-
1
-
-
25844512386
-
OpenMusic: Un langage de programmation visuelle pour la composition musicale.
-
Ph.D. Thesis, Universitée Pierre et Marie Curie, Paris 6, France
-
Agon, C. 1998. "OpenMusic: un langage de programmation visuelle pour la composition musicale." Ph.D. Thesis, Universitée Pierre et Marie Curie, Paris 6, France.
-
(1998)
-
-
Agon, C.1
-
2
-
-
84982830442
-
Programmation visuelle et éditeurs musicaux pour la composition assistée par ordinateur
-
New York: Association for Computing Machinery, pp
-
Agon, C., and G. Assayag. 2002. "Programmation visuelle et éditeurs musicaux pour la composition assistée par ordinateur." 14ème Conféerence Francophone sur l'Interaction Homme-Machine - IHM'02. New York: Association for Computing Machinery, pp. 205-206.
-
(2002)
14ème Conféerence Francophone sur l'Interaction Homme-Machine - IHM'02
, pp. 205-206
-
-
Agon, C.1
Assayag, G.2
-
3
-
-
0039286913
-
Objects, Time and Constraints in OpenMusic
-
San Francisco, California: International Computer Music Association, pp
-
Agon, C., et al. 1998. "Objects, Time and Constraints in OpenMusic." Proceedings of the 1998 International Computer Music Conference. San Francisco, California: International Computer Music Association, pp. 406-415.
-
(1998)
Proceedings of the 1998 International Computer Music Conference
, pp. 406-415
-
-
Agon, C.1
-
4
-
-
63349084404
-
Representation and Rendering of Rhythmic Structures
-
Piscataway, New Jersey: IEEE Computer Society Press, pp
-
Agon, C., K. Haddad, and G. Assayag. 2002. "Representation and Rendering of Rhythmic Structures." International Conference of Web Delivering of Music - WedelMusic. Piscataway, New Jersey: IEEE Computer Society Press, pp. 109-113.
-
(2002)
International Conference of Web Delivering of Music - WedelMusic
, pp. 109-113
-
-
Agon, C.1
Haddad, K.2
Assayag, G.3
-
5
-
-
0020849266
-
Maintaining Knowledge About Temporal Intervals
-
Allen, J. F. 1983. "Maintaining Knowledge About Temporal Intervals." Communications of the ACM 26(11):832-843.
-
(1983)
Communications of the ACM
, vol.26
, Issue.11
, pp. 832-843
-
-
Allen, J.F.1
-
6
-
-
76749099023
-
Computer Assisted Composition Today
-
Corfu, Greece: Ionian University, pp
-
Assayag, G. 1998. "Computer Assisted Composition Today." First Symposium on Computer and Music. Corfu, Greece: Ionian University, pp. 9-17.
-
(1998)
First Symposium on Computer and Music
, pp. 9-17
-
-
Assayag, G.1
-
7
-
-
0040436095
-
Computer Assisted Composition at IRCAM: From PatchWork to OpenMusic
-
Assayag, G., et al. 1999. "Computer Assisted Composition at IRCAM: From PatchWork to OpenMusic." Computer Music Journal 23(3):59-72.
-
(1999)
Computer Music Journal
, vol.23
, Issue.3
, pp. 59-72
-
-
Assayag, G.1
-
8
-
-
63349086343
-
Microtonal Composition
-
J. Bresson, C. Agon, and G. Assayag, eds, Paris: IRCAM/Editions Delatour, pp
-
Bancquart, A., M. Andreatta, and C. Agon. 2008. "Microtonal Composition." In J. Bresson, C. Agon, and G. Assayag, eds. The OM Composer's Book - Volume 2. Paris: IRCAM/Editions Delatour, pp. 279-302.
-
(2008)
The OM Composer's Book
, vol.2
, pp. 279-302
-
-
Bancquart, A.1
Andreatta, M.2
Agon, C.3
-
9
-
-
49549113188
-
Timbre and Composition - Timbre and Language
-
Boulez, P. 1987. "Timbre and Composition - Timbre and Language." Contemporary Music Review 2(1):161-171.
