-
1
-
-
0018534584
-
Digital synthesis of complex spectra by means of multiplication of non-linear distorted sine waves
-
Arfib, D. 1979. Digital synthesis of complex spectra by means of multiplication of non-linear distorted sine waves. Journal of the Audio Engineering Society 27: 10.
-
(1979)
Journal of the Audio Engineering Society
, vol.27
, pp. 10
-
-
Arfib, D.1
-
2
-
-
34047253146
-
Selective transformations of sound using time-frequency representations: an application to the vibrato modification
-
Amsterdam
-
Selective transformations of sound using time-frequency representations: an application to the vibrato modification, D. Arfib, N. Delprat, In 104th Convention of the Audio Engineering Society, 1998, Amsterdam
-
(1998)
In 104th Convention of the Audio Engineering Society
-
-
Arfib, D.1
Delprat, N.2
-
3
-
-
85022822175
-
From Music V to creative gesture in computer music
-
Curitiba, available in CD format or at: http://www.niee.ufrgs.br/SBC2000/eventos/sbc&m/sbc&m3.pdf
-
Arfib, D., and Kessous, L. 2000. From Music V to creative gesture in computer music. In Proc. of the VIIth SBC Conf., Curitiba, available in CD format or at: http://www.niee.ufrgs.br/SBC2000/eventos/sbc&m/sbc&m3.pdf
-
(2000)
In Proc. of the VIIth SBC Conf.
-
-
Arfib, D.1
Kessous, L.2
-
5
-
-
85022821782
-
Gestural control of sound synthesis and processing algorithms
-
Springier-Verlag.
-
Arfib, D., and Kessous, L. 2002. Gestural control of sound synthesis and processing algorithms. Gesture Control Workshop. Springier-Verlag.
-
(2002)
Gesture Control Workshop.
-
-
Arfib, D.1
Kessous, L.2
-
6
-
-
0011014798
-
Controle gestuel de la synthese sonore
-
In H. Vinet and F. Delalande (eds.), Paris: Hermes Science Publishing.
-
Baudouin-Lafon M. 1999. Controle gestuel de la synthese sonore. In H. Vinet and F. Delalande (eds.) Interfaces homme - machine et creation musicale, pp. 145–63. Paris: Hermes Science Publishing.
-
(1999)
Interfaces homme - machine et creation musicale
, pp. 145-163
-
-
Baudouin-Lafon, M.1
-
7
-
-
0020148958
-
Synthesis by spectral amplitude and brightness matching of analyzed musical instrument tones
-
Beauchamp, J. W. 1982. Synthesis by spectral amplitude and brightness matching of analyzed musical instrument tones. Journal of the Audio Engineering Society 30(6): 396-406.
-
(1982)
Journal of the Audio Engineering Society
, vol.30
, Issue.6
, pp. 396-406
-
-
Beauchamp, J.W.1
-
9
-
-
85137168369
-
The Radio Drum as a synthesizer controller
-
In T. Wells and D. Butler (eds.), San Francisco: International Computer Music Association.
-
Boie, B., Mathews, M., and Schloss, A. 1989. The Radio Drum as a synthesizer controller. In T. Wells and D. Butler (eds.) Proc. of the Int. Computer Music Conf. (ICMC 1989), pp. 42–5. San Francisco: International Computer Music Association.
-
(1989)
Proc. of the Int. Computer Music Conf. (ICMC 1989)
, pp. 42-45
-
-
Boie, B.1
Mathews, M.2
Schloss, A.3
-
12
-
-
0030649155
-
Psychoacoustical roughness: implementation of an optimized model. Acustica -
-
Daniel, P., and Weber, R. 1997. Psychoacoustical roughness: implementation of an optimized model. Acustica - Acta Acustica 83: 113–23.
-
(1997)
Acta Acustica
, vol.83
, pp. 113-123
-
-
Daniel, P.1
Weber, R.2
-
16
-
-
85022808859
-
A survey of classical synthesis techniques
-
in Csound. In R. Boulanger (ed.), MIT Press.
-
Fischman, R. 1999. A survey of classical synthesis techniques in Csound. In R. Boulanger (ed.) The Csound Book. MIT Press.
-
(1999)
The Csound Book.
-
-
Fischman, R.1
-
17
-
-
0005252733
-
An Exploration of Musical Timbre
-
Ph.D. dissertation, Dept. of Psychology, Stanford University. CCRMA Report STAN-M-2.
-
Grey, J. M. 1975. An Exploration of Musical Timbre. Ph.D. dissertation, Dept. of Psychology, Stanford University. CCRMA Report STAN-M-2.
