-
8
-
-
84868413854
-
Musiciens et Nonmusiciens Perçoivent-ils la Musique Différement?
-
ed. E. P. LeChevalier (Braxelles: DeBroeck, forthcoming
-
See E. Bigand, "Musiciens et Nonmusiciens Perçoivent-ils la Musique Différement?" in Le Cerveau Musicien, ed. E. P. LeChevalier (Braxelles: DeBroeck, forthcoming)
-
Le Cerveau Musicien
-
-
Bigand, E.1
-
11
-
-
0034293604
-
Implicit Learning of Tonality: A Self-Organizing Approach
-
B. Tillmann, J. J. Bharucha, and E. Bigand, "Implicit Learning of Tonality: A Self-Organizing Approach," Psychological Review 107 (2000): 885-913
-
(2000)
Psychological Review
, vol.107
, pp. 885-913
-
-
Tillmann, B.1
Bharucha, J.J.2
Bigand, E.3
-
16
-
-
0026229884
-
Implicit and Explicit Knowledge Bases in Artificial Grammar Learning
-
See, for example, Z. Dienes, D. Broadbent, and D. C. Berry, "Implicit and Explicit Knowledge Bases in Artificial Grammar Learning," Journal of Experimental Psychology: Learning, Memory, and Cognition 17 (1991): 875-887
-
(1991)
Journal of Experimental Psychology: Learning, Memory, and Cognition
, vol.17
, pp. 875-887
-
-
Dienes, Z.1
Broadbent, D.2
Berry, D.C.3
-
19
-
-
0038886772
-
Event Hierarchies, Tonal Hierarchies, and Assimilation: A Reply to Deutsch and Dowling
-
See J. J. Bharucha, "Event Hierarchies, Tonal Hierarchies, and Assimilation: A Reply to Deutsch and Dowling," Journal of Experimental Psychology: General 113 (1984): 421-425
-
(1984)
Journal of Experimental Psychology: General
, vol.113
, pp. 421-425
-
-
Bharucha, J.J.1
-
26
-
-
0029311658
-
Perceiving the Tonal Ending of Tune Excerpts: The Roles of Pre-Existing Representation and Musical Expertise
-
S. Hérbert, I. Peretz, and L. Gagnon, "Perceiving the Tonal Ending of Tune Excerpts: The Roles of Pre-Existing Representation and Musical Expertise," Canadian Journal of Experimental Psychology 49 (1995): 193-209
-
(1995)
Canadian Journal of Experimental Psychology
, vol.49
, pp. 193-209
-
-
Hérbert, S.1
Peretz, I.2
Gagnon, L.3
-
27
-
-
0020161395
-
Tracing the Dynamic Changes in Perceived Tonal Organization in a Spatial Representation of Musical Keys
-
and C. L. Krumhansl and E. J. Kessler, "Tracing the Dynamic Changes in Perceived Tonal Organization in a Spatial Representation of Musical Keys," Psychological Review 89 (1982): 334-368
-
(1982)
Psychological Review
, vol.89
, pp. 334-368
-
-
Krumhansl, C.L.1
Kessler, E.J.2
-
28
-
-
0020690018
-
The Representation of Harmonic Structure in Music: Hierarchies of Stability as a Function of Context
-
See J. Bharucha and C. L. Krumhansl, "The Representation of Harmonic Structure in Music: Hierarchies of Stability as a Function of Context," Cognition 13 (1983): 63-102
-
(1983)
Cognition
, vol.13
, pp. 63-102
-
-
Bharucha, J.1
Krumhansl, C.L.2
-
29
-
-
58149404765
-
Scale and Contour: Two Components of a Theory of Memory for Melodies
-
W. J. Dowling, "Scale and Contour: Two Components of a Theory of Memory for Melodies," Psychological Review 85 (1978): 341-354
-
(1978)
Psychological Review
, vol.85
, pp. 341-354
-
-
Dowling, W.J.1
-
30
-
-
0000064739
-
The Psychological Representation of Musical Pitch in a Tonal Context
-
C. L. Krumhansl, "The Psychological Representation of Musical Pitch in a Tonal Context," Cognitive Psychology 11 (1979): 346-374
-
(1979)
Cognitive Psychology
, vol.11
, pp. 346-374
-
-
Krumhansl, C.L.1
-
32
-
-
0026444555
-
Asymmetry of Perceived Key Movement in Chorale Sequences: Converging Evidence from a Probe-Tone Analysis
-
