메뉴 건너뛰기




Volumn 33, Issue 1, 2011, Pages 99-105

To the editor: A response to Ian Quinn

Author keywords

[No Author keywords available]

Indexed keywords


EID: 79955045070     PISSN: 01956167     EISSN: None     Source Type: Journal    
DOI: 10.1525/mts.2011.33.1.99     Document Type: Letter
Times cited : (2)

References (23)
  • 1
    • 0001872697 scopus 로고
    • The group-theoretic description of 12-fold and microtonal pitch systems
    • Balzano, Gerald J. 1980. "The Group-Theoretic Description of 12-Fold and Microtonal Pitch Systems." Computer Music Journal 4 (4): 66-84.
    • (1980) Computer Music Journal , vol.4 , Issue.4 , pp. 66-84
    • Balzano, G.J.1
  • 2
    • 0037521587 scopus 로고
    • The pitch set as a level of description for studying musical pitch perception
    • Ed. Manfred Clynes, New York: Plenum
    • -. 1982. "The Pitch Set as a Level of Description for Studying Musical Pitch Perception." In Music, Mind and Brain: The Neuropsychology of Music. Ed. Manfred Clynes. 321-51. New York: Plenum.
    • (1982) Music, Mind and Brain: The Neuropsychology of Music , pp. 321-351
    • Balzano, G.J.1
  • 3
    • 84968298989 scopus 로고
    • Describing the perception of tonality in music: A critique of the tonal hierarchy theory and a proposal for a theory of intervallic rivalry
    • Butler, David. 1989. "Describing the Perception of Tonality in Music: A Critique of the Tonal Hierarchy Theory and a Proposal for a Theory of Intervallic Rivalry." Music Perception 6 (3): 219-41.
    • (1989) Music Perception , vol.6 , Issue.3 , pp. 219-241
    • Butler, D.1
  • 4
    • 84968223146 scopus 로고
    • Response to carol krumhansl
    • -. 1990. "Response to Carol Krumhansl." Music Perception 7 (3): 325-38.
    • (1990) Music Perception , vol.7 , Issue.3 , pp. 325-338
    • Butler, D.1
  • 5
    • 0039041359 scopus 로고
    • Tonal implications of the diatonic set
    • Browne, Richmond. 1981. "Tonal Implications of the Diatonic Set." In Theory Only 5 (6-7): 3-21.
    • (1981) In Theory only , vol.5 , Issue.6-7 , pp. 3-21
    • Browne, R.1
  • 6
    • 84968171868 scopus 로고
    • Interval-class content in equally tempered pitch-class sets: Common scales exhibit optimum tonal consonance
    • Huron, David. 1994. "Interval-Class Content in Equally Tempered Pitch-Class Sets: Common Scales Exhibit Optimum Tonal Consonance." Music Perception 11 (3): 289-305.
    • (1994) Music Perception , vol.11 , Issue.3 , pp. 289-305
    • Huron, D.1
  • 8
    • 0000064739 scopus 로고
    • The psychological representation of musical pitch in a tonal context
    • Krumhansl, Carol, L. 1979. "The Psychological Representation of Musical Pitch in a Tonal Context." Cognitive Psychology 11 (3): 346-74.
    • (1979) Cognitive Psychology , vol.11 , Issue.3 , pp. 346-374
    • Krumhansl, C.L.1
  • 9
    • 0020161395 scopus 로고
    • Tracing the dynamic changes in perceived tonal organization in a spatial representation of musical keys
    • Krumhansl, Carol L., and Edward J. Kessler. 1982. "Tracing the Dynamic Changes in Perceived Tonal Organization in a Spatial Representation of Musical Keys." Psychological Review 89: 334-68.
    • (1982) Psychological Review , vol.89 , pp. 334-368
    • Krumhansl, C.L.1    Kessler, E.J.2
  • 10
    • 79954988742 scopus 로고    scopus 로고
    • Temperaments
    • Ed. Laura Macy. New York: Oxford University Press. (accessed 10 January 2011)
    • Lindley, Mark. 2010. "Temperaments." Grove Music Online. Ed. Laura Macy. New York: Oxford University Press. http:// www.oxfordmusiconline.com (accessed 10 January 2011).
    • (2010) Grove Music Online
