메뉴 건너뛰기




Volumn , Issue , 2017, Pages 393-398

“The finer the musician, the smaller the details”: NIMEcraft under the microscope

Author keywords

Craft; Design; Evaluation; Frameworks; Lutherie; Tacit knowledge; Violin

Indexed keywords

INSTRUMENT TESTING; MUSIC; MUSICAL INSTRUMENTS;

EID: 85120337118     PISSN: 22204792     EISSN: 22204806     Source Type: Conference Proceeding    
DOI: None     Document Type: Conference Paper
Times cited : (5)

References (30)
  • 3
    • 33750505977 scopus 로고    scopus 로고
    • Using thematic analysis in psychology
    • Jan
    • V. Braun and V. Clarke. Using thematic analysis in psychology. Qualitative Research in Psychology, 3(2):77–101, Jan. 2006.
    • (2006) Qualitative Research in Psychology , vol.3 , Issue.2 , pp. 77-101
    • Braun, V.1    Clarke, V.2
  • 5
    • 85160295655 scopus 로고    scopus 로고
    • Principles for designing computer music controllers
    • P. Cook. Principles for designing computer music controllers. In Proc. NIME, 2001.
    • (2001) Proc. NIME
    • Cook, P.1
  • 6
    • 77951868891 scopus 로고    scopus 로고
    • Understanding interactive systems
    • (02)
    • J. Drummond. Understanding interactive systems. Organised Sound, 14(02):124–133, 2009.
    • (2009) Organised Sound , vol.14 , pp. 124-133
    • Drummond, J.1
  • 8
    • 84971330951 scopus 로고    scopus 로고
    • User-Driven Techniques for the Design and Evaluation of New Musical Interfaces
    • May
    • D. El-Shimy and J. R. Cooperstock. User-Driven Techniques for the Design and Evaluation of New Musical Interfaces. Computer Music Journal, 40(2):35–46, May 2016.
    • (2016) Computer Music Journal , vol.40 , Issue.2 , pp. 35-46
    • El-Shimy, D.1    Cooperstock, J. R.2
  • 9
    • 0002982888 scopus 로고
    • There’s plenty of room at the bottom
    • R. P. Feynman. There’s plenty of room at the bottom. Engineering and science, 23(5):22–36, 1960.
    • (1960) Engineering and science , vol.23 , Issue.5 , pp. 22-36
    • Feynman, R. P.1
  • 10
    • 84955475445 scopus 로고    scopus 로고
    • NIME, Musicality and Practice-led Methods
    • June
    • O. Green. NIME, Musicality and Practice-led Methods. In Proc. NIME, June 2014.
    • (2014) Proc. NIME
    • Green, O.1
  • 11
    • 85014782979 scopus 로고    scopus 로고
    • Mapping performer parameters to synthesis engines
    • A. Hunt and M. Wanderley. Mapping performer parameters to synthesis engines. Organised Sound, 7(2), 2002.
    • (2002) Organised Sound , vol.7 , Issue.2
    • Hunt, A.1    Wanderley, M.2
  • 13
    • 85160350033 scopus 로고    scopus 로고
    • The reacTable: Exploring the synergy between live music performance and tabletop tangible interfaces
    • S. Jordà, G. Geiger, M. Alonso, and M. Kaltenbrunner. The reacTable: Exploring the synergy between live music performance and tabletop tangible interfaces. In Proc. NIME, 2007.
    • (2007) Proc. NIME
    • Jordà, S.1    Geiger, G.2    Alonso, M.3    Kaltenbrunner, M.4
  • 14
    • 85160333326 scopus 로고    scopus 로고
    • A Methodological Framework for Teaching, Evaluating and Informing NIME Design with a Focus on Mapping and Expressiveness
    • June
    • S. Jordà and S. Mealla. A Methodological Framework for Teaching, Evaluating and Informing NIME Design with a Focus on Mapping and Expressiveness. In Proc. NIME, June 2014.
    • (2014) Proc. NIME
    • Jordà, S.1    Mealla, S.2
  • 15
    • 84991724392 scopus 로고    scopus 로고
    • The foundations of craft: A suggested protocol for introducing craft to other disciplines
    • S. Kettley. The foundations of craft: A suggested protocol for introducing craft to other disciplines. Craft Research, 3(1):33–51, 2012.
    • (2012) Craft Research , vol.3 , Issue.1 , pp. 33-51
    • Kettley, S.1
  • 16
    • 77951869830 scopus 로고    scopus 로고
    • Of epistemic tools: Musical instruments as cognitive extensions
    • (02)
    • T. Magnusson. Of epistemic tools: Musical instruments as cognitive extensions. Organised Sound, 14(02):168–176, 2009.
    • (2009) Organised Sound , vol.14 , pp. 168-176
    • Magnusson, T.1
  • 17
    • 84898080836 scopus 로고    scopus 로고
    • Herding cats: Observing live coding in the wild