See L. L. Cuddy and W. F. Thompson, "Asymmetry of Perceived Key Movement in Chorale Sequences: Converging Evidence from a Probe-Tone Analysis," Psychological Research 54 (1992): 51-59
-
(1992)
Psychological Research
, vol.54
, pp. 51-59
-
-
Cuddy, L.L.1
Thompson, W.F.2
-
33
-
-
84968265167
-
Music Cognition and Perceptual Facilitation: A Connectionist Framework
-
J. J. Bharucha, "Music Cognition and Perceptual Facilitation: A Connectionist Framework," Music Perception 5 (1987): 1-30
-
(1987)
Music Perception
, vol.5
, pp. 1-30
-
-
Bharucha, J.J.1
-
36
-
-
79953765670
-
The Cognitive Reality of Hierarchical Structure in Tonal and Atonal Music
-
See N. Dibben, "The Cognitive Reality of Hierarchical Structure in Tonal and Atonal Music," Music Perception 12 (1994): 3-17
-
(1994)
Music Perception
, vol.12
, pp. 3-17
-
-
Dibben, N.1
-
38
-
-
84968171459
-
The Cognitive Reality of Hierarchic Structure in Music
-
M. L. Serafine, N. Glassman, and C. Overbeeke, ́The Cognitive Reality of Hierarchic Structure in Music," Music Perception 6 (1989): 397-430
-
(1989)
Music Perception
, vol.6
, pp. 397-430
-
-
Serafine1
N. Glassman2
C. Overbeeke, M.L.3
-
39
-
-
84965451202
-
Abstraction of Two Forms of Underlying Structure in a Tonal Melody
-
E. Bigand, "Abstraction of Two Forms of Underlying Structure in a Tonal Melody," Psychology of Music 18 (1990): 45-60
-
(1990)
Psychology of Music
, vol.18
, pp. 45-60
-
-
Bigand, E.1
-
40
-
-
0031154810
-
Perceiving Musical Stability: The Effect of Tonal Structure, Rhythm, and Musical Expertise
-
E. Bigand, "Perceiving Musical Stability: The Effect of Tonal Structure, Rhythm, and Musical Expertise," Journal of Experimental Psychology: Human Perception and Performance 23 (1997): 808-822
-
(1997)
Journal of Experimental Psychology: Human Perception and Performance
, vol.23
, pp. 808-822
-
-
Bigand, E.1
-
42
-
-
84968100569
-
Context Effects on Melody Recognition: Scale-Step versus Interval Representations
-
For consistent findings,
-
For consistent findings, see W. J. Dowling, "Context Effects on Melody Recognition: Scale-Step versus Interval Representations," Music Perception 3 (1986): 281-296
-
(1986)
Music Perception
, vol.3
, pp. 281-296
-
-
Dowling, W.J.1
-
43
-
-
0023353309
-
Priming of the Chords: Spreading Activation or Overlapping Frequency Spectra?
-
See J. J. Bharucha and K. Stoeckig, "Priming of the Chords: Spreading Activation or Overlapping Frequency Spectra?" Perception and Psychophysics 41 (1987): 519-524
-
(1987)
Perception and Psychophysics
, vol.41
, pp. 519-524
-
-
Bharucha, J.J.1
Stoeckig, K.2
-
44
-
-
0033480666
-
Effect of Global Structure and Temporal Organization on Chord Processing
-
E. Bigand, F. Madurell, B. Tillmann, and M. Pineau, "Effect of Global Structure and Temporal Organization on Chord Processing," Journal of Experimental Psychology: Human Perception and Performance 25 (1999): 184-197
-
(1999)
Journal of Experimental Psychology: Human Perception and Performance
, vol.25
, pp. 184-197
-
-
Bigand, E.1
Madurell, F.2
Tillmann, B.3
Pineau, M.4
-
45
-
-
0031241549
-
Global Context Effects on Musical Expectancy
-
E. Bigand and M. Pineau, "Global Context Effects on Musical Expectancy," Perception and Psychophysics 59 (1997): 1098-1107
-
(1997)
Perception and Psychophysics
, vol.59
, pp. 1098-1107
-
-
Bigand, E.1
Pineau, M.2
-
46
-
-
0001769911
-
Effects of Global and Local Contexts on Harmonic Expectancy
-
See B. Tillmann, E. Bigand, and M. Pineau, "Effects of Global and Local Contexts on Harmonic Expectancy," Music Perception 16 (1998): 99-117
-
(1998)
Music Perception