-
(1975)
-
-
Grey, J.M.1
-
18
-
-
0033314138
-
Inversion of a physical model of a trumpet
-
Beijing.
-
Helie, T., Vergez, T., Levine, J., and Rodet, X. 1999. Inversion of a physical model of a trumpet. In Proc. of the Int. Computer Music Conf. (ICMC’99). Beijing.
-
(1999)
In Proc. of the Int. Computer Music Conf. (ICMC’99).
-
-
Helie, T.1
Vergez, T.2
Levine, J.3
Rodet, X.4
-
19
-
-
84973023071
-
Envelope matching with genetic algorithms
-
Horner, A. 1995. Envelope matching with genetic algorithms. Journal of New Music Research 24(4): 318—341.
-
(1995)
Journal of New Music Research
, vol.24
, Issue.4
, pp. 318-341
-
-
Horner, A.1
-
20
-
-
85159313532
-
Towards a model for instrumental mapping in expert musical interaction
-
ICMA: Berlin, Germany
-
Hunt, A., Wanderley, M., and Kirk, R. 2000. Towards a model for instrumental mapping in expert musical interaction. Proc. of the Int. Computer Music Conf. (ICMC’2000), pp. 209–12. ICMA: Berlin, Germany.
-
(2000)
Proc. of the Int. Computer Music Conf. (ICMC’2000)
, pp. 209-212
-
-
Hunt, A.1
Wanderley, M.2
Kirk, R.3
-
22
-
-
0038397327
-
Envelope model of isolated musical sounds
-
Trondheim
-
Jensen, K. 1999. Envelope model of isolated musical sounds. In Proc. of the DAFx99 Conf., Trondheim.
-
(1999)
In Proc. of the DAFx99 Conf.
-
-
Jensen, K.1
-
23
-
-
85022862629
-
The Timbre Model of Musical Sounds
-
Ph.D. thesis, Datalogisk Insitut, Kobenhavns Universitet, Denmark
-
Jensen, K. 2000. The Timbre Model of Musical Sounds. Ph.D. thesis, Datalogisk Insitut, Kobenhavns Universitet, Denmark.
-
(2000)
-
-
Jensen, K.1
-
25
-
-
33646670756
-
Analyse acoustique et perception du timbre
-
D.E. A thesis, Universite du Mans, France
-
Krimphoff, J. 1994. Analyse acoustique et perception du timbre. D.E.A thesis, Universite du Mans, France.
-
(1994)
-
-
Krimphoff, J.1
-
26
-
-
85022825203
-
Visualization and calculation of the acoustical musical signals using the Synchronization Index Model (SIM)
-
Leman, M. 2000. Visualization and calculation of the acoustical musical signals using the Synchronization Index Model (SIM). In Proc. of the DAFxOO Conference, Verona.
-
(2000)
In Proc. of the DAFxOO Conference, Verona.
-
-
Leman, M.1
-
28
-
-
0029442124
-
Perceptual scaling of synthesized musical timbres: common dimensions, specificities, and latent subject classes
-
MacAdams, S., Winsberg, S., Donnadieu, S., De Soete, G., and Krimphoff, J. 1995. Perceptual scaling of synthesized musical timbres: common dimensions, specificities, and latent subject classes. Psychological Research 58: 177–92.
-
(1995)
Psychological Research
, vol.58
, pp. 177-192
-
-
MacAdams, S.1
Winsberg, S.2
Donnadieu, S.3
De Soete, G.4
Krimphoff, J.5
-
29
-
-
0004723933
-
2pMU9: Musical instrument identification: A pattern-recognition approach
-
Martin, K. D., and Kim, Y. E. 1998. 2pMU9: Musical instrument identification: A pattern-recognition approach. 136th meeting of the ASA.
-
(1998)
136th meeting of the ASA.
-
-
Martin, K.D.1
Kim, Y.E.2
-
30
-
-
85022767565
-
Musical gestures and audio effects processing
-
Metois, E. 1998. Musical gestures and audio effects processing. In Proc. of the DAFx98 Conf.
-
(1998)
In Proc. of the DAFx98 Conf.
-
-
Metois, E.1
-
32
-
-
0018443395
-
The use of linear prediction of speech in computer music applications
-
Moorer, J. 1979. The use of linear prediction of speech in computer music applications. Journal of the AES 27(3): 134-40.
