Computer-assisted composition at IRCAM: From patchwork to openmusic

Computer Music Journal

Volumn 23, Issue 3, 1999, Pages 59-72

  Assayag, Gérard ^a   Rueda, Camilo ^a   Laurson, Mikael ^b   Agon, Carlos ^a   Delerue, Olivier ^a  

^a Centre Georges Pompidou   (France)

^b Sibelius Akatemia   (Finland)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 0040436095     PISSN: 01489267     EISSN: None     Source Type: Journal    
DOI: 10.1162/014892699559896     Document Type: Article

References (12)

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2. Amiot, E., G. Assayag, C. Malherbe, and A. Riotte. 1986. "Duration Structure Generation and Recognition in Music Writing." Proceedings of the 1998 International Computer Music Conference. San Francisco: International Computer Music Association.
3. Assayag, G., C. Agon, J. Fineberg, and P. Hanappe. 1997. "An Object-Oriented Visual Environment for Musical Composition." Proceedings of the 1998 International Computer Music Conference. San Francisco: International Computer Music Association, pp. 364-367.
4. Assayag, G., C. Agon, J. Fineberg, and C. Rueda. 1994. "Kant: A Critique of Pure Quantification." Proceedings of the 1998 International Computer Music Conference. San Francisco: International Computer Music Association.
5. Assayag, G., M. Castellengo, and C. Malherbe. 1985. "Functional Integration of Complex Instrumental Sounds in Music Writing." Proceedings of the 1998 International Computer Music Conference. San Francisco: International Computer Music Association.
6. Balaban, M., K. Ebcioglu, and O. Laske, eds. 1992. Understanding Music with AI: Perspectives on Music Cognition. Cambridge, Massachusetts: MIT Press.
7. Bonnet, A., and A. Rueda.1998. "Situation: Un Langage Visuel Basé sur les contraintes pour la Composition Musicale." In M. Chemillier and F. Pachet, eds. Recherches et applications en informatique musicale. Paris: Hermès.
8. Laurson, M. 1993. "PWConstraints." In G. Haus and I. Pighi, eds X Colloquio di Informatica Musicale. Milan: Associazione di Informatica Musicale Italiana, pp. 332-335.
9. Laurson, M. 1996. "Patchwork: A Visual Programming Language and Some Musical Applications." Helsinki: Sibelius Academy.
10. Laurson, M., and J. Duthen. 1989. "PatchWork, a Graphical Language in PreForm." Proceedings of the 1989 International Computer Music Conference. San Francisco: International Computer Music Association, pp. 172-175.
11. Rodet, X., and P. Cointe. 1984. "FORMES: Composition and Scheduling of Processes." Computer Music Journal 8(3):32-48.
12. Steele, G. L. 1990. Common Lisp the Language, 2nd ed. Reading, Massachusetts: Digital Press.