메뉴 건너뛰기




Volumn , Issue , 2014, Pages 233-238

A methodological framework for teaching, evaluating and informing nime design with a focus on expressiveness and mapping

Author keywords

Design; Evaluation; Expressiveness; Framework; Mapping; Methods; NIME; Teaching

Indexed keywords

DESIGN; SMARTPHONES;

EID: 84978717427     PISSN: 22204792     EISSN: 22204806     Source Type: Conference Proceeding    
DOI: None     Document Type: Conference Paper
Times cited : (17)

References (31)
  • 1
  • 2
    • 85022837278 scopus 로고    scopus 로고
    • Strategies of mapping between gesture data and synthesis model parameters using perceptual spaces
    • D. Arfib, J.-M. Couturier, L. Kessous, V. Verfaille, et al. Strategies of mapping between gesture data and synthesis model parameters using perceptual spaces. Organised Sound, 7(2):127–144, 2002.
    • (2002) Organised Sound , vol.7 , Issue.2 , pp. 127-144
    • Arfib, D.1    Couturier, J.-M.2    Kessous, L.3    Verfaille, V.4
  • 5
    • 0040318024 scopus 로고
    • Interactive composing: An overview
    • J. Chadabe. Interactive composing: An overview. Computer Music Journal, 8(1):22–27, 1984.
    • (1984) Computer Music Journal , vol.8 , Issue.1 , pp. 22-27
    • Chadabe, J.1
  • 6
    • 70450026061 scopus 로고    scopus 로고
    • Principles for designing computer music controllers
    • National University of Singapore
    • P. Cook. Principles for designing computer music controllers. In Proc. of NIME, pages 1–4. National University of Singapore, 2001.
    • (2001) Proc. of NIME , pp. 1-4
    • Cook, P.1
  • 9
    • 84866641301 scopus 로고    scopus 로고
    • Longitudinal evaluation of the integration of digital musical instruments into existing compositional work processes
    • S. Gelineck and S. Serafin. Longitudinal evaluation of the integration of digital musical instruments into existing compositional work processes. Journal of New Music Research, 41(3):259–276, 2012.
    • (2012) Journal of New Music Research , vol.41 , Issue.3 , pp. 259-276
    • Gelineck, S.1    Serafin, S.2
  • 10
    • 84867840692 scopus 로고    scopus 로고
    • A machine learning toolbox for musician computer interaction
    • N. Gillian, R. B. Knapp, and S. O´ Modhrain. A machine learning toolbox for musician computer interaction. Proc. of NIME, 2011.
    • (2011) Proc. of NIME
    • Gillian, N.1    Knapp, R. B.2    Modhrain, S. O´3
  • 11
    • 79960343753 scopus 로고    scopus 로고
    • Digital musical interactions: PerformerâĂŞsystem relationships and their perception by spectators
    • 6
    • M. Gurevich and A. Cavan Fyans. Digital musical interactions: PerformerâĂŞsystem relationships and their perception by spectators. Organised Sound, 16:166–175, 6 2011.
    • (2011) Organised Sound , vol.16 , pp. 166-175
    • Gurevich, M.1    Cavan Fyans, A.2
  • 13
    • 4344567952 scopus 로고    scopus 로고
    • The importance of parameter mapping in electronic instrument design
    • A. Hunt, M. M. Wanderley, and M. Paradis. The importance of parameter mapping in electronic instrument design. Journal of New Music Research, 32(4):429–440, 2003.
    • (2003) Journal of New Music Research , vol.32 , Issue.4 , pp. 429-440
    • Hunt, A.1    Wanderley, M. M.2    Paradis, M.3
  • 15
    • 77950797838 scopus 로고    scopus 로고
    • On stage: the reactable and other musical tangibles go real
