Young audiences and live theatre, part 2: Perceptions of liveness in performance

Studies in Theatre and Performance

Volumn 26, Issue 3, 2006, Pages 221-241

  Reason, Matthew ^a  

^a YORK ST JOHN UNIVERSITY   (United Kingdom)

Author keywords

Audience behaviour; Cinema; Liveness; Othello; Self consciousness; Teenagers

Indexed keywords

EID: 51249133709     PISSN: 14682761     EISSN: 20400616     Source Type: Journal    
DOI: 10.1386/stap.26.3.221/1     Document Type: Article

References (12)

1. Ang, Ien (1985), Watching Dallas (trans. Della Couling), London: Methuen.
2. Auslander, Philip (1999), Liveness: Performance in a Mediatized Culture, London: Routledge.
3. Barker, Martin (2003), ‘Crash, theatre audiences, and the idea of “liveness” ’, Studies in Theatre and Performance 23: 1, pp. 21-39.
4. Connor, Steven (1989), Postmodernist Culture, Oxford: Basil Blackwell.
5. Morrison, David E. (1998), The Search for a Method: Focus Groups and the Development of Mass Communication Research, Luton: University of Luton.
6. Phelan, Peggy (1993), Unmarked: The Politics of Performance, London: Routledge.
7. Silverman, David (1993), Interpreting Qualitative Data, London: Sage.
8. Thom, Paul (1993), For an Audience: A Philosophy of the Performing Arts, Philadelphia: Temple University Press.
9. Tulloch, John (1999), Performing Culture, London: Sage.
10. Tulloch, John (2000), Approaching theatre audiences: active school students and commodities high culture’, Contemporary Theatre Review 10: 2.
11. Wurtzler, Steve (1992), ‘ “She sang live, but the microphone was turned off”: the live, the recorded and the subject of representation’, in Rick Altman (ed.), Sound Theory Sound Practice, London: Routledge, pp. 87-103.
12. Reason, M. (2006), ‘Young Audiences and Live Theatre, Part 2: Perceptions of Liveness in Performance’, Studies in Theatre and Performance 26: 3, pp. 221-241, doi: 10.1386/stap.26.3.221/1