Towards A Framework for Handling Musical Expression

International Computer Music Conference, ICMC Proceedings

Volumn , Issue , 1996, Pages 71-74

  Oppenheim, Daniel V ^a   Wright, James ^a  

^a IBM T J WATSON RESEARCH CENTER   (United States)

Author keywords

composition; expression; interactive; music; representation

Indexed keywords

MUSIC; USER INTERFACES;

CONTENT REPRESENTATION; EXPRESSION; EXPRESSIVE GESTURES; INTERACTIVE; MUSICAL EXPRESSION; REPRESENTATION; THREE-COMPONENT;

COMPUTER MUSIC;

EID: 85159434038     PISSN: 22233881     EISSN: None     Source Type: Conference Proceeding    
DOI: None     Document Type: Conference Paper

References (7)

1. Anderson, T. (1993) "E-SCAPE: An Extendible Sonic Composition And Performance Environment." Ph.D. thesis, University of York, UK.
2. Desain, P., & Honing, H. (1991) "Towards a calculus for expressive timing in music." Computers in Music Research, 3, 43-120.
3. Dyer, L. (1991) "An Object-Oriented Real-time Simulation of Music Performance Using Interactive Control", Ph.D. thesis, CCRMA, Stanford University, Report STAN-M-78.
4. Honing, H. (1992). "Expresso, a strong and small editor for expression", Proceedings of the ICMC, San Jose, CA.
5. Oppenheim D. (1992), "Compositional Tools for adding Expression to Music in DMIX." Proceedings of the ICMC, San Jose, CA.
6. Oppenheim, D. (1996) "DMIX-A Multi Faceted Environment for Composing and Performing Computer Music." Computers and Mathematics with Applications, 32(1):117-135.
7. Pope, S. (1996) "Object-oriented music representation." Organised Sound, l(l):55-68, Cambridge University Press, UK.