DMIX: A multifaceted environment for composing and performing computer music

Computers and Mathematics with Applications

Volumn 32, Issue 1, 1996, Pages 117-135

  Oppenheim, D V ^a  

^a IBM T J WATSON RESEARCH CENTER   (United States)

Author keywords

[No Author keywords available]

Indexed keywords

COMPUTER AIDED DESIGN; COMPUTER SOFTWARE; HUMAN COMPUTER INTERACTION; MULTIPROCESSING SYSTEMS; PERFORMANCE;

CREATIVITY; DMIX DESIGN; MUSICAL COMPOSITION;

COMPUTER MUSIC;

EID: 0030190023     PISSN: 08981221     EISSN: None     Source Type: Journal    
DOI: 10.1016/0898-1221(96)00095-8     Document Type: Article

References (10)

1. D.V. Oppenheim, DMIX: An environment for composition, In Proceedings of the International Computer Music Conference, Ohio, (1989).
2. D.V. Oppenheim, Quill: An interpreter for creating music-objects within the Dmix environment, In Proceedings of the ICMC, Glasgow, Scotland, (1990).
3. D.V. Oppenheim, SHADOW: An object oriented performance system for the DMIX environment, In Proceedings of the ICMC, Montreal, Canada, (1991).
4. D. Oppenheim, Slappability: A new metaphor for human computer interaction, In Music Education: An Artificial Intelligence Perspective, Springer-Verlag, London, (1993).
5. DMIX, Small-Tasting DMIX, An Introductory Tour, Manual and Reference, Books 1 through V, available on-line via URL: ftp://ftp-ccrma.stanford.edu/pub/dmix/, (1993).
6. H. Taube, Common music: A music composition language in common Lisp and CLOS, Computer Music Journal 15 (2), 21-32 (1991).
7. H. Taube, Stella: Persistent score representation and score editing in common music, Computer Music Journal 17 (4), 38-50 (1993).
8. B. Schottstaedt, PLA - A tutorial and reference manual, CCRMA Report No. STAN-M-24, Department of Music, Stanford University, (1984).
9. M. Puckette, The patcher, In Proceedings of the ICMC, Cologne, (1988).
10. M. Puckette, Combining event and signal processing in the MAX graphical programming environment, Computer Music Journal 15 (3), 68-77 (1991).