    • S. Jordà. On stage: the reactable and other musical tangibles go real. International Journal of Arts and Technology, 1(3):268–287, 2008.
    • (2008) International Journal of Arts and Technology , vol.1 , Issue.3 , pp. 268-287
    • Jordà, S.1
  • 17
    • 77953570743 scopus 로고    scopus 로고
    • Bridging the Gap Between Art and Science Education Through Teaching Electronic Musical Instrument Design
    • P. D. Lehrman and T. M. Ryan. Bridging the Gap Between Art and Science Education Through Teaching Electronic Musical Instrument Design. In Proc. of NIME, pages 136–139, 2005.
    • (2005) Proc. of NIME , pp. 136-139
    • Lehrman, P. D.1    Ryan, T. M.2
  • 18
    • 84882354399 scopus 로고    scopus 로고
    • Creating new interfaces for musical expression
    • page ACM
    • M. Lyons and S. Fels. Creating new interfaces for musical expression. In SIGGRAPH Asia 2013 Courses, page 17. ACM, 2013.
    • (2013) SIGGRAPH Asia 2013 Courses , pp. 17
    • Lyons, M.1    Fels, S.2
  • 19
    • 85160351345 scopus 로고    scopus 로고
    • Designing digital musical interactions in experimental contexts
    • A. Marquez-Borbon, M. Gurevich, A. C. Fyans, and P. Stapleton. Designing digital musical interactions in experimental contexts. contexts, 16(20):21, 2011.
    • (2011) contexts , vol.16 , Issue.20 , pp. 21
    • Marquez-Borbon, A.1    Gurevich, M.2    Fyans, A. C.3    Stapleton, P.4
  • 20
    • 79952804937 scopus 로고    scopus 로고
    • A framework for the evaluation of digital musical instruments
    • S. O’Modhrain. A framework for the evaluation of digital musical instruments. Computer Music Journal, 35(1):28–42, 2011.
    • (2011) Computer Music Journal , vol.35 , Issue.1 , pp. 28-42
    • O’Modhrain, S.1
  • 21
    • 0025402318 scopus 로고
    • Cybernetic issues in interactive performance systems
    • J. Pressing. Cybernetic issues in interactive performance systems. Computer music journal, 14(1):12–25, 1990.
    • (1990) Computer music journal , vol.14 , Issue.1 , pp. 12-25
    • Pressing, J.1
  • 24
    • 84972950076 scopus 로고
    • Some remarks on musical instrument design at steim
    • J. Ryan. Some remarks on musical instrument design at steim. Contemporary music review, 6(1):3–17, 1991.
    • (1991) Contemporary music review , vol.6 , Issue.1 , pp. 3-17
    • Ryan, J.1
  • 25
    • 84958082483 scopus 로고    scopus 로고
    • The Interaction Design Foundation, Aarhus, Denmark
    • D. Svanaes. Philosophy of Interaction. The Interaction Design Foundation, Aarhus, Denmark, 2013.
    • (2013) Philosophy of Interaction
    • Svanaes, D.1
  • 26
    • 84898827776 scopus 로고    scopus 로고
    • An exploration on mobile interfaces with adaptive mapping strategies in pure data
    • Bauhaus Universität, Weimar
    • K. Tahiroğlu. An exploration on mobile interfaces with adaptive mapping strategies in pure data. In Proceedings of the 4th International Pure Data Convention. Bauhaus Universität, Weimar, 2011.
    • (2011) Proceedings of the 4th International Pure Data Convention
    • Tahiroğlu, K.1
  • 30
    • 0036750135 scopus 로고    scopus 로고
    • Evaluation of input devices for musical expression: Borrowing tools from hci
    • M. M. Wanderley and N. Orio. Evaluation of input devices for musical expression: Borrowing tools from hci. Computer Music Journal, 26(3):62–76, 2002.
    • (2002) Computer Music Journal , vol.26 , Issue.3 , pp. 62-76
    • Wanderley, M. M.1    Orio, N.2


* 이 정보는 Elsevier사의 SCOPUS DB에서 KISTI가 분석하여 추출한 것입니다.