-
1
-
-
0040069662
-
Automated Composition in Retrospect
-
Ames, C. 1987. Automated Composition in Retrospect 1956–1986. Leonardo 20(2): 169–86.
-
(1987)
Leonardo
, vol.20
, Issue.2
, pp. 1956-1986
-
-
Ames, C.1
-
2
-
-
85023076723
-
What is Generative Art? COGS seminar, University of Sussex
-
2 October
-
Boden, M. 2007. What is Generative Art? COGS seminar, University of Sussex, 2 October 2007.
-
(2007)
-
-
Boden, M.1
-
3
-
-
0011036667
-
Electric Sound: The Past and Promise of Electronic Music
-
New Jersey: Prentice Hall.
-
Chadabe, J. 1997. Electric Sound: The Past and Promise of Electronic Music. New Jersey: Prentice Hall.
-
(1997)
-
-
Chadabe, J.1
-
4
-
-
33645607810
-
Meta Maths: The Quest for Omega
-
London: Atlantic Books.
-
Chaitin, G. 2007. Meta Maths: The Quest for Omega. London: Atlantic Books.
-
(2007)
-
-
Chaitin, G.1
-
5
-
-
85023083713
-
Infinite Length Pieces: A User’s Guide. Proceedings of MAXIS, Sheffield
-
April.
-
Collins, N. 2002. Infinite Length Pieces: A User’s Guide. Proceedings of MAXIS, Sheffield, April.
-
(2002)
-
-
Collins, N.1
-
6
-
-
36949015657
-
Generative Music and Laptop Performance
-
Collins, N. 2003. Generative Music and Laptop Performance. Contemporary Music Review 22(4): 67–79.
-
(2003)
Contemporary Music Review
, vol.22
, Issue.4
, pp. 67-79
-
-
Collins, N.1
-
7
-
-
61249302392
-
Audio Culture: Readings in Modern Music
-
New York: Continuum.
-
Cox, C. and Warner, D. (eds.) 2004. Audio Culture: Readings in Modern Music. New York: Continuum.
-
(2004)
-
-
Cox, C.1
Warner, D.2
-
8
-
-
79954647761
-
Form and Transience - Generative Music Composition in Practice
-
Milan.
-
Eacott, J. 2000. Form and Transience - Generative Music Composition in Practice. In Proceedings of Generative Art, Milan.
-
(2000)
Proceedings of Generative Art
-
-
Eacott, J.1
-
9
-
-
84923901334
-
Contents May Vary: the Play and Behaviour of Generative Music Artefacts
-
PhD thesis, University of Westminster, submitted June
-
Eacott, J. 2006. Contents May Vary: the Play and Behaviour of Generative Music Artefacts. PhD thesis, University of Westminster, submitted June 2006.
-
(2006)
-
-
Eacott, J.1
-
10
-
-
79957039163
-
Generative Music
-
Available online at
-
Eno, B. 1996. Generative Music. In Motion Magazine. Available online at http://www.inmotionmagazine.com/enol.html.
-
(1996)
In Motion Magazine.
-
-
Eno, B.1
-
11
-
-
77953087294
-
Generative Art and Rules-Based Art
-
vagueterrain 03. June 2006
-
Galanter, P. 2006. Generative Art and Rules-Based Art. vagueterrain 03. http://vagueterrain.net June 2006.
-
(2006)
-
-
Galanter, P.1
-
12
-
-
33748341355
-
Automatic Music Transcription as we Know it Today
-
Klapuri, A. P. 2004. Automatic Music Transcription as we Know it Today. Journal of New Music Research 33(3):269–82.
-
(2004)
Journal of New Music Research
, vol.33
, Issue.3
, pp. 269-282
-
-
Klapuri, A.P.1
-
13
-
-
71049118672
-
Aesthetic Integration of Computer-Composed Scores
-
C. Roads (ed.), Cambridge, MA: MIT Press.
-
Koenig, G. M. 1989. Aesthetic Integration of Computer-Composed Scores. In C. Roads (ed.) The Music Machine. Cambridge, MA: MIT Press.
-
(1989)
The Music Machine.
-
-
Koenig, G.M.1
-
14
-
-
0003770368
-
Women, Fire, and Dangerous Things
-
Chicago: University of Chicago Press.
-
Lakoff, G. 1987. Women, Fire, and Dangerous Things. Chicago: University of Chicago Press.
-
(1987)
-
-
Lakoff, G.1
-
15
-
-
0039524583
-
Reverse Engineering and Software Maintenance: A Practical Approach
-
Maidenhead: McGraw-Hill Book Company.
-
Lano, K., and Haughton, H. 1993. Reverse Engineering and Software Maintenance: A Practical Approach. Maidenhead: McGraw-Hill Book Company.
-
(1993)
-
-
Lano, K.1
Haughton, H.2
-
16
-
-
85022994555
-
Compositional Theory in Koenig’s Project One and Project Two
-
C. Roads (ed.), Cambridge, MA: MIT Press.
-
Laske, O. 1989. Compositional Theory in Koenig’s Project One and Project Two. In C. Roads (ed.) The Music Machine. Cambridge, MA: MIT Press.
-
(1989)
The Music Machine.
-
-
Laske, O.1
-
17
-
-
38749107480
-
Paragraphs on Conceptual Art
-
June
-
LeWitt, S. 1967. Paragraphs on Conceptual Art. Artforum 5(10) (June): 79–83.
