.1080/07494460802664064     Document Type: Review
Times cited : (28)

References (39)
  • 1
    • 0040069662 scopus 로고
    • Automated composition in retrospect 1956-1986
    • Ames, C. (1987). Automated composition in retrospect 1956-1986. Leonardo, 20(2), 169-186
    • (1987) Leonardo , vol.20 , Issue.2 , pp. 169-186
    • Ames, C.1
  • 2
    • 33749601525 scopus 로고
    • Englewood Cliffs, NJ: Prentice-Hall
    • Berry, W. (1966). Form in music. Englewood Cliffs, NJ: Prentice-Hall
    • (1966) Form in Music
    • Berry, W.1
  • 5
    • 61149709071 scopus 로고    scopus 로고
    • Infinite length pieces: A user's guide
    • Sheffield
    • Collins, N. (2002). Infinite length pieces: A user's guide. In Proceedings of MAXIS. Sheffield
    • (2002) Proceedings of MAXIS
    • Collins, N.1
  • 6
    • 85016225463 scopus 로고    scopus 로고
    • The analysis of generative music programs
    • Collins, N. (2008). The analysis of generative music programs. Organised Sound, 13(3), 237-248
    • (2008) Organised Sound , vol.13 , Issue.3 , pp. 237-248
    • Collins, N.1
  • 8
    • 71049126266 scopus 로고    scopus 로고
    • Review of Roger Reynolds, 'Form and method: Composing music' (the Rothschild lectures)
    • Cook, N. (2004). Review of Roger Reynolds, 'Form and method: Composing music' (the Rothschild lectures). Music Perception, 22(2), 357-364
    • (2004) Music Perception , vol.22 , Issue.2 , pp. 357-364
    • Cook, N.1
  • 11
    • 0004757520 scopus 로고
    • A perceptual approach to contemporary musical forms
    • Deliège, I. (1989). A perceptual approach to contemporary musical forms. Contemporary Music Review, 4(1), 213-230
    • (1989) Contemporary Music Review , vol.4 , Issue.1 , pp. 213-230
    • Deliège, I.1
  • 13
    • 71049163099 scopus 로고
    • Automated composition and composer automation
    • C. Roads, (Ed.), Cambridge, MA: MIT Press
    • Englert, G. (1989). Automated composition and composer automation. In C. Roads, (Ed.), The music machine (pp. 131-142). Cambridge, MA: MIT Press
    • (1989) The Music Machine , pp. 131-142
    • Englert, G.1
  • 15
    • 70949101772 scopus 로고    scopus 로고
    • Formalising form: An alternative approach to algorithmic composition
    • Hedelin, F. (2008). Formalising form: An alternative approach to algorithmic composition. Organised Sound, 13(3), 249-257
    • (2008) Organised Sound , vol.13 , Issue.3 , pp. 249-257
    • Hedelin, F.1
  • 16
    • 0037524931 scopus 로고
    • Composing with computers: A progress report
    • Hiller, L. (1981). Composing with computers: A progress report. Computer Music Journal, 5(4), 7-21
    • (1981) Computer Music Journal , vol.5 , Issue.4 , pp. 7-21
    • Hiller, L.1
  • 17
    • 0344559990 scopus 로고
    • Cambridge, MA: MIT Press
    • Reprinted in C. Roads (Ed.). (1989). The music machine (pp. 75-89). Cambridge, MA: MIT Press
    • (1989) The Music Machine , pp. 75-89
    • Roads, C.1
  • 19
    • 79957151309 scopus 로고    scopus 로고
    • Form
    • 2nd rev. ed., Oxford Music Online
    • Kennedy M. (Ed.). (2008). Form. In The Oxford Dictionary of Music(2nd rev. ed.). Oxford Music Online: http://www.oxfordmusiconline.com/subscriber/ article/opr/t237/e3890
    • (2008) The Oxford Dictionary of Music
    • Kennedy, M.1
  • 21
    • 71049118672 scopus 로고
    • Aesthetic integration of computer-composed scores
    • C. Roads (Ed.), Cambridge, MA: MIT Press
    • Koenig, G. M. (1989). Aesthetic integration of computer-composed scores. In C. Roads (Ed.), The music machine (pp. 399-404). Cambridge, MA: MIT Press
    • (1989) The Music Machine , pp. 399-404
    • Koenig, G.M.1
  • 24
    • 70449769723 scopus 로고
    • Moment form in twentieth-century music
    • Kramer, J. D. (1978). Moment form in twentieth-century music. Musical Quarterly, 64(2), 177-194
    • (1978) Musical Quarterly , vol.64 , Issue.2 , pp. 177-194
    • Kramer, J.D.1
  • 25
    • 50349099614 scopus 로고    scopus 로고