, vol.16
, pp. 99-117
-
-
Tillmann, B.1
Bigand, E.2
Pineau, M.3
-
47
-
-
85047689910
-
Cognitive versus Sensory Components in Harmonic Priming Effects
-
See E. Bigand, B. Poulin, B. Tillmann, and D. D'Adamo, "Cognitive versus Sensory Components in Harmonic Priming Effects," Journal of Experimental Psychology: Human Perception and Performance 29 (2003): 159-171
-
(2003)
Journal of Experimental Psychology: Human Perception and Performance
, vol.29
, pp. 159-171
-
-
Bigand, E.1
Poulin, B.2
Tillmann, B.3
D'Adamo, D.4
-
49
-
-
21844510855
-
An Event-Related Potential (ERP) Study of Musical Expectancy: Comparison of Musicians with Nonmusicians
-
See M. Besson and F. Faïta, "An Event-Related Potential (ERP) Study of Musical Expectancy: Comparison of Musicians with Nonmusicians," Journal of Experimental Psychology: Human Perception and Performance 21 (1995): 1278-1296
-
(1995)
Journal of Experimental Psychology: Human Perception and Performance
, vol.21
, pp. 1278-1296
-
-
Besson, M.1
Faïta, F.2
-
50
-
-
0023114971
-
An Event-Related Potential Analysis of Incongruity in Music and Other Non-Linguistic Contexts
-
and M. Besson and F. Macar, "An Event-Related Potential Analysis of Incongruity in Music and Other Non-Linguistic Contexts," Psychophysiology 24 (1987): 14-25
-
(1987)
Psychophysiology
, vol.24
, pp. 14-25
-
-
Besson, M.1
Macar, F.2
-
51
-
-
0029045909
-
ERP Measures Assay the Degree of Expectancy Violation of Harmonic Contexts in Music
-
See P. Janata, "ERP Measures Assay the Degree of Expectancy Violation of Harmonic Contexts in Music," Journal of Cognitive Neuroscience 7 (1995): 153-164
-
(1995)
Journal of Cognitive Neuroscience
, vol.7
, pp. 153-164
-
-
Janata, P.1
-
52
-
-
0031743344
-
Processing Syntactic Relations in Language and Music: An Event-Related Potential Study
-
A. D. Patel, E. Gibson, J. Ratner, M. Besson, and P. J. Holcomb, "Processing Syntactic Relations in Language and Music: An Event-Related Potential Study," Journal of Cognitive Neuroscience 10 (1998): 717-733
-
(1998)
Journal of Cognitive Neuroscience
, vol.10
, pp. 717-733
-
-
Patel, A.D.1
Gibson, E.2
Ratner, J.3
Besson, M.4
Holcomb, P.J.5
-
53
-
-
0035864780
-
Different Brain Mechanisms Mediate Sensitivity to Sensory Consonance and Harmonic Context: Evidence from Auditory Event-Related Brain Potentials
-
P. Regnault, E. Bigand, and M. Besson, "Different Brain Mechanisms Mediate Sensitivity to Sensory Consonance and Harmonic Context: Evidence from Auditory Event-Related Brain Potentials," Journal of Cognitive Neuroscience 13 (2001): 241-255
-
(2001)
Journal of Cognitive Neuroscience
, vol.13
, pp. 241-255
-
-
Regnault, P.1
Bigand, E.2
Besson, M.3
-
54
-
-
0035035626
-
Musical Syntax is Processed in Broca's Area: An MEG Study
-
See B. Maess, S. Koelsch, T. C. Gunter, and A. D. Friederici, "Musical Syntax is Processed in Broca's Area: An MEG Study," Nature Neuroscience 4 (2001): 540-545
-
(2001)
Nature Neuroscience
, vol.4
, pp. 540-545
-
-
Maess, B.1
Koelsch, S.2
Gunter, T.C.3
Friederici, A.D.4
-
56
-
-
0029144777
-
The Time Course of Syntactic Activation During Language Processing: A Model Based on Neuropsychological and Neurophysiological Data
-
See A. D. Friederici, "The Time Course of Syntactic Activation During Language Processing: A Model Based on Neuropsychological and Neurophysiological Data," Brain and Language 50 (1995): 259-281
-
(1995)
Brain and Language
, vol.50
, pp. 259-281
-
-
Friederici, A.D.1
-
57
-
-
0034567030
-
