Generation of musical sequences with genetic techniques

Computer Music Journal

Volumn 23, Issue 4, 1999, Pages 59-73

  Burton, Anthony R ^a   Vladimirova, Tanya ^b  

^a Digital Integration Ltd   (United Kingdom)

^b UNIVERSITY OF SURREY   (United Kingdom)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 0040368684     PISSN: 01489267     EISSN: None     Source Type: Journal    
DOI: 10.1162/014892699560001     Document Type: Article

References (32)

1. Baggi, D. L. 1991. "Neurswing: An Intelligent Workbench for the Investigation of Swing in Jazz." Computer (July):60-64.
2. Balaban, M., K. Ebcioglu, and O. Laske. 1992. Understanding Music with AI: Perspectives on Music Cognition. Cambridge, Massachusetts: MIT Press.
3. Biles, J. A. 1994. "GenJam: A Genetic Algorithm for Generating Jazz Solos." Proceedings of the 1994 International Computer Music Conference. San Francisco: International Computer Music Association.
4. Biles, J. A. 1995. "GenJam Populi: Training an IGA via Audience-Mediated Performance." Available on the World Wide Web at http://www.it.rit.edu/~jab/ GenJamPop.html.
5. Biles, J. A., P. G. Anderson, and L. W. Loggi. 1996. "Neural Network Fitness Functions for a Musical IGA." Available on the World Wide Web at http:// www.it.rit.edu/~jab/SOCO96/SOCO.html.
6. Burton, A. R., and T. Vladimirova. 1997. "A Genetic Algorithm Utilising Neural Network Fitness Evaluation for Music Composition." Proceedings of the 1997 International Conference on Artificial Neural Networks and Genetic Algorithms. Vienna: Springer-Verlag.
7. Camurri, A., C. Canepa, M. Frixione, and R. Zaccaria. 1991. "HARP: A System for Intelligent Composer's Assistance." IEEE Computer 24(7):64-67.
8. Chester, M. 1993. Neural Networks - A Tutorial. Englewood Cliffs, New Jersey: Prentice-Hall.
9. Davis, L., ed. 1987. Genetic Algorithms and Simulated Annealing. San Francisco: Morgan Kaufmann.
10. Desain, P., and H. Honing. 1992. Music, Mind, and Machine. Amsterdam: Thesis Publishing.
11. Filho, J. L. R., P. C. Treleaven, and C. Alippi. 1994. "Genetic Algorithm Programming Environments." IEEE Computer 27(6):28-43.
12. Gibson, P. M., and J. A. Byrne. 1991. "Neurogen, Musical Composition Using Genetic Algorithms and Cooperating Neural Networks." Proceedings of the Second International Conference on Artificial Neural Networks, pp. 309-313. Stevenege, England: Institute of Electrical Engineers.
13. Goldberg, D. E. 1989. Genetic Algorithms in Search, Optimization and Machine Learning. Reading, Massachusetts: Addison-Wesley.
14. Holland, J. H. 1975. Adaptation in Natural and Artificial Systems. Ann Arbor, Michigan: University of Michigan Press.
15. Horner, A., and L. Ayers. 1995. "Harmonization of Musical Progressions with Genetic Algorithms." Proceedings of the 1995 International Computer Music Conference. San Francisco: International Computer Music Association, pp. 483-484.
16. Horner, A., and D. E. Goldberg. 1991. "Genetic Algorithms and Computer-Assisted Music Composition." Proceedings of the 1991 International Computer Music Conference. San Francisco: International Computer Music Association, pp. 479-482.
17. Horowitz, D. 1994. "Generating Rhythms with Genetic Algorithms." Proceedings of the 1994 International Computer Music Conference. San Francisco: International Computer Music Association, pp. 142-143.
18. Jacob, B. L. 1995. "Composing with Genetic Algorithms." Working Paper, Advanced Computer Architecture Laboratory, EECS, University of Michigan. Available on the World Wide Web at http:// www.ee.umd.edu/~blj/algorithmic_composition/.
19. Johnson, M. L. 1991. "Toward an Expert System for Expressive Musical Performance." IEEE Computer 24(7):30-34.
20. Koza, J. R. 1992. Genetic Programming. Cambridge, Massachusetts: MIT Press.
21. Laine, P., and M. Kuuskankare. 1994 "Genetic Algorithms in Musical Style Oriented Generation." Proceedings of the First IEEE Conference on Evolutionary Computation. Washington, DC: IEEE, pp. 858-861.
22. McIntyre, R. A. 1994. "Bach in a Box: The Evolution of Four-Part Baroque Harmony Using the Genetic Algorithm." Proceedings of the IEEE Conference on Evolutionary Computation. Washington, DC: IEEE, pp. 852-857.
23. Michalewicz, Z. 1992. Genetic Algorithms + Data Structures = Evolution Programs. New York: Springer-Verlag.
24. Putnam, J. B. 1994. "Genetic Programming of Music." Technical Report, New Mexico Institute of Mining and Technology. Available on the World Wide Web at http://www.nmt.edu/~jefu/notes/ep.ps.
25. Ralley, D. 1995. "Genetic Algorithms as a Tool for Melodic Development." Proceedings of the 1995 International Computer Music Conference. San Francisco: International Computer Music Association, pp. 501-502.
26. Spector, L., and A. Alpern. 1994. "Criticism, Culture, and the Automatic Generation of Artworks." Proceedings of the Twelfth National Conference on Artificial Intelligence, AAAI-94. Cambridge, Massachusetts: AAAI, pp. 3-8.
27. Spector, L., and A. Alpern. 1995. "Induction and Recapitulation of Deep Musical Structure." Working Notes of the IJCAI-95 Workshop on Artificial Intelligence and Music, pp. 41-48. San Francisco: Morgan Kaufmann
28. Srinivas, M., and L. M. Patnaik. 1994. "Genetic Algorithms: A Survey." Computer (June):17-26.
29. Thywissen, K. 1996. "GeNotator: An Environment for Investigating the Application of Genetic Algorithms in Computer-Assisted Composition." Proceedings of the 1996 International Computer Music Conference. San Francisco: International Computer Music Association, pp. 274-277.
30. Todd, P. M., and D. G. Loy, eds. 1991. Music and Connectionism. Cambridge, Massachusetts: MIT Press.
31. Wasserman, P. D. 1993. Advanced Methods in Neural Computing. New York: Van Nostrand Reinhold.
32. Werner, G. M., and P. M. Todd. 1997. "Too Many Love Songs: Sexual Selection and the Evolution of Communication." Proceedings of the Fourth European Conference on Artificial Life, pp. 434-443. Cambridge, MA: MIT Press.