    • Lindley, M.1
  • 11
    • 0041929319 scopus 로고
    • Marr's three levels: A re-evaluation
    • McClamrock, Ronald A. 1991. "Marr's Three Levels: A Re- Evaluation." Minds and Machines 1 (1): 185-96.
    • (1991) Minds and Machines , vol.1 , Issue.1 , pp. 185-196
    • McClamrock, R.A.1
  • 13
    • 79954989513 scopus 로고    scopus 로고
    • Keyboard
    • Ed. Laura Macy. New York: Oxford University Press, (accessed 10 January 2011)
    • -. 2010. "Keyboard." Grove Music Online. Ed. Laura Macy. New York: Oxford University Press. http://www.oxford musiconline.com (accessed 10 January 2011).
    • (2010) Grove Music Online
    • Meeùs, N.1
  • 14
    • 77958598990 scopus 로고    scopus 로고
    • On woolhouse's interval-cycle proximity hypothesis
    • Quinn, Ian. 2010a. "On Woolhouse's Interval-Cycle Proximity Hypothesis." Music Theory Spectrum 32 (2): 172-79.
    • (2010) Music Theory Spectrum , vol.32 , Issue.2 , pp. 172-179
    • Quinn, I.1
  • 15
    • 77958570291 scopus 로고    scopus 로고
    • What do interval cycles have to do with tonal harmony?
    • -. 2010b. "What Do Interval Cycles Have to Do with Tonal Harmony?" Empirical Musicology Review 5 (3): 84-92.
    • (2010) Empirical Musicology Review , vol.5 , Issue.3 , pp. 84-92
    • Quinn, I.1
  • 16
    • 84968081876 scopus 로고
    • Expectation in music: Investigation of melodic and harmonic processes
    • Schmuckler, Mark A. 1989. "Expectation in Music: Investigation of Melodic and Harmonic Processes." Music Perception 7 (2): 109-49.
    • (1989) Music Perception , vol.7 , Issue.2 , pp. 109-149
    • Schmuckler, M.A.1
  • 18
    • 79955046169 scopus 로고    scopus 로고
    • Modes on the move: Interval cycles and the emergence of major-minor tonality
    • Woolhouse, Matthew H. 2010. "Modes on the Move: Interval Cycles and the Emergence of Major-Minor Tonality." Empirical Musicology Review 5 (3): 62-83.
    • (2010) Empirical Musicology Review , vol.5 , Issue.3 , pp. 62-83
    • Woolhouse, M.H.1
  • 19
    • 77952165257 scopus 로고    scopus 로고
    • Modelling tonal attraction between adjacent musical elements
    • -. 2009. "Modelling Tonal Attraction between Adjacent Musical Elements." Journal of New Music Research 38 (4): 357-79.
    • (2009) Journal of New Music Research , vol.38 , Issue.4 , pp. 357-379
    • Woolhouse, M.H.1
  • 21
    • 77952187772 scopus 로고    scopus 로고
    • Using interval cycles to model krumhansl's tonal hierarchies
    • Woolhouse, Matthew H., and Ian Cross. 2010a. "Using Interval Cycles to Model Krumhansl's Tonal Hierarchies." Music Theory Spectrum 32 (1): 60-78.
    • (2010) Music Theory Spectrum , vol.32 , Issue.1 , pp. 60-78
    • Woolhouse, M.H.1    Cross, I.2
  • 22
    • 84991227314 scopus 로고    scopus 로고
    • Tonal implications of dyadic harmony
    • Special issue: papers in honor of Irène Deliège
    • -. 2010b. "Tonal Implications of Dyadic Harmony." Musicae Scientiae. Special issue: papers in honor of Irène Deliège: 49-70.
    • (2010) Musicae Scientiae , pp. 49-70
    • Woolhouse, M.H.1    Cross, I.2
  • 23
    • 79954996037 scopus 로고    scopus 로고
    • The role of pitch attraction in the formation of generative musical grammar
    • 10-13 July, Tufts University
    • Woolhouse, Matthew H., and Martin Rohrmeier. 2008. "The Role of Pitch Attraction in the Formation of Generative Musical Grammar." Paper presented at the Music, Language, and the Mind Conference, 10-13 July, Tufts University.
    • (2008) Music, Language, and the Mind Conference
    • Woolhouse, M.H.1    Rohrmeier, M.2


* 이 정보는 Elsevier사의 SCOPUS DB에서 KISTI가 분석하여 추출한 것입니다.