메뉴 건너뛰기




Volumn 15, Issue 1, 2021, Pages 17-36

Gauge models of musical forces

Author keywords

[No Author keywords available]

Indexed keywords


EID: 85079727897     PISSN: 17459737     EISSN: 17459745     Source Type: Journal    
DOI: 10.1080/17459737.2020.1716404     Document Type: Article
Times cited : (15)

References (53)
  • 3
    • 0001872697 scopus 로고
    • The Group-Theoretic Description of 12-Fold and Microtonal Pitch Systems
    • Balzano, Gerald J., 1980. “ The Group-Theoretic Description of 12-Fold and Microtonal Pitch Systems.” Computer Music Journal 4 (4): 66–84. doi: 10.2307/3679467
    • (1980) Computer Music Journal , vol.4 , Issue.4 , pp. 66-84
    • Balzano, G.J.1
  • 4
    • 85011999948 scopus 로고    scopus 로고
    • Toward a Gauge Theory of Musical Forces
    • In, LNCS 10106, edited by J. A., de Barros, B., Coecke, and Emanuel, Pothos, Berlin: Springer
    • beim Graben, Peter, and Reinhard, Blutner. 2017. “Toward a Gauge Theory of Musical Forces.” In Quantum Interaction. 10th International Conference (QI 2016), LNCS 10106, edited by J. A., de Barros, B., Coecke, and Emanuel, Pothos, 99–111. Berlin: Springer.
    • (2017) Quantum Interaction. 10Th International Conference (QI 2016) , pp. 99-111
    • Grabenpeterreinhard, B.1
  • 5
    • 85063110584 scopus 로고    scopus 로고
    • Quantum Approaches to Music Cognition
    • beim Graben, Peter, and Reinhard, Blutner. 2019. “ Quantum Approaches to Music Cognition.” Journal of Mathematical Psychology 91: 38–50. doi: 10.1016/j.jmp.2019.03.002
    • (2019) Journal of Mathematical Psychology , vol.91 , pp. 38-50
    • beim Graben, P.1    Blutner, R.2
  • 7
    • 0000963496 scopus 로고
    • Anchoring Effects in Music: The Resolution of Dissonance
    • Bharucha, Jamshed J., 1984. “ Anchoring Effects in Music: The Resolution of Dissonance.” Cognitive Psychology 16: 485–518. doi: 10.1016/0010-0285(84)90018-5
    • (1984) Cognitive Psychology , vol.16 , pp. 485-518
    • Bharucha, J.J.1
  • 8
    • 0039882028 scopus 로고    scopus 로고
    • Melodic Anchoring
    • Bharucha, Jamshed J., 1996. “ Melodic Anchoring.” Music Perception 13 (3): 383–400. doi: 10.2307/40286176
    • (1996) Music Perception , vol.13 , Issue.3 , pp. 383-400
    • Bharucha, J.J.1
  • 9
    • 84938520513 scopus 로고    scopus 로고
    • Modelling Tonal Attraction: Tonal Hierarchies, Interval Cycles, and Quantum Probabilities
    • Blutner, Reinhard., 2017. “ Modelling Tonal Attraction: Tonal Hierarchies, Interval Cycles, and Quantum Probabilities.” Soft Computing 21 (6): 1401–1419. doi: 10.1007/s00500-015-1801-7
    • (2017) Soft Computing , vol.21 , Issue.6 , pp. 1401-1419
    • Blutner, R.1
  • 10
    • 85027401097 scopus 로고    scopus 로고
    • The Nature and Nurture of Musical Consonance
    • doi
    • Bowling, Daniel L., Marisa, Hoeschele, Kamraan Z., Gill, and W. Tecumseh Fitch. 2017. “The Nature and Nurture of Musical Consonance.” Music Perception 35 (1): 118–121. doi: 10.1525/mp.2017.35.1.118
    • (2017) Music Perception , vol.35 , Issue.1 , pp. 118-121
    • Bowling, D.L.1    Marisa, H.2    Kamraan, Z.3    Gilltecumseh Fitch, W.4
  • 11
    • 84941248287 scopus 로고    scopus 로고
    • A Biological Rationale for Musical Consonance
    • Bowling, Daniel L, and Dale, Purves. 2015. “ A Biological Rationale for Musical Consonance.” Proceedings of the National Academy of Sciences 112 (36): 11155–11160. doi: 10.1073/pnas.1505768112
