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1
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85159461358
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published by Mark of the Unicorn, Cambridge, Massachusetts
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“FreeStyle” (1995). Software for Windows and Macintosh, published by Mark of the Unicorn, Cambridge, Massachusetts
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(1995)
Software for Windows and Macintosh
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2
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85159403259
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th Generation Common Music Language Reference
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published by Tonality Systems
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th Generation Common Music Language Reference” (1995). Software for the Macintosh, published by Tonality Systems.
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(1995)
Software for the Macintosh
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3
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85159449256
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published by Opcode Software Systems, Menlo Park, California
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“Vision” (1996). Software for Windows and Macintosh, published by Opcode Software Systems, Menlo Park, California.
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(1996)
Software for Windows and Macintosh
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4
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85159419816
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Introduction to COMPOSE: An editor and interpreter for automated score generation and score processing
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Ames, C. (1990). “Introduction to COMPOSE: An editor and interpreter for automated score generation and score processing,” Interface: Journal of New Music Research, 20:3-4, p. 181.
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Interface: Journal of New Music Research
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Ames, C.1
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5
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0039347579
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Composing with Computers—a Survey
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Mathews M. and Pierce J., editors, MIT Press, Cambridge, Massachusetts
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Loy, G. (1989). “Composing with Computers—a Survey,” in Current Directions in Computer Music Research, Mathews M. and Pierce J., editors, MIT Press, Cambridge, Massachusetts.
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(1989)
Current Directions in Computer Music Research
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Loy, G.1
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8
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85137156919
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DMIX: An Environment for Composition
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Ohio
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Oppenheim, D. (1989). “DMIX: An Environment for Composition.” Proceedings of the ICMC, Ohio.
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(1989)
Proceedings of the ICMC
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Oppenheim, D.1
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9
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0011964548
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Compositional Tools for Adding Expression to Music
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San Jose, California
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Oppenheim, D. (1992). “Compositional Tools for Adding Expression to Music.” Proceedings of the ICMC, San Jose, California.
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(1992)
Proceedings of the ICMC
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Oppenheim, D.1
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11
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79956206228
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Demonstrating Mmorph: A System for Morphing Music in Real-Time
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Banff, Canada
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Oppenheim, D. (1995). “Demonstrating Mmorph: A System for Morphing Music in Real-Time.” Proceedings of the ICMC, Banff, Canada.
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(1995)
Proceedings of the ICMC
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Oppenheim, D.1
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12
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0030190023
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DMIX—A Multi Faceted Environment for Composing and Performing Computer
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1996
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Oppenheim, D. (1996) “DMIX—A Multi Faceted Environment for Composing and Performing Computer.” Computers and Mathematics with Applications, 32:1, pp. 117-135, 1996.
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(1996)
Computers and Mathematics with Applications
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Oppenheim, D.1
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13
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85159434038
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Towards a Framework for Handling Musical Expression
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Hong Kong
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Oppenheim, D., Wright, J. (1996) “Towards a Framework for Handling Musical Expression.” Proceedings of the ICMC, Hong Kong.
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(1996)
Proceedings of the ICMC
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Oppenheim, D.1
Wright, J.2
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15
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0001977627
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Combining Event and Signal Processing in the MAX Graphical Programming Environment
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MIT Press, Cambridge, Massachusetts
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Puckette, M. (1991). “Combining Event and Signal Processing in the MAX Graphical Programming Environment”, Computer Music Journal 15/3, MIT Press, Cambridge, Massachusetts.
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Computer Music Journal
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Puckette, M.1
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16
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85029994215
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CCRMA report No. STAN-M-24, Dept. of Music, Stanford University, CA
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Schottstaedt, B. (1984). "PLA - A Tutorial and Reference Manual," CCRMA report No. STAN-M-24, Dept. of Music, Stanford University, CA.
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PLA - A Tutorial and Reference Manual
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Schottstaedt, B.1
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19
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85159444743
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published by Otari Console Products Group, Hauppauge, NY
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Wright, J., Rayna, D., (1991). Diskmix III V4 Mix Automation software, published by Otari Console Products Group, Hauppauge, NY.
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(1991)
Diskmix III V4 Mix Automation software
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Wright, J.1
Rayna, D.2
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20
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85159460511
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Concept I Automated Audio Mixing Console software, ibid
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Wright, J., Rayna, D., (1993). Concept I Automated Audio Mixing Console software, ibid.
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(1993)
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Wright, J.1
Rayna, D.2
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