-
(1979)
Journal of the AES
, vol.27
, Issue.3
, pp. 134-140
-
-
Moorer, J.1
-
33
-
-
34250818706
-
Perception de la rugosite psychoacous-tique: d’un attribut elementaire de 1’audition a l’ecoute musicale
-
Ph.D. thesis, Universite Paris VI.
-
Pressnitzer, D. 1999. Perception de la rugosite psychoacous-tique: d’un attribut elementaire de 1’audition a l’ecoute musicale. Ph.D. thesis, Universite Paris VI.
-
(1999)
-
-
Pressnitzer, D.1
-
34
-
-
0011004716
-
Paradoxe de hauteur sonore: le complexe de hauteur sonore n’est pas le meme pour tout le monde
-
Risset, J.-C. 1971. Paradoxe de hauteur sonore: le complexe de hauteur sonore n’est pas le meme pour tout le monde. Proc. of the 7th Int. Congress of Acoustics, Budapest, pp. 613–16.
-
(1971)
Proc. of the 7th Int. Congress of Acoustics, Budapest
, pp. 613-616
-
-
Risset, J.C.1
-
35
-
-
4344601389
-
Paradoxical sounds
-
In M. Mathews and J. Pierce (eds.), Cambridge, MA: MIT Press.
-
Risset, J.-C. 1989. Paradoxical sounds. In M. Mathews and J. Pierce (eds.) Current Directions in Computer Music Research, pp. 149–58. Cambridge, MA: MIT Press.
-
(1989)
Current Directions in Computer Music Research
, pp. 149-158
-
-
Risset, J.C.1
-
36
-
-
0003219895
-
Exploration of timbre by analysis and synthesis
-
second edition, Academic Press.
-
Risset, J.-C., and Wessel, D. L. 1999. Exploration of timbre by analysis and synthesis. The Psychology of Music, second edition, pp. 113–69. Academic Press.
-
(1999)
The Psychology of Music
, pp. 113-169
-
-
Risset, J.C.1
Wessel, D.L.2
-
37
-
-
84923606398
-
Vibrato: detection, estimation, extraction, modification
-
Rossignol, S., Depalle, P., Soumagne, J., Rodet, X., and Col-lette, J.-L. 1998. Vibrato: detection, estimation, extraction, modification. In Proc. of the DAFx98 Conf.
-
(1998)
In Proc. of the DAFx98 Conf.
-
-
Rossignol, S.1
Depalle, P.2
Soumagne, J.3
Rodet, X.4
Col-lette, J.-L.5
-
38
-
-
0030648077
-
Construction and evaluation of a robust multifeature speech/music discriminator
-
Beijing.
-
Scheirer, E., and Slaney, M. 1997. Construction and evaluation of a robust multifeature speech/music discriminator. In ICASSP Proc. Serafin, S., Dudas, R., Wanderley, M., and Rodet, X. 1999. Gestural control of a physical model of a bowed string instrument. In Proc. of the Int. Computer Music Conf. (ICMC99). Beijing.
-
(1997)
In ICASSP Proc. Serafin, S., Dudas, R., Wanderley, M., and Rodet, X. 1999. Gestural control of a physical model of a bowed string instrument. In Proc. of the Int. Computer Music Conf. (ICMC99).
-
-
Scheirer, E.1
Slaney, M.2
-
39
-
-
0040168207
-
Structural representation of musical pitch
-
New York: Academic Press.
-
Shepard, R. N. 1982. Structural representation of musical pitch. The Psychology of Music, pp. 343–90. New York: Academic Press.
-
(1982)
The Psychology of Music
, pp. 343-390
-
-
Shepard, R.N.1
-
40
-
-
0007691658
-
Sound Color
-
Berkeley: University of California Press.
-
Slawson, W. 1985. Sound Color. Berkeley: University of California Press.
-
(1985)
-
-
Slawson, W.1
-
41
-
-
85022883085
-
-
http://www.tactex.com/
-
Tactex. 2002. http://www.tactex.com/
-
(2002)
Tactex
-
-
-
42
-
-
0018367986
-
Calculating virtual pitch
-
Terhardt, E. 1979. Calculating virtual pitch. Hearing Research 1: 155–82.
-
(1979)
Hearing Research 1
, pp. 155-182
-
-
Terhardt, E.1
-
43
-
-
85022904040
-
Thrustmaster
-
http://www. thrustmaster.com/
-
Thrustmaster. 2002. http://www.thrustmaster.com/
-
(2002)
-
-
-
45
-
-
85067988378
-
Scanned Synthesis
-
Berlin
-
Verplank, B., Mathews, M., and Shaw, R. 2000. Scanned Synthesis. Proc. of the 2000 Int. Computer Music Conf. (ICMC2000), pp. 368–71. Berlin.