-
(1967)
Artforum
, vol.5
, Issue.10
, pp. 79-83
-
-
LeWitt, S.1
-
18
-
-
84921392054
-
Hearing in Time: Psychological Aspects of Musical Meter
-
New York: Oxford University Press
-
London, J. 2004. Hearing in Time: Psychological Aspects of Musical Meter. New York: Oxford University Press.
-
(2004)
-
-
London, J.1
-
19
-
-
67650899800
-
Musimathics
-
Cambridge, MA: MIT Press.
-
Loy, G. 2006. Musimathics (Vol. 1). Cambridge, MA: MIT Press.
-
(2006)
-
-
Loy, G.1
-
21
-
-
33745158031
-
Representing Musical Time: A Temporal-Logic Approach
-
Lisse: Swets and Zeitlinger.
-
Marsden, A. 2000. Representing Musical Time: A Temporal-Logic Approach. Lisse: Swets and Zeitlinger.
-
(2000)
-
-
Marsden, A.1
-
22
-
-
0036930763
-
Rethinking the Computer Music Language: SuperCollider
-
McCartney, J. 2002. Rethinking the Computer Music Language: SuperCollider. Computer Music Journal 26(4): 61–8.
-
(2002)
Computer Music Journal
, vol.26
, Issue.4
, pp. 61-68
-
-
McCartney, J.1
-
23
-
-
85023136697
-
SuperCollider workshop at tbe Felix Kulpa Gallery, Santa Cruz
-
California, USA, 6 June
-
McCartney, J. 2003. SuperCollider workshop at tbe Felix Kulpa Gallery, Santa Cruz, California, USA, 6 June 2003. http://lists.create.ucsb.edu/pipermail/sc-users/2003-June/004114.html.
-
(2003)
-
-
McCartney, J.1
-
24
-
-
0002618650
-
Art, Emergence and the Computational Sublime
-
A. Dorin (ed.), Melbourne: CEMA
-
McCormack, J., and Dorin, A. 2001. Art, Emergence and the Computational Sublime. In A. Dorin (ed.) Proceedings of Second Iteration: A Conference on Generative Systems in the Electronic Arts. Melbourne: CEMA,pp.67–81.
-
(2001)
Proceedings of Second Iteration: A Conference on Generative Systems in the Electronic Arts.
, pp. 67-81
-
-
McCormack, J.1
Dorin, A.2
-
25
-
-
0004135418
-
The Art of Software Testing
-
Revised and updated by T. Badgett, T. M. Thomas and C. Sandler, Hoboken, NJ: John Wiley and Sons.
-
Myers, G. J. 2004. The Art of Software Testing. Revised and updated by T. Badgett, T. M. Thomas and C. Sandler, Hoboken, NJ: John Wiley and Sons.
-
(2004)
-
-
Myers, G.J.1
-
27
-
-
84990379670
-
Motivations and Methodologies for Automation of the Compositional Process
-
Pearce, M., Meredith, D., and Wiggins, G. A. 2002. Motivations and Methodologies for Automation of the Compositional Process. Musicae Scientiae 6(2): 119-117.
-
(2002)
Musicae Scientiae
, vol.6
, Issue.2
, pp. 117-119
-
-
Pearce, M.1
Meredith, D.2
Wiggins, G.A.3
-
28
-
-
85023122196
-
Sergei Prokofiev: Material, Articles and Interviews
-
V. Progress Publishers. Compiled by Blok, USSR
-
Prokofiev, S. 1978. Sergei Prokofiev: Material, Articles and Interviews. Compiled by Blok, USSR: V. Progress Publishers.
-
(1978)
-
-
Prokofiev, S.1
-
29
-
-
0004037561
-
Interactive Music Systems
-
Cambridge, MA: MIT Press.
-
Rowe, R. 1993. Interactive Music Systems. Cambridge, MA: MIT Press.
-
(1993)
-
-
Rowe, R.1
-
30
-
-
85198919197
-
Mind: A Brief Introduction
-
New York: Oxford University Press
-
Searle, J. R. 2004. Mind: A Brief Introduction. New York: Oxford University Press.
-
(2004)
-
-
Searle, J.R.1
-
31
-
-
0004234658
-
Probability and Statistics
-
New York: McGraw-Hill.
-
Spiegel, M. R., Schiller, J., and Srinivasan, R. A. 2000. Probability and Statistics. New York: McGraw-Hill.
-
(2000)
-
-
Spiegel, M.R.1
Schiller, J.2
Srinivasan, R.A.3
-
32
-
-
85023139181
-
-
Google TechTalks, 26 July 20699206.
-
von Arn, L. Human Computation. Google TechTalks, 26 July 20699206. http://video.google.com/videoplay7docid-8246463980976635143.
-
-
-
von Arn, L.1
Computation, H.2
-
33
-
-
85023053352
-
How I Drew One of My Pictures: or, The Authorship of Generative Art
-
Available at
-
Ward, A., and Cox, G. 1999. How I Drew One of My Pictures: or, The Authorship of Generative Art. Available at http://www.generative.net/papers/authorship/index.html.
-
(1999)
-
-
Ward, A.1
Cox, G.2
-
34
-
-
0041065909
-
Formalized Music
-
Stuyvesant, NY: Pendragon Press.
-
Xenakis, I. 1992. Formalized Music. Stuyvesant, NY: Pendragon Press.
-
(1992)
-
-
Xenakis, I.1
|