Crash, theatre audiences, and the idea of ‘liveness’

Studies in Theatre and Performance

Volumn 23, Issue 1, 2003, Pages 21-39

  Barker, Martin ^a  

^a NONE

Author keywords

[No Author keywords available]

Indexed keywords

EID: 85012537145     PISSN: 14682761     EISSN: 20400616     Source Type: Journal    
DOI: 10.1386/stap.23.1.21/0     Document Type: Article

References (16)

1. Auslander, Philip, Liveness, London: Routledge, 1999.
2. Barker, Martin and Thomas Austin, From Antz to Titanic: Reinventing Film Analysis. London: Pluto Press, 2000.
3. Barker, Martin, ‘Making a virtue out of necessity’, IRIS: Journal de l’Image, 26 (1998), pp. 131-48.
4. Barker, Martin, Jane Arthurs and Ramaswami Harindranath, The Crash Controversy: Censorship Campaigns and Film Reception, London: Wallflower Press, 2001.
5. Bennett, Susan, Theatre Audiences: A Theory of Production and Reception, London: Routledge, 1997.
6. Burston, Jonathan, ‘Spectacle, synergy and megamusicals’, in James Curran (ed.), Media Organisations in Society, London: Arnold, 2000, pp. 69-83.
7. Butsch, Richard, The Making of American Audiences: From Stage to Television, 750-1990, New York: Cambridge University Press, 2000.
8. Edwards, Dic, review of Crash, Theatre-Wales, December 2001.
9. Langer, Adam, ‘Deja vu plus two: on the necessity or superfluousness of re-seeing, plus a critic’s autobiography in footnotes’, ARTicles: National Arts Journalism Programme, 7 (2002), pp. 74-93.
10. Lovell, Alan, ‘I went in search of Deborah Kerr, Jodie Foster, and Julianne Moore but got waylaid …’, in Thomas Austin and Martin Barker (eds.), Contemporary Hollywood Stardom, London: Arnold, forthcoming 2003.
11. McLaughlin, Thomas, Street Smarts and Critical Theory: Listening to the Vernacular, Madison: University of Wisconsin Press, 1996.
12. Ruddock, Andrew, Understanding Audiences: Theory and Method, London: Sage, 2000.
13. Staiger, Janet, Interpreting Films: Historical Study of Film Reception. Boston: Princeton University Press, 1992.
14. Staiger, Janet, Perverse Spectators: the Practices of Film Reception, New York: New York University Press, 2000.
15. Thomas, Lyn, Fans, Feminism and ‘Quality’ Media, London: Routledge, 2002.
16. Waller, Gregory, The Stage-Screen Debate: a Study in Popular Aesthetics, New York: Garland, 1983.