-
(2000)
Proc. of the 2000 Int. Computer Music Conf. (ICMC2000)
, pp. 368-371
-
-
Verplank, B.1
Mathews, M.2
Shaw, R.3
-
46
-
-
85022823968
-
Wacom
-
http://www. wacom.com
-
Wacom. 2002. http://www.wacom.com
-
(2002)
-
-
-
47
-
-
0032314824
-
Escher - modeling and performing composed instruments in real-time
-
San Diego, CA
-
Wanderley, M., Schnell, N., and Rovan, J.B. 1998. Escher - modeling and performing composed instruments in real-time. Proc. of the 1998 IEEE Int. Conf. on Systems, Man and Cybernetics (SMC’98), pp. 1,080-4. San Diego, CA.
-
(1998)
Proc. of the 1998 IEEE Int. Conf. on Systems, Man and Cybernetics (SMC’98), pp.
-
-
Wanderley, M.1
Schnell, N.2
Rovan, J.B.3
-
48
-
-
0011014798
-
Controle gestuel de la synthese sonore
-
In H. Vinet and F. Delalande (eds.), Paris: Hermes Science Publishing.
-
Wanderley, M., and Depalle, P. 1999. Controle gestuel de la synthese sonore. In H. Vinet and F. Delalande (eds.) Interfaces homme - machine et creation musicale, pp. 145–163. Paris: Hermes Science Publishing.
-
(1999)
Interfaces homme - machine et creation musicale
, pp. 145-163
-
-
Wanderley, M.1
Depalle, P.2
-
49
-
-
85159377699
-
On the choice of transducer technologies for specific musical functions
-
Berlin
-
Wanderley, M., Viollet, J.-P., Isart, F., and Rodet, X. 2000. On the choice of transducer technologies for specific musical functions. Proc. of the Int. Computer Music Conf. (ICMC’2000). Berlin.
-
(2000)
Proc. of the Int. Computer Music Conf. (ICMC’2000).
-
-
Wanderley, M.1
Viollet, J.-P.2
Isart, F.3
Rodet, X.4
-
50
-
-
0004011783
-
Interaction Musicien-Instrument: application au controle gestuel de la synthese sonore
-
These de doctorat, Universite Paris VI, IRCAM.
-
Wanderley, M. 2001. Interaction Musicien-Instrument: application au controle gestuel de la synthese sonore. These de doctorat, Universite Paris VI, IRCAM.
-
(2001)
-
-
Wanderley, M.1
-
51
-
-
0001894143
-
Timbre space as a musical control structure
-
Wessel, D. L. 1979. Timbre space as a musical control structure. Computer Music Journal 3: 2.
-
(1979)
Computer Music Journal
, vol.3
, pp. 2
-
-
Wessel, D.L.1
-
52
-
-
85022784838
-
Removing the time axis from spectral analysis-based additive synthesis: neural networks versus memory-based machine learning
-
Ann Arbor
-
Wessel, D., Drame, C., and Wright, M. 1998. Removing the time axis from spectral analysis-based additive synthesis: neural networks versus memory-based machine learning. Proc. of the Int. Computer Music Conf. (ICMC’98). Ann Arbor.
-
(1998)
Proc. of the Int. Computer Music Conf. (ICMC’98).
-
-
Wessel, D.1
Drame, C.2
Wright, M.3
-
53
-
-
0002931397
-
New musical control structures from standard gestural controllers
-
Thessaloniki
-
Wright, M., Wessel, D., and Freed, A. 1997. New musical control structures from standard gestural controllers. Proc. of the Int. Computer Music Conf. (ICMC'1997), pp. 387–90. Thessaloniki.
-
(1997)
Proc. of the Int. Computer Music Conf. (ICMC'1997)
, pp. 387-390
-
-
Wright, M.1
Wessel, D.2
Freed, A.3
-
54
-
-
85022815870
-
Managing complexity with explicit mapping of gestures to sound control with OSC
-
Wright, M., Freed, A., Lee, A., Madden, T., and Momeni, A. 2001. Managing complexity with explicit mapping of gestures to sound control with OSC. In Proc. of the Int. Computer Music Conf. (ICMC’2001).
-
(2001)
In Proc. of the Int. Computer Music Conf. (ICMC’2001).
-
-
Wright, M.1
Freed, A.2
Lee, A.3
Madden, T.4
Momeni, A.5
|