    • (2015) Proceedings of the National Academy of Sciences , vol.112 , Issue.36 , pp. 11155-11160
    • Bowling, D.L.1    Purves, D.2
  • 12
    • 0000590078 scopus 로고    scopus 로고
    • Intervals, Scales, and Tuning
    • In, edited by Diana, Deutsch, New York, Academic Press
    • Burns, Edward M., 1999. “Intervals, Scales, and Tuning.” In The Psychology of Music, edited by Diana, Deutsch, 215–264. New York: Academic Press.
    • (1999) The Psychology of Music , pp. 215-264
    • Burns, E.M.1
  • 14
    • 0001073889 scopus 로고
    • The Internal Representation of Pitch Sequences in Tonal Music
    • Deutsch, Diana, and J., Feroe. 1981. “ The Internal Representation of Pitch Sequences in Tonal Music.” Psychological Review 88: 503–522. doi: 10.1037/0033-295X.88.6.503
    • (1981) Psychological Review , vol.88 , pp. 503-522
    • Deutsch, D.1    Feroe, J.2
  • 15
    • 85035138188 scopus 로고    scopus 로고
    • A Symmetric Quantum Theory of Modulation in Z 20
    • In, MCM, Lecture Notes in Computer Science, vol, edited by O., Agustín-Aquino, E., Lluis-Puebla, and M., Montiel, . Cham: Springer
    • Gómez-Téllez, J. D., E. Lluis-Puebla, and M. Montiel. 2017. “A Symmetric Quantum Theory of Modulation in Z 20.” In Mathematics and Computation in Music. MCM 2017. Lecture Notes in Computer Science, vol 10527, edited by O., Agustín-Aquino, E., Lluis-Puebla, and M., Montiel, 50–62. Cham: Springer.
    • (2017) Mathematics and Computation in Music , vol.10527 , pp. 50-62
    • Gómez-Téllez, J.D.E.1    Lluis-Pueblamontiel, M.2
  • 17
    • 0035540770 scopus 로고    scopus 로고
    • Historical Roots of Gauge Invariance
    • doi
    • Jackson, John David, and Lev Borisovich, Okun. 2001. “Historical Roots of Gauge Invariance.” Reviews of Modern Physics 73 (3): 663–694. doi: 10.1103/RevModPhys.73.663
    • (2001) Reviews of Modern Physics , vol.73 , Issue.3 , pp. 663-694
    • John David, J.1    Okun, L.B.2
  • 18
    • 0000064739 scopus 로고
    • The Psychological Representation of Musical Pitch in a Tonal Context
    • Krumhansl, Carol L., 1979. “ The Psychological Representation of Musical Pitch in a Tonal Context.” Cognitive Psychology 11: 346–374. doi: 10.1016/0010-0285(79)90016-1
    • (1979) Cognitive Psychology , vol.11 , pp. 346-374
    • Krumhansl, C.L.1
  • 20
    • 0002312062 scopus 로고
    • Music Psychology and Music Theory: Problems and Prospects
    • Krumhansl, Carol L., 1995. “ Music Psychology and Music Theory: Problems and Prospects.” Music Theory Spectrum 17: 53–80. doi: 10.2307/745764
    • (1995) Music Theory Spectrum , vol.17 , pp. 53-80
    • Krumhansl, C.L.1
  • 21
    • 84861939525 scopus 로고    scopus 로고
    • A Theory of Tonal Hierarchies in Music
    • In, edited by Mari Riess Jones, Richard R. Fay, and Arthur N. Popper, New York: Springer
    • Krumhansl, Carol L., and Lola L., Cuddy. 2010. “A Theory of Tonal Hierarchies in Music.” In Music Perception, edited by Mari Riess Jones, Richard R. Fay, and Arthur N. Popper. 51–87. New York: Springer.
    • (2010) Music Perception , pp. 51-87
    • Krumhansl, C.L.1    Lolacuddy, L.2
  • 23
    • 0020161395 scopus 로고
    • Tracing the Dynamic Changes in Perceived Tonal Organization in a Spatial Representation of Musical Keys
    • doi
    • Krumhansl, Carol L., and Edward J., Kessler. 1982. “Tracing the Dynamic Changes in Perceived Tonal Organization in a Spatial Representation of Musical Keys.” Psychological Review of General Psychology 89: 334–368. doi: 10.1037/0033-295X.89.4.334
