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Volumn 32, Issue 4, 2008, Pages 31-47

Scores, programs and time representation: The sheet object in OpenMusic

Author keywords

[No Author keywords available]

Indexed keywords

TIME SYSTEMS; VISUAL PROGRAMMING ENVIRONMENTS;

EID: 63349095045     PISSN: 01489267     EISSN: 15315169     Source Type: Journal    
DOI: 10.1162/comj.2008.32.4.31     Document Type: Article
Times cited : (11)

References (21)
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  • 2
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    • Agon, C., and G. Assayag. 2002. "Programmation visuelle et éditeurs musicaux pour la composition assistée par ordinateur." 14ème Conféerence Francophone sur l'Interaction Homme-Machine - IHM'02. New York: Association for Computing Machinery, pp. 205-206.
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    • Agon, C.1    Assayag, G.2
  • 3
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    • Objects, Time and Constraints in OpenMusic
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    • Agon, C., et al. 1998. "Objects, Time and Constraints in OpenMusic." Proceedings of the 1998 International Computer Music Conference. San Francisco, California: International Computer Music Association, pp. 406-415.
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    • Agon, C.1
  • 4
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    • 0020849266 scopus 로고
    • Maintaining Knowledge About Temporal Intervals
    • Allen, J. F. 1983. "Maintaining Knowledge About Temporal Intervals." Communications of the ACM 26(11):832-843.
    • (1983) Communications of the ACM , vol.26 , Issue.11 , pp. 832-843
    • Allen, J.F.1
  • 6
    • 76749099023 scopus 로고    scopus 로고
    • Computer Assisted Composition Today
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    • Assayag, G. 1998. "Computer Assisted Composition Today." First Symposium on Computer and Music. Corfu, Greece: Ionian University, pp. 9-17.
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    • Assayag, G.1
  • 7
    • 0040436095 scopus 로고    scopus 로고
    • Computer Assisted Composition at IRCAM: From PatchWork to OpenMusic
    • Assayag, G., et al. 1999. "Computer Assisted Composition at IRCAM: From PatchWork to OpenMusic." Computer Music Journal 23(3):59-72.
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    • Assayag, G.1
  • 8
    • 63349086343 scopus 로고    scopus 로고
    • Microtonal Composition
    • J. Bresson, C. Agon, and G. Assayag, eds, Paris: IRCAM/Editions Delatour, pp
    • Bancquart, A., M. Andreatta, and C. Agon. 2008. "Microtonal Composition." In J. Bresson, C. Agon, and G. Assayag, eds. The OM Composer's Book - Volume 2. Paris: IRCAM/Editions Delatour, pp. 279-302.
    • (2008) The OM Composer's Book , vol.2 , pp. 279-302
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  • 9
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    • Boulez, P.1
  • 10
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    • Marseille, France: Centre National de Création Musicale, pp
    • Bresson, J., and C. Agon. 2006. "Temporal Control over Sound Synthesis Processes." Proceedings of Sound and Music Computing Conference, Marseille, France: Centre National de Création Musicale, pp. 67-76.
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  • 11
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    • Hamel, K. 1998. "NoteAbility, A Comprehensive Music Notation System." Proceedings of the 1998 International Computer Music Conference. San Francisco, California: International Computer Music Association, pp. 506-509.
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  • 15
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  • 16
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  • 21
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* 이 정보는 Elsevier사의 SCOPUS DB에서 KISTI가 분석하여 추출한 것입니다.