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Volumn , Issue , 1997, Pages

CyberBand: A “Hands-On” Music Composition Program

Author keywords

[No Author keywords available]

Indexed keywords

COMPUTER MUSIC; USER INTERFACES;

EID: 85159430147     PISSN: 22233881     EISSN: None     Source Type: Conference Proceeding    
DOI: None     Document Type: Conference Paper
Times cited : (9)

References (20)
  • 1
    • 85159461358 scopus 로고
    • published by Mark of the Unicorn, Cambridge, Massachusetts
    • “FreeStyle” (1995). Software for Windows and Macintosh, published by Mark of the Unicorn, Cambridge, Massachusetts
    • (1995) Software for Windows and Macintosh
  • 2
    • 85159403259 scopus 로고
    • th Generation Common Music Language Reference
    • published by Tonality Systems
    • th Generation Common Music Language Reference” (1995). Software for the Macintosh, published by Tonality Systems.
    • (1995) Software for the Macintosh
  • 3
    • 85159449256 scopus 로고    scopus 로고
    • published by Opcode Software Systems, Menlo Park, California
    • “Vision” (1996). Software for Windows and Macintosh, published by Opcode Software Systems, Menlo Park, California.
    • (1996) Software for Windows and Macintosh
  • 4
    • 85159419816 scopus 로고
    • Introduction to COMPOSE: An editor and interpreter for automated score generation and score processing
    • Ames, C. (1990). “Introduction to COMPOSE: An editor and interpreter for automated score generation and score processing,” Interface: Journal of New Music Research, 20:3-4, p. 181.
    • (1990) Interface: Journal of New Music Research , vol.20 , Issue.3-4 , pp. 181
    • Ames, C.1
  • 5
    • 0039347579 scopus 로고
    • Composing with Computers—a Survey
    • Mathews M. and Pierce J., editors, MIT Press, Cambridge, Massachusetts
    • Loy, G. (1989). “Composing with Computers—a Survey,” in Current Directions in Computer Music Research, Mathews M. and Pierce J., editors, MIT Press, Cambridge, Massachusetts.
    • (1989) Current Directions in Computer Music Research
    • Loy, G.1
  • 8
    • 85137156919 scopus 로고
    • DMIX: An Environment for Composition
    • Ohio
    • Oppenheim, D. (1989). “DMIX: An Environment for Composition.” Proceedings of the ICMC, Ohio.
    • (1989) Proceedings of the ICMC
    • Oppenheim, D.1
  • 9
    • 0011964548 scopus 로고
    • Compositional Tools for Adding Expression to Music
    • San Jose, California
    • Oppenheim, D. (1992). “Compositional Tools for Adding Expression to Music.” Proceedings of the ICMC, San Jose, California.
    • (1992) Proceedings of the ICMC
    • Oppenheim, D.1
  • 10
  • 11
    • 79956206228 scopus 로고
    • Demonstrating Mmorph: A System for Morphing Music in Real-Time
    • Banff, Canada
    • Oppenheim, D. (1995). “Demonstrating Mmorph: A System for Morphing Music in Real-Time.” Proceedings of the ICMC, Banff, Canada.
    • (1995) Proceedings of the ICMC
    • Oppenheim, D.1
  • 12
    • 0030190023 scopus 로고    scopus 로고
    • DMIX—A Multi Faceted Environment for Composing and Performing Computer
    • 1996
    • Oppenheim, D. (1996) “DMIX—A Multi Faceted Environment for Composing and Performing Computer.” Computers and Mathematics with Applications, 32:1, pp. 117-135, 1996.
    • (1996) Computers and Mathematics with Applications , vol.32 , Issue.1 , pp. 117-135
    • Oppenheim, D.1
  • 13
    • 85159434038 scopus 로고    scopus 로고
    • Towards a Framework for Handling Musical Expression
    • Hong Kong
    • Oppenheim, D., Wright, J. (1996) “Towards a Framework for Handling Musical Expression.” Proceedings of the ICMC, Hong Kong.
    • (1996) Proceedings of the ICMC
    • Oppenheim, D.1    Wright, J.2
  • 15
    • 0001977627 scopus 로고
    • Combining Event and Signal Processing in the MAX Graphical Programming Environment
    • MIT Press, Cambridge, Massachusetts
    • Puckette, M. (1991). “Combining Event and Signal Processing in the MAX Graphical Programming Environment”, Computer Music Journal 15/3, MIT Press, Cambridge, Massachusetts.
    • (1991) Computer Music Journal , vol.15 , Issue.3
    • Puckette, M.1
  • 16
    • 85029994215 scopus 로고
    • CCRMA report No. STAN-M-24, Dept. of Music, Stanford University, CA
    • Schottstaedt, B. (1984). "PLA - A Tutorial and Reference Manual," CCRMA report No. STAN-M-24, Dept. of Music, Stanford University, CA.
    • (1984) PLA - A Tutorial and Reference Manual
    • Schottstaedt, B.1
  • 20
    • 85159460511 scopus 로고
    • Concept I Automated Audio Mixing Console software, ibid
    • Wright, J., Rayna, D., (1993). Concept I Automated Audio Mixing Console software, ibid.
    • (1993)
    • Wright, J.1    Rayna, D.2


* 이 정보는 Elsevier사의 SCOPUS DB에서 KISTI가 분석하여 추출한 것입니다.