    • (1982) Psychological Review of General Psychology , vol.89 , pp. 334-368
    • Krumhanslcarol, L.1    Edwardkessler, J.2
  • 24
    • 85079704238 scopus 로고
    • Melodic perception and cognition: The influence of tonality. Unpublished doctoral dissertation. University of Michigan
    • Lake, William E., 1987. “Melodic perception and cognition: The influence of tonality.” Unpublished doctoral dissertation. University of Michigan.
    • (1987)
    • Lake, W.E.1
  • 28
    • 78650164450 scopus 로고    scopus 로고
    • A Dynamical Systems Approach to Musical Tonality
    • edited by Raoul, Huys and Viktor K., Jirsa, Berlin, Springer
    • Large, Edward W., 2010. “A Dynamical Systems Approach to Musical Tonality.” In Nonlinear Dynamics in Human Behavior, edited by Raoul, Huys and Viktor K., Jirsa, 193–211. Berlin: Springer.
    • (2010) Nonlinear Dynamics in Human Behavior , pp. 193-211
    • Large, E.W.1
  • 29
    • 33244456384 scopus 로고    scopus 로고
    • Musical Forces and Melodic Expectations: Comparing Computer Models and Experimental Results
    • doi
    • Larson, Steve., 2004. “Musical Forces and Melodic Expectations: Comparing Computer Models and Experimental Results.” Music Perception 21 (4): 457–498. doi: 10.1525/mp.2004.21.4.457
    • (2004) Music Perception , vol.21 , Issue.4 , pp. 457-498
    • Steve, L.1
  • 31
    • 33847733085 scopus 로고    scopus 로고
    • Measuring Musical Forces
    • doi
    • Larson, Steve, and Leigh, VanHandel. 2005. “Measuring Musical Forces.” Music Perception 23 (2): 119–136. doi: 10.1525/mp.2005.23.2.119
    • (2005) Music Perception , vol.23 , Issue.2 , pp. 119-136
    • Steve, L.1    Vanhandel, L.2
  • 32
    • 84968157903 scopus 로고
    • Tonal Pitch Space
    • Lerdahl, Fred., 1988. “ Tonal Pitch Space.” Music Perception 5 (3): 315–350. doi: 10.2307/40285402
    • (1988) Music Perception , vol.5 , Issue.3 , pp. 315-350
    • Lerdahl, F.1
  • 33
    • 0004755588 scopus 로고    scopus 로고
    • Calculating Tonal Tension
    • Lerdahl, Fred., 1996. “ Calculating Tonal Tension.” Music Perception 13 (3): 319–363. doi: 10.2307/40286174
    • (1996) Music Perception , vol.13 , Issue.3 , pp. 319-363
    • Lerdahl, F.1
  • 34
    • 0004181088 scopus 로고    scopus 로고
    • NewYork: Oxford University Press
    • Lerdahl, Fred., 2001. Tonal Pitch Space. NewYork: Oxford University Press.
    • (2001) Tonal Pitch Space
    • Lerdahl, F.1
  • 35
    • 84961696431 scopus 로고    scopus 로고
    • Concepts and Representations of Musical Hierarchies
    • Lerdahl, Fred., 2015. “ Concepts and Representations of Musical Hierarchies.” Music Perception 33 (1): 83–95. doi: 10.1525/mp.2015.33.1.83
    • (2015) Music Perception , vol.33 , Issue.1 , pp. 83-95
    • Lerdahl, F.1
  • 36
    • 34047235257 scopus 로고    scopus 로고
    • Modeling Tonal Tension
    • Lerdahl, Fred, and Carol L., Krumhansl. 2007. “ Modeling Tonal Tension.” Music Perception 24 (4): 329–366. doi: 10.1525/mp.2007.24.4.329
    • (2007) Music Perception , vol.24 , Issue.4 , pp. 329-366
    • Lerdahl, F.1    Krumhansl, C.L.2
  • 39
  • 40
    • 85018255479 scopus 로고    scopus 로고
    • Indifference to Dissonance in Native Amazonians Reveals Cultural Variation in Music Perception
    • McDermott, Josh H., Alan, Schultz, Eduardo, Undurraga, and Ricardo, Godoy. 2016. “Indifference to Dissonance in Native Amazonians Reveals Cultural Variation in Music Perception.” Nature 25: 21–25.
    • (2016) Nature , vol.25 , pp. 21-25