    • Retrieving and recreating musical form
    • Berlin Heidelberg: Springer-Verlag
    • Kuhl, O. & Jensen, K. (2008). Retrieving and recreating musical form. In R. Kronland-Martinet, S. Ystad & K. Jensen (Eds.), Lecture notes in computer science. 4969 (pp. 263-275). Berlin Heidelberg: Springer-Verlag
    • (2008) Lecture Notes in Computer Science , vol.4969 , pp. 263-275
    • Kuhl, O.1    Jensen, K.2
  • 26
    • 71049160917 scopus 로고
    • Considering human memory in designing user interfaces for computer music
    • C. Roads & J. Strawn J. (Eds.), Cambridge, MA: MIT Press
    • Laske, O. (1985). Considering human memory in designing user interfaces for computer music. In C. Roads & J. Strawn J. (Eds.), Foundations of computer music (pp. 551-567). Cambridge, MA: MIT Press
    • (1985) Foundations of Computer Music , pp. 551-567
    • Laske, O.1
  • 29
    • 0004796311 scopus 로고
    • Psychological constraints on form-bearing dimensions in music
    • McAdams, S. (1989). Psychological constraints on form-bearing dimensions in music. Contemporary Music Review, 4(1), 181-198
    • (1989) Contemporary Music Review , vol.4 , Issue.1 , pp. 181-198
    • McAdams, S.1
  • 30
    • 33847750929 scopus 로고    scopus 로고
    • Influences of large-scale form on continuous ratings in response to a contemporary piece in a live concert setting
    • McAdams, S., Vines, B. V., Viellard, S., Smith, B. K. & Reynolds, R. (2004). Influences of large-scale form on continuous ratings in response to a contemporary piece in a live concert setting. Music Perception, 22(2), 297-350
    • (2004) Music Perception , vol.22 , Issue.2 , pp. 297-350
    • McAdams, S.1    Vines, B.V.2    Viellard, S.3    Smith, B.K.4    Reynolds, R.5
  • 32
    • 0008074247 scopus 로고    scopus 로고
    • Hierarchical expectation and musical style
    • D. Deutsch (Ed.), (2nd ed.) San Diego, CA: Academic Press
    • Narmour, E. (1999). Hierarchical expectation and musical style. In D. Deutsch (Ed.), The psychology of music (2nd ed.) (pp. 441-472). San Diego, CA: Academic Press
    • (1999) The Psychology of Music , pp. 441-472
    • Narmour, E.1
  • 33
    • 0002336353 scopus 로고
    • WOLFGANG - A system using emoting potentials to manage musical design
    • M. Balaban, K. Ebcioglu & O. Laske (Eds.), Cambridge, MA: AAAI Press
    • Riecken, R. D. (1992). WOLFGANG - a system using emoting potentials to manage musical design. In M. Balaban, K. Ebcioglu & O. Laske (Eds.), Understanding music with AI (pp. 206-236). Cambridge, MA: AAAI Press
    • (1992) Understanding Music with AI , pp. 206-236
    • Riecken, R.D.1
  • 34
    • 0347019270 scopus 로고
    • Grammars as representations for music
    • C. Roads & J. Strawn (Eds.), Cambridge, MA: MIT Press
    • Roads, C. (1985). Grammars as representations for music. In C. Roads & J. Strawn (Eds.), Foundations of computer music (pp. 403-442). Cambridge, MA: MIT Press
    • (1985) Foundations of Computer Music , pp. 403-442
    • Roads, C.1
  • 37
    • 27744483926 scopus 로고    scopus 로고
    • The relative importance of local and global structures in music perception
    • Tillmann, B. & Bigand, E. (2004). The relative importance of local and global structures in music perception. Journal of Aesthetics and Art Criticism, 62(2), 211-222
    • (2004) Journal of Aesthetics and Art Criticism , vol.62 , Issue.2 , pp. 211-222
    • Tillmann, B.1    Bigand, E.2
  • 38
    • 71049123659 scopus 로고    scopus 로고
    • Form
    • Oxford Music Online
    • Whittall, A. (2008).Form. In Grove music online. Oxford Music Online, http://www. oxfordmusiconline.com/subscriber/article/grove/music/09981
    • (2008) Grove Music Online
    • Whittall, A.1
  • 39
    • 0041126704 scopus 로고
    • Stuyvesant, NY: Pendragon Press
    • Xenakis, I. (1992). Formalized music. Stuyvesant, NY: Pendragon Press
    • (1992) Formalized Music
    • Xenakis, I.1


* 이 정보는 Elsevier사의 SCOPUS DB에서 KISTI가 분석하여 추출한 것입니다.