Auditory Language Comprehension: An Event-Related fMRI Study on the Processing of Syntactic and Lexical Information
-
and A. D. Friederici, M. Meyer, and D. Yves von Cramon, "Auditory Language Comprehension: An Event-Related fMRI Study on the Processing of Syntactic and Lexical Information," Brain and Language 74 (2000): 289-300
-
(2000)
Brain and Language
, vol.74
, pp. 289-300
-
-
Friederici, A.D.1
Meyer, M.2
Yves von Cramon, D.3
-
64
-
-
33947171975
-
-
12th ed, Paris: PUF, our translation
-
A. Hodeir, Les Formes de la Musique (1951), 12th ed. (Paris: PUF, 1993); our translation
-
(1951)
Les Formes de la Musique
-
-
Hodeir, A.1
-
65
-
-
0019088337
-
The Processing of Structured and Unstructured Tonal Sequences
-
See D. Deutsch, "The Processing of Structured and Unstructured Tonal Sequences," Perception and Psychophysics 28 (1980): 381-389
-
(1980)
Perception and Psychophysics
, vol.28
, pp. 381-389
-
-
Deutsch, D.1
-
66
-
-
0001073889
-
The Internal Representation of Pitch Sequences in Tonal Music
-
D. Deutsch and J. Feroe, "The Internal Representation of Pitch Sequences in Tonal Music," Psychological Review 88 (1981): 503-522
-
(1981)
Psychological Review
, vol.88
, pp. 503-522
-
-
Deutsch, D.1
Feroe, J.2
-
67
-
-
0010754218
-
Cognitive Representations of Serial Patterns
-
ed. B. H. Kantowitz Hillsdale, NJ: Erlbaum
-
M. R. Jones, "Cognitive Representations of Serial Patterns," in Human Information Processing and Cognition, ed. B. H. Kantowitz (Hillsdale, NJ: Erlbaum, 1974)
-
(1974)
Human Information Processing and Cognition
-
-
Jones, M.R.1
-
68
-
-
0001545777
-
Theories of Serial Pattern Learning: Structural Trees
-
F. Restle, "Theories of Serial Pattern Learning: Structural Trees," Psychological Review 77 (1970): 481-495
-
(1970)
Psychological Review
, vol.77
, pp. 481-495
-
-
Restle, F.1
-
69
-
-
0038717835
-
Contributions of Music to Research on Human Auditory Cognition
-
ed. S. McAdams and E. Bigand Oxford: Clarendon Press
-
See E. Bigand, "Contributions of Music to Research on Human Auditory Cognition," in Thinking in Sound: The Cognitive Psychology of Human Audition, ed. S. McAdams and E. Bigand (Oxford: Clarendon Press, 1993)
-
(1993)
Thinking in Sound: The Cognitive Psychology of Human Audition
-
-
Bigand, E.1
-
71
-
-
0002547291
-
The Making of the Present
-
ed. J. Requin Hillsdale, NJ: Erlbaum
-
and J. A. Michon, "The Making of the Present," in Attention and Performance, vol. 7, ed. J. Requin (Hillsdale, NJ: Erlbaum, 1978)
-
(1978)
Attention and Performance
, vol.7
-
-
Michon, J.A.1
-
72
-
-
0004596152
-
The Influence of Implicit Harmony, Rhythm, and Musical Training on the Abstraction of 'Tension-Relaxation Schemes' in a Tonal Musical Phrase
-
E. Bigand, "The Influence of Implicit Harmony, Rhythm, and Musical Training on the Abstraction of 'Tension-Relaxation Schemes' in a Tonal Musical Phrase," Contemporary Music Review 9 (1993): 128-139
-
(1993)
Contemporary Music Review
, vol.9
, pp. 128-139
-
-
Bigand, E.1
-
75
-
-
0040168128
-
Levels of Structure in the Organization of Musical Time
-
E. F. Clarke, "Levels of Structure in the Organization of Musical Time," Contemporary Music Review 2 (1987): 211-238
-
(1987)
Contemporary Music Review
, vol.2
, pp. 211-238
-
-
Clarke, E.F.1
-
76
-
-
84968285637
-
The Perception of Large-Scale Tonal Closure
-
N. Coook, "The Perception of Large-Scale Tonal Closure," Music Perception 5 (1987): 197-206
-
(1987)
Music Perception
, vol.5
, pp. 197-206
-
-
Coook, N.1
-
77
-
-
0011550991
-
The Effect of Modulation and Formal Manipulation on Perception of Tonal Closure