    • McDermott, J.H.1    Alan, S.2    Eduardo, U.3    Ricardo, G.4
  • 43
    • 79954514220 scopus 로고    scopus 로고
    • The Tonic as Triad: Key Profiles as Pitch Salience Profiles of Tonic Triads
    • doi
    • Parncutt, Richard., 2011. “The Tonic as Triad: Key Profiles as Pitch Salience Profiles of Tonic Triads.” Music Perception: An Interdisciplinary Journal 28 (4): 333–366. doi: 10.1525/mp.2011.28.4.333
    • (2011) Music Perception: An Interdisciplinary Journal , vol.28 , Issue.4 , pp. 333-366
    • Parncutt, R.1
  • 44
    • 34250912076 scopus 로고
    • Zur Quantenmechanik des Magnetischen Elektrons
    • doi
    • Pauli, Wolfgang., 1927. Zur Quantenmechanik des Magnetischen Elektrons.” Zeitschrift für Physik 43 (9): 601–623. doi: 10.1007/BF01397326
    • (1927) Zeitschrift für Physik , vol.43 , Issue.9 , pp. 601-623
    • Wolfgang, P.1
  • 46
    • 77958598990 scopus 로고    scopus 로고
    • On Woolhouse's Interval-Cycle Proximity Hypothesis
    • Quinn, Ian., 2010. “ On Woolhouse's Interval-Cycle Proximity Hypothesis.” Music Theory Spectrum 32 (2): 172–179. doi: 10.1525/mts.2010.32.2.172
    • (2010) Music Theory Spectrum , vol.32 , Issue.2 , pp. 172-179
    • Quinn, I.1
  • 47
    • 85079698342 scopus 로고
    • Harmonielehre. Wien Verlagsanstalt Paul Gerin (Translated by R. E. Carter as: Theory of Harmony. Berkeley: University of California Press, 1978),) 1978
    • Schönberg, Arnold., (1911) 1978. Harmonielehre. Wien Verlagsanstalt Paul Gerin (Translated by R. E. Carter as: Theory of Harmony. Berkeley: University of California Press, 1978).
    • (1911)
    • Schönberg, A.1
  • 48
    • 84938634689 scopus 로고    scopus 로고
    • Harmony Perception by Periodicity Detection
    • Stolzenburg, Frieder., 2015. “ Harmony Perception by Periodicity Detection.” Journal of Mathematics and Music 9 (3): 215–238. doi: 10.1080/17459737.2015.1033024
    • (2015) Journal of Mathematics and Music , vol.9 , Issue.3 , pp. 215-238
    • Stolzenburg, F.1
  • 50
    • 41449102473 scopus 로고    scopus 로고
    • A Probabilistic Model of Melody Perception
    • Temperley, David., 2008. “ A Probabilistic Model of Melody Perception.” Cognitive Science 32 (2): 418–444. doi: 10.1080/03640210701864089
    • (2008) Cognitive Science , vol.32 , Issue.2 , pp. 418-444
    • Temperley, D.1
  • 51
    • 77952165257 scopus 로고    scopus 로고
    • Modelling Tonal Attraction Between Adjacent Musical Elements
    • Woolhouse, Matthew., 2009. “ Modelling Tonal Attraction Between Adjacent Musical Elements.” Journal of New Music Research 38 (4): 357–379. doi: 10.1080/09298210903180252
    • (2009) Journal of New Music Research , vol.38 , Issue.4 , pp. 357-379
    • Woolhouse, M.1
  • 52
    • 77952187772 scopus 로고    scopus 로고
    • Using Interval Cycles to Model Krumhansl's Tonal Hierarchies
    • Woolhouse, Matthew, and Ian, Cross. 2010. “ Using Interval Cycles to Model Krumhansl's Tonal Hierarchies.” Music Theory Spectrum 32 (1): 60–78. doi: 10.1525/mts.2010.32.1.60
    • (2010) Music Theory Spectrum , vol.32 , Issue.1 , pp. 60-78
    • Woolhouse, M.1    Cross, I.2
  • 53
    • 79955045070 scopus 로고    scopus 로고
    • To The Editor: A Response to Ian Quinn
    • Woolhouse, Matthew, and Ian, Cross. 2011. “ To The Editor: A Response to Ian Quinn.” Music Theory Spectrum 33 (1): 99–105. doi: 10.1525/mts.2011.33.1.99
    • (2011) Music Theory Spectrum , vol.33 , Issue.1 , pp. 99-105
    • Woolhouse, M.1    Cross, I.2


* 이 정보는 Elsevier사의 SCOPUS DB에서 KISTI가 분석하여 추출한 것입니다.