Temporal control over sound synthesis processes

Proceedings of Sound and Music Computing Conference, SMC 2006

Volumn , Issue , 2006, Pages

  Bresson, Jean ^a   Agon, Carlos ^a  

^a IRCAM   (France)

Author keywords

[No Author keywords available]

Indexed keywords

COMPUTER PROGRAMMING;

COMPUTER ASSISTED; SOUND SYNTHESIS; SYMBOLIC MODEL; TEMPORAL CHARACTERISTICS; TEMPORAL CONTROLS;

COMPUTER SCIENCE;

EID: 49549093645     PISSN: None     EISSN: None     Source Type: Conference Proceeding    
DOI: None     Document Type: Conference Paper

References (31)

1. Agon, C. OpenMusic: Un Langage Visuel pour la Composition Assistée par Ordinateur, PhD. Thesis, Université Paris VI, 1998.
2. Agon, C., Stroppa, M. and Assayag, G. "High Level Musical Control of Sound Synthesis in OpenMusic, " Proceedings of the International Computer Music Conference, Berlin, Germany, 2000.
3. Allen, J. F. and Ferguson, G. "Actions and Events in Interval Temporal Logic, " Journal of Logic and Computation, 4, 5, 1994.
4. Assayag, G., Agon, C., Fineberg, J. and Hanappe, P. "An Object Oriented Visual Environment for Musical Composition, " Proceedings of the International Computer Music Conference, Thessaloniki, Greece, 1997.
5. Assayag, G., Agon, C., Fineberg, J. and Hanappe, P. "Problèmes de notation dans la composition assistée par ordinateur, " Actes des rencontres pluridisciplinaires Musique et Notation, Lyon (GRAME), France, 1997.
6. Balaban, M. and Murray, N. "Interleaving Time and Structures, " Computer and Artificial Intelligence, 17(4), 1998.
7. Beurivé, A. and Desainte-Catherine, M. "Representing Musical Hierarchies with Constraints, " Musical Constraints Workshop (CP'2001), Paphos, Cyprus, 2001.
8. Boulanger, R. (Ed.) The Csound Book, MIT Press, 2000.
9. Boulez, P. "Timbre and composition-timbre and language. " Contemporary Music Review, vol. 2, part. 1, 1987.
10. Bresson, J., Stroppa, M. and Agon, C. "Symbolic control of Sound Synthesis in Computer Assisted Composition, " Proceedings of the International Computer Music Conference, Barcelona, Spain, 2005.
11. Coduys, T. and Ferry, G. "Iannix. Aesthetical/symbolic visualisations for hypermedia composition, " Proceedings of the Sound and Music Computing Conference, Paris, France, 2004.
12. Dannenberg, R. B., McAvinney, P. and Rubine, D. "Arctic: A Functional Approach to Real-Time Control, " Computer Music Journal, vol. 10, n°4, Winter 1986.
13. Dannenberg, R. B., Desain, P. and Honing, H. "Programming Language Design for Music, " in C. Roads et al. (Eds.) Musical Signal Processing, Swets and Zeitlinger, 1997.
14. Desainte-Catherine, M. and Beurivé, A. "Time Modeling for Musical Composition, " Proceedings of the 1st International Conference on Fuzzy Systems and Knowledge Discovery-FSKD'02, Singapore, 2002.
15. Eckel, G. and Gonzalez-Arroyo, R. "Musically Salient Control Abstractions for Sound Synthesis, " Proceedings of the International Computer Music Conference, Aarhus, Denmark, 1994.
16. Garnett, G. "Music, Signals and Representations: a Survey, " in G. De Poli, A. Piccialli, C. Roads (Eds.) Representations of Musical Signals, MIT Press, 1991.
17. Haddad, K. "OpenMusic OM2CSound-Bibliothèque de modules de generation de scores pour Csound, " Ircam software documentation, M. Battier (Ed.), 1999.
18. Honing, H. "Issues in the Representation of Time and Structure in Music, " Contemporary Music Review, 9, 1993.
19. Mathews, M and Kohut, J. "Electronic simulation of violin resonances" Journal of the Acoustical Society of America, vol. 53, no. 6, 1973.
20. Puckette, M. "Pure Data: another integrated computer music environment, " Proceedings of the Second Intercollege Computer Music Concerts, Tachikawa, Japan, 1996
21. Puckette, M. "Using Pd as a Score Language, " Proceedings of the International Computer Music Conference, Göteborg, Sweden, 2002.
22. Risset, J.-C. and Mathews, M. "Analysis of instrument tones, " Physics Today 22 n° 2, 1969.
23. Risset, J.-C. "Composing sounds, bridging gaps-the musical role of the computer in my music, " in Musik und Technik, Helga de la Motte-Haber & Rudolf Frisius, ed., Schott, Mainz, 1996.
24. Rodet, X. and Cointe, P. "Formes: Compostion and Scheduling of Processes, " Computer Music Journal, vol. 8, no 3, Fall 1984.
25. Rodet, X., Potard, Y. and Barrière J.-B. "The CHANT project: From the synthesis of the singing voice to synthesis in general, " Computer Music Journal, vol. 8, no 3, Fall 1984.
26. Stockhausen, K. "Wie die Zeit vergeht. " Die Reihe, n°3, 1957.
27. Stroppa, M. Traiettoria (1982-84), a cycle of three pieces (Traiettoria... deviata, Dialoghi, Contrasti) for piano and computer-generated sounds. Recorded by Wergo: WER 2030-2, 1992.
28. Stroppa, M. "Live electronics or... live music? Towards a critique of interaction, " in The aesthetics of Live electronics, M. Battier, Ed., 1994
29. Stroppa, M. "Paradigms for the high level musical control of digital signal processing, " Proceedings of the COST-G6 Conference on the Digital Audio Effects (DAFX-00), Verona, Italy, 2000.
30. Wright, M., Chaudhary, A., Freed, A., Wessel, D., Rodet, X., Virolle, D., Woehrmann, R. and Serra, X. "New applications of the Sound Description Interchange Format, " Proceedings of the International Computer Music Conference, Ann Arbor, USA, 1998.
31. Xenakis, I. Formalized Music: Thought and Mathematiccs in Composition, Indiana University Press, 1992.