-
E. West-Marvin and A. Brinkman, "The Effect of Modulation and Formal Manipulation on Perception of Tonal Closure," Music Perception 16 (1999): 389-408
-
(1999)
Music Perception
, vol.16
, pp. 389-408
-
-
West-Marvin, E.1
Brinkman, A.2
-
80
-
-
84968081487
-
The Effects of Instrumentation, Playing Style, and Structure in the Goldberg Variations by Johann Sebastian Bach
-
H. Gotlieb and V. J. Konecni, "The Effects of Instrumentation, Playing Style, and Structure in the Goldberg Variations by Johann Sebastian Bach," Music Perception 3 (1985): 87-102
-
(1985)
Music Perception
, vol.3
, pp. 87-102
-
-
Gotlieb, H.1
Konecni, V.J.2
-
81
-
-
84968237484
-
Comments on 'The Effects of Instrumentation, Playing Style, and Structure in the Goldberg Variations by Johann Sebastian Bach,' Music
-
R. Batt, "Comments on 'The Effects of Instrumentation, Playing Style, and Structure in the Goldberg Variations by Johann Sebastian Bach,'" Music Perception 15 (1987): 207-213
-
(1987)
Perception
, vol.15
, pp. 207-213
-
-
Batt, R.1
-
82
-
-
84968157977
-
The Effects of Structural Intervention in the First Movement of Mozart's Symphony in G-Minor, K. 550, on Aesthetic Preference
-
M. Karno and V. J. Konecni, "The Effects of Structural Intervention in the First Movement of Mozart's Symphony in G-Minor, K. 550, on Aesthetic Preference," Music Perception 10 (1992): 63-72
-
(1992)
Music Perception
, vol.10
, pp. 63-72
-
-
Karno, M.1
Konecni, V.J.2
-
83
-
-
0010079330
-
Does Formal Musical Structure Affect Perception of Musical Expressiveness?
-
B. Tillmann and E. Bigand, "Does Formal Musical Structure Affect Perception of Musical Expressiveness?" Psychology of Music 24 (1996): 3-17
-
(1996)
Psychology of Music
, vol.24
, pp. 3-17
-
-
Tillmann, B.1
Bigand, E.2
-
85
-
-
84968237342
-
Harmonic Closure: Music Theory and Perception
-
B. S. Rosner and E. Narmour, "Harmonic Closure: Music Theory and Perception," Music Perception 9 (1992): 383-411
-
(1992)
Music Perception
, vol.9
, pp. 383-411
-
-
Rosner, B.S.1
Narmour, E.2
-
86
-
-
0346764003
-
Entwicklung des Tonalitätsverstehens bei der Beurteilung und Produktion von Liedschlüssen
-
and G. Schwarzer, A. Siegismund, and F. Wilkening, "Entwicklung des Tonalitätsverstehens bei der Beurteilung und Produktion von Liedschlüssen," in Jahrbuch der Musikpsychologie, ed. K. Behne, G. Kleinen, and H. de la Motte-Haber Jahrbuch der Musikpsychologie (Wilhelmshaven: Florian Noetzel, 1993), pp. 75-89
-
(1993)
Jahrbuch der Musikpsychologie
, pp. 75-89
-
-
Schwarzer1
A. Siegismund2
F. Wilkening, G.3
-
88
-
-
0025425632
-
Investigating Differences in General Comprehension Skill
-
See M. A. Gernsbacher, K. R. Varner, and M. E. Faust, "Investigating Differences in General Comprehension Skill," Journal of Experimental Psychology: Learning, Memory, and Cognition 16 (1990): 430-445
-
(1990)
Journal of Experimental Psychology: Learning, Memory, and Cognition
, vol.16
, pp. 430-445
-
-
Gernsbacher, M.A.1
Varner, K.R.2
Faust, M.E.3
-
89
-
-
0032220056
-
Influence of Global Structure on Musical Target Detection and Recognition
-
B. Tillmann and E. Bigand, "Influence of Global Structure on Musical Target Detection and Recognition," International Journal of Psychology 33 (1998): 107-122
-
(1998)
International Journal of Psychology
, vol.33
, pp. 107-122
-
-
Tillmann, B.1
Bigand, E.2
-
93
-
-
79953962490
-
Contributions of Music to Research on Human Auditory
-
See Bigand, "Contributions of Music to Research on Human Auditory Cognition."
-
Cognition
-
-
Bigand1
|