NOTEABILITY - A COMPREHENSIVE MUSIC NOTATION EDITOR

International Computer Music Conference, ICMC Proceedings

Volumn , Issue , 1998, Pages

  Hamel, Keith A ^a  

^a UNIVERSITY OF BRITISH COLUMBIA   (Canada)

Author keywords

[No Author keywords available]

Indexed keywords

CONTEMPORARY MUSICS; MUSIC APPLICATIONS; MUSIC EDITING; MUSIC NOTATION;

COMPUTER MUSIC;

EID: 63349090907     PISSN: 22233881     EISSN: None     Source Type: Conference Proceeding    
DOI: None     Document Type: Conference Paper

References (11)

1. Byrd, D. (1986) "User Interfaces in Music-Notation Systems," Proceedings of the 1986 ICMC, pp. 145-151.
2. Fujinaga, I., Alphonse, B., Pennycook, B, and Diener, D. (1992) "Interactive Optical Music Recognition", Proceedings of the 1992 ICMC, pp. 117-120.
3. Grande, C. & Belkin, A. (1996) "The Development of the Notation Interchange Format" Computer Music Journal 20 (4). pp.33-43.
4. Hamel, K. (1989) "Advanced Music Editing Using the NoteWriter Music Notation Software" Proceedings of C.E.C Electroacoustic Days at Banff, pp. 87-92.
5. Hamel, K. (1997) NoteAbility Reference Manual. Opus 1 Music Inc. Vancouver, Canada.
6. Hewlett, W. & Selfridge-Fields, E. (1997) "MIDI" in Selfridge-Fields, E. (ed.) Beyond MIDI, The Handbook of Musical Codes. pp. 469-490, MIT Press, Cambridge, Massachusetts.
7. Hoos., H. & Hamel, K. (1998) "Towards an Adequate Representation of Score Level Music", Proceedings of the Journée d’Informatique Musical (JIM’98).
8. Jaffe, D. & Boynton, L. (1989), "An Overview of the Sound and Music Kits for the NeXT Computer", Computer Music Journal 13 (2). pp.48-55.
9. Puckette, M. (1986) "Interprocess Communciation and Timing in Real-time Computer Music Performance" in Proceedings of the 1986 ICMC, pp. 43-46.
10. Smith, L. (1997) "SCORE" in Selfridge-Fields, E. (ed.) Beyond MIDI, The Handbook of Musical Codes. pp. 252-280, MIT Press, Cambridge, Massachusetts.
11. Vercoe, B. (1994) MIT Media Lab Csound Manual. MIT, Cambridge, Massachusetts.