    • T. Magnusson. Herding cats: Observing live coding in the wild. Computer Music Journal, 38(1):8–16, 2014.
    • (2014) Computer Music Journal , vol.38 , Issue.1 , pp. 8-16
    • Magnusson, T.1
  • 18
    • 84873679928 scopus 로고    scopus 로고
    • The problem of the second performer: Building a community around an augmented piano
    • A. McPherson and Y. E Kim. The problem of the second performer: Building a community around an augmented piano. Computer Music Journal, 36(4):10–27, 2012.
    • (2012) Computer Music Journal , vol.36 , Issue.4 , pp. 10-27
    • McPherson, A.1    Kim, Y. E2
  • 19
    • 84904962615 scopus 로고    scopus 로고
    • A comprehensive review of sensors and instrumentation methods in devices for musical expression
    • C. B. Medeiros and M. M. Wanderley. A comprehensive review of sensors and instrumentation methods in devices for musical expression. Sensors, 14(8):13556–13591, 2014.
    • (2014) Sensors , vol.14 , Issue.8 , pp. 13556-13591
    • Medeiros, C. B.1    Wanderley, M. M.2
  • 20
    • 84870919285 scopus 로고    scopus 로고
    • Frameworks and affordances: Understanding the tools of music-making
    • Apr
    • J. Mooney. Frameworks and affordances: Understanding the tools of music-making. Journal of Music, Technology and Education, 3(2):141–154, Apr. 2011.
    • (2011) Journal of Music, Technology and Education , vol.3 , Issue.2 , pp. 141-154
    • Mooney, J.1
  • 21
    • 84971319149 scopus 로고    scopus 로고
    • Musical Interface Design: An Experience-oriented Framework
    • F. Morreale, A. De Angeli, and S. O’Modhrain. Musical Interface Design: An Experience-oriented Framework. In Proc. NIME, 2014.
    • (2014) Proc. NIME
    • Morreale, F.1    De Angeli, A.2    O’Modhrain, S.3
  • 23
    • 79952804937 scopus 로고    scopus 로고
    • A framework for the evaluation of digital musical instruments
    • S. O’modhrain. A framework for the evaluation of digital musical instruments. Computer Music Journal, 35(1):28–42, 2011.
    • (2011) Computer Music Journal , vol.35 , Issue.1 , pp. 28-42
    • O’modhrain, S.1
  • 24
    • 77951792354 scopus 로고    scopus 로고
    • The Musical Interface Technology Design Space
    • (02):, Aug
    • D. Overholt. The Musical Interface Technology Design Space. Organised Sound, 14(02):217, Aug. 2009.
    • (2009) Organised Sound , vol.14 , pp. 217
    • Overholt, D.1
  • 25
    • 0003806577 scopus 로고
    • University of Chicago Press, Chicago
    • M. Polanyi. The Tacit Dimension. University of Chicago Press, Chicago, 1966.
    • (1966) The Tacit Dimension
    • Polanyi, M.1
  • 26
    • 85029103524 scopus 로고    scopus 로고
    • The Birl: Adventures in the Development of an Electronic Wind Instrument
    • T. Bovermann, A. de Campo, H. Egermann, S.-I. Hardjowirogo, and S. Weinzierl, editors, pages Springer
    • J. Snyder. The Birl: Adventures in the Development of an Electronic Wind Instrument. In T. Bovermann, A. de Campo, H. Egermann, S.-I. Hardjowirogo, and S. Weinzierl, editors, Musical Instruments in the 21st Century, pages 181–205. Springer, 2017.
    • (2017) Musical Instruments in the 21st Century , pp. 181-205
    • Snyder, J.1
  • 27
    • 85106524691 scopus 로고    scopus 로고
    • A Framework for Spatial Interaction in Locative Media
    • A. Tanaka and P. Gemeinboeck. A Framework for Spatial Interaction in Locative Media. In Proc. NIME, 2006.
    • (2006) Proc. NIME
    • Tanaka, A.1    Gemeinboeck, P.2
  • 29
    • 85137061009 scopus 로고
    • The hands: A set of remote midi-controllers
    • Ann Arbor, MI: Michigan Publishing, University of Michigan Library
    • M. Waisvisz. The hands: A set of remote midi-controllers. In Proc. ICMC. Ann Arbor, MI: Michigan Publishing, University of Michigan Library, 1985.
    • (1985) Proc. ICMC
    • Waisvisz, M.1
  • 30
    • 21244460286 scopus 로고    scopus 로고
    • Gestural control of sound synthesis
    • M. M. Wanderley and P. Depalle. Gestural control of sound synthesis. Proceedings of the IEEE, 92(4):632–644, 2004.
    • (2004) Proceedings of the IEEE , vol.92 , Issue.4 , pp. 632-644
    • Wanderley, M. M.1    Depalle, P.2


* 이 정보는 Elsevier사의 SCOPUS DB에서 KISTI가 분석하여 추출한 것입니다.