-
(1987)
Contemporary Music Review
, vol.2
, Issue.1
, pp. 161-171
-
-
Boulez, P.1
-
10
-
-
49549093645
-
Temporal Control over Sound Synthesis Processes
-
Marseille, France: Centre National de Création Musicale, pp
-
Bresson, J., and C. Agon. 2006. "Temporal Control over Sound Synthesis Processes." Proceedings of Sound and Music Computing Conference, Marseille, France: Centre National de Création Musicale, pp. 67-76.
-
(2006)
Proceedings of Sound and Music Computing Conference
, pp. 67-76
-
-
Bresson, J.1
Agon, C.2
-
11
-
-
63349092160
-
La vue et l'ouïe - Problématique des partitions dans la musique électro-acoustique
-
Ebbeke, K. 1990. "La vue et l'ouïe - Problématique des partitions dans la musique électro-acoustique." Contrechamps 11:70-79.
-
(1990)
Contrechamps
, vol.11
, pp. 70-79
-
-
Ebbeke, K.1
-
12
-
-
84923884540
-
Modalys Demonstration
-
San Francisco, California: International Computer Music Association, pp
-
Ellis, N., J. Bensoam, and R. Caussé. 2005. "Modalys Demonstration." Proceedings of the 2005 International Computer Music Conference. San Francisco, California: International Computer Music Association, pp. 101-102.
-
(2005)
Proceedings of the 2005 International Computer Music Conference
, pp. 101-102
-
-
Ellis, N.1
Bensoam, J.2
Caussé, R.3
-
13
-
-
63349090907
-
NoteAbility, A Comprehensive Music Notation System
-
San Francisco, California: International Computer Music Association, pp
-
Hamel, K. 1998. "NoteAbility, A Comprehensive Music Notation System." Proceedings of the 1998 International Computer Music Conference. San Francisco, California: International Computer Music Association, pp. 506-509.
-
(1998)
Proceedings of the 1998 International Computer Music Conference
, pp. 506-509
-
-
Hamel, K.1
-
15
-
-
0013187934
-
PatchWork: A Visual Programming Language and Some Musical Applications
-
Doctoral dissertation, Sibelius Academy, Finland
-
Laurson, M. 1996. "PatchWork: A Visual Programming Language and Some Musical Applications." Doctoral dissertation, Sibelius Academy, Finland.
-
(1996)
-
-
Laurson, M.1
-
16
-
-
63349085465
-
-
Laurson, M., and M. Kuuskankare. 2002. PWGL: A Novel Visual Language based on Common Lisp, CLOS and OpenGL. Proceedings of International Computer Music Conference. San Francisco, California: International Computer Music Conference, pp. 142-145.
-
Laurson, M., and M. Kuuskankare. 2002. "PWGL: A Novel Visual Language based on Common Lisp, CLOS and OpenGL". Proceedings of International Computer Music Conference. San Francisco, California: International Computer Music Conference, pp. 142-145.
-
-
-
-
20
-
-
63349109550
-
Score: A Musician's Approach to Computer Music
-
Smith, L. 1972. "Score: A Musician's Approach to Computer Music." Journal of the Audio Engineering Society 20(1):7-14.
-
(1972)
Journal of the Audio Engineering Society
, vol.20
, Issue.1
, pp. 7-14
-
-
Smith, L.1
-
21
-
-
63349091501
-
Une representation de structures temporelles par synchronisation de pivots
-
Marseille, France: Laboratoire Musique et Informatique de Marseille MIM, pp
-
Stroppa, M., and Duthen, J. 1990. "Une representation de structures temporelles par synchronisation de pivots." Colloque Musique et Assistance Informatique, Marseille, France: Laboratoire Musique et Informatique de Marseille (MIM), pp. 305-322.
-
(1990)
Colloque Musique et Assistance Informatique
, pp. 305-322
-
-
Stroppa, M.1
Duthen, J.2
|