Musical form and algorithmic solutions

Creativity and Cognition Proceedings 2005

Volumn , Issue , 2005, Pages 226-231

  Copley, Peter ^a   Gartland Jones, Andrew ^b  

^a OPEN UNIVERSITY   (United Kingdom)

^b UNIVERSITY OF SUSSEX   (United Kingdom)

Author keywords

Algorithm; Composition; Computer Music

Indexed keywords

ALGORITHMS; COMPUTATION THEORY; COMPUTER SIMULATION;

COMPOSITIONAL STRATEGIES; CREATIVE COMPOSITION; TEXTBOOK DEFINITIONS;

COMPUTER MUSIC;

EID: 29144532190     PISSN: None     EISSN: None     Source Type: Conference Proceeding    
DOI: 10.1145/1056224.1056258     Document Type: Conference Paper

References (9)

1. Boden, M. Computer Models of Creativity, in Handbook of Creativity. Cambridge UniversityPress 1999.
2. Cope, D. 2000. The algorithmic composer. The Computer Music and Digital Audio Series. Maddison, Wisconsin: A-R Editions.
3. Fauconnier, G, and M Turner. 2002. The way we think: Conceptual blending and the mind's hidden complexities. Basic Books.
4. Keller, H. 1987. Criticism. London: Faber and Faber.
5. Miranda, E. R. 2001. Composing music with computers. Music Technology Series. Oxford, UK: Focal Press.
6. Morris, R.O. 1922. Contrapuntal technique in the sixteenth century. London: Oxford University Press.
7. Rosen, C. 1980. Sonata forms. New York: Norton.
8. Schoenberg, A. 1967. Fundamentals of musical composition. London: Faber and Faber.
9. Straus, J.N. 1990. Remaking the past. Cambridge, Massachusetts: Harvard Press.